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Online Art Auction
2
Claire-Laurence Mestrallet, G.G, B.A
ASSOCIATE DIRECTOR
claire@adams.ie
Brian Coyle FSCSI FRICS
CHAIRMAN
James O’Halloran BA FSCSI FRICS
MANAGING DIRECTOR
j.ohalloran@adams.ie
Stuart Cole MSCSI MRICS
DIRECTOR
s.cole@adams.ie
Amy McNamara BA MA
FINE ART DEPARTMENT
amymcnamara@adams.ie
Eamon O’Connor BA
DIRECTOR
e.oconnor@adams.ie
Adam Pearson BA
FINEARTDEPARTMENT
a.pearson@adams.ie
Helena Carlyle BA
FINEARTDEPARTMENT
h.carlyle@adams.ie
Niamh Corcoran BA
FINE ART DEPARTMENT
niamh@adams.ie
Ronan Flanagan
FINEARTDEPARTMENT
r.flanagan@adams.ie
Nick Nicholson
CONSULTANT
n.nicholson@adams.ie
Nicholas Gore-Grimes
ASSOCIATE DIRECTOR
nicholas@adams.ie
Contacts
Giorgia Chiesa BA MA
FINEARTDEPARTMENT
giorgia@adams.ie
3
Timed online only auction
ADAM’S
Est.1887
26 St. Stephen’s Green
Dublin D02 X665
Tel +353 1 6760261
info@adams.ie
www.adams.ie
	
PRSA Registration No. #001959
BIDDING OPENS
Thursday 24th
June 2021
BIDDING BEGINS TO CLOSE
Thursday 8th
July 2021 at 2.00pm
4
SALE VIEWING		 6TH - 8TH JULY
At Adam’s, 26 St. Stephen’s Green, Dublin, D02 X665
		
					
Tuesday 6th
July		 10:00am - 5:00pm
Wednesday 7th
	July		 10:00am - 5:00pm
Thursday 8th
	 July		 10:00am - 1:00pm
ADAM’S
Est.1887
26 St. Stephen’s Green
Dublin D02 X665
Tel +353 1 6760261
info@adams.ie
www.adams.ie
TIMED ONLINE AUCTION
BIDDING OPENS
THURSDAY 24TH JUNE 2021
BIDDING BEGINS TO CLOSE
THURSDAY 8TH JULY 2021 AT 2PM
5
THIS IS AN ONLINE ONLY AUCTION
If you are unfamiliar with online-only auctions or do not have a way
of bidding yourself online please contact a member of our staff will
be very happy to assist you in the bidding process.
HOW TO BID IN THIS SALE
Bidding will open on Thursday 24th June and will begin to close
at 2pm on Thursday 8th July.
To bid, simply go to www.adams.ie and Sign Up for a
My Adam’s account.
If you have already signed up for an online account with Adam’s,
you can Sign In with your email and password.
When signed in, click on ‘Upcoming Auctions’, select the ‘Online
Art Auction’ which will bring you to the list of lots.
VIEWING, CONDITION REPORTS & IMAGE REQUESTS
Due to the lifting of some Covid-19 restrictions, in-person view-
ing can now take place again at 26 St Stephen’s Green.
Furthermore, our staff will be on-hand to carry out Condition
Reports and Additional Image Requests for the lots in this sale.
These requests can be made through our website, or by calling
our offices at +353 (0)1 676 0261 or emailing info@adams.ie
6
Adams Live
We are delighted to advise that our own on-line bidding platform, Adam’s Live is now fully
operational for those who wish to bid on-line. Watch the auction as it happens.
On the Live platform you can arrange to bid as the auction is taking place or at any time-
leave comission bids and the Adam’s Live platform will bid on your behalf.
Bidding through this portal will attract no additional internet surcharge for lots purchased
so in effect those bidders will pay the same as a room bidder. Online bidding through
the-saleroom.com and invaluable.com remains unaffected.
Sign up today for your own My Adam’s account and start saving on your on-line purchases.
Browse-Bid-Buy
On-line at www.adams.ie
Browse
Viewing
Viewing has never been easier. Go to www.adams.ie. Choose the auction you wish to view
from the Auctions/Forthcoming auctions menu, and you will be offered a range of ways
to view. You may choose to view a digital version of the printed catalogue in the view e
catalogue option or explore the virtual 3D option which allows you explore the saleroom
with easy to navigate options or view the list view which opens automatically. This last op-
tion provides additional information and photographs of each lot as you choose the View
Details button. Lastly, and only during office hours there is a live chat button onscreen. If at
any time you have a question whilst you are on line you can open a live chat and one our
staff can help you.
My Adam’s
Log on to our web site www.adams.ie and create an account by signing up and registering
your particulars online. The process involves supplying valid credit card information. This is
a once off request for security purposes, and once the account is activated you will not be
asked for this information again. The card information supplied is securely stored by Sage
Pay. You can leave absentee bids online, and add, edit or amend bids accordingly as well as
bidding over the internet in real time through ‘Adam’s Live’. You can also view your invoices,
bid history, wish lists & other useful functions including paying your invoice and creating
you very own personalised catalogue with search tags that will notify you once a catalogue
is uploaded for your key word search.
7
Circular navigation points allow you to walk around
the viewing room
Watch the Auction and bid live with Adam’s Live
Information points provide ‘point and click‘ details on
lots in view
8
This auction is automated and takes place solely online through our website
www.adams.ie
During this period of open bidding you will be able to see the current win-
ning bid on each lot. You may place a higher maximum bid of your choice
and the bidding will automatically increase by the next increment.
If your maximum bid is several increments higher than the current bid, the
bidding will still only increase by one increment until there is a competing
bid in which case the system will move up one increment higher in your
favour. This process will
continue until your maximum amount is outbid.
**The system is designed to give the buyer the best chance of winning their
desired lot at the most competitive price, i.e. it will not jump to the maximum
bid entered unless there is a competing bid just below it**
EXAMPLE:
Bidder A leaves a maximum bid of €100, bidder B leaves a maximum bid of
€200 on the same lot. Bidder A is now knocked out of the lead and bidder
B holds the current winning bid that auto adjusts to €110 (NB not their
maximum bid). The system auto adjusts the bid to the next winning
increment. User B’s bid will only be further executed if another user bids
above their current bid of €110 up to their maximum of €200, after which
they will be knocked out and an e-mail issued advising them to increase
their bid.
Bidders are automatically informed by email if they are the current winning
bidder, or if they have been outbid by another competing bidder. If you
have been outbid and the auction is still open, you are free to leave a
higher bid.
At the end of the defined bidding period, 2pm on Thursday 8th July, if the
highest bid offered meets the minimum price designated by the Auctioneer
(i.e. the seller’s reserve price), the lot is sold.
In a timed auction, the closing time is staggered, with bidding for lot 1
ending at 2pm and each subsequent lot closing thirty seconds after the
previous. If there is a flurry of bidding on a lot just as it reaches its closing
time, the lot is kept open for an extended period to enable everybody to
fairly get their bids in.
All winning bidders will be notified by email once the auction has fully
ended.
ONLINE-ONLY AUCTION EXPLAINED
9
1.	 Estimates and Reserves
These are shown below each lot in this sale. All amounts shown are in Euro. The figures shown are provided
merely as a guide to prospective purchasers. They are approximate prices which are expected, are not definitive
and are subject to revision. Reserves, if any, will not be any higher than the lower estimate.
2.	 Payment, Delivery and Purchasers Premium
All purchases must be paid for no later than Monday 12th
July 2021. Please contact a member of staff to arrange
collection/delivery of your purchases. Auctioneers commission on purchases is charged at the rate of 25% (in-
clusive of VAT). Terms: Strictly cash, card, bankers draft or cheque drawn on an Irish bank. Cheques will take
a minimum of eight workings days to clear the bank, unless they have been vouched to our satisfaction prior
to the sale, or you have a previous cheque payment history with Adam’s. We also accept payment by credit and
debit card (Visa & MasterCard only). For payments by bank transfer please ensure all bank charges are paid in
addition to the invoice total, in order to avoid delays in the release of items. Goods will only be released upon
clearance through the bank of all monies due.
Artists Resale Rights (Droit de Suite) is not payable by purchasers.
3.	 VAT Regulations
All lots are sold within the auctioneers VAT margin scheme. Revenue Regulations require that the buyers pre-
mium must be invoiced at a rate which is inclusive of VAT. This is not recoverable by any VAT registered buyer.
4.	Condition
It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition
Reports whilst we make certain observations on the lot, which are intended to be as helpful as possible, referenc-
es in the condition report to damage or restoration are for guidance. The absence of such a reference does not
imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence
of any others. The condition report is an expression of opinion only and must not be treated as a statement of
fact. Please ensure that condition report requests are submitted before 12 noon on Wednesday 7th July 2021 as
we cannot guarantee that they will be dealt with after this time.
5.	 Absentee Bids
We are happy to execute absentee or written bids for bidders who are unable to bid online themselves and can
also arrange for bidding to be conducted by telephone. However, these services are subject to special conditions
(see conditions of sale in this catalogue). All arrangements for absentee and telephone bidding must be made
before 5pm on the day prior to sale. Bidding by telephone may be booked on all lots. Early booking is advisable
as availability of lines cannot be guaranteed. **Please note that once online bids are placed these bids may not
be cancelled or retracted **
In the rare and unlikely event of an unforeseen technical issue occurring in the final stages of online bidding,
the auctioneer reserves the right, as per Condition 6 in our Conditions of Sale, to re-offer the lot at a later
point between existing bidders.
6. 	 All lots are being sold under the Conditions of Sale as printed in this cata-
logue and on display on our website.
10
1	 PETER COLLIS RHA (1929-2012)
Mountainside, Glencree
Oil on board, 12 x 16cm
Signed
€ 400 - 500
11
2	 PETER COLLIS RHA (1929-2012)
Sea, Late Evening - Winter
Oil on board, 12 x 18cm
Signed
€ 400 - 500
12
3	 PETER COLLIS RHA (1929-2012)
Hillside
Oil on board, 11.5 x 16cm
Signed
€ 400 - 500
13
4	 PETER COLLIS RHA (1929-2012)
Mountainside and Tree
Oil on board, 9.5 x 13cm
Signed
€ 300 - 400
14
5	 MARTIN MOONEY (B.1960)
Still Life Study
Oil on board, 13 x 15.5cm
Signed, inscribed and dated 1996 verso
€ 500 - 800
15
6	 PATRICK VIALE (B.1952)
Summer Table, Miogliola
Oil on board, 60 x 60cm
Signed; also signed and inscribed verso
€ 1,000 - 1,500
16
7	 MICHAEL DILLON (20TH/21ST CENTURY)
Palm House; Ginger Lily (Hedychium Gardnerianum)
Oil on canvas, 36 x 46cm
Signed with initials
€ 400 - 600
17
8	 SARAH LONGLEY (B.1975)
Nude with Parasol
Oil on board, 152 x 106cm
Signed
Provenance: With Peppercanister Gallery, label
verso.
€ 2,000 - 3,000
18
9	 PHIL KELLY (1950-2010)
The Red Face
Oil on paper, 40 x 55cm
Signed and dated (19)’99
Frederick Gallery label verso
€ 500 - 800
19
10	 DAVID GODBOLD (B.1961)
The Face behind the Hand (At Last We Meet)
Acrylic and ink on canvas, 33 x 45cm
Signed, inscribed and dated (19)’90 verso
Hillsboro Gallery label verso
€ 700 - 1,000
20
11	 SHEILA RENNICK (20TH/21ST CENTURY)
Mother Mary
Oil on canvas, 100 x 120cm
Signed and dated 2007
€ 600 - 800
21
12	 EITHNE JORDAN RHA (B.1954)
Struggle with a Shadow
Oil on paper, 83 x 70cm
Signed and dated 1986 verso
€ 600 - 800
22
13	 MICHAEL CULLEN RHA (1946-2020)
Las Sierras
Watercolour, 37 x 39cm
Signed and dated (20)’03; also signed, inscribed
and dated 2003 verso
€ 500 - 800
23
14	 EAMON COLEMAN (B.1957)
Kilewure Window
Oil on canvas, 30 x 30cm
Signed, inscribed and dated 2015 verso
€ 400 - 600
24
15	 ROBERT ARMSTRONG (B.1953)
Pale Flowers Nodded Their Heads
Oil on canvas, 48 x 42cm
Signed, inscribed and dated (19)’94/95 verso
€ 500 - 700
25
16	 CLEMENT MCALEER ARUA (B.1949)
Dutch Field
Acrylic on paper, 54.5 x 65.5cm
Signed, inscribed and dated 2000 verso
€ 300 - 500
26
17	 JOHN KINGERLEE (B.1936)
Figure
Oil on board, 29 x 24.5cm
Signed with monogram and dated (19)’97
€ 800 - 1,200
27
18	 JOHN KINGERLEE (B.1936)
Passing by Unnoticed by Some
Oil on canvas, 10 x 15cm
Signed with monogram
Provenance: With Vangard Gallery label verso.
€ 400 - 600
28
19	 MICHAEL KANE (B.1935)
Figure and Interior
Oil on paper, 20 x 20cm
Signed and dated 1960
€ 400 - 600
29
20	 MICHAEL CULLEN RHA (1946-2020)
Painter and Connoisseur
Oil on canvas, 30 x 34cm
Signed
€ 700 - 1,000
30
21	 LESLIE MACWEENEY (B.1936)
Heads No. 2
Ink on paper, 29 x 23cm
Signed and inscribed with artists label verso.
MacWeeney is largely known for her work at the
graphic studio, also exhibiting at the RHA in 1957,
and participating in (and helping to organise) the
IELA (1954-1963), the Oireachtas exhibitions and
the WCSI.
€ 300 - 500
31
22	 JACK DONOVAN (1934-2014)
Clown
Oil on board, 54 x 44cm
Signed; also signed and dated 2010 verso
€ 1,000 - 1,500
32
23	 MICHAEL FARRELL (1940-2000)
Miss O’Murphy Series
Lithograph, 55 x 76cm
Unframed
Signed and dated (19)’78
€ 400 - 600
33
24	 PAULINE BEWICK RHA (B.1935)
Stray Dog in the School
Indian ink and watercolour, 76.5 x 58cm
Signed and dated 1981
Taylor Galleries label verso
€ 3,000 - 5,000
34
25	 EILEEN COSTELLOE (1911-1976)
Landscape, Donegal
Oil on board, 30 x 40cm
Signed
Ritchie Hendriks Gallery label verso
€ 500 - 800
35
26	 EILEEN COSTELLOE (1911-1976)
Pond in a Woodland
Oil on board, 33.5 x 42.5cm
Signed
€ 700 - 1,000
36
27	 CLEMENT MCALEER ARUA (B.1949)
Burren, Co. Clare
Oil on canvas, 45 x 45cm
Signed
€ 600 - 800
37
28	 LINDY GUINNESS (B.1941)
Sheridan Cottage, Clandeboye
Oil on board, 19.5 x 24cm
Signed and dated (20)’06
€ 500 - 800
38
29	 MELITA DENARO (B.1950)
The Holiest of Hours
Oil on board, 15 x 19cm
Provenance: With Taylor Galleries, label verso.
€ 400 - 600
39
30	 JUDY HAMILTON (20TH/21ST CENTURY)
August Evening
Oil on canvas, 25 x 30cm
Signed and inscribed verso
€ 400 - 600
40
31	 GERALD DAVIS (1938-2005)
Landscape
Oil on board, 11.5 x 16.5cm
Signed and dated (19)’95
€ 200 - 400
41
32	 JACK DONOVAN (1934-2014)
Seated Lady
Mixed media on paper, 26 x 20cm
€ 200 - 400
42
33	 WILLIAM EVESSON (B.1960)
Old Boats Home
Oil on board, 40 x 50cm
Signed and dated (20)’05 verso
€ 400 - 600
43
34	 JOHN MORRIS (B.1958)
Kilkee
Oil on board, 22 x 27.5cm
Signed; also signed, inscribed and dated 2006 verso
€ 400 - 600
44
35	 EDWARD DELANEY RHA (1930-2009)
Untitled
Mixed media on paper, 55 x 80cm
€ 700 - 1,000
45
36	 KENNETH WEBB (B.1927)
Claddagh Village
Oil on board, 36 x 92cm
Signed
€ 800 - 1,200
46
37	 MAURICE MACGONIGAL PRHA (1900-1979)
Studies for Cattle
Watercolour, 19.5 x 32cm
Taylor Galleries label verso
€ 400 - 600
47
38	 WILLIAM BINGHAM MCGUINNESS RHA (1848-1928)
Fishing Boat and Figure in a Bay
Watercolour, 17 x 25cm
Signed
€ 300 - 500
48
39	 FRANK EGGINTON RCA FIAL (1908-1990)
Landscape with Distant Church
Watercolour, 37 x 52cm
Signed and dated (19)‘72
€ 300 - 500
49
40	 FRANK EGGINTON RCA FIAL (1908-1990)
Bog Landscape
Watercolour, 37.5 x 53cm
Signed
€ 800 - 1,200
50
41	 DOUGLAS ALEXANDER RHA (1871-1945)
Mountain Landscape
Watercolour, 25 x 36cm
Signed
€ 300 - 400
51
42	 DOUGLAS ALEXANDER RHA (1871-1945)
Bog Landscape
Watercolour, 22 x 28.5cm
Signed
€ 300 - 500
52
43	 FRANK EGGINTON RCA FIAL (1908-1990)
Coastal Inlet
Watercolour, 24 x 35cm
Signed and dated
€ 500 - 700
53
44	 FRANK EGGINTON RCA FIAL (1908-1990)
Clare Island from Dooega Achill, Co. Mayo
Watercolour, 25.5 x 36cm
Signed
€ 700 - 1,000
54
45	 ALFRED GRAY (1845-1926)
Cattle in Wooded River Landscape with Figures
Oil on canvas, 54 x 44cm
€ 500 - 800
55
46	 NATHANIEL HONE RA (1831-1917)
Meadows Flooded, Malahide
Oil on canvas, 20 x 28cm
Signed with initials
€ 800 - 1,200
56
47	 CHARLES MCAULEY RUA ARSA (1910-1999)
Mountain Landscape
Oil on canvas, 44 x 53.5cm
Signed
€ 700 - 1,000
57
48	 CHARLES MCAULEY RUA ARSA (1910-1999)
River Landscape
Oil on canvas, 38 x 56cm
Signed
€ 800 - 1,200
58
49	 SAM MCLARNON (20TH CENTURY)
Landscape View from Height
Watercolour, 28.5 x 46.5cm
Signed
€ 200 - 300
59
50	 ALEXANDER WILLIAMS RHA (1846-1930)
At Red Island, Skerries, Co. Dublin
Watercolour, 30 x 54cm
Signed
€ 1,000 - 2,000
60
51	 CONTINENTAL SCHOOL C.1900
Farm Horse in a Stable
Oil on canvas, 61 x 83cm
Signed with initials, A.C
€ 400 - 600
61
52	 VICTORIAN SCHOOL
Stable Hand with Carthorses; Grey Mare with Dog
A pair, oils on canvas, each 29 x 39.5cm
Signed with monogram
€ 500 - 800
62
53	 WILLIAM FLEMING VALLANCE (SCOTTISH, 1827 - 1904)
The Jetty
Oil on canvas, 40 x 65cm
Signed
€ 500 - 700
63
54	 E KONZ (19TH CENTURY)
Villagers Conversing
Oil on canvas, 75 x 122cm
Signed
€ 1,000 - 1,500
64
55	 ELIZABETH CORBET (LOLLY) YEATS (1886-1940)
Woodland Flowers
Watercolour, 14 x 22cm
Signed
€ 200 - 300
65
56	 ELIZABETH CORBET (LOLLY) YEATS (1886-1940)
A Floral Border
Watercolour, 30 x 23cm
Signed and dated August 1939
€ 400 - 500
66
57	 HARRIS (20TH CENTURY)
Tree Lined River Landscape
Oil on canvas, 51 x 61cm
Signed
€ 300 - 400
67
58	 EITEL (JACQUES EITELWEIN) (1926-2006)
Le Chateau de Trédion (Bretagne)
Oil on canvas, 146 x 97cm
Signed
€ 400 - 600
68
59	 JUDY HAMILTON (20TH/21ST CENTURY)
Landscape
Oil on board, 40 x 32cm
Signed verso
€ 500 - 800
69
60	 CHERITH MCKINSTRY (1928-2004)
Malta Landscape, Cornfield
Oil on canvas, 15.5 x 20.5cm
Signed
Provenance: With Jorgensen Gallery, label verso.
€ 400 - 600
70
61	 JUDY HAMILTON (20TH/21ST CENTURY)
Storm
Oil on canvas, 19 x 33cm
Signed verso
€ 400 - 600
71
62	 CHRIS DORIS (B.1962)
The Master’s House
Acrylic and sand on paper, 23 x 28cm
Signed and inscribed
€ 400 - 600
72
63	 SELMA MCCORMACK (20TH/21ST CENTURY)
Untitled
Oil on paper, 50 x 44cm
Signed and dated (20)’05
€ 300 - 500
73
64	 MARJA VAN KAMPEN (20TH/21ST CENTURY)
Blue Night
Acrylic on paper, 44 x 30.5cm
Signed and dated (20)’06
€ 300 - 500
74
65	 MICHAEL FARRELL (1940-2000)
Untitled
Lithograph, 76 x 54.5cm
Unframed
Numbered 10/150
Signed and dated (19)’80
€ 400 - 600
75
66	 JOHN SCHWATSCHKE (B.1943)
Force Majeur
Oil on canvas, 25 x 30.5cm
Signed and inscribed verso
€ 500 - 800
76
67	 MARLENE DUMAS (B.1953)
Schets Voor Een Monument Voor de Vrede
Lithograph, 22 x 20cm
Signed, inscribed and dated 1993
Edition 45/60
€ 600 - 800
77
68	 PATRICK HICKEY HRHA (1927-2008)
Escarpment, 1971
Etching, 53 x 61cm
Signed, inscribed, numbered 7/20 and dated 1971
Dawson Gallery label and Taylor Galleries label verso
Exhibited: Cork ROSC, 1980.
€ 800 - 1,200
78
69	 ANNE MADDEN (B.1932)
Untitled
Print, 64.5 x 50cm
Unframed
Signed and dated 1982
€ 200 - 300
79
70	 ANNE MADDEN (B.1932)
Icarus
Carborundum, 50 x 50cm
Signed and numbered 2/75
Framed
€ 400 - 600
80
71	 PATRICK GRAHAM (B.1943)
Canto
Lithograph, 52 x 38cm
Unframed
Signed and dated (19)’93
Edition 25/38
€ 300 - 500
81
72	 PATRICK HALL (B.1935)
Burning Mountain
Lithograph, 76.5 x 57.5cm
Unframed
Signed and inscribed
Edition 16/36
€ 400 - 600
82
73	 CÓILÍN MURRAY (B.1945)
Garden Series III
Oil on canvas, 61 x 64cm
Signed, inscribed and dated (19)’99 verso
€ 600 - 800
83
74	 SONIA SHIEL (20TH/21ST CENTURY)
Store
Oil on canvas, 43 x 53cm
Signed
€ 1,000 - 1,500
84
75	 JANE O’MALLEY (B.1944)
La Geria, Lanzarote
Pastel and conte, 28 x 38cm
Signed, inscribed and dated 1989
Porthmeor Gallery label verso
€ 500 - 800
85
76	 PAUL DORAN (B.1972)
The Last Wave
Oil on canvas, 80 x 80cm
Signed, inscribed and dated 2021 verso
€ 1,500 - 2,500
86
77	 ALEX CALINESCU (B.1967)
Untitled
Oil on canvas, 92 x 77cm
Signed and dated 2005 verso
€ 600 - 800
87
78	 K.K. GODSEE (B.1947)
Open Containers IX, 2013
Watercolour on handmade paper laid on board, 35 x 35cm
Fenderesky Gallery stamp verso
€ 500 - 800
88
79	 CARMEL BENSON (B.1950)
First Things II
Etching, 18 x 18cm
Edition 8/45
Signed and inscribed
€ 100 - 200
89
80	 ALEX MCKENNA (20TH/21ST CENTURY)
Waiting
Oil on canvas, 69 x 49.5cm
Signed; inscribed verso
Apollo Gallery stamp verso
€ 500 - 800
90
81	 MICHAEL MULCAHY (B.1952)
Crucifixion
Wax crayon and graphite, 51 x 37cm
Signed and dated (19)’78 verso
Unframed
Provenance: Gifted to the owner by the artist in 1978.
€ 300 - 500
91
82	 OLIVER COMERFORD (B.1967)
‘Heroes’
Diptych, oils on board, 76 x 114cm
Signed, inscribed and dated; also signed and inscribed with title verso
Provenance: With Rubicon Gallery, June 1991, inscribed verso
€ 2,000 - 4,000
92
83	 MICHAEL KANE (B.1935)
Love in the Studio
Ink and watercolour, 20 x 23.5cm
Signed and dated (20)’01
Rubicon Gallery label verso
€ 500 - 800
93
84	 CHRIS DORIS (B.1962)
Pilgrim Series - Japanese Pilgrim, Croagh Patrick
Watercolour, 59 x 61cm
Signed and inscribed
€ 400 - 600
94
85	 CONTINENTAL SCHOOL (20TH CENTURY)
Post-impressionist style nude study
Charcoal on paper, 40 x 32
€ 150 - 250
95
86	 WILLY SMITZ (BELGIAN, 1914-1967)
Surrealist Figures
Oil on paper, 72 x 56cm
Signed and dated 1953
€ 600 - 800
96
87	 PATRICK MCELROY (1923-2008)
Crucifixion
Brass and enamel, 26 x 20cm
€ 200 - 300
97
88	 PATRICK MCELROY (1923-2008)
Untitled
Brass and enamel, 17.5 x 14cm
€ 200 - 300
98
89	 PETER COLLIS RHA (1929-2012)
Landscape through Trees
Pastel, 9.5 x 13cm
Signed
€ 100 - 200
99
90	 PETER COLLIS RHA (1929-2012)
Dun Laoghaire Harbour Sunrise (from Lamb Doyle’s)
Oil on board, 14 x 17.5cm
Signed
€ 400 - 600
100
91	 LIAM TRACEY (1934-2004)
Town Scene with Figures
Oil on board, 25 x 30cm
Signed
€ 200 - 300
101
92	 MARKEY ROBINSON (1918-1999)
Coming Winter
Oil on board, 19.5 x 43.5cm
Signed
€ 500 - 700
102
93	 CIARAN CLEAR (1920-2000)
Swan in Lake Among Rushes
Oil on card, 11.5 x 15.5cm
Signed
€ 100 - 200
103
94	 B. MCDONAGH (20TH CENTURY)
Fox in Snow
Oil on board, 39.5 x 48.9cm
Signed
€ 300 - 500
104
95	 CIARAN CLEAR (1920-2000)
Billie Holiday, Harlem Speaks
Mixed media on paper, 20 x 25cm
Signed, inscribed with artist name and title verso
€ 80 - 100
105
96	 ANDREW GIFFORD (B.1970)
Empty House Ballinskelligs IV, 2006
Oil on panel, 17.8 x 19.1cm
Signed with initials; also signed and inscribed with title
verso
Provenance: With John Martin Gallery, London, label verso.
€ 800 - 1,200
106
97	 CAROLINE DONOHUE (B.1977)
To Covet
Lithograph, 38 x 60cm
Signed, inscribed and dated (20)’05
Edition 1/10
€ 200 - 300
107
98	 ROBERT BALLAGH (B.1943)
Cuan
Screenprint, 30 x 60.5cm
Signed, inscribed and dated 2001
Edition 3/10
€ 400 - 600
108
99	 MICHAEL BYRNE (1923-1989)
Dublin
Lithograph, 30 x 23cm
Signed, inscribed and dated 1984
Numbered 2/15
€ 100 - 200
109
100	 NICCOLO D’ARDIA CARACCIOLO RHA (1941 - 	
	1989)
Female nude
Watercolour, 28.5 x 19cm
Studio stamp verso on backing board
€ 300 - 500
101	 ULA PAINE (1909-2001)
Botanical Study
Oil on canvas, 40.5 x 30.5cm
Signed and dated 1972
€ 400 - 600
111
ADAM’S
Est.1887
102	 PATRICK JONES (20TH/21ST CENTURY)
Rug
Oil on canvas, 35 x 67cm
Signed and dated 2005 verso
Monart Gallery, London and Hillsboro Fine Art labels verso
€ 500 - 800
112
103	 CHARLIE FLANAGAN (B.1947)
Landscape
Oil on board, 18.5 x 23cm
€ 300 - 500
113
104	 FERGUS O’RYAN (1911-1989)
An Encampment
Oil on board, 44 x 61.5cm
Signed verso
€ 600 - 800
114
105	 NICCOLO D’ARDIA CARACCIOLO RHA (1941-1989)
Kenwood House, London
Watercolour, 18 x 26.5cm
Studio stamp verso on backing board
€ 250 - 350
115
106	 NICCOLO D’ARDIA CARACCIOLO RHA (1941-1989)
Rabbit Hutches
Watercolour, 19 x 28cm
Signed
€ 300 - 500
116
107	 NICCOLO D’ARDIA CARACCIOLO RHA (1941-1989)
Italian City Scene
Ink and watercolour over pencil, 27.5 x 19cm
Studio stamp verso on backing board
€ 300 - 500
117
108	 NICCOLO D’ARDIA CARACCIOLO RHA (1941-1989)
Tuscan Landscape with Distant Town
Watercolour, 19 x 28cm (7½ x 11”)
Signed
Provenance: The Artist’s Family
€ 300 - 500
118
109	 MAURICE C. WILKS ARHA RUA (1910-1984)
Early Morning, Co. Antrim
Felt pen on paper, 24.5 x 33.5cm
Provenance: Studio Sale, Ross’s Belfast, November
1997.
€ 150 - 250
119
110	 JOHN KELLY (1932-2006)
Icon Figure
Mixed media on paper, 23 x 14.5cm
Signed
€ 300 - 500
120
111	 DIARMUID DELARGY (B.1958)
REMINISCE
Etching, 60 x 42cm
Signed and inscribed
Artist’s proof
Provenance: With Taylor Galleries, label verso.
€ 200 - 300
121
112	 KENNETH HALL (1913-1946)
Doorway, Lower Baggot Street
Watercolour and ink, 20 x 26cm
Signed
€ 500 - 800
122
113	 REGIS CHABAL (FRENCH 1930-2010)
Coastal landscape
Oil on canvas, 79 x 98cm
Signed
€ 1,000 - 1,500
123
114	 REGIS CHABAL (FRENCH 1930-2010)
Mountain landscape
Oil on canvas, 79 x 98cm
Signed
€ 1,000 - 1,500
124
115	 CAROLINE DONOHUE (B.1977)
To Leave Behind
Lithograph, 38 x 60cm
Signed, inscribed and dated (20)’05
Edition 1/10
€ 200 - 300
125
116	 MARGARET BECKER (20TH/21ST CENTURY)
Clown and Horse
Etching, 30 x 46.5cm
Signed, inscribed and numbered 12/70
€ 150 - 250
126
117	 ROBERT JANZ (B.1932)
Field Flower
Diptych, oil and acrylic on canvas, 31 x 82cm
Signed, inscribed and dated (20)’06 verso
Provenance: With Peppercanister Gallery, label verso.
€ 600 - 800
127
118	 ROBERT ARMSTRONG (B.1953)
Slide I
Oil on canvas, 48 x 41.5cm
Signed, inscribed and dated (19)’97 verso
€ 500 - 800
128
119	 JOHN KIRWAN
The Baily, Howth Head
Oil on paper,
Signed and inscribed verso
€ 300 - 500
129
120	 ROSEMARY O’REILLY (20TH CENTU	
RY)
Spring Evening
Gouache, 32.5 x 49cm
Signed
Exhibited: The Watercolour Society of Ireland Annual 2004.
€ 300 - 500
130
121	 SARAH PURSER HRHA (1848-1943)
Portrait Study of a Lady
Graphite on paper, 52.5 x 37cm
€ 700 - 1,000
131
122	 THOMAS RYAN PRHA (B.1929)
The Lesson
Oil on canvas, 41 x 51cm
Signed
€ 1,000 - 1,500
132
123	 COMHGHALL CASEY (B.1976)
Nude
Pen, 27.5 x 20cm
Signed and dated (20)’05
Emer Gallery label verso
€ 200 - 400
133
124	 CHARLES CULLEN (B.1939)
Sketch of a Family
Charcoal and graphite on paper, 37 x 32cm
Signed and dated (19)’77
€ 300 - 500
134
125	 20TH CENTURY SCHOOL
Dock Scene
Oil on canvas, 50 x 60cm
Signed indistinctly
€ 500 - 700
135
126	 SEAN FINGLETON (20TH/21ST CENTURY)
Glen Bay, Colmcille, 2010
Oil on canvas board, 19 x 29cm
Signed
Provenance: With Taylor Galleries, label verso.
€ 500 - 800
136
127	 ERIC PATTON RHA (1925-2004)
Seals II
Oil on board, 29.5 x 39.5cm
Signed; also signed and inscribed
verso
€ 500 - 800
137
128	 DESMOND SNEE (20TH/21ST CENTURY)
Horses grazing in a field
Oil on canvas, 50.5 x 77cm
Signed
€1,200 – 1,800
138
129	 NICCOLO D’ARDIA CARACCIOLO RHA (1941-1989)
Portrait of Lorenzo
Pencil on paper, 25 x 19cm
Signed and dated (19)’63
Provenance: The Artist’s Family
€ 300 - 500
139
130	 EDITH SOMERVILLE (1858-1949)
Portrait of a Young Girl
Oil on board, 36.5 x 25.5cm
Signed indistinctly bottom right; inscribed Ethel
Moloney, 1910 verso
€ 500 - 800
140
131	 LINDY GUINNESS (B.1941)
Clandeboye Library
Oil on panel, 29.5 x 24.5cm (11½ x 9½’’)
€ 300 - 400
141
132	 20TH CENTURY SCHOOL
River Landscape
Oil on board, 75 x 105cm
Signed ‘Green’ and dated (19)’60
€ 300 - 500
142
133	 MAINIE JELLETT (1897-1944)
Abstract Composition Study
Pencil, 24 x 13cm
€ 300 - 500
143
134	 20TH CENTURY SCHOOL
Abstract Figures
Pen on paper, 31 x 21cm
Signed and dated indistinctly
€ 150 - 200
144
145
135	 JAMES MALTON (1761 - 1803)
‘’A Picturesque view of the City of Dublin”
A set five views of Dublin
Hand coloured aquatints, 31 x 43cm
(5)
€ 300 - 500
136	 CONTINENTAL SCHOOL
Winter Scene
Oil on board, 29.5 x 39.5cm
€ 400 - 600
146
137	 DEBORAH BROWN (B.1927)
Lone Figure
Lithograph, 50 x 35cm
Signed
Artist’s proof
€ 200 - 400
138	 EITHNE JORDAN RHA 	
	(B.1954)
Gorge
Etching, 19.5 x 29.5cm
Signed and inscribed
Edition 18/24
€ 200 - 300
147
139	 RAYMOND PIPER HRHA HRUA (1923-2007)
Iron Bridge Stairs below Tower Bridge, London
Pencil, 38 x 27cm
Signed and inscribed
€ 400 - 600
148
140	 CHARLES MCAULEY RUA ARSA (1910 - 1999)
River Landscape
Oil on canvas, 47 x 55cm
Signed and dated
€ 600 - 800
149
141	 ROBIN HALL WHITE
Mountain Landscape
Oil on board, 50.5 x 61cm
Signed
€ 200 - 400
150
142	 20TH CENTURY SCHOOL
Mountain Landscape
Oil on board, 25 x 30.5cm
Signed with initials ‘DO’C’
€ 100 - 200
151
143	 ROBERT RYAN (20TH CENTURY)
Landscape
Oil on canvas
15x19.5cm
Signed and dated (19)’88
€200 - €300
152
144	 DEREK HILL HRHA (1916-2000)
Winter Landscape
Lithograph, 42 x 63.5cm
Signed; inscribed ‘For Barbara’
Artist’s proof
€ 100 - 150
153
145	 E. BRYCE (20TH CENTURY)
Hill of Doon, Lough Corrib, Co. Galway
Oil on card, 15 x 20cm
Signed
€ 100 - 200
154
146	 SINE MACKINNON (1901-1996)
Vague de Chaleur, Albi
Pastel, 23 x 30cm
Signed and dated 1958
Exhibited: The Redfern Gallery, London, 1959, label verso
€ 300 - 400
155
147	 PATRIC STEVENSON PPRUA (1909-1983)
The Reeks and the Upper Lake, Killarney
Watercolour, 24 x 34cm
Signed and dated (19)’38
€ 100 - 200
156
148	 MARLENE DUMAS (B.1953)
Female Figure
Print, 34 x 43cm
Unframed
Signed and dated 1989
€ 300 - 400
149	 OISIN KELLY RHA (1915-1981)
Puffin
Hand-painted earthenware, 15cm high
With Kilkenny Design Workshop stamp
€ 300 - 500
157
150	 MARGARET ARTHUR RUA 		
	 (20TH/21ST CENTURY)
Flight
Etching, 19.5 x 20cm
Signed, inscribed and
numbered 3/15
€ 150 - 200
151	 PAULA POHLI (20TH/21ST 	
	CENTURY)
Muscovy
Egg tempera, 26 x 22.5cm
Signed
€ 300 - 500
158
152	 ROBERT RYAN (20TH CENTURY)
Edge of Forest
Oil on board, 20 x 28cm
Signed and inscribed verso
€200 - €300
159
153	 JOHN KELLY (B.1965)
Figure in Landscape
Mixed media on paper
33 x 22.5cm
Signed and dated (19)’76
€400 - €600
160
154	 A.E. WILLIAMS (20TH CENTURY)
Near Brittas Bay, Co. Wicklow
Watercolour, 18 x 26cm
Signed and dated 1933, inscribed with title verso
€ 80 - 120
161
155	 SAMUEL FREDERICK BROCAS (1792-1847)
A view of Carrickfergus Castle, County Antrim
Watercolour, 31 x 46cm
Signed
€ 300 - 500
162
156	 MARGARET BECKER (20TH/21ST 	
	CENTURY)
Girl in Hat
Etching, 40 x 27cm
Signed, inscribed and numbered
10/70
€ 150 - 250
157	 BASIL IVAN RÁKÓCZI
	(1908-1979)
Invocation
Ink and watercolour wash on Arches
paper, 48 x 38cm
Signed
€ 150 - 250
163
158	 GEORGE CAMPBELL RHA (1917-1979)
Spanish Landscape
Watercolour, 18.5 x 27.5cm
Signed
€ 150 - 250
164
159	 PATRICK PYE RHA (1929-		
	2018)
Hell Fire Club
Pen and ink, 20.5 x 25.5cm
Signed and inscribed
€ 200 - 300
160	 SIOBHAN CUFFE (20TH/21ST CENTURY)
Wind, Merrion Square
Etching, 22.5 x 22cm
Signed, inscribed, numbered 6/30 and dated
1978;
Together with a coloured print of an L.S. Lowry
painting. (2)
€ 60 - 80
165
161	 A MISCELLANEOUS COLLECTION OF 		
	 OLD MASTER SKETCHES, PRINTS, ETC.
€ 300 - 400
166
162	 TONY KLITZ (1917-2000)
O’Connell Street, Dublin
Print, 29.5 x 61cm
Signed
€ 80 - 120
163	 TONY KLITZ (1917-2000)
River Liffey, Dublin
Print, 30.5 x 61.5cm
Unframed
Signed
€ 40 - 80
167
164	 R. WILSON
Abstract
Acrylic on paper, 14 x 20cm
Signed
€ 150 - 200
168
165	 AFTER GEORGE DE FOREST BRUSH 	
	 (1855 -1941)
‘The Silence has Broken’
Lithograph, 30 x 20cm
Retail label verso
€ 100 - 200
166	 M. MORRISSEY
The Ball and Claw
Etching, 27 x 21cm
Signed, inscribed and numbered
1/30
€ 100 - 150
169
167	 CYNTHIA MORAN (20TH/21ST CENTURY)
Sunflowers
Oil on canvas laid on board, 28 x 18cm
Signed
€ 300 - 400
170
168	 AFTER A. MOLYNK
Poursuite
Coloured lithograph, 42 x 88cm;
Together with another humorous lithograph entitled ‘La
Contravention’. (2)
€ 60 - 80
171
169	 NICOLA TANCREL (20TH/21ST CENTURY)
Horse in Mist
Oil on canvas, 40.5 x 51cm
Signed and dated (20)’09
The Kennedy Gallery label verso
€ 300 - 500
172
170	 SEAN HILLEN (B.1961)
The Oracle at O’Connell Street Bridge, Dublin, Ireland
Print, 20 x 15cm
Signed and dated (20)’00
Numbered 12/1000
€ 80 - 120
173
171	 TOM MOLLOY (B.1964)
Map
Collage, US Dollar, 27 x 38cm
Rubicon Gallery laberl verso
€ 300 - 500
174
172	 ELIZABETH RIVERS RHA (1903-1964)
Three men with ladder
Woodcut, 54 x 36cm
Inscribed “For Elizabeth Rivers”, 1964,
Graphic Studio, 61/75
Published posthumously by the
Graphic Studio to commemorate the
artist’s death in 1964.
€ 200 - 400
173	 JACQUELINE STANLEY 		
	 HRHA ARCA (B.1928)
Sea-Series I
Etching, 21 x 20cm
Signed, inscribed and numbered
4/20
€ 80 - 120
175
174	 GRAHAM KNUTTEL (B.1954)
Set of Three Interior Scenes
Graphite on paper, each 10 x 10cm
Signed with initials
€ 250 - 350
176
175	 A BAXTER PRINT OF THE HOLY FAMILY;
	 TOGETHER WITH A WATERCOLOUR STREET 	
	 VIEW AND A PRINT AFTER SEAN KEATING. (3)
€ 30 - 40
177
176 	 B.C ZHENG (20TH CENTURY)
Female Nude
Bronze on marble base, the entire 31cm high
Signed
€200 - €400
178
177	 BRIDGET EMMA FLINN (20TH/21ST CENTURY)
My Painting Desk
Watercolour, 27 x 35cm
Signed, inscribed and dated 1985
€ 30 - 40
179
178	 KAY CASSON (20TH CENTURY)
Sandymount Strand
Gouache, 26 x 37cm
Signed
€ 40 - 60
180
181
GENERAL TERMS & CONDITIONS OF BUSINESS
The Auctioneer carries on business on the following terms and conditions and on such other terms or conditions as may be
expressly agreed with the Auctioneer or set out in any relevant Catalogue. Conditions 12-21 relate mainly to buyers and con-
ditions 22-32 relate mainly to sellers. Words and phrases with special meanings are defined in condition 1. Buyers and sellers
are requested to read carefully the Cataloguing Practice and Catalogue Explanation contained in condition 2.
DEFINITIONS
1. In these conditions the following words and expressions
shall have the following meanings:
Auctioneer - James Adam and Sons trading as Adam’s.
Auctioneer’s Commission - The commission payable to the
Auctioneer by the buyer and seller as specified in conditions
13 and 25.
Catalogue - Any advertisement, brochure, estimate, price or
other publication.
Forgery - A Lot which was made with the intention of
deceiving with regard to authorship, culture, source, origin,
date, age or period and which is not shown to be such in the
description therefore in the Catalogue and the market value
for which at the date of the auction was substantially less
than it would have been had the Lot been in accordance
with the Catalogue description.
Hammer Price - The price at which a Lot is knocked down by
the Auctioneer to the buyer.
Lot - Any item which is deposited with the Auctioneer with
a view to its sale at auction and, in particular, the item or
items described against any Lot number in any Catalogue.
Proceeds of Sale - The net amount due to the seller being
the Hammer Price of the Lot after deducting the Auction-
eer’s Commission thereon under condition 25 the seller’s
contribution towards insurance under condition 26, such
VAT as is chargeable and any other amounts due by the
seller to the Auctioneer in whatever capacity howsoever
arising.
Registration Form or Register - The registration form (or,
in the case of persons who have previously attended at
auctions held by the Auctioneer and completed registration
forms, the register maintained by the Auctioneer which
is compiled from such registration forms) to be complet-
ed and signed by each prospective buyer or, where the
Auctioneer has acknowledged pursuant to condition 12 that
a bidder is acting as agent on behalf of a named principal,
each such bidder prior to the commencement of an auction.
Sale Order Form - The sale order form to be completed and
signed by each seller prior to the commencement of an
auction.
Total Amount Due - The Hammer Price of the Lot sold, the
Auctioneer’s Commission due thereon under condition
13, such VAT as is chargeable and any additional interest,
expenses or charges due hereunder.
V.A.T. - Value Added Tax.
Cataloguing Practice & Catalogue Explanations
2. Terms used in Catalogues have the following meanings
and the Cataloguing Practice is as follows:
The first name or names and surname of the artist - In the
opinion of the Auctioneer a work by the artist.
The initials of the first name(s) and the surname of the artist
- In the opinion of the Auctioneer a work of the period of
the artist and which may be in whole or in part the work of
the artist.
The surname only of the artist - In the opinion of the Auc-
tioneer a work of the school or by one of the followers of
the artist or in his style.
The surname of the artist preceded by ‘after’ - In the opinion
of the Auctioneer a copy of the work of the artist.
Signed/Dated/Inscribed - In the opinion of tile Auctioneer the
work has been signed/dated/inscribed by the artist.
With Signature/With date/With inscription’- In the opinion of
the Auctioneer the work has been signed/dated/inscribed by
a person other than the artist.
Attributed to - In the opinion of the Auctioneer, probably a
work of the artist.
Studio of/Workshop of - In the opinion of the Auctioneer a
work executed in the studio of the artist and possibly under
his supervision.
Circle of - In the opinion of the Auctioneer a work of the
period of the artist and showing his influence.
Follower of - In the opinion of the Auctioneer a work execut-
ed in the artist’s style yet not necessarily by a pupil.
Manner of - in the opinion of the Auctioneer a work executed
in artist’s style but of a later date.
None of the terms above are appropriate but in the Auction-
eer’s opinion the work is a work by the artist named.
GENERAL CONDITIONS
Auctioneer Acting as Agent
3. The Auctioneer is selling as agent for the seller unless it is
specifically stated to the contrary. The Auctioneer as agent
for the seller is not responsible for any default by the seller
or the buyer. The auctioneer reserves the right to bid on
behalf of the seller.
Auctioneer Bidding on behalf of Buyer
4. It is suggested that the interests of prospective buyers are
best protected and served by the buyers attending at an auc-
tion. However, the Auctioneer will, if instructed, execute bids
on behalf of a prospective buyer. Neither the Auctioneer nor
its employees, servants or agents shall be responsible for any
neglect or default in executing bids or failing to execute bids.
Admission to Auctions
5. The Auctioneer shall have the right exercisable in its
absolute discretion to refuse admission to its premises or
attendance at its auctions by any person.
Acceptance of Bids
6. The Auctioneer shall have the right exercisable in its abso-
lute discretion to refuse any bids, advance the bidding in any
manner it may decide, withdraw or divide any Lot, combine
any two or more Lots and, in the case of a dispute, to put any
Lot up for auction again.
Indemnities
7. Any indemnity given under these conditions shall extend
to all actions, proceedings, claims, demands, costs and
expenses whatever and howsoever incurred or suffered by
the person entitled to the benefit of the indemnity and the
Auctioneer declares itself to be a trustee of the benefit of
every such indemnity for its employees, servants or agents
to the extent that such indemnity is expressed to be for their
benefit.
182
Representations in Catalogues
8. Representations or statements made by the Auctioneer
in any Catalogue as to contribution, authorship, genuine-
ness, source, origin, date, age, provenance, condition or
estimated selling price or value is a statement of opinion
only. Neither the Auctioneer nor its employees, servants
or agents shall be responsible for the accuracy of any
such opinions. Every person interested in a Lot must
exercise and rely on their own judgment and opinion as
to such matters.
9. The headings of the conditions herein contained are
inserted for convenience of reference only and are not
intended to be part of, or to effect, the meaning or inter-
pretation thereof.
Governing Law
10. These conditions shall be governed by and construed
in accordance with Irish Law.
Notices
11. Any notice or other communication required to be
given by the Auctioneer hereunder to a buyer or a seller
shall, where required, be in writing and shall be suffi-
ciently given if delivered by hand or sent by post to, in the
case of the buyer, the address of the buyer specified in
the Registration Form or Register, and in the case of the
seller, the address of the seller specified in the Sale Order
Form or to such other address as the buyer or seller
(as appropriate) may notify the Auctioneer in writing.
Every notice or communication given in accordance with
this condition shall be deemed to have been received if
delivered by hand on the day and time of delivery and if
delivered by post three (3) business days after posting.
CONDITIONS WHICH MAINLY CONCERN THE BUYER
The Buyer
12. The buyer shall be the highest bidder acceptable
to the Auctioneer who buys at the Hammer Price. Any
dispute which may arise with regard to bidding or the
acceptance of bids shall be settled by the Auctioneer.
Every bidder shall be deemed to act as principal unless
the Auctioneer has prior to the auction, acknowledged
in writing that a bidder is acting as agent on behalf of a
named principal.
The Commission
13. The buyer shall pay the Auctioneer a commission at
the rate of 25% of the Hammer Price inclusive of VAT at
the applicable rate on all individual lots.
Payment
14. Unless credit terms have been agreed with the Auc-
tioneer before the auction the buyer of a Lot shall pay to
the Auctioneer within one (2) days from the date of the
auction the Total Amount Due. Notwithstanding this, the
Auctioneer may, in its sole discretion, require a buyer
to pay a deposit of 25% of the Total Amount Due at the
conclusion of the auction.
The Auctioneer may apply any payments received by a
buyer towards any sums owing from that buyer to the
Auctioneer on any account whatever regardless of any
directions of the buyer or his agent in that regard whether
express or implied.
The Auctioneer shall only accept payment from success-
ful bidders in cash, draft in Euro or by the bidder’s own
cheque drawn on an Irish bank account vouched to the
satisfaction of the Auctioneer. Cheques drawn by third
parties, whether in the Auctioneer’s favour or requiring
endorsement, shall not be accepted. We also accept pay-
ment by credit card, Visa & Mastercard.
American Expess is subject to 3.9% administration charge
on the total amount due. We also accept debit card pay-
ments by way of Laser, with no surcharge, however the
cardholder in person can only make the payment.
Reservation of Title
15. Notwithstanding delivery or passing of risk to the buy-
er the ownership of a Lot shall not pass to the buyer until
he has paid to the Auctioneer the Total Amount Due.
Collection of Purchases
16. The buyer shall at his own expense collect the Lot
purchased not later than seven (2) days after the date of
the auction but (unless credit terms have been agreed
with the Auctioneer pursuant to condition 14) not before
payment to the
Auctioneer of the Total Amount Due.
The buyer shall be responsible for any removal, storage
and insurance charges in respect of any Lot which is not
taken away within seven (2) days after the date of the
auction.
The purchased Lot shall be at the buyer’s risk in all
respects from the earlier of the time of collection or the
expiry of (2) days from the date of the auction. Neither
the Auctioneer nor its employees, servants or agents shall
thereafter be liable for any loss or damage of any kind
howsoever caused while a purchased Lot remains in its
custody or control after such time
Packaging and Handling of Purchased Lots
17. Purchased Lots may be packed and handled by the
Auctioneer, its employees, servants or agents. Where this
is done it is undertaken solely as a courtesy to buyers and
at the discretion of the Auctioneer. Under no circumstanc-
es shall the Auctioneer, its employees, servants or agents
be liable for damage of any kind and howsoever caused
to glass or frames nor shall the Auctioneer be liable for
the errors or omissions of, or for any damage caused
by, any packers or shippers which the Auctioneer has
recommended.
Non-Payment or Failure to Collect Purchased Lots
18. If a buyer fails to pay for and/or collect any purchased
Lot by the dates herein specified for payment and collec-
tion the Auctioneer shall, in its absolute discretion and
without prejudice to any other rights or remedies it may
have, be entitled to exercise one or more of the following
rights or remedies without further notice to the buyer:
(a) To issue court proceedings for damages for breach of
contract;
(b) To rescind the sale of that Lot or any other Lots sold to
the buyer whether at that or at any other auction;
(c) To resell the Lot or cause it to be resold whether by
public auction or private sale. In the event that there is a
deficiency between the Total Amount Due by the buyer
and the amount received by the Auctioneer on such
resale after deduction of any necessary expenses the
difference shall be paid to the Auctioneer by the buyer.
Any surplus arising shall belong to the seller;
(d) To store (whether at the Auctioneer’s premises or
elsewhere) and insure the purchased Lot at the expense
of the buyer;
(e) To charge interest on the Total Amount Due at the rate
of 2% over and above the base rate from time to time of
Bank of Ireland or if there be no such rate, the nearest
equivalent thereto as determined by the Auctioneer in its
183
absolute discretion from the date on which payment is due
hereunder to the date of actual payment;
(f) To retain that Lot or any other Lot purchased by the buyer
whether
at the same or any other auction and release same to the buyer
only after payment to the Auctioneer of the Total Amount Due;
(g) To apply any sums which the Auctioneer received in respect
of Lots being sold by the buyer towards settlement of the Total
Amount Due.
(h) To exercise a lien on any property of the buyer in the posses-
sion of the Auctioneer or whatever reason.
Liability of Auctioneer and Seller
19. Prior to auction ample opportunity is given for the inspec-
tion of the Lots on sale and each buyer by making a bid ac-
knowledges that he has, by exercising and relying on his own
judgment, satisfied himself as to the physical condition, age and
Catalogue description of each Lot (including but not restricted to
whether the Lot is damaged or has been repaired or restored).
All Lots are sold with all faults and imperfections and errors of
description. None of the seller, the Auctioneer nor any of their
employees, servants or agents shall be responsible for any er-
ror of description or for the condition or authenticity of any Lot.
No warranty whatsoever is given by the seller or Auctioneer
or by any of their employees, servants or agents in respect of
any Lot and any condition or warranty express, or implied by
statute or otherwise is hereby specifically excluded.Forgeries
20. Any amount paid by a buyer in respect of a Lot which, if it is
proved within three (3) years of the date of the auction at which
it was purchased, to have been a Forgery shall be refunded to
the seller subject to the provisions hereof, provided that:
(a) The Lot has been returned by the buyer to the Auctioneer
within three (3) years of the date of the auction in the same
condition in which it was at the time of the auction together with
evidence proving that it is a Forgery, the number of the Lot and
the date of the auction at which it was purchased;
(b) The Auctioneer is satisfied that the Lot is a Forgery and that
the buyer has and is able to transfer good and marketable title
to the Lot free from any third party claims;
FURTHER PROVIDED THAT the buyer shall have no rights
hereunder if:
(i) The description of the Lot in the Catalogue at the time of the
auction was in accordance with the then generally accepted
opinion of scholars or experts or fairly indicated that there was
a conflict of such opinion;
(ii) The only method of establishing at the time of the auction in
question that the Lot was a Forgery would have been by means
of scientific processes which were not generally accepted for
use until after the date of the auction or which were unreason-
ably expensive or impractical.
The buyer’s sole entitlement under this condition is to a refund
of the actual amount paid by him in respect of the Lot. Under
no circumstances shall the Auctioneer be liable for any damage,
loss (including consequential, indirect or economic loss) or
expense suffered or incurred by the buyer by reason of the Lot
being a Forgery.
The benefit of this condition shall be solely and exclusively for
the buyer and shall not be assignable. The buyer shall for the
purpose of this condition be the person to whom the original
invoice in respect of the sale of the Lot is made.
Photographs
21. The buyer authorises the Auctioneer at any time to make
use of any photographs or illustrations of the Lot purchased by
the buyer for such purposes as the Auctioneer may require.
22. New VAT Regulations
22a) All lots are sold within the Auctioneer’s VAT margin scheme.
Revenue Regulations require that the buyers premium must
be invoiced at a rate which is inclusive of VAT. This VAT is not
recoverable by any VAT registered buyer.
184
26 St. Stephen’s Green, Dublin 2 +353 (0)1 6760261

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Adam's online Art Auction Thursday 8 th July 2021

  • 2. 2 Claire-Laurence Mestrallet, G.G, B.A ASSOCIATE DIRECTOR claire@adams.ie Brian Coyle FSCSI FRICS CHAIRMAN James O’Halloran BA FSCSI FRICS MANAGING DIRECTOR j.ohalloran@adams.ie Stuart Cole MSCSI MRICS DIRECTOR s.cole@adams.ie Amy McNamara BA MA FINE ART DEPARTMENT amymcnamara@adams.ie Eamon O’Connor BA DIRECTOR e.oconnor@adams.ie Adam Pearson BA FINEARTDEPARTMENT a.pearson@adams.ie Helena Carlyle BA FINEARTDEPARTMENT h.carlyle@adams.ie Niamh Corcoran BA FINE ART DEPARTMENT niamh@adams.ie Ronan Flanagan FINEARTDEPARTMENT r.flanagan@adams.ie Nick Nicholson CONSULTANT n.nicholson@adams.ie Nicholas Gore-Grimes ASSOCIATE DIRECTOR nicholas@adams.ie Contacts Giorgia Chiesa BA MA FINEARTDEPARTMENT giorgia@adams.ie
  • 3. 3 Timed online only auction ADAM’S Est.1887 26 St. Stephen’s Green Dublin D02 X665 Tel +353 1 6760261 info@adams.ie www.adams.ie PRSA Registration No. #001959 BIDDING OPENS Thursday 24th June 2021 BIDDING BEGINS TO CLOSE Thursday 8th July 2021 at 2.00pm
  • 4. 4 SALE VIEWING 6TH - 8TH JULY At Adam’s, 26 St. Stephen’s Green, Dublin, D02 X665 Tuesday 6th July 10:00am - 5:00pm Wednesday 7th July 10:00am - 5:00pm Thursday 8th July 10:00am - 1:00pm ADAM’S Est.1887 26 St. Stephen’s Green Dublin D02 X665 Tel +353 1 6760261 info@adams.ie www.adams.ie TIMED ONLINE AUCTION BIDDING OPENS THURSDAY 24TH JUNE 2021 BIDDING BEGINS TO CLOSE THURSDAY 8TH JULY 2021 AT 2PM
  • 5. 5 THIS IS AN ONLINE ONLY AUCTION If you are unfamiliar with online-only auctions or do not have a way of bidding yourself online please contact a member of our staff will be very happy to assist you in the bidding process. HOW TO BID IN THIS SALE Bidding will open on Thursday 24th June and will begin to close at 2pm on Thursday 8th July. To bid, simply go to www.adams.ie and Sign Up for a My Adam’s account. If you have already signed up for an online account with Adam’s, you can Sign In with your email and password. When signed in, click on ‘Upcoming Auctions’, select the ‘Online Art Auction’ which will bring you to the list of lots. VIEWING, CONDITION REPORTS & IMAGE REQUESTS Due to the lifting of some Covid-19 restrictions, in-person view- ing can now take place again at 26 St Stephen’s Green. Furthermore, our staff will be on-hand to carry out Condition Reports and Additional Image Requests for the lots in this sale. These requests can be made through our website, or by calling our offices at +353 (0)1 676 0261 or emailing info@adams.ie
  • 6. 6 Adams Live We are delighted to advise that our own on-line bidding platform, Adam’s Live is now fully operational for those who wish to bid on-line. Watch the auction as it happens. On the Live platform you can arrange to bid as the auction is taking place or at any time- leave comission bids and the Adam’s Live platform will bid on your behalf. Bidding through this portal will attract no additional internet surcharge for lots purchased so in effect those bidders will pay the same as a room bidder. Online bidding through the-saleroom.com and invaluable.com remains unaffected. Sign up today for your own My Adam’s account and start saving on your on-line purchases. Browse-Bid-Buy On-line at www.adams.ie Browse Viewing Viewing has never been easier. Go to www.adams.ie. Choose the auction you wish to view from the Auctions/Forthcoming auctions menu, and you will be offered a range of ways to view. You may choose to view a digital version of the printed catalogue in the view e catalogue option or explore the virtual 3D option which allows you explore the saleroom with easy to navigate options or view the list view which opens automatically. This last op- tion provides additional information and photographs of each lot as you choose the View Details button. Lastly, and only during office hours there is a live chat button onscreen. If at any time you have a question whilst you are on line you can open a live chat and one our staff can help you. My Adam’s Log on to our web site www.adams.ie and create an account by signing up and registering your particulars online. The process involves supplying valid credit card information. This is a once off request for security purposes, and once the account is activated you will not be asked for this information again. The card information supplied is securely stored by Sage Pay. You can leave absentee bids online, and add, edit or amend bids accordingly as well as bidding over the internet in real time through ‘Adam’s Live’. You can also view your invoices, bid history, wish lists & other useful functions including paying your invoice and creating you very own personalised catalogue with search tags that will notify you once a catalogue is uploaded for your key word search.
  • 7. 7 Circular navigation points allow you to walk around the viewing room Watch the Auction and bid live with Adam’s Live Information points provide ‘point and click‘ details on lots in view
  • 8. 8 This auction is automated and takes place solely online through our website www.adams.ie During this period of open bidding you will be able to see the current win- ning bid on each lot. You may place a higher maximum bid of your choice and the bidding will automatically increase by the next increment. If your maximum bid is several increments higher than the current bid, the bidding will still only increase by one increment until there is a competing bid in which case the system will move up one increment higher in your favour. This process will continue until your maximum amount is outbid. **The system is designed to give the buyer the best chance of winning their desired lot at the most competitive price, i.e. it will not jump to the maximum bid entered unless there is a competing bid just below it** EXAMPLE: Bidder A leaves a maximum bid of €100, bidder B leaves a maximum bid of €200 on the same lot. Bidder A is now knocked out of the lead and bidder B holds the current winning bid that auto adjusts to €110 (NB not their maximum bid). The system auto adjusts the bid to the next winning increment. User B’s bid will only be further executed if another user bids above their current bid of €110 up to their maximum of €200, after which they will be knocked out and an e-mail issued advising them to increase their bid. Bidders are automatically informed by email if they are the current winning bidder, or if they have been outbid by another competing bidder. If you have been outbid and the auction is still open, you are free to leave a higher bid. At the end of the defined bidding period, 2pm on Thursday 8th July, if the highest bid offered meets the minimum price designated by the Auctioneer (i.e. the seller’s reserve price), the lot is sold. In a timed auction, the closing time is staggered, with bidding for lot 1 ending at 2pm and each subsequent lot closing thirty seconds after the previous. If there is a flurry of bidding on a lot just as it reaches its closing time, the lot is kept open for an extended period to enable everybody to fairly get their bids in. All winning bidders will be notified by email once the auction has fully ended. ONLINE-ONLY AUCTION EXPLAINED
  • 9. 9 1. Estimates and Reserves These are shown below each lot in this sale. All amounts shown are in Euro. The figures shown are provided merely as a guide to prospective purchasers. They are approximate prices which are expected, are not definitive and are subject to revision. Reserves, if any, will not be any higher than the lower estimate. 2. Payment, Delivery and Purchasers Premium All purchases must be paid for no later than Monday 12th July 2021. Please contact a member of staff to arrange collection/delivery of your purchases. Auctioneers commission on purchases is charged at the rate of 25% (in- clusive of VAT). Terms: Strictly cash, card, bankers draft or cheque drawn on an Irish bank. Cheques will take a minimum of eight workings days to clear the bank, unless they have been vouched to our satisfaction prior to the sale, or you have a previous cheque payment history with Adam’s. We also accept payment by credit and debit card (Visa & MasterCard only). For payments by bank transfer please ensure all bank charges are paid in addition to the invoice total, in order to avoid delays in the release of items. Goods will only be released upon clearance through the bank of all monies due. Artists Resale Rights (Droit de Suite) is not payable by purchasers. 3. VAT Regulations All lots are sold within the auctioneers VAT margin scheme. Revenue Regulations require that the buyers pre- mium must be invoiced at a rate which is inclusive of VAT. This is not recoverable by any VAT registered buyer. 4. Condition It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports whilst we make certain observations on the lot, which are intended to be as helpful as possible, referenc- es in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Please ensure that condition report requests are submitted before 12 noon on Wednesday 7th July 2021 as we cannot guarantee that they will be dealt with after this time. 5. Absentee Bids We are happy to execute absentee or written bids for bidders who are unable to bid online themselves and can also arrange for bidding to be conducted by telephone. However, these services are subject to special conditions (see conditions of sale in this catalogue). All arrangements for absentee and telephone bidding must be made before 5pm on the day prior to sale. Bidding by telephone may be booked on all lots. Early booking is advisable as availability of lines cannot be guaranteed. **Please note that once online bids are placed these bids may not be cancelled or retracted ** In the rare and unlikely event of an unforeseen technical issue occurring in the final stages of online bidding, the auctioneer reserves the right, as per Condition 6 in our Conditions of Sale, to re-offer the lot at a later point between existing bidders. 6. All lots are being sold under the Conditions of Sale as printed in this cata- logue and on display on our website.
  • 10. 10 1 PETER COLLIS RHA (1929-2012) Mountainside, Glencree Oil on board, 12 x 16cm Signed € 400 - 500
  • 11. 11 2 PETER COLLIS RHA (1929-2012) Sea, Late Evening - Winter Oil on board, 12 x 18cm Signed € 400 - 500
  • 12. 12 3 PETER COLLIS RHA (1929-2012) Hillside Oil on board, 11.5 x 16cm Signed € 400 - 500
  • 13. 13 4 PETER COLLIS RHA (1929-2012) Mountainside and Tree Oil on board, 9.5 x 13cm Signed € 300 - 400
  • 14. 14 5 MARTIN MOONEY (B.1960) Still Life Study Oil on board, 13 x 15.5cm Signed, inscribed and dated 1996 verso € 500 - 800
  • 15. 15 6 PATRICK VIALE (B.1952) Summer Table, Miogliola Oil on board, 60 x 60cm Signed; also signed and inscribed verso € 1,000 - 1,500
  • 16. 16 7 MICHAEL DILLON (20TH/21ST CENTURY) Palm House; Ginger Lily (Hedychium Gardnerianum) Oil on canvas, 36 x 46cm Signed with initials € 400 - 600
  • 17. 17 8 SARAH LONGLEY (B.1975) Nude with Parasol Oil on board, 152 x 106cm Signed Provenance: With Peppercanister Gallery, label verso. € 2,000 - 3,000
  • 18. 18 9 PHIL KELLY (1950-2010) The Red Face Oil on paper, 40 x 55cm Signed and dated (19)’99 Frederick Gallery label verso € 500 - 800
  • 19. 19 10 DAVID GODBOLD (B.1961) The Face behind the Hand (At Last We Meet) Acrylic and ink on canvas, 33 x 45cm Signed, inscribed and dated (19)’90 verso Hillsboro Gallery label verso € 700 - 1,000
  • 20. 20 11 SHEILA RENNICK (20TH/21ST CENTURY) Mother Mary Oil on canvas, 100 x 120cm Signed and dated 2007 € 600 - 800
  • 21. 21 12 EITHNE JORDAN RHA (B.1954) Struggle with a Shadow Oil on paper, 83 x 70cm Signed and dated 1986 verso € 600 - 800
  • 22. 22 13 MICHAEL CULLEN RHA (1946-2020) Las Sierras Watercolour, 37 x 39cm Signed and dated (20)’03; also signed, inscribed and dated 2003 verso € 500 - 800
  • 23. 23 14 EAMON COLEMAN (B.1957) Kilewure Window Oil on canvas, 30 x 30cm Signed, inscribed and dated 2015 verso € 400 - 600
  • 24. 24 15 ROBERT ARMSTRONG (B.1953) Pale Flowers Nodded Their Heads Oil on canvas, 48 x 42cm Signed, inscribed and dated (19)’94/95 verso € 500 - 700
  • 25. 25 16 CLEMENT MCALEER ARUA (B.1949) Dutch Field Acrylic on paper, 54.5 x 65.5cm Signed, inscribed and dated 2000 verso € 300 - 500
  • 26. 26 17 JOHN KINGERLEE (B.1936) Figure Oil on board, 29 x 24.5cm Signed with monogram and dated (19)’97 € 800 - 1,200
  • 27. 27 18 JOHN KINGERLEE (B.1936) Passing by Unnoticed by Some Oil on canvas, 10 x 15cm Signed with monogram Provenance: With Vangard Gallery label verso. € 400 - 600
  • 28. 28 19 MICHAEL KANE (B.1935) Figure and Interior Oil on paper, 20 x 20cm Signed and dated 1960 € 400 - 600
  • 29. 29 20 MICHAEL CULLEN RHA (1946-2020) Painter and Connoisseur Oil on canvas, 30 x 34cm Signed € 700 - 1,000
  • 30. 30 21 LESLIE MACWEENEY (B.1936) Heads No. 2 Ink on paper, 29 x 23cm Signed and inscribed with artists label verso. MacWeeney is largely known for her work at the graphic studio, also exhibiting at the RHA in 1957, and participating in (and helping to organise) the IELA (1954-1963), the Oireachtas exhibitions and the WCSI. € 300 - 500
  • 31. 31 22 JACK DONOVAN (1934-2014) Clown Oil on board, 54 x 44cm Signed; also signed and dated 2010 verso € 1,000 - 1,500
  • 32. 32 23 MICHAEL FARRELL (1940-2000) Miss O’Murphy Series Lithograph, 55 x 76cm Unframed Signed and dated (19)’78 € 400 - 600
  • 33. 33 24 PAULINE BEWICK RHA (B.1935) Stray Dog in the School Indian ink and watercolour, 76.5 x 58cm Signed and dated 1981 Taylor Galleries label verso € 3,000 - 5,000
  • 34. 34 25 EILEEN COSTELLOE (1911-1976) Landscape, Donegal Oil on board, 30 x 40cm Signed Ritchie Hendriks Gallery label verso € 500 - 800
  • 35. 35 26 EILEEN COSTELLOE (1911-1976) Pond in a Woodland Oil on board, 33.5 x 42.5cm Signed € 700 - 1,000
  • 36. 36 27 CLEMENT MCALEER ARUA (B.1949) Burren, Co. Clare Oil on canvas, 45 x 45cm Signed € 600 - 800
  • 37. 37 28 LINDY GUINNESS (B.1941) Sheridan Cottage, Clandeboye Oil on board, 19.5 x 24cm Signed and dated (20)’06 € 500 - 800
  • 38. 38 29 MELITA DENARO (B.1950) The Holiest of Hours Oil on board, 15 x 19cm Provenance: With Taylor Galleries, label verso. € 400 - 600
  • 39. 39 30 JUDY HAMILTON (20TH/21ST CENTURY) August Evening Oil on canvas, 25 x 30cm Signed and inscribed verso € 400 - 600
  • 40. 40 31 GERALD DAVIS (1938-2005) Landscape Oil on board, 11.5 x 16.5cm Signed and dated (19)’95 € 200 - 400
  • 41. 41 32 JACK DONOVAN (1934-2014) Seated Lady Mixed media on paper, 26 x 20cm € 200 - 400
  • 42. 42 33 WILLIAM EVESSON (B.1960) Old Boats Home Oil on board, 40 x 50cm Signed and dated (20)’05 verso € 400 - 600
  • 43. 43 34 JOHN MORRIS (B.1958) Kilkee Oil on board, 22 x 27.5cm Signed; also signed, inscribed and dated 2006 verso € 400 - 600
  • 44. 44 35 EDWARD DELANEY RHA (1930-2009) Untitled Mixed media on paper, 55 x 80cm € 700 - 1,000
  • 45. 45 36 KENNETH WEBB (B.1927) Claddagh Village Oil on board, 36 x 92cm Signed € 800 - 1,200
  • 46. 46 37 MAURICE MACGONIGAL PRHA (1900-1979) Studies for Cattle Watercolour, 19.5 x 32cm Taylor Galleries label verso € 400 - 600
  • 47. 47 38 WILLIAM BINGHAM MCGUINNESS RHA (1848-1928) Fishing Boat and Figure in a Bay Watercolour, 17 x 25cm Signed € 300 - 500
  • 48. 48 39 FRANK EGGINTON RCA FIAL (1908-1990) Landscape with Distant Church Watercolour, 37 x 52cm Signed and dated (19)‘72 € 300 - 500
  • 49. 49 40 FRANK EGGINTON RCA FIAL (1908-1990) Bog Landscape Watercolour, 37.5 x 53cm Signed € 800 - 1,200
  • 50. 50 41 DOUGLAS ALEXANDER RHA (1871-1945) Mountain Landscape Watercolour, 25 x 36cm Signed € 300 - 400
  • 51. 51 42 DOUGLAS ALEXANDER RHA (1871-1945) Bog Landscape Watercolour, 22 x 28.5cm Signed € 300 - 500
  • 52. 52 43 FRANK EGGINTON RCA FIAL (1908-1990) Coastal Inlet Watercolour, 24 x 35cm Signed and dated € 500 - 700
  • 53. 53 44 FRANK EGGINTON RCA FIAL (1908-1990) Clare Island from Dooega Achill, Co. Mayo Watercolour, 25.5 x 36cm Signed € 700 - 1,000
  • 54. 54 45 ALFRED GRAY (1845-1926) Cattle in Wooded River Landscape with Figures Oil on canvas, 54 x 44cm € 500 - 800
  • 55. 55 46 NATHANIEL HONE RA (1831-1917) Meadows Flooded, Malahide Oil on canvas, 20 x 28cm Signed with initials € 800 - 1,200
  • 56. 56 47 CHARLES MCAULEY RUA ARSA (1910-1999) Mountain Landscape Oil on canvas, 44 x 53.5cm Signed € 700 - 1,000
  • 57. 57 48 CHARLES MCAULEY RUA ARSA (1910-1999) River Landscape Oil on canvas, 38 x 56cm Signed € 800 - 1,200
  • 58. 58 49 SAM MCLARNON (20TH CENTURY) Landscape View from Height Watercolour, 28.5 x 46.5cm Signed € 200 - 300
  • 59. 59 50 ALEXANDER WILLIAMS RHA (1846-1930) At Red Island, Skerries, Co. Dublin Watercolour, 30 x 54cm Signed € 1,000 - 2,000
  • 60. 60 51 CONTINENTAL SCHOOL C.1900 Farm Horse in a Stable Oil on canvas, 61 x 83cm Signed with initials, A.C € 400 - 600
  • 61. 61 52 VICTORIAN SCHOOL Stable Hand with Carthorses; Grey Mare with Dog A pair, oils on canvas, each 29 x 39.5cm Signed with monogram € 500 - 800
  • 62. 62 53 WILLIAM FLEMING VALLANCE (SCOTTISH, 1827 - 1904) The Jetty Oil on canvas, 40 x 65cm Signed € 500 - 700
  • 63. 63 54 E KONZ (19TH CENTURY) Villagers Conversing Oil on canvas, 75 x 122cm Signed € 1,000 - 1,500
  • 64. 64 55 ELIZABETH CORBET (LOLLY) YEATS (1886-1940) Woodland Flowers Watercolour, 14 x 22cm Signed € 200 - 300
  • 65. 65 56 ELIZABETH CORBET (LOLLY) YEATS (1886-1940) A Floral Border Watercolour, 30 x 23cm Signed and dated August 1939 € 400 - 500
  • 66. 66 57 HARRIS (20TH CENTURY) Tree Lined River Landscape Oil on canvas, 51 x 61cm Signed € 300 - 400
  • 67. 67 58 EITEL (JACQUES EITELWEIN) (1926-2006) Le Chateau de Trédion (Bretagne) Oil on canvas, 146 x 97cm Signed € 400 - 600
  • 68. 68 59 JUDY HAMILTON (20TH/21ST CENTURY) Landscape Oil on board, 40 x 32cm Signed verso € 500 - 800
  • 69. 69 60 CHERITH MCKINSTRY (1928-2004) Malta Landscape, Cornfield Oil on canvas, 15.5 x 20.5cm Signed Provenance: With Jorgensen Gallery, label verso. € 400 - 600
  • 70. 70 61 JUDY HAMILTON (20TH/21ST CENTURY) Storm Oil on canvas, 19 x 33cm Signed verso € 400 - 600
  • 71. 71 62 CHRIS DORIS (B.1962) The Master’s House Acrylic and sand on paper, 23 x 28cm Signed and inscribed € 400 - 600
  • 72. 72 63 SELMA MCCORMACK (20TH/21ST CENTURY) Untitled Oil on paper, 50 x 44cm Signed and dated (20)’05 € 300 - 500
  • 73. 73 64 MARJA VAN KAMPEN (20TH/21ST CENTURY) Blue Night Acrylic on paper, 44 x 30.5cm Signed and dated (20)’06 € 300 - 500
  • 74. 74 65 MICHAEL FARRELL (1940-2000) Untitled Lithograph, 76 x 54.5cm Unframed Numbered 10/150 Signed and dated (19)’80 € 400 - 600
  • 75. 75 66 JOHN SCHWATSCHKE (B.1943) Force Majeur Oil on canvas, 25 x 30.5cm Signed and inscribed verso € 500 - 800
  • 76. 76 67 MARLENE DUMAS (B.1953) Schets Voor Een Monument Voor de Vrede Lithograph, 22 x 20cm Signed, inscribed and dated 1993 Edition 45/60 € 600 - 800
  • 77. 77 68 PATRICK HICKEY HRHA (1927-2008) Escarpment, 1971 Etching, 53 x 61cm Signed, inscribed, numbered 7/20 and dated 1971 Dawson Gallery label and Taylor Galleries label verso Exhibited: Cork ROSC, 1980. € 800 - 1,200
  • 78. 78 69 ANNE MADDEN (B.1932) Untitled Print, 64.5 x 50cm Unframed Signed and dated 1982 € 200 - 300
  • 79. 79 70 ANNE MADDEN (B.1932) Icarus Carborundum, 50 x 50cm Signed and numbered 2/75 Framed € 400 - 600
  • 80. 80 71 PATRICK GRAHAM (B.1943) Canto Lithograph, 52 x 38cm Unframed Signed and dated (19)’93 Edition 25/38 € 300 - 500
  • 81. 81 72 PATRICK HALL (B.1935) Burning Mountain Lithograph, 76.5 x 57.5cm Unframed Signed and inscribed Edition 16/36 € 400 - 600
  • 82. 82 73 CÓILÍN MURRAY (B.1945) Garden Series III Oil on canvas, 61 x 64cm Signed, inscribed and dated (19)’99 verso € 600 - 800
  • 83. 83 74 SONIA SHIEL (20TH/21ST CENTURY) Store Oil on canvas, 43 x 53cm Signed € 1,000 - 1,500
  • 84. 84 75 JANE O’MALLEY (B.1944) La Geria, Lanzarote Pastel and conte, 28 x 38cm Signed, inscribed and dated 1989 Porthmeor Gallery label verso € 500 - 800
  • 85. 85 76 PAUL DORAN (B.1972) The Last Wave Oil on canvas, 80 x 80cm Signed, inscribed and dated 2021 verso € 1,500 - 2,500
  • 86. 86 77 ALEX CALINESCU (B.1967) Untitled Oil on canvas, 92 x 77cm Signed and dated 2005 verso € 600 - 800
  • 87. 87 78 K.K. GODSEE (B.1947) Open Containers IX, 2013 Watercolour on handmade paper laid on board, 35 x 35cm Fenderesky Gallery stamp verso € 500 - 800
  • 88. 88 79 CARMEL BENSON (B.1950) First Things II Etching, 18 x 18cm Edition 8/45 Signed and inscribed € 100 - 200
  • 89. 89 80 ALEX MCKENNA (20TH/21ST CENTURY) Waiting Oil on canvas, 69 x 49.5cm Signed; inscribed verso Apollo Gallery stamp verso € 500 - 800
  • 90. 90 81 MICHAEL MULCAHY (B.1952) Crucifixion Wax crayon and graphite, 51 x 37cm Signed and dated (19)’78 verso Unframed Provenance: Gifted to the owner by the artist in 1978. € 300 - 500
  • 91. 91 82 OLIVER COMERFORD (B.1967) ‘Heroes’ Diptych, oils on board, 76 x 114cm Signed, inscribed and dated; also signed and inscribed with title verso Provenance: With Rubicon Gallery, June 1991, inscribed verso € 2,000 - 4,000
  • 92. 92 83 MICHAEL KANE (B.1935) Love in the Studio Ink and watercolour, 20 x 23.5cm Signed and dated (20)’01 Rubicon Gallery label verso € 500 - 800
  • 93. 93 84 CHRIS DORIS (B.1962) Pilgrim Series - Japanese Pilgrim, Croagh Patrick Watercolour, 59 x 61cm Signed and inscribed € 400 - 600
  • 94. 94 85 CONTINENTAL SCHOOL (20TH CENTURY) Post-impressionist style nude study Charcoal on paper, 40 x 32 € 150 - 250
  • 95. 95 86 WILLY SMITZ (BELGIAN, 1914-1967) Surrealist Figures Oil on paper, 72 x 56cm Signed and dated 1953 € 600 - 800
  • 96. 96 87 PATRICK MCELROY (1923-2008) Crucifixion Brass and enamel, 26 x 20cm € 200 - 300
  • 97. 97 88 PATRICK MCELROY (1923-2008) Untitled Brass and enamel, 17.5 x 14cm € 200 - 300
  • 98. 98 89 PETER COLLIS RHA (1929-2012) Landscape through Trees Pastel, 9.5 x 13cm Signed € 100 - 200
  • 99. 99 90 PETER COLLIS RHA (1929-2012) Dun Laoghaire Harbour Sunrise (from Lamb Doyle’s) Oil on board, 14 x 17.5cm Signed € 400 - 600
  • 100. 100 91 LIAM TRACEY (1934-2004) Town Scene with Figures Oil on board, 25 x 30cm Signed € 200 - 300
  • 101. 101 92 MARKEY ROBINSON (1918-1999) Coming Winter Oil on board, 19.5 x 43.5cm Signed € 500 - 700
  • 102. 102 93 CIARAN CLEAR (1920-2000) Swan in Lake Among Rushes Oil on card, 11.5 x 15.5cm Signed € 100 - 200
  • 103. 103 94 B. MCDONAGH (20TH CENTURY) Fox in Snow Oil on board, 39.5 x 48.9cm Signed € 300 - 500
  • 104. 104 95 CIARAN CLEAR (1920-2000) Billie Holiday, Harlem Speaks Mixed media on paper, 20 x 25cm Signed, inscribed with artist name and title verso € 80 - 100
  • 105. 105 96 ANDREW GIFFORD (B.1970) Empty House Ballinskelligs IV, 2006 Oil on panel, 17.8 x 19.1cm Signed with initials; also signed and inscribed with title verso Provenance: With John Martin Gallery, London, label verso. € 800 - 1,200
  • 106. 106 97 CAROLINE DONOHUE (B.1977) To Covet Lithograph, 38 x 60cm Signed, inscribed and dated (20)’05 Edition 1/10 € 200 - 300
  • 107. 107 98 ROBERT BALLAGH (B.1943) Cuan Screenprint, 30 x 60.5cm Signed, inscribed and dated 2001 Edition 3/10 € 400 - 600
  • 108. 108 99 MICHAEL BYRNE (1923-1989) Dublin Lithograph, 30 x 23cm Signed, inscribed and dated 1984 Numbered 2/15 € 100 - 200
  • 109. 109 100 NICCOLO D’ARDIA CARACCIOLO RHA (1941 - 1989) Female nude Watercolour, 28.5 x 19cm Studio stamp verso on backing board € 300 - 500
  • 110. 101 ULA PAINE (1909-2001) Botanical Study Oil on canvas, 40.5 x 30.5cm Signed and dated 1972 € 400 - 600
  • 111. 111 ADAM’S Est.1887 102 PATRICK JONES (20TH/21ST CENTURY) Rug Oil on canvas, 35 x 67cm Signed and dated 2005 verso Monart Gallery, London and Hillsboro Fine Art labels verso € 500 - 800
  • 112. 112 103 CHARLIE FLANAGAN (B.1947) Landscape Oil on board, 18.5 x 23cm € 300 - 500
  • 113. 113 104 FERGUS O’RYAN (1911-1989) An Encampment Oil on board, 44 x 61.5cm Signed verso € 600 - 800
  • 114. 114 105 NICCOLO D’ARDIA CARACCIOLO RHA (1941-1989) Kenwood House, London Watercolour, 18 x 26.5cm Studio stamp verso on backing board € 250 - 350
  • 115. 115 106 NICCOLO D’ARDIA CARACCIOLO RHA (1941-1989) Rabbit Hutches Watercolour, 19 x 28cm Signed € 300 - 500
  • 116. 116 107 NICCOLO D’ARDIA CARACCIOLO RHA (1941-1989) Italian City Scene Ink and watercolour over pencil, 27.5 x 19cm Studio stamp verso on backing board € 300 - 500
  • 117. 117 108 NICCOLO D’ARDIA CARACCIOLO RHA (1941-1989) Tuscan Landscape with Distant Town Watercolour, 19 x 28cm (7½ x 11”) Signed Provenance: The Artist’s Family € 300 - 500
  • 118. 118 109 MAURICE C. WILKS ARHA RUA (1910-1984) Early Morning, Co. Antrim Felt pen on paper, 24.5 x 33.5cm Provenance: Studio Sale, Ross’s Belfast, November 1997. € 150 - 250
  • 119. 119 110 JOHN KELLY (1932-2006) Icon Figure Mixed media on paper, 23 x 14.5cm Signed € 300 - 500
  • 120. 120 111 DIARMUID DELARGY (B.1958) REMINISCE Etching, 60 x 42cm Signed and inscribed Artist’s proof Provenance: With Taylor Galleries, label verso. € 200 - 300
  • 121. 121 112 KENNETH HALL (1913-1946) Doorway, Lower Baggot Street Watercolour and ink, 20 x 26cm Signed € 500 - 800
  • 122. 122 113 REGIS CHABAL (FRENCH 1930-2010) Coastal landscape Oil on canvas, 79 x 98cm Signed € 1,000 - 1,500
  • 123. 123 114 REGIS CHABAL (FRENCH 1930-2010) Mountain landscape Oil on canvas, 79 x 98cm Signed € 1,000 - 1,500
  • 124. 124 115 CAROLINE DONOHUE (B.1977) To Leave Behind Lithograph, 38 x 60cm Signed, inscribed and dated (20)’05 Edition 1/10 € 200 - 300
  • 125. 125 116 MARGARET BECKER (20TH/21ST CENTURY) Clown and Horse Etching, 30 x 46.5cm Signed, inscribed and numbered 12/70 € 150 - 250
  • 126. 126 117 ROBERT JANZ (B.1932) Field Flower Diptych, oil and acrylic on canvas, 31 x 82cm Signed, inscribed and dated (20)’06 verso Provenance: With Peppercanister Gallery, label verso. € 600 - 800
  • 127. 127 118 ROBERT ARMSTRONG (B.1953) Slide I Oil on canvas, 48 x 41.5cm Signed, inscribed and dated (19)’97 verso € 500 - 800
  • 128. 128 119 JOHN KIRWAN The Baily, Howth Head Oil on paper, Signed and inscribed verso € 300 - 500
  • 129. 129 120 ROSEMARY O’REILLY (20TH CENTU RY) Spring Evening Gouache, 32.5 x 49cm Signed Exhibited: The Watercolour Society of Ireland Annual 2004. € 300 - 500
  • 130. 130 121 SARAH PURSER HRHA (1848-1943) Portrait Study of a Lady Graphite on paper, 52.5 x 37cm € 700 - 1,000
  • 131. 131 122 THOMAS RYAN PRHA (B.1929) The Lesson Oil on canvas, 41 x 51cm Signed € 1,000 - 1,500
  • 132. 132 123 COMHGHALL CASEY (B.1976) Nude Pen, 27.5 x 20cm Signed and dated (20)’05 Emer Gallery label verso € 200 - 400
  • 133. 133 124 CHARLES CULLEN (B.1939) Sketch of a Family Charcoal and graphite on paper, 37 x 32cm Signed and dated (19)’77 € 300 - 500
  • 134. 134 125 20TH CENTURY SCHOOL Dock Scene Oil on canvas, 50 x 60cm Signed indistinctly € 500 - 700
  • 135. 135 126 SEAN FINGLETON (20TH/21ST CENTURY) Glen Bay, Colmcille, 2010 Oil on canvas board, 19 x 29cm Signed Provenance: With Taylor Galleries, label verso. € 500 - 800
  • 136. 136 127 ERIC PATTON RHA (1925-2004) Seals II Oil on board, 29.5 x 39.5cm Signed; also signed and inscribed verso € 500 - 800
  • 137. 137 128 DESMOND SNEE (20TH/21ST CENTURY) Horses grazing in a field Oil on canvas, 50.5 x 77cm Signed €1,200 – 1,800
  • 138. 138 129 NICCOLO D’ARDIA CARACCIOLO RHA (1941-1989) Portrait of Lorenzo Pencil on paper, 25 x 19cm Signed and dated (19)’63 Provenance: The Artist’s Family € 300 - 500
  • 139. 139 130 EDITH SOMERVILLE (1858-1949) Portrait of a Young Girl Oil on board, 36.5 x 25.5cm Signed indistinctly bottom right; inscribed Ethel Moloney, 1910 verso € 500 - 800
  • 140. 140 131 LINDY GUINNESS (B.1941) Clandeboye Library Oil on panel, 29.5 x 24.5cm (11½ x 9½’’) € 300 - 400
  • 141. 141 132 20TH CENTURY SCHOOL River Landscape Oil on board, 75 x 105cm Signed ‘Green’ and dated (19)’60 € 300 - 500
  • 142. 142 133 MAINIE JELLETT (1897-1944) Abstract Composition Study Pencil, 24 x 13cm € 300 - 500
  • 143. 143 134 20TH CENTURY SCHOOL Abstract Figures Pen on paper, 31 x 21cm Signed and dated indistinctly € 150 - 200
  • 144. 144
  • 145. 145 135 JAMES MALTON (1761 - 1803) ‘’A Picturesque view of the City of Dublin” A set five views of Dublin Hand coloured aquatints, 31 x 43cm (5) € 300 - 500 136 CONTINENTAL SCHOOL Winter Scene Oil on board, 29.5 x 39.5cm € 400 - 600
  • 146. 146 137 DEBORAH BROWN (B.1927) Lone Figure Lithograph, 50 x 35cm Signed Artist’s proof € 200 - 400 138 EITHNE JORDAN RHA (B.1954) Gorge Etching, 19.5 x 29.5cm Signed and inscribed Edition 18/24 € 200 - 300
  • 147. 147 139 RAYMOND PIPER HRHA HRUA (1923-2007) Iron Bridge Stairs below Tower Bridge, London Pencil, 38 x 27cm Signed and inscribed € 400 - 600
  • 148. 148 140 CHARLES MCAULEY RUA ARSA (1910 - 1999) River Landscape Oil on canvas, 47 x 55cm Signed and dated € 600 - 800
  • 149. 149 141 ROBIN HALL WHITE Mountain Landscape Oil on board, 50.5 x 61cm Signed € 200 - 400
  • 150. 150 142 20TH CENTURY SCHOOL Mountain Landscape Oil on board, 25 x 30.5cm Signed with initials ‘DO’C’ € 100 - 200
  • 151. 151 143 ROBERT RYAN (20TH CENTURY) Landscape Oil on canvas 15x19.5cm Signed and dated (19)’88 €200 - €300
  • 152. 152 144 DEREK HILL HRHA (1916-2000) Winter Landscape Lithograph, 42 x 63.5cm Signed; inscribed ‘For Barbara’ Artist’s proof € 100 - 150
  • 153. 153 145 E. BRYCE (20TH CENTURY) Hill of Doon, Lough Corrib, Co. Galway Oil on card, 15 x 20cm Signed € 100 - 200
  • 154. 154 146 SINE MACKINNON (1901-1996) Vague de Chaleur, Albi Pastel, 23 x 30cm Signed and dated 1958 Exhibited: The Redfern Gallery, London, 1959, label verso € 300 - 400
  • 155. 155 147 PATRIC STEVENSON PPRUA (1909-1983) The Reeks and the Upper Lake, Killarney Watercolour, 24 x 34cm Signed and dated (19)’38 € 100 - 200
  • 156. 156 148 MARLENE DUMAS (B.1953) Female Figure Print, 34 x 43cm Unframed Signed and dated 1989 € 300 - 400 149 OISIN KELLY RHA (1915-1981) Puffin Hand-painted earthenware, 15cm high With Kilkenny Design Workshop stamp € 300 - 500
  • 157. 157 150 MARGARET ARTHUR RUA (20TH/21ST CENTURY) Flight Etching, 19.5 x 20cm Signed, inscribed and numbered 3/15 € 150 - 200 151 PAULA POHLI (20TH/21ST CENTURY) Muscovy Egg tempera, 26 x 22.5cm Signed € 300 - 500
  • 158. 158 152 ROBERT RYAN (20TH CENTURY) Edge of Forest Oil on board, 20 x 28cm Signed and inscribed verso €200 - €300
  • 159. 159 153 JOHN KELLY (B.1965) Figure in Landscape Mixed media on paper 33 x 22.5cm Signed and dated (19)’76 €400 - €600
  • 160. 160 154 A.E. WILLIAMS (20TH CENTURY) Near Brittas Bay, Co. Wicklow Watercolour, 18 x 26cm Signed and dated 1933, inscribed with title verso € 80 - 120
  • 161. 161 155 SAMUEL FREDERICK BROCAS (1792-1847) A view of Carrickfergus Castle, County Antrim Watercolour, 31 x 46cm Signed € 300 - 500
  • 162. 162 156 MARGARET BECKER (20TH/21ST CENTURY) Girl in Hat Etching, 40 x 27cm Signed, inscribed and numbered 10/70 € 150 - 250 157 BASIL IVAN RÁKÓCZI (1908-1979) Invocation Ink and watercolour wash on Arches paper, 48 x 38cm Signed € 150 - 250
  • 163. 163 158 GEORGE CAMPBELL RHA (1917-1979) Spanish Landscape Watercolour, 18.5 x 27.5cm Signed € 150 - 250
  • 164. 164 159 PATRICK PYE RHA (1929- 2018) Hell Fire Club Pen and ink, 20.5 x 25.5cm Signed and inscribed € 200 - 300 160 SIOBHAN CUFFE (20TH/21ST CENTURY) Wind, Merrion Square Etching, 22.5 x 22cm Signed, inscribed, numbered 6/30 and dated 1978; Together with a coloured print of an L.S. Lowry painting. (2) € 60 - 80
  • 165. 165 161 A MISCELLANEOUS COLLECTION OF OLD MASTER SKETCHES, PRINTS, ETC. € 300 - 400
  • 166. 166 162 TONY KLITZ (1917-2000) O’Connell Street, Dublin Print, 29.5 x 61cm Signed € 80 - 120 163 TONY KLITZ (1917-2000) River Liffey, Dublin Print, 30.5 x 61.5cm Unframed Signed € 40 - 80
  • 167. 167 164 R. WILSON Abstract Acrylic on paper, 14 x 20cm Signed € 150 - 200
  • 168. 168 165 AFTER GEORGE DE FOREST BRUSH (1855 -1941) ‘The Silence has Broken’ Lithograph, 30 x 20cm Retail label verso € 100 - 200 166 M. MORRISSEY The Ball and Claw Etching, 27 x 21cm Signed, inscribed and numbered 1/30 € 100 - 150
  • 169. 169 167 CYNTHIA MORAN (20TH/21ST CENTURY) Sunflowers Oil on canvas laid on board, 28 x 18cm Signed € 300 - 400
  • 170. 170 168 AFTER A. MOLYNK Poursuite Coloured lithograph, 42 x 88cm; Together with another humorous lithograph entitled ‘La Contravention’. (2) € 60 - 80
  • 171. 171 169 NICOLA TANCREL (20TH/21ST CENTURY) Horse in Mist Oil on canvas, 40.5 x 51cm Signed and dated (20)’09 The Kennedy Gallery label verso € 300 - 500
  • 172. 172 170 SEAN HILLEN (B.1961) The Oracle at O’Connell Street Bridge, Dublin, Ireland Print, 20 x 15cm Signed and dated (20)’00 Numbered 12/1000 € 80 - 120
  • 173. 173 171 TOM MOLLOY (B.1964) Map Collage, US Dollar, 27 x 38cm Rubicon Gallery laberl verso € 300 - 500
  • 174. 174 172 ELIZABETH RIVERS RHA (1903-1964) Three men with ladder Woodcut, 54 x 36cm Inscribed “For Elizabeth Rivers”, 1964, Graphic Studio, 61/75 Published posthumously by the Graphic Studio to commemorate the artist’s death in 1964. € 200 - 400 173 JACQUELINE STANLEY HRHA ARCA (B.1928) Sea-Series I Etching, 21 x 20cm Signed, inscribed and numbered 4/20 € 80 - 120
  • 175. 175 174 GRAHAM KNUTTEL (B.1954) Set of Three Interior Scenes Graphite on paper, each 10 x 10cm Signed with initials € 250 - 350
  • 176. 176 175 A BAXTER PRINT OF THE HOLY FAMILY; TOGETHER WITH A WATERCOLOUR STREET VIEW AND A PRINT AFTER SEAN KEATING. (3) € 30 - 40
  • 177. 177 176 B.C ZHENG (20TH CENTURY) Female Nude Bronze on marble base, the entire 31cm high Signed €200 - €400
  • 178. 178 177 BRIDGET EMMA FLINN (20TH/21ST CENTURY) My Painting Desk Watercolour, 27 x 35cm Signed, inscribed and dated 1985 € 30 - 40
  • 179. 179 178 KAY CASSON (20TH CENTURY) Sandymount Strand Gouache, 26 x 37cm Signed € 40 - 60
  • 180. 180
  • 181. 181 GENERAL TERMS & CONDITIONS OF BUSINESS The Auctioneer carries on business on the following terms and conditions and on such other terms or conditions as may be expressly agreed with the Auctioneer or set out in any relevant Catalogue. Conditions 12-21 relate mainly to buyers and con- ditions 22-32 relate mainly to sellers. Words and phrases with special meanings are defined in condition 1. Buyers and sellers are requested to read carefully the Cataloguing Practice and Catalogue Explanation contained in condition 2. DEFINITIONS 1. In these conditions the following words and expressions shall have the following meanings: Auctioneer - James Adam and Sons trading as Adam’s. Auctioneer’s Commission - The commission payable to the Auctioneer by the buyer and seller as specified in conditions 13 and 25. Catalogue - Any advertisement, brochure, estimate, price or other publication. Forgery - A Lot which was made with the intention of deceiving with regard to authorship, culture, source, origin, date, age or period and which is not shown to be such in the description therefore in the Catalogue and the market value for which at the date of the auction was substantially less than it would have been had the Lot been in accordance with the Catalogue description. Hammer Price - The price at which a Lot is knocked down by the Auctioneer to the buyer. Lot - Any item which is deposited with the Auctioneer with a view to its sale at auction and, in particular, the item or items described against any Lot number in any Catalogue. Proceeds of Sale - The net amount due to the seller being the Hammer Price of the Lot after deducting the Auction- eer’s Commission thereon under condition 25 the seller’s contribution towards insurance under condition 26, such VAT as is chargeable and any other amounts due by the seller to the Auctioneer in whatever capacity howsoever arising. Registration Form or Register - The registration form (or, in the case of persons who have previously attended at auctions held by the Auctioneer and completed registration forms, the register maintained by the Auctioneer which is compiled from such registration forms) to be complet- ed and signed by each prospective buyer or, where the Auctioneer has acknowledged pursuant to condition 12 that a bidder is acting as agent on behalf of a named principal, each such bidder prior to the commencement of an auction. Sale Order Form - The sale order form to be completed and signed by each seller prior to the commencement of an auction. Total Amount Due - The Hammer Price of the Lot sold, the Auctioneer’s Commission due thereon under condition 13, such VAT as is chargeable and any additional interest, expenses or charges due hereunder. V.A.T. - Value Added Tax. Cataloguing Practice & Catalogue Explanations 2. Terms used in Catalogues have the following meanings and the Cataloguing Practice is as follows: The first name or names and surname of the artist - In the opinion of the Auctioneer a work by the artist. The initials of the first name(s) and the surname of the artist - In the opinion of the Auctioneer a work of the period of the artist and which may be in whole or in part the work of the artist. The surname only of the artist - In the opinion of the Auc- tioneer a work of the school or by one of the followers of the artist or in his style. The surname of the artist preceded by ‘after’ - In the opinion of the Auctioneer a copy of the work of the artist. Signed/Dated/Inscribed - In the opinion of tile Auctioneer the work has been signed/dated/inscribed by the artist. With Signature/With date/With inscription’- In the opinion of the Auctioneer the work has been signed/dated/inscribed by a person other than the artist. Attributed to - In the opinion of the Auctioneer, probably a work of the artist. Studio of/Workshop of - In the opinion of the Auctioneer a work executed in the studio of the artist and possibly under his supervision. Circle of - In the opinion of the Auctioneer a work of the period of the artist and showing his influence. Follower of - In the opinion of the Auctioneer a work execut- ed in the artist’s style yet not necessarily by a pupil. Manner of - in the opinion of the Auctioneer a work executed in artist’s style but of a later date. None of the terms above are appropriate but in the Auction- eer’s opinion the work is a work by the artist named. GENERAL CONDITIONS Auctioneer Acting as Agent 3. The Auctioneer is selling as agent for the seller unless it is specifically stated to the contrary. The Auctioneer as agent for the seller is not responsible for any default by the seller or the buyer. The auctioneer reserves the right to bid on behalf of the seller. Auctioneer Bidding on behalf of Buyer 4. It is suggested that the interests of prospective buyers are best protected and served by the buyers attending at an auc- tion. However, the Auctioneer will, if instructed, execute bids on behalf of a prospective buyer. Neither the Auctioneer nor its employees, servants or agents shall be responsible for any neglect or default in executing bids or failing to execute bids. Admission to Auctions 5. The Auctioneer shall have the right exercisable in its absolute discretion to refuse admission to its premises or attendance at its auctions by any person. Acceptance of Bids 6. The Auctioneer shall have the right exercisable in its abso- lute discretion to refuse any bids, advance the bidding in any manner it may decide, withdraw or divide any Lot, combine any two or more Lots and, in the case of a dispute, to put any Lot up for auction again. Indemnities 7. Any indemnity given under these conditions shall extend to all actions, proceedings, claims, demands, costs and expenses whatever and howsoever incurred or suffered by the person entitled to the benefit of the indemnity and the Auctioneer declares itself to be a trustee of the benefit of every such indemnity for its employees, servants or agents to the extent that such indemnity is expressed to be for their benefit.
  • 182. 182 Representations in Catalogues 8. Representations or statements made by the Auctioneer in any Catalogue as to contribution, authorship, genuine- ness, source, origin, date, age, provenance, condition or estimated selling price or value is a statement of opinion only. Neither the Auctioneer nor its employees, servants or agents shall be responsible for the accuracy of any such opinions. Every person interested in a Lot must exercise and rely on their own judgment and opinion as to such matters. 9. The headings of the conditions herein contained are inserted for convenience of reference only and are not intended to be part of, or to effect, the meaning or inter- pretation thereof. Governing Law 10. These conditions shall be governed by and construed in accordance with Irish Law. Notices 11. Any notice or other communication required to be given by the Auctioneer hereunder to a buyer or a seller shall, where required, be in writing and shall be suffi- ciently given if delivered by hand or sent by post to, in the case of the buyer, the address of the buyer specified in the Registration Form or Register, and in the case of the seller, the address of the seller specified in the Sale Order Form or to such other address as the buyer or seller (as appropriate) may notify the Auctioneer in writing. Every notice or communication given in accordance with this condition shall be deemed to have been received if delivered by hand on the day and time of delivery and if delivered by post three (3) business days after posting. CONDITIONS WHICH MAINLY CONCERN THE BUYER The Buyer 12. The buyer shall be the highest bidder acceptable to the Auctioneer who buys at the Hammer Price. Any dispute which may arise with regard to bidding or the acceptance of bids shall be settled by the Auctioneer. Every bidder shall be deemed to act as principal unless the Auctioneer has prior to the auction, acknowledged in writing that a bidder is acting as agent on behalf of a named principal. The Commission 13. The buyer shall pay the Auctioneer a commission at the rate of 25% of the Hammer Price inclusive of VAT at the applicable rate on all individual lots. Payment 14. Unless credit terms have been agreed with the Auc- tioneer before the auction the buyer of a Lot shall pay to the Auctioneer within one (2) days from the date of the auction the Total Amount Due. Notwithstanding this, the Auctioneer may, in its sole discretion, require a buyer to pay a deposit of 25% of the Total Amount Due at the conclusion of the auction. The Auctioneer may apply any payments received by a buyer towards any sums owing from that buyer to the Auctioneer on any account whatever regardless of any directions of the buyer or his agent in that regard whether express or implied. The Auctioneer shall only accept payment from success- ful bidders in cash, draft in Euro or by the bidder’s own cheque drawn on an Irish bank account vouched to the satisfaction of the Auctioneer. Cheques drawn by third parties, whether in the Auctioneer’s favour or requiring endorsement, shall not be accepted. We also accept pay- ment by credit card, Visa & Mastercard. American Expess is subject to 3.9% administration charge on the total amount due. We also accept debit card pay- ments by way of Laser, with no surcharge, however the cardholder in person can only make the payment. Reservation of Title 15. Notwithstanding delivery or passing of risk to the buy- er the ownership of a Lot shall not pass to the buyer until he has paid to the Auctioneer the Total Amount Due. Collection of Purchases 16. The buyer shall at his own expense collect the Lot purchased not later than seven (2) days after the date of the auction but (unless credit terms have been agreed with the Auctioneer pursuant to condition 14) not before payment to the Auctioneer of the Total Amount Due. The buyer shall be responsible for any removal, storage and insurance charges in respect of any Lot which is not taken away within seven (2) days after the date of the auction. The purchased Lot shall be at the buyer’s risk in all respects from the earlier of the time of collection or the expiry of (2) days from the date of the auction. Neither the Auctioneer nor its employees, servants or agents shall thereafter be liable for any loss or damage of any kind howsoever caused while a purchased Lot remains in its custody or control after such time Packaging and Handling of Purchased Lots 17. Purchased Lots may be packed and handled by the Auctioneer, its employees, servants or agents. Where this is done it is undertaken solely as a courtesy to buyers and at the discretion of the Auctioneer. Under no circumstanc- es shall the Auctioneer, its employees, servants or agents be liable for damage of any kind and howsoever caused to glass or frames nor shall the Auctioneer be liable for the errors or omissions of, or for any damage caused by, any packers or shippers which the Auctioneer has recommended. Non-Payment or Failure to Collect Purchased Lots 18. If a buyer fails to pay for and/or collect any purchased Lot by the dates herein specified for payment and collec- tion the Auctioneer shall, in its absolute discretion and without prejudice to any other rights or remedies it may have, be entitled to exercise one or more of the following rights or remedies without further notice to the buyer: (a) To issue court proceedings for damages for breach of contract; (b) To rescind the sale of that Lot or any other Lots sold to the buyer whether at that or at any other auction; (c) To resell the Lot or cause it to be resold whether by public auction or private sale. In the event that there is a deficiency between the Total Amount Due by the buyer and the amount received by the Auctioneer on such resale after deduction of any necessary expenses the difference shall be paid to the Auctioneer by the buyer. Any surplus arising shall belong to the seller; (d) To store (whether at the Auctioneer’s premises or elsewhere) and insure the purchased Lot at the expense of the buyer; (e) To charge interest on the Total Amount Due at the rate of 2% over and above the base rate from time to time of Bank of Ireland or if there be no such rate, the nearest equivalent thereto as determined by the Auctioneer in its
  • 183. 183 absolute discretion from the date on which payment is due hereunder to the date of actual payment; (f) To retain that Lot or any other Lot purchased by the buyer whether at the same or any other auction and release same to the buyer only after payment to the Auctioneer of the Total Amount Due; (g) To apply any sums which the Auctioneer received in respect of Lots being sold by the buyer towards settlement of the Total Amount Due. (h) To exercise a lien on any property of the buyer in the posses- sion of the Auctioneer or whatever reason. Liability of Auctioneer and Seller 19. Prior to auction ample opportunity is given for the inspec- tion of the Lots on sale and each buyer by making a bid ac- knowledges that he has, by exercising and relying on his own judgment, satisfied himself as to the physical condition, age and Catalogue description of each Lot (including but not restricted to whether the Lot is damaged or has been repaired or restored). All Lots are sold with all faults and imperfections and errors of description. None of the seller, the Auctioneer nor any of their employees, servants or agents shall be responsible for any er- ror of description or for the condition or authenticity of any Lot. No warranty whatsoever is given by the seller or Auctioneer or by any of their employees, servants or agents in respect of any Lot and any condition or warranty express, or implied by statute or otherwise is hereby specifically excluded.Forgeries 20. Any amount paid by a buyer in respect of a Lot which, if it is proved within three (3) years of the date of the auction at which it was purchased, to have been a Forgery shall be refunded to the seller subject to the provisions hereof, provided that: (a) The Lot has been returned by the buyer to the Auctioneer within three (3) years of the date of the auction in the same condition in which it was at the time of the auction together with evidence proving that it is a Forgery, the number of the Lot and the date of the auction at which it was purchased; (b) The Auctioneer is satisfied that the Lot is a Forgery and that the buyer has and is able to transfer good and marketable title to the Lot free from any third party claims; FURTHER PROVIDED THAT the buyer shall have no rights hereunder if: (i) The description of the Lot in the Catalogue at the time of the auction was in accordance with the then generally accepted opinion of scholars or experts or fairly indicated that there was a conflict of such opinion; (ii) The only method of establishing at the time of the auction in question that the Lot was a Forgery would have been by means of scientific processes which were not generally accepted for use until after the date of the auction or which were unreason- ably expensive or impractical. The buyer’s sole entitlement under this condition is to a refund of the actual amount paid by him in respect of the Lot. Under no circumstances shall the Auctioneer be liable for any damage, loss (including consequential, indirect or economic loss) or expense suffered or incurred by the buyer by reason of the Lot being a Forgery. The benefit of this condition shall be solely and exclusively for the buyer and shall not be assignable. The buyer shall for the purpose of this condition be the person to whom the original invoice in respect of the sale of the Lot is made. Photographs 21. The buyer authorises the Auctioneer at any time to make use of any photographs or illustrations of the Lot purchased by the buyer for such purposes as the Auctioneer may require. 22. New VAT Regulations 22a) All lots are sold within the Auctioneer’s VAT margin scheme. Revenue Regulations require that the buyers premium must be invoiced at a rate which is inclusive of VAT. This VAT is not recoverable by any VAT registered buyer.
  • 184. 184 26 St. Stephen’s Green, Dublin 2 +353 (0)1 6760261