This document summarizes a presentation about choosing the right data metrics to measure arts organization success. It discusses aligning metrics with goals and stakeholder interests. Examples show calculating percentages of patron revenue and numbers of active patrons. Key performance indicators measure things like marketing return on investment, program revenue, and attendance in response to marketing. The presentation emphasizes selecting just one to three relevant data points that stakeholders care about. It provides examples of using data to plan cultivation of new and existing patrons facing programming changes.
2. SMU National Center for Arts Research (NCAR) Advancing the arts through evidence-based knowledge
To act as a catalyst for the transformation and sustainability of the national arts and cultural community
Vision Statement
Mission Statement
To be the leading provider of evidence- based insights that enable arts and cultural leaders to overcome challenges and increase impact
3. Scope of the Center
Insight
Analysis
Data gathering
Enablement
Implementation
Practical tools & resources
Deeper dive & dissemination
Primary data collecting
Hands-on
application
Focus
Out of scope
Ad hoc, as required
Data aggregation & basic findings
5. Modeling the Arts & Culture Ecosystem
Public Arts Funding
NEA, IMLS
CDP, NASAA
Community Census Bureau, CDP
A & C Organizations
CDP, TCG
NCCS
6. Building a Spatial Model: Arts & Cultural Organizations & a Sense of Place
7. Example – XYZ Theatre Company in New Orleans
5 km radius, weight=80%
3 km radius, weight=89%
1 km radius, weight=97%
XYZ Theatre
8. SMU National Center for Arts Research (NCAR) Advancing the arts through evidence-based knowledge
Mission Statement
What are the Important Questions to Ask?
Contributed revenue
Earned revenue
Expenses
Marketing Impact
Bottom Line
Balance Sheet
Community Engagement
Program Activity
What outcomes should we examine in order to answer the questions?
Staffing
9. SMU National Center for Arts Research (NCAR) Advancing the arts through evidence-based knowledge
Example:
Question: “What is program revenue per attendee?”
Index: Program revenue/Total in-person attendance
What drives high performance? KIPIs
What drives performance?
Driving Forces
What was performance?
Averages
10. $37.36
$24.86
$6.62
$36.25
$9.45
$53.02
$34.03
$37.67
$27.90
$13.78
$17.53
$0.00
$20.00
$40.00
$60.00
Arts Education
Art Museums
Community
Dance
Music
Opera
Performing Arts Centers
Symphony Orchestras
Theater
Other Museums
General Performing Arts
Ave. Total
Marketing
Expenses/Ave.
In-person
Attendance
Ave. Program
Revenue/Ave.
In-person
Attendance
What are marketing expenses per attendee and program revenue per attendee?
Taken together, we see very different levels of net program revenue per attendee by sector.
$20.47
$40.09
$13.06
11. $11.98
$8.68
$3.79
$4.64
$3.51
$4.10
$5.17
$4.34
$3.75
$6.35
$3.92
$0.00
$5.00
$10.00
$15.00
Arts Education
Art Museums
Community
Dance
Music
Opera
Performing Arts Centers
Symphony Orchestras
Theater
Other Museums
General Performing Arts
Ave.
Program
Revenue/
Ave.Total
Marketing
Expenses
What is return on marketing investment?
There appears to be a ceiling on the program revenue each dollar of marketing yields for performing arts organizations.
$1,532,000
$344,447
$526,305 $110,457
$875,898
$229,051
12. What is the return on fundraising investment?
There appears to be a ceiling on the return each dollar of fundraising yields.
$7.27
$8.68
$9.68
$7.12
$6.67
$7.39
$7.05
$6.90
$6.99
$8.63
$8.37
$-
$5.00
$10.00
Arts Education
Art Museums
Community
Dance
Music
Opera
Performing Arts Centers
Symphony Orchestras
Theater
Other Museums
General Performing Arts
Total
Contributed
Revenue
(unrestricted,
temporarily &
permanently
restricted)/
Fundraising
Expenses
(including staff)
$565,867
$78,950
$886,862
$126,529
$2,997,046
$424,976
13. SMU National Center for Arts Research (NCAR) Advancing the arts through evidence-based knowledge
What was performance? Averages
Example:
Question: “What is program revenue per attendee?”
Index: Program revenue/Total in-person attendance
What drives high performance?
KIPIs
What drives performance?
Driving Forces
What was performance?
Averages
14. What Drives Performance? The Concept of Explained Variation
Attendance
Arts & Cultural Sector
Expected Performance
15. Sector, size, age, square footage, …; community characteristics, availability of public arts funding
The Concept of Explained Variation
Attendance
16. The Concept of Explained Variation
Attendance
The Concept of Unexplained Variation
What drives high performance?
Key Intangible Performance Indicator (KIPI)
18. What Drives Performance? E.g., Operating Revenue
31%
6%
59%
4%
% Variation Explained by
Organization-level Drivers
% Variation Explained by
Marketplace Drivers
% Total Variation
Attributable to KIPI
% Total Variation
Attributable to Random
Error
Tee box
adjustment
19. 31%
6%
59%
% Variation Explained by
Organization-level Drivers
% Variation Explained by
Marketplace Drivers
% Total Variation Attributable
to KIPI
% Total Variation Attributable
to Random Error
What Drives Performance? E.g., Operating Revenue
31%
6%
59%
4%
Size, age, sector, square footage +
Receives NEA/IMLS funds +
Local premieres +
Targets young adults +
Targets Asian-Americans –
A&C Organization Characteristics
High % kids +
Socioeconomic level +
Total population +
Median age –
Community Characteristics
Market A&C $ activity +
# of arts providers +
Leisure complements +
Public radio/TV+
20. 31%
6%
59%
% Variation Explained by
Organization-level Drivers
% Variation Explained by
Marketplace Drivers
% Total Variation Attributable
to KIPI
% Total Variation Attributable
to Random Error
What Drives Performance? E.g., Operating Revenue
31%
6%
59%
4%
"The [X theatre] has realized how to leverage its brand to create more consistent revenue streams."
“We surveyed audiences and ‘quality’ was the number one reason they come. It’s the same reason we can hire the artists we want."
“It’s about getting your mojo working.”
21. KIPI Scores: ABC Presenter
Which index scores would you like to see?
Earned
revenue
Expenses
Bottom
line
Balance sheet
Staffing
Program activity
Community
engagement
Contributed revenue
Marketing
impact
22. KIPI Scores: ABC Presenter
Which index scores would you like to see?
Contributed revenue
Earned
revenue
Expenses
Marketing
impact
Bottom
line
Balance sheet
Community
engagement
Program activity
Staffing
Return on Fundraising
Unrestricted Contributions
Trustee Contributions
Individual Contributions
Response to Marketing Efforts
Return on Marketing Efforts
Operating Bottom Line
(before depreciation)
Available Cash
Working Capital
Unrestricted Surplus
Operating Bottom Line
(after depreciation)
Total Engagement
In-person Engagement
Revenue-per-Offering
People-per-Offering
Visitor-to-Staff
Corporate Contributions
Foundation Support
Government Support
Earned Revenue
Attendee-Expense
Relational Revenue
Investment in Program
Investment in Program Personnel
Response to Direct Marketing Spend
Return on Direct Marketing Spend
= Subscription & Membership Revenue
Total Expenses
= Program Revenue
Marketing Expenses
= In-person Attendance
Marketing Expenses
Revenue per Attendee
23. KIPI Scores: ABC Presenter
Has your Relational Revenue KIPI increased or decreased over time?
(Total Subscription & Membership Revenue/Total Expenses)
Relational Revenue
Index
2011
0
50
100
2012
Relational Revenue
Index
2013
Relational Revenue
Index
Click here to see
changes in the KIPI of the component parts of this Index over time.
24. KIPI Scores: ABC Presenter
Has your Return on Marketing KIPI increased or decreased over time?
(Total Program Revenue/Total Marketing Expenses)
Return on Marketing
Efforts Index
2011
0
50
100
2012
Return on Marketing
Efforts Index
2013
Return on Marketing Efforts Index
Click here to see
changes in the KIPI of the component parts of this Index over time.
25. KIPI Scores: ABC Presenter
Is the change in your Return on Marketing Efforts KIPI driven by an increase/decrease in your Total Program Revenue KIPI?
2012
Response to Marketing
Efforts Index
Return on Marketing
Efforts Index
2011
2013
Response to Marketing
Efforts Index
Program Revenue
2011
Program Revenue
2012
Program Revenue
2013
0
50
100
Click here to see
changes in the KIPI of the component parts of this Index over time.
26. KIPI Scores: ABC Presenter
Is the change in your Return on Marketing Efforts KIPI driven by an increase/decrease in your Total Marketing Expenses KIPI?
2012
Return on Marketing
Efforts Index
2011
2013
Return on Marketing
Efforts Index
Marketing Expenses
2011
Marketing Expenses
2012
Marketing Expenses
2013
0
50
100
Click here to see
changes in the KIPI of the component parts of this Index over time.
Return on Marketing
Efforts Index
27. KIPI Scores: ABC Presenter
Has your Response to Marketing Efforts KIPI increased or decreased over time?
(Total In-person Attendance/Total Marketing Expenses)
Response to Marketing
Efforts Index
2011
0
50
100
2012
Response to Marketing
Efforts Index
2013
Response to Marketing
Efforts Index
Click here to see
changes in the KIPI of the component parts of this Index over time.
28. KIPI Scores: ABC Presenter
Is the change in your Response to Marketing Efforts KIPI driven by an increase/decrease in your Total In-Person Attendance KIPI?
2012
Response to Marketing
Efforts Index
Response to Marketing
Efforts Index
2011
2013
Response to Marketing
Efforts Index
Total Attendance
2011
Total Attendance
2012
Total Attendance
2013
0
50
100
Click here to see
changes in the KIPI of the component parts of this Index over time.
29. KIPI Scores: ABC Presenter
Is the change in your Response to Marketing Efforts KIPI driven by an increase/decrease in your Total Marketing Expenses KIPI?
2012
Response to Marketing
Efforts Index
Response to 2011
2013
Response to Marketing
Efforts Index
Marketing Expenses
2011
Marketing Expenses
2012
Marketing Expenses
2013
0
50
100
Click here to see
changes in the KIPI of the component parts of this Index over time.
Marketing
Efforts Index
34. ( )
% of patron revenue How important patrons are Source: your budget Timespan: most recent season/year revenue from: ticket sales + memberships/subs + individual gifts + classes/events/galas TOTAL revenue (including foundation, corporate, government)
1
#measuresuccess
35. % of patron revenue
Recent examples
92%
81%
72%
71%
63%
60%
48%
33%
What does this look like at your organization?
#measuresuccess
36. # of Active Patrons Your most important patrons Source: your database or ticketing system Timespan: 2 most recent seasons or years Count of households that had any interaction this year and last year
2
#measuresuccess
38. What’s an upgrade?
Action
Next Step
Buy a ticket for
the first time
Buy a ticket
twice in the
same season
Renew
subscription/
membership
Come back again
Buy a
subscription/
membership
Add on donation or events
#measuresuccess
39. CASE STUDY
You have 10 minutes to plan what Kathy should do next. In your answer, include:
- an outline of 2-3 specific things that the marketing department should do to cultivate incoming new and existing patrons in the face of upcoming blockbuster events.
- how Kathy should re-allocate her subscription and single ticket budget. You should take into account the 10% ($18,000) cut and include any reallocations for individual productions.
#measuresuccess
40. NO SIZE FITS ALL:
Choose the Right Data
November 9, 2014
Arin Sullivan
Director of Programs & Client Services
41. Agenda
Alignment
Position vs. Interest
Group work
#nampc
#measuresuccess
48. Avoid the Data Swarm
“Over 50 percent of our marketing budget is spent on printing materials…”
Limit yourself to 1 to 3 data points
Select data points that:
•
Align with your plan
•
Align with your colleague’s interests
•
Are succinct, memorable, and digestible
#nampc #measuresuccess
49. Workshop
1. Focus on one colleague
•
Review their interests
2. Choose the right data
•
Choose 1 strategy
•
10 minutes of group work
3. Report out
•
Share your strategy and the data points that you chose for your colleague
#nampc
#measuresuccess
50.
51. Thank you
Arin Sullivan,
Director of Programs & Client Services
e: asullivan@culturaldata.org
w: culturaldata.org
#nampc #measuresuccess