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The Transformative Arts Process
Experiments in Philanthropic
Participation
The Heinz Endowments
• Asset size: $1.6 Billion
• $60-$70 Million in grants annually in Pittsburgh
• Five Program Areas
– Arts & Culture
– Children, Youth & Families
– Community & Economic Development
– Education
– Environment
• I work in Arts & Culture
More Typical Philanthropic Processes
• Reflect on prior work successes & mistakes;
• Staff develop strategy based upon prior
experience and build it on top of other models
with which we are familiar;
• Develop an RFP and ask for community input;
• Share RFP with community;
• Solicit responses;
• Panel or staff makes decisions;
• Power not explicitly addressed
Innovators I’ve Learned From
Making Our Thinking More Visible
The first paper we wrote communicating where we were going
Focusing on Relationship Building
Engaged Race & Racism
Enlisted Colleagues
New York
Boston
The Bay Area
When Grantees Wanted Data
We Tried To Respond
“Transform Your Work As A Start”
Presented Three Ideas to the Board
janera solomon of Kelly
Strayhorn Theater: Incubate
spaces for African American
artists interested in social
justice on Penn Ave
James Brown of the
Lighthouse House
Project: Take the
Lighthouse Program to
a free standing building
serving more and more
accessible.
Charlie Humphrey
of the Pgh Center
for the Arts:
Media Literacy
Programs in AA &
Distressed
Neighborhoods
Presented next steps
Presented this
document to
community
stakeholders in
October of 2013
Wasn’t exactly a hit
So took another shot
Got Closer
Presented a more
flexible definition
of field building in
February of 2014
Presented to Board and Progress!
• $800,000 appropriation
– Grants for cohort and
movement building
– Consultant team to
manage process
– Stipends for advisory
board members
– Evaluation
Development of TAP Advisory
Board
Increasing Participation Further
Reviewed Purpose and Way of
Working
TAP Field
Building
Strategies
Separate
ineffective
programs
from effective
ones.
Attract people
to attend the
programs
already
operating in
their
neighborhoods.
Support
effective
programs in
AA/DN over
generations.
Recruit, train,
support and
develop
individuals
for the field.
Build
community
among those
doing the
work.
Developed Its Own Definition of Field
Building
Built an Online Community
Next Step: Develop Strategy
• Will all five areas receive equal investment? If
not, which areas are more in need of $?
• Will all five areas use the same method of
impacting the field? For example, might we
use RFPs in all of the areas?
Challenges & Questions
• Engage consultants/partners who care about
relationships & get them;
• Invest in time, but understand the downsides
in terms of “Money out the door.”
• Bring value to grantees outside of $;
• Include race & justice analysis in the work.
• If possible, structure relationships into the
work and define the relationship together;
More Challenges & Questions
• Be prepared to make real changes based upon
what you hear from partners and provide real
check-in opportunities;
• Do not overestimate “relationships”. No $ to a
grantee may mean the relationship is over.
• Employ relationship tools, such as social media,
project management software that allow
grantees to impact work;
• Communications internally as important
externally.

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The Transformative Arts Process by Justin Laing

  • 1. The Transformative Arts Process Experiments in Philanthropic Participation
  • 2. The Heinz Endowments • Asset size: $1.6 Billion • $60-$70 Million in grants annually in Pittsburgh • Five Program Areas – Arts & Culture – Children, Youth & Families – Community & Economic Development – Education – Environment • I work in Arts & Culture
  • 3. More Typical Philanthropic Processes • Reflect on prior work successes & mistakes; • Staff develop strategy based upon prior experience and build it on top of other models with which we are familiar; • Develop an RFP and ask for community input; • Share RFP with community; • Solicit responses; • Panel or staff makes decisions; • Power not explicitly addressed
  • 5. Making Our Thinking More Visible The first paper we wrote communicating where we were going
  • 7. Engaged Race & Racism
  • 13. We Tried To Respond
  • 14. “Transform Your Work As A Start”
  • 15. Presented Three Ideas to the Board janera solomon of Kelly Strayhorn Theater: Incubate spaces for African American artists interested in social justice on Penn Ave James Brown of the Lighthouse House Project: Take the Lighthouse Program to a free standing building serving more and more accessible. Charlie Humphrey of the Pgh Center for the Arts: Media Literacy Programs in AA & Distressed Neighborhoods
  • 16. Presented next steps Presented this document to community stakeholders in October of 2013
  • 19. Got Closer Presented a more flexible definition of field building in February of 2014
  • 20. Presented to Board and Progress! • $800,000 appropriation – Grants for cohort and movement building – Consultant team to manage process – Stipends for advisory board members – Evaluation
  • 21. Development of TAP Advisory Board Increasing Participation Further
  • 22. Reviewed Purpose and Way of Working
  • 23. TAP Field Building Strategies Separate ineffective programs from effective ones. Attract people to attend the programs already operating in their neighborhoods. Support effective programs in AA/DN over generations. Recruit, train, support and develop individuals for the field. Build community among those doing the work. Developed Its Own Definition of Field Building
  • 24. Built an Online Community
  • 25. Next Step: Develop Strategy • Will all five areas receive equal investment? If not, which areas are more in need of $? • Will all five areas use the same method of impacting the field? For example, might we use RFPs in all of the areas?
  • 26. Challenges & Questions • Engage consultants/partners who care about relationships & get them; • Invest in time, but understand the downsides in terms of “Money out the door.” • Bring value to grantees outside of $; • Include race & justice analysis in the work. • If possible, structure relationships into the work and define the relationship together;
  • 27. More Challenges & Questions • Be prepared to make real changes based upon what you hear from partners and provide real check-in opportunities; • Do not overestimate “relationships”. No $ to a grantee may mean the relationship is over. • Employ relationship tools, such as social media, project management software that allow grantees to impact work; • Communications internally as important externally.

Editor's Notes

  1. The Advisory Board imagines for themselves a greater a scope of responsibility, including defining field building themselves and serving as an intermediary to field