Peter O’Brien Auction Draws Bidders to Dublin Event

Our warmest thanks to the wonderful Peter O’Brien
for drawing the front cover specially for this auction

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AUCTION
Tuesday 14th May 2019 at 6pm
VENUE
Adam’s Salerooms,
26 St. Stephen’s Green,
Dublin
D02 X665
Ireland
SALE VIEWING MAY 11th
- MAY 14th
At Adam’s, 26 St. Stephen’s Green, Dublin, D02 X665

Saturday 11th
May 1:00pm - 5:00pm
Sunday 12th
May 1:00pm - 5:00pm
Monday 13h
May 10:00am - 5:00pm
Tuesday 14th
May 10:00am - 4:00pm
ADAM’S
Est.1887
26 St. Stephen’s Green
Dublin D02 X665
Tel +353 1 6760261
info@adams.ie
www.adams.ie
Private Viewing by appointment only

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Annmarie O’Connor is a fashion editor, award-winning stylist and bestselling author.
Having worked in the fashion industry for over ten years,she is known for a considerable body of work with editorial and styling credits
including the Irish Examiner,The SundayTimes Style, ELLE, IrishTatler,The Gloss, Image, LouisVuitton City Guides series, London
FashionWeek,TheVoice of Ireland, Harvey Nichols, KildareVillage and BrownThomas.
Annmarie is a regular radio and television contributor, and corporate guest speaker.With a self-styled brand of ‘wardrobe wellness’,
her mission is to take the stress out of getting dressed by helping others adopt a more mindful relationship with fashion.
Her booksThe Happy Closet andThe Happy Medium explore how considered choices can increase our sense of satisfaction both sar-
torially and personally; a topic which she also explores in herTEDx talk‘Enough is Enough: Deciding to Be Satisfied’.
She has been featured in Image magazine as one of Ireland’s 100 Most InspiringWomen and in IrishTatler Business on Ireland’s Power
List: 1,000 Women of Influence (2013, 2014, 2015); she has also won several industry accolades: 2016 Cork Fashion Week Stylish
Entrepreneur; 2015 Kerry FashionWeek Best Irish Fashion Stylist; and 2015 Kerry FashionWeek Irish Fashion Ambassador.
Through the eyes of...
Annmarie O’Connor
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39
48

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LOT 5: Transform the simplest look into something simply amazing with this coltish conch creation. A silk shirt and jeans make perfect
companions. So does a bikini!
LOT 39: Oh, my days!This rareArt Deco purse would put James Bond to shame with its secret lighter and lipstick compartments.
LOT 40: This bracelet boasts a quiet candour with its poise between diamond sparkle and matte gold, not forgetting the playful tassel. Gor-
geous!
LOT 41:Timeless yet contemporary; might that be the twist in this rope twist necklace? Pair it with a cashmere roll neck for understated
luxe.

LOT 48:The lustre from this dragonfly’s wings is profoundly metaphorical. Just look at how it reflects light wherever it goes.
LOT 56: I was immediately drawn to this juggernaut ring, not least due to its sheer brio.Wear it with a lacquer-slick manicure and let your
hands do the talking.
LOT 74: Fun fact: frogs are held as monarchs in Celtic cultures.Wear this army on your arm and feel stylishly sovereign.

LOT 142:This prodigious piece of arm candy makes me smile.Why do things by halves, am I right?
Annmarie chose...
40
41
56
74
142

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IMPORTANT INFORMATION FOR PURCHASERS
1. ESTIMATES AND RESERVES
These are shown below each lot in this sale.All amounts shown are in Euro. The figures shown are provided merely as a guide to prospective
purchasers.They are approximate prices which are expected, are not definitive and are subject to revision. Reserves, if any, will not be any higher
than the lower estimate.
2. PADDLE BIDDING
All intending purchasers must register for a paddle number before the auction. Please allow time for registration. Potential purchasers are recom-
mended to register on viewing days.
3. PAYMENT, DELIVERY AND PURCHASERS PREMIUM
Wednesday 15th May 2019. Under no circumstances will delivery of purchases be given whilst the auction is in progress. All purchases must be
paid for and removed from the premises not later thanWednesday 15th May 2019 at the purchaser’s risk and expense.After this time all uncollect-
ed lots will be removed to commercial storage and additional charges will apply.
Auctioneers commission on purchases is charged at the rate of 20% (exclusive ofVAT). Terms: Strictly cash, bankers draft or cheque drawn on
an Irish bank. Cheques will take a minimum of five workings days to clear the bank, unless they have been vouched to our satisfaction prior to
the sale, or you have a previous cheque payment history withAdam’s. Purchasers wishing to pay by credit card (Visa & MasterCard) may do so,
however, it should be noted that payments via American Express will be subject to an administrative fee of 3.65% on the invoice total. Debit
cards including laser card payments are not subject to a surcharge, there are however daily limits on Laser card payments. BankTransfer details on
request. Please ensure all bank charges are paid in addition to the invoice total, in order to avoid delays in the release of items.
Goods will only be released upon clearance through the bank of all monies due.
4. VAT REGULATIONS
All lots are sold within the auctioneersVAT margin scheme. Revenue Regulations require that the buyers premium must be invoiced at a rate
which is inclusive ofVAT. This is not recoverable by anyVAT registered buyer.
5. It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot.Whilst we make certain observations on the lot,
which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance only and should be
evaluated by personal inspection by the bidder or a knowledgeable representative.The absence of such a reference does not imply that an item is
free from defects or restoration, nor does a reference to particular defects imply the absence of any others.The condition report is an expression of
opinion only and must not be treated as a statement of fact.
Please ensure that condition report requests are submitted before 12 noon onTuesday 18th September as we cannot guarantee that they will be
dealt with after this time.
6. ABSENTEE BIDS
We are happy to execute absentee or written bids for bidders who are unable to attend and can arrange for bidding to be conducted by telephone.
However, these services are subject to special conditions (see conditions of sale in this catalogue). All arrangements for absentee and telephone
bidding must be made before 5pm on the day prior to sale. Cancellation of bids must be confirmed before this time and cannot be guaranteed after
the auction as commenced.
Bidding by telephone may be booked on lots with a minimum estimate of €500. Early booking is advisable as availability of lines cannot be guaran-
teed.
7. ALL LOTS ARE BEING SOLD UNDER THE CONDITIONS OF SALE AS PRINTED IN THIS CATALOGUE AND
ON DISPLAY IN THE SALEROOMS.

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Claire-Laurence Mestrallet BA, GIA G.G
ASSOCIATE DIRECTOR
HEAD OF JEWELLERY & WATCHES
claire@adams.ie
©PhotoCredit:Doreenkilfeather

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A PAIR OF DIAMOND ‘ALHAMBRA’ PENDENT
EARCLIPS, BY VAN CLEEF & ARPELS, 1998
Each designed as two interlocking quatrefoils with round
brilliant-cut diamond highlights, mounted in 18K gold,signedVCA,
numbered,with maker’s case,length 3.9cm
€ 2,500 - 3,500
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A LADY’S STAINLESS STEEL ‘CLIPPER’
WRISTWATCH, BY HERMES
7-jewel quartz ETA movement, the circular white dial with
Arabic numerals, to a circular-shaped stainless steel case with
openwork shoulders, H crown, stainless steel buckle signed Her-
mes,light blue leather strap signed Hermes,dial,case and movement
signed,with maker’s case,case no.17140**,Ref no.CL42**,length
20.7cm,case width (including crown):2.6cm
€ 650 - 850
2
A DIAMOND CHAIN NECKLACE,
BY TIFFANY & CO., 2016
The cable-link chain interspersed by round brilliant-cut diamonds
throughout, to aT-bar clasp, mounted in platinum,diamonds approx-
imately 1.26cts total,signed Peretti,maker’s mark‘T&Co’,with maker’s
box and pouch,accompanied with its invoice,length 92cm
€ 3,000 - 5,000
1
A LADY’S 18K GOLD ‘TANK AMERICAINE’,
BY CARTIER, 1998
4-jewel CAL. 157 quartz movement, silvered dial with black
Roman numerals, black inner minute track with five minute
markers, secret signature at 7 o’clock, blued steel sword
hands, brushed and polished rectangular case with back
secured by 8 screws, cabochon sapphire crown, fitted blue
leather strap signed Cartier, case, buckle, dial and movement
signed, Swiss assay marks, serial no.CC5403**,Ref.no.17**,
with Cartier case and certificate of warranty,length 21.5cm,case
(including crown):2.2cm,serviced papers dated 2019
€ 1,500 - 2,000

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A SHELL NECKLACE, BY CHRISTIAN DIOR, CIRCA 1970
Composed of a series of shell-shaped links, to a clasp of similar design, one
link signed Christian Dior,in yellow metal,length 42cm
€ 300 - 500

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A PAIR OF GEM-SET ‘ALLEGRA’ EARRINGS, BY BULGARI
Each designed as an articulated row of vari-cut gemstones including an amethyst, a blue topaz, a
pink tourmaline and a citrine, with round brilliant-cut diamonds highlights, mounted in 18K gold,
signed Bvlgari,Italian assay marks,length 2.5cm,with maker’s case
€ 1,500 - 2,000
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A GEM-SET ‘ALLEGRA’ RING, BY BULGARI
Set with three articulating rows of brilliant-cut diamond links, highlighted with step-cut citrine,
an oval-shaped tourmaline, a cabochon blue topaz and a cabochon peridot, mounted in 18K gold,
diamonds approximately 0.70cts total,signed Bvlgari,Italian assay marks,ring size Q,maker’s case
€ 2,000 - 3,000
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A GEM-SET ‘ALLEGRA’ NECKLACE, BY BULGARI
Set with a series of vari-cut gemstones, including peridot, pink tourmaline, citrine and blue
topaz, accented by round brilliant-cut diamond links, on a cable-link chain with a circular cabo-
chon citrine terminal, mounted in 18K gold,signed Bvlgari,Italian assay marks,pendant length 5.5cm,
chain length 54.5cm (adjustable)
€ 1,500 - 2,000

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AN EARLY 19TH CENTURY NECKLACE AND
EARRINGS EN SUITE, FRENCH, CIRCA 1840
Designed as a series of graduated rose-cut colourless stone
elements within foiled closed-back setting, suspending from a
double gold trace-link chain to a square gold plaque clasp with
floral engraved decoration, with a pair of earrings en suite set
with rose-cut diamonds, mounted in silver and gold,French assay
marks,maker’s mark‘RG’,necklace length 38cm,earrings length
1.5cm,
€ 1,000 - 1,500
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A PAIR OF 19TH CENTURY DIAMOND PENDENT
EARRINGS
Each of chandelier design, set throughout with rose-cut diamonds,
mounted in silver and gold,(later back fittings),length 2.8cm
€ 1,000 - 1,500
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A LATE 19TH CENTURY DIAMOND BROOCH
Designed as a flower, set throughout with old cushion-shaped
diamonds, mounted in silver and gold,diamonds approximately
1.20cts,length 4.7cm
€ 600 - 800
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A DIAMOND PENDANT ON CHAIN
The old pear-shaped diamond weighing approximately 2.10cts,
suspending from a knifewire and old single-cut diamond sur-
mount, mounted in silver and gold,to a silver trace-link chain,pendant
length 3.7cm
€ 5,000 - 7,000
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AN EARLY 19TH CENTURY DIAMOND MALTESE
PENDANT/BROOCH, CIRCA 1825
Set centrally with an old cushion-shaped diamonds, the arms
and pendant bale set throughout with similarly-cut diamonds,
all to closed back setting, mounted in silver and gold,diamonds
approximately 1.20cts total,length (including bale):5cm
€ 1,000 - 1,500
A Maltese brooch of similar design is illustrated on page 86
from‘Understanding Jewellery’, by David Bennett & Daniela
Mascetti.

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A MID-19TH CENTURY GEM-SET BROOCH
Designed as a peacock perched on a floral spray, the body set
with a baroque-shaped pearl and rose-cut diamond accents,
the wings and tail decorated with cushion and circular-cut
diamonds, emeralds, rubies, sapphires, opals... the branch sus-
pending a facetted topaz and amethyst drop, mounted in silver
and gold, within fitted case accompanied with a hand written
note‘benvenuto, tail modern’, length 5.5cm
€ 800 - 1,200
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A LATE VICTORIAN NATURAL PEARL AND DIAMOND NEGLIGEE PENDANT NECKLACE
The central button natural pearl suspending two old brilliant-cut diamond chains of unequal length, each terminating in a
white natural pearl with foliate decorations, mounted in silver and gold,diamonds approximately 0.80ct total,length 57.5cm
€ 2,200 - 2,800
Accompanied by a report from GCS laboratory in London, stating that the three pearls each measuring: 8.2 -
8.3x5.3mm, 8.6x8.1x6.6cm & 9.0x7.5x6.0mm are natural saltwater, with no indications of treatment. Report no.
5777-9154, dated March 3rd 2017.
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A TURQUOISE AND DIAMOND GYPSY RING
The oval-shaped cabochon turquoise between two old cush-
ion-shaped diamonds, mounted in gold,diamonds approximately
0.80ct total,ring size N
€ 700 - 900
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A 19TH CENTURY AMETHYST AND GOLD
NECKLACE WITH EARRINGS EN SUITE
Set with graduated cushion-shaped amethysts set with cannetille
surround between engraved flower links with safety chain, the ear-
rings set in similar design, both mounted in gold,bracelet length 18.5cm,
earrings length 2.3cm
€ 1,200 - 1,800
** Please note that the earrings were part of the bracelet and were
remounted for earrings.
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A 19TH CENTURY DIAMOND, ENAMEL AND PEARL
BANGLE
The cross over hinged bangle set with a button-shaped pearl on
each terminal, decorated with foliate motifs and light blue enamel,
set with a central row of graduated old cushion-shaped diamonds,
mounted in 18K gold,diamonds approximately 0.80ct total,French assay
marks,inner diameter 5.5cm
€ 1,200 - 1,800

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A LATE 19TH CENTURY DIAMOND AND
SAPPHIRE PENDANT
The four-clover leaf openwork plaque, set throughout with
rose-cut diamonds and cushion-shaped sapphire accents, to an
old cushion-cut diamond bale, mounted in silver and gold,length
3cm (suspending from a later 15K gold chain,length 40cm).
€ 800 - 1,000
The clover leaf was a popular motif inVictorian jewellery.The
collection of Princess Mathilde of France, niece of Napoleon
I, contained an impressive array of botanical and floral jewels,
including nasturtiums, pansies, violets and clover leaves.The
collection was sold after her death in 1904.
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A VICTORIAN GARNET AND SEED PEARL
PENDANT LOCKET
The central oval-shaped cabochon garnet within a seed pearl
surround, the locket to reveal two glazed compartments con-
taining hair and gold thread, to a plain gold bale, mounted in gold,
length (including bale):4.9cm,within velvet case
€ 700 - 900
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A LATE 19TH CENTURY DIAMOND STAR BROOCH,
CIRCA 1890
Designed as a six-rayed star with knifewire decoration, set through-
out with old brilliant and rose-cut diamonds, mounted in silver and
gold,principal diamond approximately 1.40cts,remaining diamonds
approximately 4.00cts total,with removable brooch fitting on the reverse,
length 5cm
€ 5,000 - 7,000
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A LATE VICTORIAN PEARL AND DIAMOND
PENDANT ON CHAIN
Designed as an urn, decorated with a central pearl and rose-cut
diamonds highlights, mounted in silver and gold,suspending from a later
18K gold fine trace-link chain,length 41cm
€ 1,000 - 1,500
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A 19TH CENTURY ETRUSCAN REVIVAL GEM-SET
AND GOLD INTAGLIO BROOCH, CIRCA 1860
The central rectangular carnelian intaglio depicting a winged
figure with a serpent, probably Hygieia, within a pierced and
filigree work mount of pointed arrow form, highlighted with
square-cut rubies and emeralds, mounted in gold,length 6.5cm
€ 600 - 800
In Greek mythology, Hygieia was the goddess of health, cleanli-
ness and hygiene. Daughter of Asclepius, god of medicine, and
Epione, goddess of healing, Hygieia is associated with health and
the prevention of sickness.The word “hygiene” is derived from
her name.
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A VICTORIAN SHELL CAMEO PENDANT/BROOCH,
CIRCA 1870
The shell cameo depicting the bearded face of Menelaus facing right
in profile, within a gold frame decorated with rope-twist detail and
series of trefoil claws, length 4.5cm
€ 400 - 600
In Greek mythology, Menelaus was a king of Sparta and husband
of Helen ofTroy. Her abduction by Paris, Prince ofTroy, led to the
TrojanWar, in which Menelaus played a key role, as he sought his
wife’s return.
Menelaus was the son ofAtreus andAerope, and brother ofAgam-
emnon, who ruled over the city of Mycenae.
This cameo portrait is derived from a statue of Menelaus support-
ing Patroclus after he has been killed by Hector during theTrojan
War.The statue was created in Pergamon in around 300 B.C. Later
in 1570, Florentine artist PietroTacca of the Medici Sculptors, cre-
ated a copy after the original statue when it was found in a Roman
vineyard.The marble copy can be seen today in the Loggia dei Lanzi
in Florence.
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AN ART NOUVEAU GOLD BROOCH, BY RENE BOIVIN, CIRCA 1900
Designed as an openwork circlet of engraved flowers and leaves, in 18K gold,with maker’s mark,numbered,length
2.8cm
€ 700 - 900
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AN ART NOUVEAU DIAMOND RING, CIRCA 1900
Depicting a stylised maiden holding aloft an old cushion-shaped diamond, between engraved flower decorations
to a plain hoop, mounted in gold,ring size P½
€ 1,000 - 1,500
It is ironic that René Boivin is a name well known in the jewellery world,as his life is relatively unknown. It is also interesting
to note that it was not always René Boivin that crafted the pieces that bear his name.
Boivin was born in Paris in 1864, he began his career in jewellery at a young age and, by the time he died in 1917, had become an
excellent designer and engraver, leaving behind him a wonderful legacy.
During the 1890s, he purchased several workshops, establishing himself at rue St.Anastase, then relocating in 1893 to rue deTur-
bigo. He married Jeanne Poiret, the first woman jeweller of the 20th century (sister of the famous couturier) and together they
created some of the most exciting and bold fashions of the early 1900s.
In the early 20th century Japanese art and antiques were very much en vogue and, as Boivin had a passion for antiques, it is no
surprise that this trend influenced his own jewellery designs. His skill as a goldsmith can be appreciated from beautifully finished
pieces and his interest in animals and nature inferred through jewellery themes.
After René’s death,Jeanne assumed control of the business and moved to avenue de I’Opera with Juliette Moutard and her daugh-
ter Germaine Boivin. They worked together for forty years, joined by Suzanne Belperron between 1921 and 1932.After Jeanne’s
death in 1959 the house was taken over by Louis Girard and in April 1991 the company became part of Aspery Group, with the
main office and store located on avenue Montaigne.
Art Noveau is an international style of art, architectures and applied art, especially the decorative arts, that was most popular
between 1890 and 1910.The gold brooch shows typical art nouveau style,with the piece inspired by natural forms and structures,
particularly the curved lines of plants and flowers.

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A SAPPHIRE AND DIAMOND RING, CIRCA 1915
Designed as an oval-shaped plaque set with rose-cut diamonds
and calibré-cut sapphire accents, within millegrain setting,
mounted in 18K gold,French assay mark,ring size M
€ 400 - 600
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AN EARLY 20TH CENTURY DIAMOND BAR
BROOCH
Designed as a continuous row of European-cut diamonds, to
an openwork gallery, within millegrain setting throughout,
diamonds approximately 2.00cts total,length 5cm
€ 800 - 1,200
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AN EARLY 20TH CENTURY DIAMOND DRESS
RING, CIRCA 1910
Of geometric design set to the centre with an old brilliant-cut
diamond within a surround of similarly-cut diamonds, to an
openwork finely pierced mount, the hoop with engraved foli-
ate patterns, millegrain setting throughout, diamonds approxi-
mately 1.00cts total, ring size N
€ 1,000 - 1,500
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AN EARLY 20TH CENTURY PEARL AND
DIAMOND RING
Of crossover design, set with an old European-cut diamond
weighing approximately 1.10cts and a round-shaped pearl of
cream tint, between old single-cut diamond shoulders, mounted
in gold,within velvet case,ring size M
€ 3,000 - 4,000
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A CULTURED PEARL NECKLACE WITH
DIAMOND CLASP
The single row of cultured pearls of cream tint, to a rose-cut
diamond clasp, length 109cm,with safety chain
€ 600 - 800
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AN EARLY 20TH CENTURY DIAMOND BAR
BROOCH
The central cartouche designed as three European-cut dia-
monds within an openwork surround of similarly-cut dia-
monds, in millegrain setting throughout, diamonds approximately
1.30cts,length 6.5cm
€ 800 - 1,000
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AN ART DECO DIAMOND AND SAPPHIRE RING, CIRCA 1925
Set with an old European-cut diamond weighing approximately 3.45cts within a multiple-claw setting,
between pierced shoulders inlaid with calibré-cut sapphires and single-cut diamonds, within engraved
and millegrain setting, mounted in platinum,ring size L
€ 15,000 - 20,000
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AN ART DECO JADEITE JADE BEAD NECKLACE WITH DIAMOND AND ROCK
CRYSTAL CLASP
The triple strands of graduated green jadeite jade beads, measuring approximately 9.65 - 4.57mm,
terminating with a tubular carved rock crystal and single-cut diamond clasp, lengths 43,47 & 47cm
€ 1,200 - 1,800
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AN ART DECO EMERALD AND DIAMOND RING, CIRCA 1925
The central collet-set cushion-shaped emerald within a pierced geometric surround with millegrain
detail, set throughout with old brilliant-cut diamonds, mounted in platinum,diamonds approximately
1.30cts total,ring size L¾
€ 4,500 - 5,500
Accompanied by a report from GCS laboratory in London stating that the emerald weighing approxi-
mately 1.10cts is of Colombian origin with minor clarity enhancement. Report no. 5777-8763, dated
February 2nd 2017.

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A GOLD COCKTAIL BRACELET, CIRCA 1940
The highly flexible wide gold bracelet designed as a series of reeded tubular-links, each highlighted
with coiled gold elements, between further gold polished elements, in 18K gold,length 19.7cm
€ 3,000 - 4,000
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A RUBY AND DIAMOND DRESS RING, CIRCA 1940
Of odeonesque design, set with a central old brilliant-cut diamond within a border of similarly-cut
diamonds and between channel-set calibré-cut ruby shoulders, mounted in gold,diamonds approximately
1.30cts total,ring size M
€ 1,500 - 2,000

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AN ART DECO DIAMOND BRACELET, CIRCA 1930
The articulated bracelet set with series of openwork geometric plaques, interspersed by scalloped circular
panels, set throughout with old European and single-cut diamonds within millegrain setting, mounted in
platinum,diamonds approximately 14.00cts total,length 18.5cm
€ 15,000 - 20,000

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A DIAMOND AND RUBY-SET MINAUDIERE, BY VAN CLEEF & ARPELS, CIRCA 1935
The close-ribbing case of rectangular outline, with a lid enhanced by square calibré-cut rubies and diamonds, opening
to reveal a mirror with three compartments, a lipstick and lighter holder, mounted in 18K gold,signedVan Cleef & Arpels,
numbered,maker’s mark,French assay marks,measuring 14 x 7.9 x 1.5cm,approximate total gross weight:385.54g
€ 15,000 - 20,000
Throughout the 1920s, the House of Van Cleef &Arpels, as well as many of their competitors such as Boucheron and Cartier, catered
to the fashion of the RoaringTwenties by producing delicate evening bags and vanity cases known as “nécessaires”.The nécessaire was
a small hard-sided box exquisitely decorated and designed to contain powder compact, lipstick, tortoiseshell comb, mirror and, occa-
sionally, an ivory note card and pencil. However, on the occasion of a visit to his friend and loyal client, socialite Florence Jay Gould,
CharlesArpels noticed that she carried her belongings in a Lucky Strike cigarette tin.Thus, the idea for the “minaudiére” - a larger and
more glamorous accessory which would replace both the nécessaire and the evening bag - was born. Charles named his creation after
his wife Estelle, for her “minauderies” or simpering airs.
Made in gold or lacquer, the minaudiére contained numerous clever compartments designed to hold everything that an elegant lady
would need to carry - either by day or night - including powder, lipstick, make-up pots, comb, small change, cigarettes and lighter.
Some examples even included a retractable watch and were decorated and embellished with precious stones and pearls.The timeless
minaudiéres would continue to be created for devoted clients to carry and adore throughout the 1930s and beyond.Some minaudiéres
were even designed to correspond to various parures in the collection, meaning that any fashionable lady was obliged to own more
than one, if not a selection of cases, in order to match with different outfit choices.
Today, the minaudiére, or “box bag” as it can also be known now, is as practical as it is stylish.Although small, it is the perfect option
as a unique evening bag or dinner accessory.
A PRIVATE JEWELLERY COLLECTION
BY
VAN CLEEF & ARPELS
©PhotoCredit:VanCleef&Arpels,L’ArtDelaHauteJoaillerie,P40&41

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A DIAMOND AND GOLD ‘CORDES LUDO’ JARRETIERE BRACELET,
BY VAN CLEEF & ARPELS, CIRCA 1945-50
The flexible bracelet designed as four-rows of gold ropework, with pavé-set diamond cap and tassel terminals, to
the round brilliant-cut diamond bar clasp with gold ropework trim, mounted in 18K gold,signedVan Cleef & Arpels,
numbered,French assay marks,maker’s mark‘P&Fils’ length 26.4cm
€ 7,000 - 9,000
Van Cleef & Arpels exhibited widely throughout the course of its rich history. In 1992,The Palais Galliera, also formally
known as the Musée de la Mode de la Ville de Paris, held a major retrospective of the creations of Van Cleef & Arpels.The
exhibition included pieces from the House’s own collection, put together over the years by JacquesArpels, as well as a number
of pieces loaned from loyal clients of the House.Article number 302 in the original exhibition catalogue is a “Bracelet Cordes
Ludo”,exactly like the example included in this auction.Dating from 1949,it is described in the exhibition catalogue as“Collier
trois rang de cordes or, le fermoir et le haut des glands est en brilliants montés sur platine. CollectionVan Cleef & Arpels No
d’origine 61967”.
The “Cordes Ludo” bracelets come from a collection inspired by the couturier and their relationship with the textiles, cloths
and ribbons which they weave into haute couture creations. In a similar way to the couturier, the jewellers of Van Cleef &
Arpels wove and braided solid threads of gold, shaping the metal into a precious ode to the twill fabric created by couturiers.
Embellished lightly with precious stones, carelessly knotted to one side and ending in stylish tassels, the “cordes ludo” bracelet
appears simple and effortlessly chic.
These twisted threads of gold were also woven into necklace chokers of gold rope, as in the case of the necklace also included
in this auction.
©PhotoCredit:VanCleef&Arpels,CataloguePalaisGalliera1992,P.159

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A GOLD ‘1900’ NECKLACE, BY VAN CLEEF & ARPELS, CIRCA 1950
The flexible bracelet designed as three-rows of gold ropework of graduated length, in 18K gold,signed Van
Cleef & Arpels,numbered,French assay marks,maker’s mark‘P&Fils’,shortest length 36cm,longest length 43.6cm,with
maker’s pouch
€ 9,000 - 11,000

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A JADEITE JADE AND GOLD BANGLE
The hinged green jadeite jade bangle accented by panels of engraved foliate and drag-
on design, mounted in gold (stamped 18K),with safety chain,inner diameter 5.6cm
€ 800 - 1,200
** Please note that the green jadeite jade was verbally tested by GCS laboratory in
London in April 2019 - no indications of impregnation were observed.
43
The hinged green jadeite jade bangle accented by panels of engraved foliate and drag-
on design, mounted in gold,with safety chain,inner diameter 6.5cm
€ 1,000 - 1,500
44
The green jadeite jade accented by gold panels of floral and foliate decorations
between further gold chevron side decorations, to a screw clasp with safety chain,
mounted in gold,Chinese marks,inner diameter 5.5cm
€ 800 - 1,200

35
45
A GOLD, ENAMEL, RUBY AND DIAMOND SERPENT BRACELET
Designed as a stylised coiled serpent applied with guilloché green enamel, the body decorated with engraved gold
scrolling motifs with rose-cut diamond accents, the head set with a graduated cushion and circular-cut ruby crown within
a frame of rose-cut diamonds, completed with circular-cut ruby eyes, mounted in gold,inner diameter approximately 6cm
(expandable)
€ 8,000 - 10,000
Accompanied by a report from GCS laboratory in London stating that the rubies are natural, of Burmese origin with no
indications of heating. Report no. 79208-33 datedApril 8th 2019.
46
A RUBY BAR BROOCH
Designed as a line of oval and cushion-shaped rubies, each within multiple-claw setting, mounted in gold,cased by‘ML Roche,
61 Patrick Street,Cok’,length 4.2cm,
€ 1,500 - 2,500
Accompanied by a report from GCS laboratory in London, confirming that the seven rubies are of Burmese origin, with
no indications of heating. Report no. 79208-38, datedApril 8th 2019.

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47
A FINE DIAMOND BROOCH, BY CHAUMET, CIRCA 1955
Of stylised openwork design, the principal round brilliant-cut diamond weighing approximately 1.40cts within a cluster
of marquise-shaped diamonds, to a triple spray of brilliant and tapered baguette-cut diamonds, mounted in platinum,
remaining diamonds approximately 8.00cts,signed Chaumet,within Chaumet fitted case,length 3.8cm
€ 8,000 - 12,000
Chaumet was founded in 1780 by Marie-Etienne Nitot, with an establishment at the heart of placeVendôme. His creativity and
quality of workmanship, led him to become one of the most sought-after jewellers in Europe and thus establish a loyal and prestigious
clientele. Since its inception Chaumet has preserved and continued the Parisian tradition of expertly crafted fine jewellery.
The history of Chaumet has been entwined with the History of France, with Nitot and his son, Francois Regnault Nitot becoming
the official jeweller to Napoleon during the Consulate and the Empire, creating tiaras, official court jewels and fashion accessories.
Napoleon’s marriage to Joséphine, then to Marie-Louise of Habsburg-Lorraine, Queen Marie-Antoinette’s great-niece, resulted in
some impressive commissions for Chaumet.
Following the fall of the Empire,Nitot’s successors Jean-Baptiste Fossin and his son,Jules,dedicated themselves to romantic jewellery
inspired by the decorative arts of the Italian Renaissance and of the French 17th-century.
In 1848, Jules Fossin set up a London branch in partnership with J.V., Morel, assisted by his son Prosper. On his return to Paris in
1954, Prosper Morel joined Jules Fossin whom he succeeded in 1868. Prosper Morel’s daughter married Joseph Chaumet in 1875.
With exceptional creativity and inspired by the re-enchantment of nature, Joseph Chaumet came to be recognised as an undisputed
master of the Belle Époque. In 1889, Chaumet took over the company and gave his name to the House.
In 2001, the LVMH Group acquired the house and entrusted the reigns toThierry Fritsch, an art lover who revived the business, all
while preserving its original spirit. Pascal Bourdariat was made the 12th head of the workshop, and as tradition dictates, a special
ceremony was held for the handover to initiate the new bearer of the tradition.The house’s skill is traditionally passed down from one
head of the workshop to another, without interruption, reflecting the creativity and excellence of each era.
For more than 230 years Chaumet’s excellence in high Jewellery has been passed down through generations of jewellers. Diamonds
and precious stones, carefully selected for their exceptional clarity and brilliance, are sculpted into round, cushion, oval, emerald or
the house’s signature pear-shaped cut, and then the jewellers, stone setters, polishers and engravers give life to the jewels, exhibited
in magnificent pieces of jewellery.With inspiration drawn from Art Nouveau, nature and travels, Chaumet ceaselessly reinvents its
aesthetic codes and creates jewels that are truly remarkable.
This elegant diamond brooch embodies a naturalistic theme, with the large round brilliant diamond surrounded by smaller brilliant
marquise shaped diamonds depicting a flower, all set to the side of an artistic design.This is a truly magnificent piece to be cherished,
increasing the glamour stakes of any outfit.
PROPERTY OF AN IRISH FAMILY

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48
A DIAMOND, GEM-SET AND PLIQUE-A-JOUR
ENAMEL BROOCH
Designed as a stylised dragonfly, with circular-cut pink sapphire
and rose-cut diamond body and eyes, the wings decorated with
plique-à-jour enamel with cabochon ruby and single-cut diamond
detail, mounted in silver and gold,length 6.7cm,width 9cm
€ 4,000 - 6,000
49
A DIAMOND COCKTAIL RING, CIRCA 1960
The elongated marquise-shaped weighing 0.73cts within a
surround of round brilliant and tapered baguette-cut diamonds,
remaining diamonds approximately 2.80cts,ring size M
€ 2,500 - 3,500

39
50
A DIAMOND CROSS-OVER RING
Designed as two flowerheads, composed of two round bril-
liant-cut diamonds within a surround of marquise-cut diamonds,
mounted in 18K gold,principal diamonds approximately 1.20cts each,
remaining diamonds approximately 2.70cts total,French assay mark,
cased by‘M Guilly,Monte Carlo’,ring size Q½
€ 7,000 - 8,000
51
A LADY’S GOLD, DIAMOND AND SAPPHIRE-SET
COCKTAIL BRACELET WATCH,
BY VACHERON CONSTANTIN, CIRCA 1965
18-jewel Cal. 1430 manual wind movement, dial pavé-set with sin-
gle-cut diamonds with polished pointed baton hands, polished oval
case with snap on the back, bezel set with round brilliant-cut diamonds
weighing approximately 1.00cts total with four circular-cut sapphire
accents, back-winding crown, integral weave-link white gold bracelet
with signed folding clasp with a single-cut diamond highlight, case and
movement signed,mounted in 18K gold,French assay marks,case no.52897**,
length 15.9cm,case width 2.1cm
€ 3,500 - 5,500

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52
A GOLD AND DIAMOND ‘COFFEE BEAN’ DEMI-PARURE, BY CARTIER, CIRCA 1955
The pair of earclips composed of textured motifs designed as coffee beans, each highlighted with a collet-set round brilliant-cut
diamond, together with an articulated pendent brooch of similar design with rope-twist details, mounted in 18K gold,each signed
Cartier London,maker’s marks‘JC’,English hallmarks for‘London 1954-55’,numbered,earclip length 5.3cm,brooch length 8cm
€ 6,000 - 8,000
For additional information on Cartier’s‘Coffee Bean’ jewellery, see‘Amazing Cartier: Jewelry Design Since 1937’, Nadine Coleno, pp. 138-
141.The same brooch is illustrated in this book along with other coffee bean pieces of similar design.
©PhotoCredit:Cartier::LeStyleetl’Histoire,p.343

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53
A RUBY AND SAPPHIRE BUTTERFLY SUITE OF
EARRINGS AND BROOCH
The brooch and earrings designed as a butterfly, each of open-
work polished gold wings set with circular-cut ruby and sapphire
highlights, the earrings of similar design, mounted in 18K gold,
maker’s marks C&T,English hallmarks‘Birmingham 1984’,brooch
width 4.3cm,earrings width 1.9cm
€ 500 - 700
57
A DIAMOND NOVELTY BROOCH
The realistically modelled rabbit pavé-set throughout with single-cut
diamonds, with circular-cut emerald eyes, mounted in gold,diamonds
approximately 1.50cts total,length 3.1cm
€ 700 - 900
54
Designed as a flowerhead, the pistils set with round brilliant-cut
diamonds, to a plain reeded mount, mounted in 18K gold,French assay
mark,ring size H¾
€ 1,200 - 1,600
56
Of openwork bombé design with polished and reeded gold rope-
twist details, highlighted with brilliant-cut diamonds, mounted in
gold,diamonds approximately 0.80ct total,ring size Q
€ 1,500 - 2,000
55
A GEM-SET AND ENAMEL NOVELTY BROOCH
Designed as a whimsical fish, the scales, fins and tail decorated with blue
and green enamel, the eyes set with circular-cut pink sapphires and dia-
monds, mounted in 18K gold,length 5cm
€ 800 - 1,000
57

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Tuesday 14th
May 2019
58
AN ENAMEL, EMERALD AND DIAMOND NOVELTY
BROOCH, BY FRASCAROLO, CIRCA 1965
Designed as a Lion with textured gold head, the mane and body
decorated with single-cut diamonds and orangey-brown enamel,
polished whiskers, a black enamel nose and circular-cut emerald
eyes, mounted in 18K gold,with maker’s mark‘FC’,Italian assay mark,
length 4.4cm
€ 1,000 - 1,500
59
AN ENAMEL, EMERALD AND DIAMOND NOVELTY
BROOCH, BY FRASCAROLO, CIRCA 1965
Designed as a Lion with polished gold mane, tail and whiskers, the
muzzle set with single-cut diamonds and white enamel, the body
decorated with orangey-brown enamel and circular-cut emerald
eyes, mounted in 18K gold,with maker’s mark‘FC’,Italian assay mark,
length 2.8cm
€ 800 - 1,200
Pierino Frascarolo was born in Milan in 1928 and began his career in jewellery as an apprentice with the Fratelli Lunati
company. In time he created his own company with partner Aldo Lenti and moved the business, which was initially located in the
historic centre ofValenza, to Corso Matteotti. Frascarolo reached his creative peak in the 1960s, with his gold and enamel animals.
The production of these pieces used machinery and casting techniques that were most advanced for that period, employing up to
50 craftsmen. He was one of the first jewellers inValenza to experiment with other materials, producing items in gold and steel
and using materials such as engraved ivory. From 1967 the pieces carried a small oval plaque with the inscription ‘FC MODELE
DEPOSÉ, MADE IN ITALY, 347AL, 750/18k, welded on the inside of the piece.
After Lenti and Frascarolo parted ways, he went into business with Mr.Adriano Gugliada forming Frascarolo & Co. in NewYork
city. Frascarolo died inValenza in July 1976 at the young age of forty eight, at which point Frascarolo & Co. ceased operations but
some of his designs are still influencing jewellers today.
The two gold and enamel lion brooches are signature animal designs of Frascarolo in the 1960s.The playful brooches are set with
diamonds and precious stones creating charming fun pieces.

45
60
A FINE CORAL AND DIAMOND DEMI-PARURE, BY M. GÉRARD, CIRCA 1970
Comprising a pair of earclips and a ring, each set with an oval-shaped cabochon coral within a surround of
graduated round brilliant-cut diamonds, mounted in 18K gold,diamonds approximately 7.00cts total,all signed
M.Gérard,numbered,maker’s marks,French assay marks,ring size O (adjustable),earrings length 2.5cm
€ 7,000 - 9,000
** Please note that this lot contains coral and is subject to CITES regulations when exporting outside of
the EU.
Frenchman Louis Gérard worked for many years for the world-famous house ofVan Cleef & Arpels before making the
decision to establish a maison of his own in 1968.Thus, the house of M Gérard was born and opened its doors for the first time
at 8Avenue Montaigne in Paris.
Gérard worked primarily with the AtelierVassort workshop producing magnificent suites of jewellery of the highest quality and
craftsmanship and lavishly decorated with diamonds and precious gems.A character with a large personality, Gérard delighted in
throwing fabulously stylish parties from Cannes to Monte Carlo, for the jet-setting elite he proudly called clients. His boutiques
were situated in London, Lausanne, Monte Carlo and Gstaad, an upscale resort town in the SwissAlps.
However, the rapid expansion and extravagant entertaining budget sadly proved unsustainable and, in 1985, Gérard was forced
to sell out to a group of American investors. He later succeeded in re-gaining his company and re-launched under the name of
Louis Gérard, Joaillier International but this success was short-lived and by 1991, the firm was forced once again to shut its doors.
Today,pieces from the prestigious house continue to be highly sought after for their magnificent quality.A number of pieces by the
house appeared as highlights of “The Royal House Sale” at Christie’s Geneva in November 2006, one of the top ten most expensive
private jewellery collections ever sold at auction.

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61
A LADY’S DIAMOND-SET COCKTAIL WATCH, BY JUVENIA,
CIRCA 1970
17-jewels Cal. 825 manual wind movement, the circular signed silvered dial with baton
markers, to a single-cut diamond-set bezel and white gold textured woven-link brace-
let, mounted in 18K gold,diamonds approximately 1.00ct total,Swiss assay mark,case no.210,
length 16.7cm,case width (including crown):2.4cm
€ 700 - 900
62
A PAIR OF RUBY AND DIAMOND EARRINGS, CIRCA 1950
Each of stylised scroll design, with circular-cut ruby and diamond highlights and
baguette-cut surmount, mounted in 18K gold,diamonds approximately 2.80cts total,French
import marks,length 1.8cm
€ 4,200 - 4,800
63
A SAPPHIRE AND DIAMOND BROOCH
The flower bouquet set with circular-cut sapphires and single-cut diamonds, mounted in
18K gold,English hallmarks for‘Birmingham 1972-73’,maker’s mark‘C&F’,length 5.2cm
€ 800 - 1,200

47
64
A FINE GOLD AND DIAMOND-SET LADY’S COCKTAIL WATCH,
BY OMEGA, CIRCA 1960
17-jewels Cal. 620 manual wind movement, square textured white gold dial, black painted baton
numerals and hands, brushed and polished case, snap on case back, round brilliant-cut diamond
bezel, integrated textured smooth white gold link bracelet with locking clasp, mounted in 18K gold,
diamonds approximately 1.30cts total,dial and movement signed,ref.no.80**,Case no.6619**,length
17.4cm,case width 2.2cm
€ 1,200 - 1,800
65
A DIAMOND COCKTAIL BRACELET
The articulated strap, set throughout with round brilliant and marquise-cut diamonds, mounted in
18K gold,diamonds approximately 13.00cts total,length 16.8cm
€ 8,000 - 10,000
66
A LADY’S GOLD AND DIAMOND-SET COCKTAIL WATCH,
BY PATEK PHILIPPE, CIRCA 1960
20-jewel manual wind movement, silvered dial with applied baton hour markers and sword hands,
brushed and polished case with snap on back, round brilliant-cut diamond bezel, integral white
gold weave-link bracelet with folding Patek Philippe clasp, dial, movement and bracelet signed,
mounted in 18K gold,Swiss assay marks,ref.no.32**,movement no.9805**,case no.26120**,length
16.4cm,case width (including crown):1.6cm
€ 800 - 1,200

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Tuesday 14th
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67
A GOLD, SHELL, TURQUOISE AND CORAL BRACELET, BY ALDO DEL NOCE,
CIRCA 1960
Composed of a line of polished turbo shell links, set at both ends with an oval coral corallium rubrum or tur-
quoise cabochon, with polished gold details, signed Aldo del Noce on each links,length approximately 21.3cm
€ 3,000 - 4,000
** Please note that this lot contains coral and is subject to CITES regulations when exporting outside of the EU.
68
A GEM-SET NOVELTY BROOCH, CIRCA 1960
Designed as a stylised perched bird, with cabochon emerald eyes, the neck set with circular-cut rubies, the body
with a cabochon turquoise, on calibré-cut sapphire branch, mounted in 18K gold, French assay marks, length
5.9cm
€ 1,000 - 1,500
Aldo Del Noce’s began his jewellery career in 1937. He was hired as an apprentice by Seaman Schepps and
continued a working relationship with that firm until 1992. Schepps became known as “Americas Court Jewel-
ler”, creating bold and classic-yet-whimsical designs, which no doubt influencedAldo.AfterWorldWar II, he set
up his own company to manufacture his pieces, of which many of the designs he copyrighted and he continues to
make beautiful pieces today.
The 1960s shell bracelet detailing cabochon turquoise and coral set in a warm gold is consistent with the influ-
ence that Schepps (known for huge luscious pieces with exotic materials) had on Del Noce.This bracelet is a
bold, fun summer piece, adding a splash of bohemian glamour to the wearer.

49
69
A PAIR OF GEM-SET BRACELETS WITH EARCLIPS EN SUITE, BY BOUCHERON,
CIRCA 1960
Each bracelet set with gold hoops, interspersed by textured gold links highlighted with circular-cut rubies or round
brilliant-cut diamonds, one mounted in 18K gold and platinum,the other mounted in 18K gold,diamonds approximately
2.00cts total,both signed Boucheron Paris,numbered,maker’s mark,French assay marks,bracelets length 19.3cm;Together with a
pair of earclips en suite (not signed),mounted in 18K gold,French import marks,length 2.1cm
€ 6,000 - 7,000
*The earclips possibly previously part of the bracelet.
Boucheron is a French family dynasty founded by Frédéric Boucheron, an expert in precious stones, a master-
ful technician and creator of beautiful jewellery.
In 1958 he opened his first boutique in the Galerie deValois under the arcades of the Palais Royal which at that
time was the centre of the Parian luxury trade. It was one of the first companies to open a boutique in the famed
PlaceVendôme in Paris, where Boucheron still operates successfully today. In 1897, Boucheron opened a store
in Moscow, later transferred to Saint Petersburg in 1911 (the Moscow boutique was reopened in 2003). In 1903
a store in London’s New Bond Street and an office in NewYork were established. More establishments followed
in Japan in 1973, Shanghai, Dubai in 2005 and finally Hong Kong and Kuala Lumpur in 2006.Today House of
Boucheron has 34 boutiques worldwide and an online e-commerce website.
Boucheron has a long history of royal custom. In 1878, the Russian Prince FelixYoussoupoff purchased a corsage
decorated with 6 detachable diamond bows during one of his visits to Paris. In 1921 a tiara was commissioned for
Lady Greville, which was later given to the late Queen Elizabeth‘The Queen Mother’. Prince Charles then passed
the tiara to his wife Camilla, Duchess of Cornwall. Queen Elizabeth II also has a collection of Boucheron jewels. In
addition to Czar Alexander III, royal patrons of Boucheron have included Maharajah Sir Bhupinder Singh of Patiala,
Riza Shah Pahlevi, Queen Farida of Egypt and Queen Rania of Jordan.
In 1968 Boucheron launched the first piece of the Serpent collection.This protective animal, symbol of eternity,
will become one of the House’s key emblems. In 2003 the House of Boucheron launched theAva Collection in
homage of the eternal grace ofAva Gardner. 2005 was a very creative year for the House of Boucheron, the‘Trou-
ble’,‘Quatre’,‘Diablotine’‘Vingt-Six’ and‘Trouble Désir’ jewellery lines were launched.
Boucheron has had many successful collaborations, of noteWaterman,Alexander McQueen, Girard-Perregaux and
MB&F. House of Boucheron is best known for its beautiful and unusual high-end jewellery.

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70
AN GEM-SET, CORAL AND DIAMOND RING WITH A PAIR OF EARRINGS EN SUITE, CIRCA 1965
The ring designed as duck, the body set with reeded carved amethyst highlighted with round brilliant-cut diamonds, with
circular-cut emerald eyes, the beak decorated with coral, with a pair of earrings en suite, mounted in 18K gold,diamonds approxi-
mately 4.00cts total,earring length 2.6cm,ring size N
€ 4,500 - 5,500
** Please note that this lot contains coral and is subject to CITES regulations when exporting outside of the EU.
71
A PAIR OF GOLD EARCLIPS, BY VAN CLEEF & ARPELS, CIRCA 1960
Each ropetwist design mounted in 14K gold,signed Van Cleef & Arpels N.Y,numbered,length 2.2cm
€ 800 - 1,000
72
AN ELEGANT MID-20TH CENTURY RUBY AND DIAMOND JARRETIERE BRACELET,
CIRCA 1965
Designed as a woven strap, the clasp set with two gold leaves each highlighted with a line of circular-cut diamond or rubies,
the terminal set with a line of single-cut diamond and a circular-cut ruby accent, mounted in 18K gold,diamonds approximately
1.20cts total,French assay marks,length 24.7cm
€ 3,500 - 4,500

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Tuesday 14th
May 2019
73
A TURQUOISE, CORAL AND DIAMOND NOVELTY BROOCH, CIRCA 1965
Designed as a butterfly, the wings comprising four plaques of turquoise, each within textured
gold and brilliant-cut diamond highlights, the body set with cabochon coral, mounted in 18K
gold,French assay marks,with maker’s mark,length 3.2cm,width 4.9cm
€ 1,200 - 1,800
74
AN EMERALD AND GOLD BRACELET, CIRCA 1970
Composed of five stylised textured gold frogs with circular-cut emeralds for eyes, each
interspersed with fancy-links, mounted in 18K gold,length 19.7cm
€ 3,000 - 4,000

53
75
A CORAL AND GOLD BRACELET, CIRCA 1970
Set with a graduated row of oval cabochon corals, each with a textured gold cap, mounted in 18K gold,French
assay marks,length 17.4cm
€ 4,000 - 5,000
76
A CORAL AND GOLD COCKTAIL RING, CIRCA 1970
Set with three graduated oval cabochon corals, each with a textured gold cap to a plain hoop, mounted in
18K gold,French assay mark,ring size L
€ 2,000 - 3,000
** Please note that lots 73, 75 & 76 contain coral and are subject to CITES regulations when exporting outside of the EU.

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May 2019
77
A TURQUOISE AND LAPIS LAZULI NECKLACE, CIRCA 1970
The highly flexible necklace, composed of two intertwined rows of round
cabochon lapis lazuli and turquoise on textured gold, mounted in 18K gold,
French assay marks,length 44cm
€ 3,500 - 4,500

55
78
A PAIR OF GOLD HOOP EARCLIPS, BY VAN CLEEF & ARPELS, CIRCA 1980
Each designed as a fluted ropetwist hoop, mounted in 18K gold,signedVCA,numbered,maker’s marks, French assay marks,
length 2.6cm,with maker’s pouch
€ 1,000 - 1,500
79
A CULTURED PEARL AND DIAMOND BRACELET, BY VAN CLEEF & ARPELS, CIRCA 1965
The three-strand cultured pearl bracelet, interspersed with textured bicoloured elements set with round
brilliant-cut diamonds, mounted in 18K gold and platinum,diamonds approximately 1.30cts total,signedVCA,numbered,
length 19.8cm,with maker’s case
€ 3,000 - 4,000

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May 2019
80
A DIAMOND CROSS-OVER RING
The two European-cut diamonds between single-cut diamond
shoulders, mounted in platinum,two principal diamonds approximately
0.90ct each,R¾
€ 1,500 - 2,000
81
A DIAMOND CLUSTER RING
The round brilliant-cut diamond at the centre within a surround
of similarly-cut diamonds, principal diamond approximately 0.70ct,
remaining diamonds approximately 0.60ct total,ring size L¾
€ 1,500 - 2,000

57
83
A FINE GOLD, ONYX AND DIAMOND-SET LADY’S MANUAL WIND BRACELET
WATCH, BY PIAGET, CIRCA 1970
The 18-jewel Cal. 9P2, the hexagonal-shaped dial pavé-set with single-cut diamonds throughout, sword steel
hands, the bezel decorated with 6 onyx plaques, polished case screwed case back, integrated white gold wo-
ven-link bracelet with Piaget folding clasp, dial, movement and bracelet signed, mounted in 18K gold,Swiss assay
marks,mov.no.7867**,with 2cm extra link,length 15.8cm,case width (including crown):3cm
€ 3,000 - 5,000
82
A FINE DIAMOND BRACELET
The continuous line of round brilliant-cut diamonds within claw-settings, between two rows of similarly-cut
diamonds, mounted in platinum,French assay mark,signed Bettetini,diamonds approximately 9.00cts total,length
17.2cm
€ 7,000 - 9,000

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Tuesday 14th
May 2019
84
AN ELEGANT CULTURED PEARL AND DIAMOND
CRAVATE NECKLACE, BY SCHOEFFEL
The six rows of freshwater cultured pearls with a round brilliant-cut
diamond link and gold terminals, mounted in 18K rose gold,signed Schoeffel,
length approximately 48cm (adjustable)
€ 800 - 1,200

59
86
A PAIR OF CORAL AND SHELL EARCLIPS, BY TRIANON
Each central collet-set oval corallium rubrum cabochon with polished shell plaque
within a frame of gold, mounted in 18K gold,signedTrianon,maker’s marks,numbered,
length 2.2cm
€ 1,000 - 1,500
85
A FINE CORAL BEAD NECKLACE WITH GOLD CLASP
The single graduated row of round-shaped corallium rubrum beads, to a ships-wheel
gold clasp, length 54cm
€ 2,500 - 3,500
Accompanied by a report from GCS laboratory in London stating that the 37 beads
measuring from 12.2 to 13.2mm is natural coral with no indications of colour en-
hancement. Report number 79208-46, datedApril 5th 2019.
** Please note that this lot contains coral and is subject to CITES regulations when
exporting outside of the EU.
** Please note that both lots contains coral and are subject to CITES regulations when exporting outside of the EU.

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Tuesday 14th
May 2019
87
A DIAMOND SINGLE-STONE RING
The round brilliant-cut diamond weighing 1.27cts within a six-
claw setting, to a plain hoop, mounted in 18K gold,French assay mark,
maker’s mark‘JP’,ring size J
€ 2,000 - 3,000
88
The oval-shaped diamond weighing approximately 0.80ct within a
four-claw setting, to a plain hoop, mounted in 18K gold and platinum,
ring size K
€ 800 - 1,200

61
89
A COLOURED DIAMOND SINGLE-STONE RING
The oval-shaped diamond weighing 1.50cts within a double four-
claw setting, between tapered baguette-cut diamonds weighing
0.48ct total, mounted in 18K gold,ring size L½
€ 4,500 - 5,500
90
A PAIR OF DIAMOND EARCLIPS, CIRCA 1960
Each flowerhead set at the centre with round brilliant and
single-cut diamonds, to polished reeded gold petals, mounted
in rose gold,diamonds approximately 1.90cts total,length 3.2cm
€ 2,200 - 2,800

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Tuesday 14th
May 2019
91
A DIAMOND DRESS RING
The central trio of round brilliant-cut diamonds within a four-claw setting, within a
surround of graduating similarly-cut diamonds, mounted in 18K gold,principal diamonds
approximately 0.70ct,0.35ct & 0.35cts,remaining diamonds approximately 2.00cts total,ring
size L½
€ 2,000 - 3,000
92
A PAIR OF CULTURED PEARL AND DIAMOND PENDENT
EARRINGS
Each baroque pearl suspending from a removable brilliant-cut diamond surmount,
mounted in 18K gold,length 3.5cm
€ 450 - 650
93
A DIAMOND RING
The collet-set round brilliant-cut diamond weighing approximately 0.65ct between
similarly-cut diamond shoulders, mounted in 18K gold,remaining diamond approximately
0.30ct total,French import mark,ring size I
€ 800 - 1,000

63
94
Of bombé design set with a round brilliant-cut diamond at the centre weighing 2.69cts, within a surround
of pear-shaped diamonds in collet-setting, mounted in 18K gold,remaining diamonds approximately 3.00cts total,
French assay mark,ring size L¾
€ 18,000 - 22,000
Accompanied by a laboratory report from ‘Gem & Solid Phase’ in France, stating that the diamond weighing
2.69cts is I colour,VS2 clarity. Report number 20181109-248 dated November 9th 2018.

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May 2019
96
A CULTURED PEARL, CORAL AND DIAMOND BRACELET
The bracelet designed as a nine-row torsade with cultured pearls of white tint and
coral corallium rubrum beads, the clasp designed as a gold lion’s head highlighted
with single-cut diamonds and ruby eyes, mounted in 18K gold,length 23cm
€ 2,000 - 3,000
** ** Please note that this lot contains coral and is subject to CITES regulations
when exporting outside of the EU.
95
A CULTURED PEARL NECKLACE WITH SAPPHIRE AND
DIAMOND CLASP, CIRCA 1990
The torsade necklace comprising six strands of cultured pearls completed
by a clasp set with a collet-set cabochon sapphire within a frame of round
brilliant, baguette and triangle-cut diamonds, mounted in 18K gold,diamonds
approximately 4.80cts total,French import mark,length 38.7cm
€ 3,000 - 4,000

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97
AN IMPRESSIVE PAIR OF EMERALD AND DIAMOND ‘CAROLINE’ PENDENT EARCLIPS,
BY REPOSSI
Each of chandelier design, suspending series of lozenge and pear-shaped panels, set to the centre with collet-set
cabochon emeralds, surrounded by round brilliant-cut diamonds, mounted in 18K gold,diamonds approximately
8.50cts total,signed Repossi,Italian assay marks,length 6.5cm
€ 8,000 - 10,000
Rich in heritage and craftsmanship, the fourth-generation, family-run House of Repossi is synonymous with elegance and style.The
house is renowned for its exquisite, ornate and diamond-studded creations which incorporate exceptional stones into pieces that
seamlessly blend contemporary designs with classical elements.
The brand was first created in Turin, Italy by Constantino Repossi in 1920. Upon completing his studies in industrial design, the
young Constantino took over his father’s jewellery business and atelier in post-war Italy.The first Repossi store was opened in 1949
inTurin during Italy’s modernist era.Art Deco andAvant-Garde styles prevailed in the first Repossi collections, which demonstrated
Costantino’s ability to combine both his technical and artistic backgrounds.
Subsequently, Constantino’s son,Alberto, began designing pieces at the age of seventeen after learning the craftsmanship of the fami-
ly’s atelier. In 1974,Alberto took charge of the house and brought the brand to international recognition. UnderAlberto, the Repossi
House saw the opening of a flagship store in Monte Carlo in 1977, followed by the Paris store in PlaceVendôme in Paris in 1986.
Repossi designs became famed for their elegance and were celebrated by many influential people.Repossi became the official purvey-
or to HRHThe Prince Rainier III of Monaco in 1994 which gave the house worldwide recognition. Repossi also became the official
supplier to the Saudi Royal family, and to the Royal families of Qatar and Dubai.The house continues to work with royalty in many
countries, and its designs are enjoyed by socialites, jewellery connoisseurs and celebrities worldwide.Today, much of the work is still
done in the same workshops that were used in the 1920s.
Following tradition,Alberto’s daughter, Gaia Repossi, is now leading the family business which is nearing its 100th anniversary and
is more successful today than ever before.

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98
A ROCK CRYSTAL, ONYX AND DIAMOND ‘TORCHON’
NECKLACE, BY SEAMAN SCHEPPS
Composed of fluted rock crystal links, interspersed by further rock crystal and onyx
discs, accented by five round brilliant-cut diamond rondelles, mounted in 18K gold,
maker’s mark for Seaman Schepps,length 97.5cm
€ 4,000 - 6,000
Please note that this necklace can also be worn separately as two necklaces, lengths
46cm & 52cm.
99
A PAIR OF ROCK CRYSTAL, DIAMOND AND ONYX ‘ QUAD’ EARRINGS,
BY SEAMAN SCHEPPS
Each square-shaped panel, set with four cushion-shaped rock crystals, between onyx bars to a central round brilliant-cut diamond,
mounted in 18K gold,with maker’s mark for Seaman Schepps,with maker’s box,length 1.7cm
€ 1,800 - 2,200
Jewellery designer Seaman Schepps is the embodiment of theAmerican Dream. Schepps was born into an immigrant family and grew
up in tenements on the Lower East Side of NewYork. His marvellous jewellery designs took the American market by storm in the
1930s allowing Schepps to rise through the social strata.
With his pioneering designs including chunky brooches,“barberic” bracelets and “bubble” earrings, Schepps defined a new style of the
American woman and his jewellery featured on the covers of top fashion publications such as Vogue, Harper’s Bazaar and Look. He
counted Katherine Hepburn, Coco Chanel, Elsa Schiaparelli, the Duchess ofWindsor andAndyWarhol, as well as members of the Du
Pont, Mellon and Rockerfeller families, all among his clients.
In the late 1930s and early 1940s, Schepps began to experiment with rock crystal. Carving and engraving the precious stone, he
created pieces in which it complimented and counterbalanced other precious gem stones such as emerald or jade. He also produced
exquisite examples which allowed the rock crystal to shine in its own light, similar in design to the present lot (albeit a contemporary
piece inspired by the designs of the founder). Rock crystal enjoyed a resurgence in the 1960s when Schepps created further pieces of
clean simplistic design such as the “barrel” ear clips and ring and the familiar “shell” ear clips composed solely of rock crystal paired
with yellow gold.
After Schepps’ death in 1972, Patricia ScheppsVaill continued to make jewellery in her father’s style, often using elements from pieces
he had designed.Vaill developed a new look in jewellery aimed at appealing to a younger clientele.After twenty years at the helm of
her father’s company,Vaill retired and passed the baton to Jay Bauer andAnthony Hopenhajm who have continued to produce jewellery
in the unique Schepps style.
Today’s designs continue to draw on the Schepps archives which contain over 5,000 detailed jewellery renderings, and 650 moulds.
The pieces created in the workshop continue to be made with cutting-edge methods and inventive, unusual materials. Classic pieces
are rendered in new materials and signature materials are used for bold new styles.The flagship store on Park Avenue at 58th Street
continues to attract socialites, movie stars, royalty and trend-setters who are drawn to Schepps’ innovative use of exotic materials.
Today, some 50 years after his death, he continues to inspire modern jewellers.

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100
A GOLD NECKLACE, CIRCA 1965
The gold necklace of fringe design, each terminal with a stud
accent, in 18K gold,maker’s mark,French assay marks,length 43cm
€ 1,800 - 2,200
102
AN EMERALD AND DIAMOND RING
The rectangular-cut emerald weighing approximately 1.80cts
within a surround of brilliant-cut diamonds, mounted in 18K gold,
diamonds approximately 1.30cts total,ring size K¾
€ 1,500 - 2,000
104
A GARNET DRESS RING
The oval-shaped garnet within a circular-cut garnet surround
to an engraved scrolling floral gallery, mounted in 9K gold,Dublin
hallmarked for 1975,ring size K
€ 600 - 800
101
A GOLD CHARM, BY ASPREY
Designed as a small gold box with initial‘K’ at the centre, opening to
reveal signature‘Asprey’, in 18K gold,length 2.5cm
€ 400 - 600
103
A PAIR OF DIAMONDS EARSTUDS
Each round brilliant-cut diamond weighing approximately 0.50ct,
within an eight-claw setting, mounted in gold
€ 800 - 1,200
105
A GOLD RING WITH A PAIR OF EARRINGS EN SUITE
BY GÜBELIN
The ring designed as an engraved and reeded openwork knot to a
bifurcated engraved hoop, with a pair of earclips en suite, both in 18K
gold,with maker’s marks on both for Gübelin,ring size M½,earrings length
2.6cm
€ 1,800 - 2,200

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106
A GOLD CHAIN NECKLACE
The belcher-link chain, in 9K gold,length approximately
158cm,approximate total gross weight:138.74
€ 1,500 - 2,500
108
A GOLD BRACELET
Designed as a snake-link bracelet throughout, mounted in
18K gold,with gold safety chain,French assay marks,length
20.4cm
€ 1,200 - 1,800
110
AN AQUAMARINE AND DIAMOND PENDANT ON CHAIN
The fancy-shaped aquamarine weighing 2.75cts within a multiple-claw setting,suspending three
brilliant-cut diamond tassels, to an old brilliant-cut diamond surmount and fancy-link chain,
mounted in gold,pendant length 2.6cm,chain length 59cm
€ 1,200 - 1,800
107
A LADY’S GOLD MANUAL WIND BRACELET WATCH,
BY GIRARD-PERREGAUX, CIRCA 1970
17-jewel manual wind movement, patterned champagne dial with
applied gilt baton hour marks, black pointed baton hands, the
rectangular shaped case with snap on back, gold polished bezel with
patterned bezel, integral patterned bracelet with folding clasp, dial
signed,movement no.5046**, mounted in 14K gold,length 18.5cm
€ 800 - 1,000
109
AN ENAMEL NOVELTY BROOCH
Designed as a ladybird, the body and wing cases decorated with
black, white and red enamel, mounted in 18K gold,length 2.3cm
€ 500 - 700

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111
A FINE ‘FORCE 10’ DIAMOND NECKLACE, BY FRED, 2014
Composed of two articulated lines of round brilliant-cut diamonds crossing over at the centre,
one line embellished with a ‘force 10 link’ set with a pear and brilliant-cut diamond within a
frame of similarly-cut diamonds, mounted in 18K gold, diamonds 18.22cts total, signed Fred, num-
bered,maker’s mark,French assay mark,with maker’s case and box,inner diameter approximately 13.00cm
€ 15,000 - 20,000
Accompanied by a copy of invoice dated November 18th 2014 stating: 319 round brilliant-cut
diamonds: G-VS - 17.56cts total, 1 brilliant-cut diamond 0.27ct G/VS2, one pear-shaped dia-
mond 0.39ct G/VS2
112
A DIAMOND ‘FORCE 10’ DIAMOND DRESS RING, BY FRED, 2014
Composed of two round brilliant-cut diamond crossover hoops, embellished at the centre with
a‘force 10’ link set with a pear and brilliant-cut diamond within a frame of graduating similar-
ly-cut diamonds, mounted in 18K gold,diamonds 2.24cts total,signed Fred,numbered,with maker’s case
and box,ring size N½
€ 2,000 - 3,000
Accompanied by a copy of invoice dated November 18th 2014 stating: 94 round brilliant-cut
diamonds: G-VS - 1.58cts total, 1 brilliant-cut diamond 0.27ct G/VS2, one pear-shaped dia-
mond 0.39ct G/VS2
Fred Samuel (1908-2006) established his jewellery brand in 1936 in Paris, where he spent much of his professional life.
Originally from Buenos Aires, born into a family that dealt in precious stones, it was no surprise he conceived a passion for
cultured pearls and won recognition as a leading expert in the field.
Fred imbued his designs with the energy of South America, saying my creations are inspired by the life, the light, the move-
ment, the energy. His passion for life and light is expressed in his jewellery through the use of coloured gemstones and playful
motifs.
DuringWorldWar II,Fred Samuel fled Paris and became an interpreter for theAllies.The name Fred was adopted by the brand
post war, after it was imposed by German occupiers instead of‘Fred Samuel’ because of the Jewish origins of its founder.
Describing himself in 1936 as a‘Contemporary Creative Jeweller’, he staked a claim for modernity based on striking jewel-
lery, pieces with rounded, curvaceous lines. Fred became famous for jewels designed by Jean Cocteau and for its famous cli-
ents, such as Marlène Dietrich and the royal family of Monaco, including princess Grace. In 1966 Fred Paris was the inventor
of cable jewellery‘Force 10’ (made of stainless steel) and this feature is still very prominent today in ring, bracelet, pendant
and necklace designs.
As the brand grew, new stores were opened across the world; 1976 Monte Carlo, 1981 Cannes, 2001Tokyo and 2007 Beijing,
Dubai and Bogotá.The company became the property of LVMH in 1996 and Fred collaborated with Kate Moss for the design
of an exclusive collection in 2012.
Fred Paris designed the iconic 23 heart-cut ruby necklace interlaced with diamonds, which was gifted to Julia Roberts by
Richard Gere in the film PrettyWoman.The last major film for which Fred Paris provided jewellery was Casino Royale star-
ring Daniel Craig, featuring the star collection pendant and earrings.
The two beautiful diamond set pieces are perfect examples showcasing the Force 10 feature.The double strand cross over
diamond collar, with the Force 10 link off set from the centre is a very glamorous and modern piece, that could be worn both
day or night, accompanied by the spectacular pave-set diamond ring. Both pieces have a pear and round brilliant diamond set
in the centre of the Force 10 link, adding extra sparkle and artistry to the pieces.

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113
A PAIR OF DIAMOND EARRINGS
Each stylised flowerhead set throughout with round brilliant,
single and old brilliant-cut diamonds, mounted in platinum,
diamonds approximately 5.00cts total,length 2.4cm
€ 4,000 - 5,000
115
A DIAMOND AND RUBY CHARM BRACELET
The gold cable-link chain suspending eight diamond and
ruby-set charms including a dachshund, a padlock, a flour mill
etc... the chain in 18K gold,one charm signed Wedderien,length
19cm
€ 2,000 - 3,000
**TheAmerican firm ofWedderien, eventually located at
Madison Avenue and Fifty-second Street, was formed by for-
mer employees of Dreicer & Co. in the mid-1920s.The firm
included the watchmakerAWeddien, the buyer Edie Case, the
jeweller R. Helstern and the pearl stringer Minnie Cosgrow.
117
A COLOURED SAPPHIRE AND DIAMOND
CLUSTER RING
The oval-shaped pink sapphire weighing 2.56cts within a
four-claw setting and a round brilliant-cut diamond surround,
mounted in 18K gold,diamonds approximately 0.50ct total,ring size
L¼
€ 4,000 - 6,000
Accompanied by a report fromThe Gem & Pearl Laboratory
in London stating that the pink sapphire weighing 2.56cts is of
Sri Lankan origin with no evidence of heat treatment. Report
no. 16561 dated November 23rd 2018.
114
A DIAMOND CHAIN NECKLACE
The cable-link chain interspersed with five collet-set round
brilliant-cut diamonds, mounted in 18K gold,diamonds approximately
0.50ct total,Italian assay mark,length 42.5cm
€ 350 - 450
116
AN EMERALD, ONYX AND DIAMOND RING
The cut-cornered square step-cut emerald weighing approximately
1.00ct within a frame of round brilliant-cut diamonds and black
onyx, to further similarly-cut diamond shoulders, mounted in 18K
gold,ring size L
€ 1,000 - 1,500
118
A DIAMOND PENDANT ON CHAIN
The round brilliant-cut diamond weighing 0.83ct within a six-claw
setting, suspending from a foxtail-link chain, chain in 9K gold,pen-
dant length (including bale):1.1cm,chain length 41cm
€ 1,500 - 2,000
** The diamond is GIA laboratory laser inscribed, numbered
14093755 - stating that the diamond weighing 0.83ct is F colour,
SI1 clarity.

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119
A PAIR OF PINK QUARTZ AND DIAMOND
PENDENT EARRINGS,
BY MARGHERITA BURGENER
Each pavé-set brilliant-cut diamond foliate surmount, sus-
pending a pear-shaped pink quartz drop, mounted in 18K gold,
diamonds 1.23cts total,pink quartz 31.05cts total,signed Margherita
Burgener,maker’s marks,Italian assay marks,with maker’s case
€ 2,500 - 3,500
121
A DIAMOND LINE BRACELET
The continuous row of round brilliant-cut diamonds within
four-claw setting, mounted in 18K gold,diamonds approximately
5.00cts total,French assay mark,length 17.4cm
€ 4,000 - 5,000
123
A DIAMOND COCKTAIL RING, BY CHOPARD
Of openwork bombé design, the centre set with a diamond
pavé-set heart-shaped plaque, mounted in 18K gold,signed Cho-
pard,numbered,maker’s mark,French assay mark,ring size M,with
maker’s box
€ 1,200 - 1,800
120
A DIAMOND RING, BY DIOR
The plain band set to the front with brilliant-cut diamonds, sus-
pending a similarly-cut diamond collet pendant, mounted in 18K gold,
signed Dior,numbered,ring size K¾,with maker’s case
€ 450 - 550
122
A DIAMOND CLUSTER RING, BY TIFFANY & CO.
The central round brilliant-cut diamond weighing approximately
0.25ct, within a scalloped frame of similarly-cut diamonds, mounted
in platinum,signedTiffany & Co.,maker’s mark and case,ring size N¼
€ 800 - 1,000
124
The central round brilliant-cut diamond weighing approximately
0.50ct, to a plain gold hoop, mounted in 18K gold,Italian assay marks,
ring size M½
€ 1,000 - 1,500
122
123

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119
120
120
121
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124

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125
A PAIR OF CULTURED PEARL AND DIAMOND
PENDENT EARRINGS
The graduated freshwater cultured pearls of rose tint between
round brilliant-cut diamond accents, to a surmount of similar
design, mounted in 18K gold,diamonds approximately 3.00cts total,
length 6.3cm
€ 1,800 - 2,800
127
A COLOURED SAPPHIRE AND DIAMOND RING
The purplish-pink cushion-shaped sapphire weighing 3.25cts in collet setting, within a
round brilliant-cut diamond frame and gallery, mounted in 18K gold,diamonds approximately
1.30cts,ring size L¼
€ 3,000 - 4,000
129
A DIAMOND BANGLE WITH RING EN SUITE
The polished plain hoop set to the centre with a round brilliant-cut
diamond cluster, with a ring en suite, both mounted in 18K gold,dia-
monds approximately 0.60ct,bangle inner diameter 5.4cm,ring size K½
€ 700 - 900
126
AN EMERALD AND DIAMOND CLUSTER RING
The oval-shaped emerald within a surround of round brilliant-cut
diamonds to a plain hoop, mounted in 18K gold,ring size M½
€ 1,000 - 1,500
128
A PAIR OF CULTURED PEARL EARRINGS,
BY SCHOEFFEL
Each button-shaped cultured pearl, suspending a removable
knife-wire bar terminating with cultured pearl of similar shape,
mounted in 18K gold,with maker’s marks,length 2.5cm
€ 150 - 200

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131
The rectangular step-cut emerald weighing approximately 0.80ct within a four-claw
setting and between tapered baguette-cut diamond shoulders, ring size M
€ 800 - 1,200
130
A PAIR OF DIAMOND AND SAPPHIRE EARCLIPS
Each designed as a bombé semi-hoop pavé-set with brilliant-cut diamonds, interspersed
with square-cut sapphire flames, mounted in 18K gold,diamonds approximately 5.00cts total,
length 3.6cm
€ 3,000 - 4,000

81
133
A PAIR OF CULTURED PEARL AND DIAMOND EARRINGS
Each round-shaped South Sea pearl of white tint measuring approximately
15.30x15.10mm, suspending from a removable line of graduated round brilliant-cut
diamond surmount, mounted in 18K gold,diamonds approximately 0.60ct total,length 3cm
€ 1,500 - 2,000
132
A CULTURED PEARL NECKLACE WITH SAPPHIRE CLASP
Composed of a single strand of round graduated South Sea cultured pearls
of white tint, measuring approximately 17.32 - 14.14mm, to a white sap-
phire pavé-set spherical clasp mounted in 18K gold,length 44.2cm
€ 3,500 - 4,500

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134
A DIAMOND ‘CIELO’ COCKTAIL RING,
BY CAPOLAVORO
Designed as interlocking bands, composed of four pavé-set round
brilliant-cut diamond bands and three plain polished gold bands,
mounted in 18K gold, diamonds 3.69cts total, signed Capolavoro, ring
size O
€ 3,000 - 4,000
136
AN AMETHYST AND DIAMOND PENDANT ON
CHAIN, BY MARGHERITA BURGENER
The articulated pendant designed as a line of fancy-cut cabochon
amethysts within surrounds of single-cut diamonds, suspending
from a cable-link chain interspersed by round brilliant-cut dia-
mond links, mounted in 18K gold, diamonds 1.22cts total, amethysts
17.99cts total,maker’s marks for‘MB’,with maker’s case,pendant length
7.2cm,chain length 45.5cm
€ 3,000 - 4,000
138
A DIAMOND BRACELET
Composed of three rows of round brilliant-cut diamonds
within claw-setting, mounted in 18K gold, diamonds approximately
6.00cts total,length 15.5cm
€ 4,000 - 5,000
135
A PAIR OF DIAMOND ‘CIELO’ EARRINGS,
BY CAPOLAVORO
Designed as interlocking bands, composed of two pavé-set round
brilliant-cut diamond bands and two plain polished gold bands,
mounted in 18K gold, diamonds 1.08cts total, signed Capolavoro, length
2cm
€ 1,500 - 2,000
137
A DIAMOND ‘FRECCIA’ RING, BY ENIGMA
Designed as an arrow pavé-set with brilliant-cut diamonds
throughout, mounted in 18K gold,diamonds approximately 0.50cts to-
tal,signed Enigma,Italian assay mark,with maker’s pouch,ring size O½
€ 500 - 700
139
A PAIR OF DIAMOND HOOP PENDENT EARRINGS
Each wavy hoop set throughout with round brilliant-cut diamonds
to a similarly-cut diamond surmount, mounted in 18K gold,diamonds
approximately 0.80ct total,length 5.8cm
€ 900 - 1,100
Capolavora, a German family owned and operated company, was founded in 1991 by Gerhard andAndrea Fritsch.The company was
established in the beautiful surrounding of Munich and is the first jewellery manufactory in Bavaria for 100 years.The name Capolavoro,
which means masterpiece in Italian, is an appropriate brand name, as each piece crafted is a masterpiece of passionate inspiration, ultimate
craftsmanship and finest materials. Capolavoro creates unique contemporary pieces for every occasion and to suit each woman’s unique
beauty and personality.
The diamond ring of a modern design, looks as if it was created by randomly stacking many pavé-set diamond and plain rings together,
giving a casual vibe to the piece. It is a comfortable contemporary ring, and, when worn with the matching earrings, adds a real touch of
sparkle and glamour.

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140
AN IMPERIAL TOPAZ AND DIAMOND CLUSTER
RING
The pear-shaped topaz weighing approximately 11.00cts within a
surround of round brilliant-cut diamonds, claw setting throughout,
mounted in 18K gold,diamonds approximately 2.30cts total,ring size N¾
€ 4,000 - 5,000
141
A PAIR OF DIAMOND AND ROCK CRYSTAL
EARRINGS
The cushion-shaped rock crystals decorated with strands of round
brilliant-cut diamonds, mounted in 18K gold,diamonds approximately
2.00cts total,Italian assay marks,length
€ 1,000 - 1,500
Imperial topaz, also know as precious topaz, is the rarest colour of topaz with a golden orange to pink hue.The name imperial topaz
originated in nineteenth-century Russia.At the time, the Ural Mountains were topaz’s leading source, and the gemstone mined there was
named to honour the Russian tsar who prized its luxurious golden-sherry hues. Ownership of the gem was restricted to the royal family.
Today fine specimens come from the Ouro Preto mines of Minas Gerais in Brazil. Imperial topaz is classified as a very rare collector’s gem
and true Imperial topaz is always untreated.
There is some disagreement over what colour the term imperial topaz represents, and some consider it the most misused term in the
trade. Sometimes it used to describe gems of medium reddish orange to orange-red colour and many dealers insist that a stone must show
a reddish pleochroic colour to be called Imperial topaz.The reddish pleochroic colour often appears at the ends of fashioned gems, such as
pears and ovals, that have an otherwise yellow-to-orange bodycolor.
The pear-shaped imperial topaz and diamond cluster ring is a statement piece. The warm golden hued lively centre stone, that displays a
reddish pleochroic colour at the point and end, confirms its status as Imperial topaz.

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142
A FINE COLOURED STONE AND DIAMOND BRACELET
The flexible wide bracelet set with round cabochon peridots, citrines and amethysts, highlighted with
multi-coloured circular-cut sapphires and green garnets with further round brilliant-cut diamond
accents, mounted in 18K gold,signed Assil NY,length 18.5cm
€ 12,000 - 18,000

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143
THREE GEM-SET, DIAMOND AND MOTHER-OF-PEARL BRACELETS
Each bracelet set with mother-of-pearl and gold plaque links, interspersed by square-
cut ruby, emerald or sapphire links and round brilliant-cut diamond links, all mounted in
18K gold,diamonds approximately 1.30cts total,Italian assay mark on one bracelet,length each
18.3cm
€ 3,000 - 4,000
144
A DIAMOND BANGLE
The plain gold polished bangle set with a brilliant-cut diamond at the centre within
collet setting, mounted in 9K gold,inner diameter 6cm
€ 400 - 600
145
A COLOURED SAPPHIRE DRESS RING
The oval-shaped yellow sapphire weighing 6.74cts within a multiple-claw setting, to a
plain gold hoop, mounted in 18K gold,ring size N
€ 3,000 - 4,000

87
146
A FINE SAPPHIRE AND DIAMOND RING
The cushion-shaped sapphire weighing 6.26cts within a four-claw setting, between baguette-cut diamond shoul-
ders, mounted in 18K gold,diamonds approximately 1.00cts,French assay mark,maker’s mark‘JF’ring size K¾ (adjustable)
€ 10,000 - 15,000
Accompanied by a report from the Gubelin laboratory in Switzerland stating that the sapphire weighing 6.26cts is
of Sri Lankan origin, with no indications of heating. Report number 12080090, datedAugust 12th 2012.

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147
A DIAMOND ETERNITY RING, FIRST QUARTER
OF 20TH CENTURY
The continuous row of single-cut diamonds, with engraved
scroll detailing to the side, mounted in platinum,diamonds ap-
proximately 1.00ct total,French assay mark,maker’s mark‘PG’,ring
size N½
€ 400 - 600
148
The princess-cut diamond weighing 1.70cts within a four-claw set-
ting, to a plain hoop, mounted in gold,ring size I
€ 5,000 - 7,000
Accompanied by a report from E.G.L laboratory stating that the
diamond weighing 1.70cts is G colour,VS2 clarity. Report number
2909239640, dated September 29th 2009.

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149
The square step-cut diamond weighing 0.90ct, within a sur-
round of pavé-set round brilliant-cut diamonds, to a similarly-set
diamond trifurcated hoop, mounted in 18K gold,remaining diamonds
approximately 0.40ct total,ring size M½
€ 2,000 - 3,000
150
A SAPPHIRE AND DIAMOND CLUSTER RING
The oval-shaped sapphire weighing 4.01cts within a four-claw
setting and round brilliant-cut diamond frame, mounted in 18K
gold,diamonds approximately 0.80ct total,UK assay marks,ring size
L½
€ 6,000 - 8,000
Accompanied by a report fromThe Gem & Pearl Laboratory
in London, stating that the sapphire weighing 4.01cts is of Sri
Lankan origin, with no evidence of heat treatment. Report
no. 17006, dated March 26th 2019.

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In 1967 Giuseppe Picchiotti started creating his own jewellery collection in a workshop, which he opened in the small Ital-
ian district ofValenza.Today his name is synonymous with miniature works of art, displaying a fusion of classical styling and modern
elegance, and featuring gemstones like ruby, amethyst and diamond set in exquisite gold, as seen in pieces from the Picchiotti Seta,
Imperial, L Marquise and Luna collections. Each piece is designed and crafted entirely in house, assuring designs are made to the high
standards the Italian family owned company pride themselves on.
The white and yellow diamond necklace,earrings and ring,are an elegant suite that display the modern elegance for which Picchiotti is
renowned.The delicate pavé-set pieces set alongside single claw set diamonds create a contrast for the eye and result in a very pleasing
and modern design.
151
A COLOURED DIAMOND AND DIAMOND NECKLACE, RING AND EARRINGS SUITE,
BY PICCHIOTTI
The necklace designed as a bombé marquise-shaped pendant pavé-set throughout with round brilliant-cut yellow diamonds, sus-
pending from knifewire links connected with round brilliant-cut diamonds, terminating with round-shaped gold links, with a pair
of pendent earrings and a ring en suite, all mounted in 18K gold,diamonds approximately 8.00cts total,all signed Picchiotti,English import
marks,necklace length 41.2cm,pendant length 3cm,earrings length 3.7cm,ring size O
€ 3,500 - 4,500
** Please note that the yellow diamonds have not been tested for natural colour.

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152
A PAIR OF CITRINE AND DIAMOND PENDENT EARRINGS,
BY MARGHERITA BURGENER
Each set with a circular citrine cabochon within a surround of round brilliant-cut diamonds,
suspending a pear-shaped citrine drop accented with a similarly-cut diamond accent, mounted
in 18K gold,diamonds 0.78ct total,citrines 50.05cts total,signed Margherita Burgener,Italian assay
marks,maker’s case,length 4.2cm
€ 1,800 - 2,200
153
A GEM-SET AND DIAMOND BANGLE
Of openwork design, set to the front with alternating heart-shaped cabochon amethysts,
citrines and peridots between a brilliant-cut diamond border, the reverse highlighted with
openwork heart-shaped gold elements, mounted in gold,diamonds approximately 2.50cts total,
inner diameter 5.6cm
€ 2,500 - 3,500
154
AN EMERALD AND DIAMOND COCKTAIL RING,
BY ENIGMA
Of bombé design, composed of a circular-cut emerald sugarloaf, within a surround of round
brilliant-cut diamonds, mounted in 18K gold,signed Enigma,diamonds approximately 1.00cts total,
emeralds approximately 2.50cts total,Italian assay marks,with maker’s pouch,ring size L
€ 3,000 - 4,000

92
Tuesday 14th
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155
A PAIR OF SHELL AND CITRINE EARCLIPS, BY TRIANON
Each turbo shell inset with circular-cut citrines, highlighted with gold stud motifs,
mounted in 18K gold,signedTrianon,numbered,maker’s marks,length 2.4cm
€ 1,800 - 2,200
156
A LADY’S ‘RALLYE’ WRISTWATCH, BY HERMES
6-jewels ETA quartz movement, cushion-shaped signed white dial with Arabic numer-
als, luminous gilt hands, stainless steal case with openwork gold plated shoulders, bezel
and crown, case ref.5938**,ref.770*,gold plated buckle,H crown,Hermes leather strap,
length 20.4cm,case (including crown):2.1cm
€ 450 - 550
157
A PAIR OF DIAMOND PENDENT EARRINGS
Each openwork rosette-shaped panel highlighted with round brilliant-cut diamonds,
within a loose circular hoop pavé-set with similarly-cut diamonds, suspending from a
diamond surmount of similar design, mounted in 18K gold,diamonds approximately 3.00cts
total,Italian assay marks,length 7cm
€ 1,800 - 2,200

158
A DIAMOND ‘SOCRATE’ FLORING RING,
BY VAN CLEEF & ARPELS
Of‘Between the Finger’ design, each flowerhead set with
brilliant-cut diamonds, mounted in 18K gold,signedVCA,numbered,
maker’s mark,French assay mark,ring size L¾
€ 3,500 - 4,500
159
A LADY’S GOLD AND DIAMOND-SET BRACELET
WATCH, BY VAN CLEEF & ARPELS
7-jewels quartz movement, the white dial with black Roman
numerals and baton hands, within a yellow gold circular case with
bezel set with two rows of brilliant-cut diamonds, to an integrated
yellow gold and diamond-set bracelet with double folding clasp,
case,dial,movement and bracelet signed,movement no:25138**,serial no:
18632 B2***,ref.no:7970*,mounted in 18K gold,diamonds approxi-
mately 1.20cts total,Swiss assay marks,case diameter (including bezel and
crown) 2.5cm
€ 4,000 - 5,000

94
Tuesday 14th
May 2019
160
A PAIR OF CULTURED PEARL AND DIAMOND PENDENT EARRINGS, CIRCA 1960
Each openwork foliate design set with round brilliant, single and baguette-cut diamonds, suspending a detachable cultured pearl
drop caped with similarly-cut diamonds, diamonds approximately 12.00cts total,surmount length 3.8cm,grey pearl pendant 3.2cm,
white pearl pendant 2.9cm
€ 6,000 - 8,000
**As illustrated, the surmount is composed of two detachable pairs of lower mounts, one pair is set with grey pearls and the
other with cream pearls.

95
161
The round brilliant-cut diamond weighing 3.40cts within a four-claw setting, to a plain hoop, mounted in 18K gold,
French assay mark,ring size N½
€ 20,000 - 30,000
Accompanied by a report from Gem & Solid Phase laboratory in France, stating that the diamond weighing 3.40cts is
G colour, SI1 clarity. Report no. 20180728 dated July 28th 2018.

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162
A CULTURED PEARL, ONYX, CORAL, SAPPHIRE
AND DIAMOND SAUTOIR NECKLACE
Designed as a detachable cultured pearl tassel with round
brilliant-cut diamond terminals, from an onyx, carved coral
corallium rubrum seed pearl and diamond surmount, sus-
pending from a fancy-link chain, interspersed with seed pearls
and circular-cut colourless sapphires, mounted in 18K gold,
length 12.2cm, chain 77cm
€ 1,500 - 2,500
164
A DIAMOND LINE BRACELET
Composed of an articulated row of round brilliant-cut diamonds, mounted in 18K gold,diamonds
approximately 11cts total,with security chain,length 21cm
€ 8,000 - 10,000
165
A PAIR OF DIAMOND AND ONYX PENDENT
EARRINGS
Each designed as an openwork circular panel with scrolling
decorations set throughout with round brilliant-cut diamonds,
suspended from a similarly-cut diamond and onyx bar, to
a surmount of similar design, mounted in 18K gold,diamonds
approximately 3.00cts total,length 6.4cm
€ 1,200 - 1,800
163
A DIAMOND AND SAPPHIRE RING
In the art deco style, the old European-cut diamond weighing
approximately 1.90cts, between calibré-cut sapphire shoulders,
within millegrain setting, ring size N¼
€ 5,000 - 7,000
166
The hoop designed as a bombé heart, the central round bril-
liant-cut diamond weighing approximately 1.00ct, between
similarly-cut diamond shoulders and diamond pavé-set
surround, mounted in 18K gold,remaining diamonds approximately
2.50cts total,Italian assay marks,ring size L½
€ 3,800 - 4,200

98
Tuesday 14th
May 2019
167
A CULTURED PEARL AND DIAMOND SAUTOIR NECKLACE
The fine trace-link chain set throughout with round cultured pearls of white tint, interspersed by
collet-set round brilliant-cut diamonds, mounted in 18K gold,diamonds approximately 0.80ct total,cased
by‘Appleby Dublin’,length 79.5cm
€ 1,200 - 1,800
168
A STAINLESS STEEL ‘B-ZERO 1’ BRACELET WATCH,
BY BULGARI, CIRCA 2005
4 jewels quartz movement, the circular black dial with triangle numerals and steel hands, within
engraved stainless steel‘BVLGARI’ bezel,T-bar lugs, back held by 3 screws, fitted maker’s patent
strap with folding clasp, case, dial and movement signed,case no.D1789**,Ref.BZ2**,with maker’s case,
case width:2.2cm
€ 500 - 700

99
169
A RUBY AND DIAMOND CLUSTER RING
The oval-shaped ruby weighing approximately 1.30cts, within a
surround of round brilliant and marquise-cut diamonds, diamonds
approximately 1.30cts total,ring size M
€ 1,800 - 2,200
170
A RUBY AND DIAMOND BROOCH
Designed as a floral bouquet, composed of round brilliant-cut
diamonds and pear-shaped rubies, claw setting throughout,
mounted in 18K gold and platinum,diamonds approximately 6.00cts
total,French assay marks,length 4.5cm
€ 5,000 - 6,000

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Tuesday 14th
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171
The square step-cut emerald weighing approximately 1.50cts
within a four-claw setting and between graduated ba-
guette-cut diamonds, diamonds approximately 1.20cts total,ring
size M
€ 1,500 - 2,000
173
A DIAMOND PENDANT ON CHAIN AND A PAIR OF DIAMOND EARSTUDS
The brilliant-cut diamond weighing approximately 0.50ct within a four-claw setting, suspending from a
fine trace-link chain, pendant and chain in 18K gold,pendant length 1cm,chain length 44.8cm;Each stud set with a
brilliant-cut diamond weighing approximately 0.15ct,mounted in 9K gold
€ 800 - 1,000
175
A THREE-STONE DIAMOND RING
Claw-set with three old brilliant-cut diamonds, mounted in 18K
gold and platinum,diamonds approximately 1.00cts total,ring size K½
€ 700 - 900
172
A DIAMOND AND EMERALD RING
In the art deco style, the central collet-set old brilliant-cut dia-
mond weighing approximately 2.30cts, within a pierced bombé
surround of calibré-cut emeralds and round brilliant-cut dia-
monds, millegrain setting throughout, ring size M½
€ 8,000 - 10,000
174
A DIAMOND PENDANT BY WEMPE ON A
DIAMOND LINE NECKLACE
Designed as a starburst, the knifewire rays set with bril-
liant-cut diamond accents within a circular frame of similar-
ly-cut diamonds, suspending from a continuous line of round
brilliant-cut diamonds weighing 5.05cts total, both mounted in
18K gold,pendant signedWempe,diamonds on pendant 3.54cts total,
pendant length (including bale) 5.8cm,necklace length 41.5cm
€ 3,500 - 4,500

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May 2019
176
A FIVE-STONE SAPPHIRE AND DIAMOND RING
The central old brilliant-cut diamond, between oval-shaped sapphires to further similar-
ly-cut diamonds, mounted in platinum and 18K gold,diamonds approximately 1.10cts total,ring
size N¼
€ 1,500 - 2,000
177
A PAIR OF DIAMOND CLUSTER EARRINGS
Each collet-set round brilliant-cut diamond within a similarly-cut diamond scalloped
surround, mounted in 18K gold,diamonds approximately 1.70cts total,length 1.7cm
€ 1,200 - 1,800
178
A SAPPHIRE AND DIAMOND RING
Set with three rectangular-cut sapphires, each between baguette-cut diamonds, mounted
in 18K gold, diamonds approximately 0.40ct total, ring size N
€ 1,200 - 1,800

103
179
A THREE-STONE EMERALD AND DIAMOND RING
The octagonal-shaped emerald weighing approximately 1.30cts, between two round brilliant-cut
diamonds, within collet-setting, mounted in 14K gold,diamonds approximately 1.30cts total,ring size
O½
€ 3,000 - 5,000
Accompanied by a report from GCS laboratory in London, stating that the emerald is of Colom-
bian origin, with minor clarity enhancement. Report number 79208-40, datedApril 8th 2019.
180
A PAIR OF DIAMOND EARSTUDS
Each brilliant-cut diamond weighing 2.01 & 2.03cts, within a four-claw setting, mounted in 18K
gold
€ 12,000 - 18,000
181
The old European-cut diamond weighing 1.32cts within a four-claw setting, to a plain hoop,
mounted in 18K gold,ring size M
€ 3,000 - 4,000
* Please note that the diamond was unset and weighed loose by the jewellery department .

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182
A CORAL DRESS BUCKLE
The realistically modelled coral sea anemone, with buckle gold mount on the reverse,
length approximately 6cm
€ 600 - 800
** Please note that this lot contains coral and is subject to CITES regulations when
exporting outside of the EU
183
A DIAMOND PENDANT
The round brilliant-cut diamond weighing 0.36ct within two-claw setting to a plain
bale, mounted in 18K gold,length (including bale 1.3cm)
€ 600 - 800
** Please note that the diamond is laser inscribed by the GIA laboratory, numbered
14120346 stating online that the diamond weighing 0.36ct is E colour,VS1 clarity.
184
A PAIR OF DIAMOND CLUSTER EARRINGS
Each central round brilliant-cut diamond within a surround of similarly-cut diamonds,
mounted in 18K gold,diamonds approximately 1.00ct total,length 1cm
€ 1,000 - 1,500

105
185
AN 18K GOLD AND DIAMOND-SET ‘IMPERIALE’ CHRONOGRAPH WRISTWATCH,
BY CHOPARD
25-jewel Cal. 1137 quartz movement, diamond-set dial with black sword hands, subsidiary dials for continuous
seconds, 30 minute and 12-hour registers, the circular case with bezel set with circular-cut black diamonds,
the bar lugs capped with inversed circular-cut diamonds and set within triple row of circular-cut diamonds,
concealed double folding clasp, dial, bracelet and case signed Chopard, mov. no. 28420**, case width: 32mm
€ 5,000 - 7,000
186
A PAIR OF DIAMOND AND BLACK DIAMOND EARCLIPS
Each designed as an openwork flowerhead, the petals set with circular-cut black diamonds with round
brilliant-cut diamond accents, mounted in 18K gold,white diamonds approximately 2.30cts total,Italian assay marks,
length 3cm
€ 1,200 - 1,800

106
Tuesday 14th
May 2019
187
A CULTURED PEARL AND DIAMOND ‘PUSHKIN’ COCKTAIL BRACELET WATCH,
BY CHOPARD, CIRCA 2000
Designed as a series of openwork lobe and marquise-shaped links, set throughout with brilliant-cut diamonds, each accented by
a cultured pearl, the central marquise-shaped dial pavé-set with round brilliant-cut diamonds and a similarly-cut diamond case,
4-jewelled ETA quartz movement, mounted in 18K gold,diamonds approximately 15.00cts total,signed Chopard,numbered,Swiss assay
marks,movement no.2010**,Case no.7523**,Ref.no.527* & 10-67**,length approximately 16.5cm,with maker’s case and box
€ 20,000 - 25,000
Accompanied with certificate of authenticity from retailer in Monte-Carlo, dated October 10th 2018.
In 1999, Caroline Scheufele, co-president of Chopard, paid tribute to the Russian poet Alexandre Pushkin in the 200th anniversary
year of his birth. Chopard honoured his innovative spirit by combining gold, pearls, diamonds and other precious stones to the Push-
kin collection. It is believed that only 3 of the same watch, including this one, were produced.
Caroline Scheufele has continued to breathe new life and glamour into the world of high jewellery.A keen film enthusiast,in 1997 she
negotiated a partnership with the Cannes International Festival,making Chopard the official sponsor of the event and giving the house
the opportunity to create a new high jewellery collection each year to adorn the stars of the red carpet at Cannes.The partnership is
now in its 22nd year and Caroline remains at the helm, creating unique works of art for and inspired by the women who wear them.

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188
A PAIR OF GEM-SET AND DIAMOND EARCLIPS
Each set with a collet-set cabochon sapphire, ruby and emer-
ald between pavé-set round brilliant-cut diamonds, mounted in
18K gold,diamonds approximately 1.00ct total,length 2cm
€ 800 - 1,000
189
A RUBY AND GOLD BROOCH
Of stylised radiating star design, centring a circular-cut ruby
cluster, each ray with bead detail terminals, mounted in 18K gold,
length 4.8cm
€ 450 - 550

109
190
A PAIR OF HOOP EARRINGS
Each hoop set throughout with circular-cut rubies, mounted in
18K gold,length 4.7cm,inner diameter 4.7cm
€ 1,800 - 2,200
191
A RUBY AND DIAMOND CLUSTER RING
The oval-shaped ruby weighing approximately 4.00cts, within a
surround of round brilliant-cut diamonds, mounted in 18K gold,
diamonds approximately 1.50cts total,French assay mark,ring size J½
€ 6,000 - 8,000
Accompanied by a report from the SSEF laboratory in Switzerland,
stating that the ruby is of EastAfrican origin, with no indications of
heating. Report number 89290, dated January 16th 2017.

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Tuesday 14th
May 2019
192
A PAIR OF EMERALD AND DIAMOND EARCLIPS
Each surmount set with a central heart-shaped diamond weighing
approximately 0.50ct in collet setting within a frame of bril-
liant-cut diamonds, suspending a collet-set oval-shaped emerald
weighing approximately 1.40cts within a scalloped surround of
further brilliant-cut diamonds, mounted in 18K gold,remaining
diamonds approximately 3.50cts total,length 3cm
€ 4,000 - 5,000
194
A STAINLESS STEEL AND GOLD ‘CONSTELLATION’
QUARTZ BRACELET WATCH, BY OMEGA
5-jewels quartz movement, champagne dial with baton markers,
luminous hands, grained steel case with gold bezel and inset Ro-
man numerals, applied gold protective shoulders, on fitted steel
and gold bracelet with concealed folding buckle and lock, case,dial
and movement signed,case no.79510**,case width (including crown):
2.5cm
€ 500 - 700
193
FOUR GEM-SET AND GOLD BRACELET
The fancy-link bracelets set with collet-set circular-cut rubies or
turquoise, mounted in 18K (?) gold,inner diameter for each approxi-
mately 5.4cm,total gross weight approximately 110.78g
€ 2,500 - 3,500
195
A PAIR OF MOTHER-OF-PEARL AND DIAMOND
PENDENT EARRINGS
Each designed as a bombé mother-of-pearl scalloped plaque
with round brilliant-cut diamond highlights, suspending from
a similarly designed surmount, mounted in 18K gold,diamonds
approximately 2.60cts total,Italian assay marks,length 4.7cm
€ 1,500 - 2,000

Peter O’Brien Auction Draws Bidders to Dublin Event

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