Adam's online Art Auction opens 29th January 2022

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ADAM’S
Est.1887
Online Art Auction

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Claire-Laurence Mestrallet, G.G, B.A
ASSOCIATE DIRECTOR
claire@adams.ie
Brian Coyle FSCSI FRICS
CHAIRMAN
James O’Halloran BA FSCSI FRICS
MANAGING DIRECTOR
j.ohalloran@adams.ie
Stuart Cole MSCSI MRICS
DIRECTOR
s.cole@adams.ie
Amy McNamara BA MA
FINE ART DEPARTMENT
amymcnamara@adams.ie
Eamon O’Connor BA
DIRECTOR
e.oconnor@adams.ie
Adam Pearson BA
FINEARTDEPARTMENT
a.pearson@adams.ie
Helena Carlyle BA
FINEARTDEPARTMENT
h.carlyle@adams.ie
Niamh Corcoran BA
FINE ART DEPARTMENT
niamh@adams.ie
Ronan Flanagan
FINEARTDEPARTMENT
r.flanagan@adams.ie
Nick Nicholson
CONSULTANT
n.nicholson@adams.ie
Nicholas Gore-Grimes
ASSOCIATE DIRECTOR
nicholas@adams.ie
Contacts
Giorgia Chiesa BA MA
FINEARTDEPARTMENT
giorgia@adams.ie
Thibault A. Duval BA MA
HEAD OF ASIAN ART
thibault@adams.ie
Patrick O’Halloran BSc
FINE ART DEPARTMENT
patrick@adams.ie

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Timed online only auction
ADAM’S
Est.1887
26 St. Stephen’s Green
Dublin D02 X665
Tel +353 1 6760261
info@adams.ie
www.adams.ie

PRSA Registration No. #001959

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SALE VIEWING 4TH - 7TH FEBRUARY
At Adam’s, 26 St. Stephen’s Green, Dublin, D02 X665

Friday 4th
February 10:00am - 5:00pm
Saturday 5th
February Closed
Sunday 6th
February 2:00pm - 5:00pm
Monday 7th
February 10:00am - 1:00pm
ADAM’S
Est.1887
26 St. Stephen’s Green
Dublin D02 X665
Tel +353 1 6760261
info@adams.ie
www.adams.ie
TIMED ONLINE AUCTION
BIDDING OPENS
SATURDAY 29TH JANUARY 2022
BIDDING BEGINS TO CLOSE
TUESDAY 8TH FEBRUARY 2022 AT 2PM

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THIS IS AN ONLINE ONLY AUCTION
If you are unfamiliar with online-only auctions or do not have a way
of bidding yourself online please contact a member of our staff will
be very happy to assist you in the bidding process.
HOW TO BID IN THIS SALE
Bidding will open on Saturday 29th January and will begin to
close at 2pm on Tuesday 8th February.
To bid, simply go to www.adams.ie and Sign Up for a
My Adam’s account.
If you have already signed up for an online account with Adam’s,
you can Sign In with your email and password.
When signed in, click on ‘Upcoming Auctions’, select the ‘Online
Art Auction’ which will bring you to the list of lots.
CONDITION REPORTS & IMAGE REQUESTS
Our staff will be on-hand to carry out Condition Reports and
Additional Image Requests for the lots in this sale.
These requests can be made through our website, or by calling
our offices at +353 (0)1 676 0261 or emailing info@adams.ie

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Adams Live
We are delighted to advise that our own on-line bidding platform, Adam’s Live is now fully
operational for those who wish to bid on-line. Watch the auction as it happens.
On the Live platform you can arrange to bid as the auction is taking place or at any time-
leave comission bids and the Adam’s Live platform will bid on your behalf.
Bidding through this portal will attract no additional internet surcharge for lots purchased
so in effect those bidders will pay the same as a room bidder. Online bidding through
the-saleroom.com and invaluable.com remains unaffected.
Sign up today for your own My Adam’s account and start saving on your on-line purchases.
Browse-Bid-Buy
On-line at www.adams.ie
Browse
Viewing
Viewing has never been easier. Go to www.adams.ie. Choose the auction you wish to view
from the Auctions/Forthcoming auctions menu, and you will be offered a range of ways
to view. You may choose to view a digital version of the printed catalogue in the view e
catalogue option or explore the virtual 3D option which allows you explore the saleroom
with easy to navigate options or view the list view which opens automatically. This last op-
tion provides additional information and photographs of each lot as you choose the View
Details button. Lastly, and only during office hours there is a live chat button onscreen. If at
any time you have a question whilst you are on line you can open a live chat and one our
staff can help you.
My Adam’s
Log on to our web site www.adams.ie and create an account by signing up and registering
your particulars online. The process involves supplying valid credit card information. This is
a once off request for security purposes, and once the account is activated you will not be
asked for this information again. The card information supplied is securely stored by Sage
Pay. You can leave absentee bids online, and add, edit or amend bids accordingly as well as
bidding over the internet in real time through ‘Adam’s Live’. You can also view your invoices,
bid history, wish lists & other useful functions including paying your invoice and creating
you very own personalised catalogue with search tags that will notify you once a catalogue
is uploaded for your key word search.

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Circular navigation points allow you to walk around
the viewing room
Watch the Auction and bid live with Adam’s Live
Information points provide ‘point and click‘ details on
lots in view

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This auction is automated and takes place solely online through our website
www.adams.ie
During this period of open bidding you will be able to see the current win-
ning bid on each lot. You may place a higher maximum bid of your choice
and the bidding will automatically increase by the next increment.
If your maximum bid is several increments higher than the current bid, the
bidding will still only increase by one increment until there is a competing
bid in which case the system will move up one increment higher in your
favour. This process will
continue until your maximum amount is outbid.
**The system is designed to give the buyer the best chance of winning their
desired lot at the most competitive price, i.e. it will not jump to the maximum
bid entered unless there is a competing bid just below it**
EXAMPLE:
Bidder A leaves a maximum bid of €100, bidder B leaves a maximum bid of
€200 on the same lot. Bidder A is now knocked out of the lead and bidder
B holds the current winning bid that auto adjusts to €110 (NB not their
maximum bid). The system auto adjusts the bid to the next winning
increment. User B’s bid will only be further executed if another user bids
above their current bid of €110 up to their maximum of €200, after which
they will be knocked out and an e-mail issued advising them to increase
their bid.
Bidders are automatically informed by email if they are the current winning
bidder, or if they have been outbid by another competing bidder. If you
have been outbid and the auction is still open, you are free to leave a
higher bid.
At the end of the defined bidding period, 2pm on Thursday 8th July, if the
highest bid offered meets the minimum price designated by the Auctioneer
(i.e. the seller’s reserve price), the lot is sold.
In a timed auction, the closing time is staggered, with bidding for lot 1
ending at 2pm and each subsequent lot closing thirty seconds after the
previous. If there is a flurry of bidding on a lot just as it reaches its closing
time, the lot is kept open for an extended period to enable everybody to
fairly get their bids in.
All winning bidders will be notified by email once the auction has fully
ended.
ONLINE-ONLY AUCTION EXPLAINED

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1. Estimates and Reserves
These are shown below each lot in this sale. All amounts shown are in Euro. The figures shown are provided
merely as a guide to prospective purchasers. They are approximate prices which are expected, are not definitive
and are subject to revision. Reserves, if any, will not be any higher than the lower estimate.
2. Payment, Delivery and Purchasers Premium
All purchases must be paid for no later than Wednesday 9thFebruary 2022. Please contact a member of staff to
arrange collection/delivery of your purchases. Auctioneers commission on purchases is charged at the rate of
25% (inclusive of VAT). Terms: Strictly cash, card, bankers draft or cheque drawn on an Irish bank. Cheques
will take a minimum of eight workings days to clear the bank, unless they have been vouched to our satisfaction
prior to the sale, or you have a previous cheque payment history with Adam’s. We also accept payment by credit
and debit card (Visa & MasterCard only). For payments by bank transfer please ensure all bank charges are paid
in addition to the invoice total, in order to avoid delays in the release of items. Goods will only be released upon
clearance through the bank of all monies due.
Artists Resale Rights (Droit de Suite) is not payable by purchasers.
3. VAT Regulations
All lots are sold within the auctioneers VAT margin scheme. Revenue Regulations require that the buyers pre-
mium must be invoiced at a rate which is inclusive of VAT. This is not recoverable by any VAT registered buyer.
4. Condition
It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Re-
ports whilst we make certain observations on the lot, which are intended to be as helpful as possible, references
in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply
that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of
any others. The condition report is an expression of opinion only and must not be treated as a statement of fact.
Please ensure that condition report requests are submitted before 12 noon on Monday 7th February 2022 as we
cannot guarantee that they will be dealt with after this time.
5. Absentee Bids
We are happy to execute absentee or written bids for bidders who are unable to bid online themselves and can
also arrange for bidding to be conducted by telephone. However, these services are subject to special conditions
(see conditions of sale in this catalogue). All arrangements for absentee and telephone bidding must be made
before 5pm on the day prior to sale. Bidding by telephone may be booked on all lots. Early booking is advisable
as availability of lines cannot be guaranteed. **Please note that once online bids are placed these bids may not
be cancelled or retracted **
In the rare and unlikely event of an unforeseen technical issue occurring in the final stages of online bidding,
the auctioneer reserves the right, as per Condition 6 in our Conditions of Sale, to re-offer the lot at a later
point between existing bidders.
6. All lots are being sold under the Conditions of Sale as printed in this cata-
logue and on display on our website.

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We are delighted to present a curated selection of 97 watercol-
ours and oils, (lot 1 to 97), from the studio of the late Fergus
O’Ryan RHA. These works have been held in storage since
Fergus’ death in 1989 and it is now time to share them with the
buying public. Through the generosity of the late May O’Ryan,
herself an artist, the proceeds will be donated to Our Lady’s
Hospice.
The theme of this body of work is the artist’s travels in Ireland,
principally in Wicklow and Connemara, and on the Continent. As
far back as the early 1950s, when international travel was not
commonplace amongst the Irish public, the O’Ryans visited Paris
and the Cote d’Azur, Spain, the Balearic and Greek Islands and
most notably Venice. The Irish views will resonate with many of
us who enjoy walking the Wicklow mountains while his Connema-
ra paintings, particularly those from around Roundstone, Cashel
and Errelough, capture the unique atmosphere, light and colour
of that majestic landscape. We do hope that this unreserved sale
will showcase Fergus O’Ryan’s range of skills and his easy style
and that this will provide perhaps new buyers with an opportuni-
ty to acquire works by a well-regarded but somewhat under-
rated Irish painter.

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1 FERGUS O’RYAN RHA (1910-1989)
The Harbour, Palma, Majorca
Oil on board, 30.6 x 40.7cm
Signed; inscribed on artist’s label verso
€ 300 - 500

13
Puerta de la Selva, Costa Brava, Spain
Signed; inscribed verso
€ 300 - 500

14
Spanish Fishermen Repairing Nets (September 1975)
Oil on board, 35.3 x 44cm
Signed; also signed and inscribed with artist’s label verso
€ 300 - 500

15
The Market, Calvi, Corsica
Oil on board, 50 x 41cm
Inscribed verso
€ 300 - 500

16
A Shady Corner in a Spanish Town
Signed
€ 300 - 500

17
View of Venice from the Grand Canal
Signed
€ 400 - 600

18
Irish College, Salamanca
Oil on board, 26 x 37.3cm
Signed and inscribed; also inscribed ‘Study for Irish College
Salamanca’ verso
€ 300 - 500

19
The Seine, Paris
€ 300 - 500

20
The Cathedral, Segovia, Spain
Signed and inscribed ‘Segovia’; also inscribed verso
€ 200 - 400

21
From the Ramparts, Badajoz, Spain
Signed and inscribed ‘Badajoz, Spain’; also signed and inscribed verso
€ 300 - 500

22
The Bois de Bolougne, Paris 1947
Oil on canvas, 21 x 28.5cm
Inscribed verso
€ 200 - 400

23
The Theatre, Taormina, Sicily
Signed and inscribed ‘Taormina, Sicily’; also inscribed verso
€ 300 - 500

24
Killarney, September 1951, Kenmare Estate
Signed, inscribed and dated verso
€ 200 - 400

25
Vale of Clara, November 1965
Signed; inscribed and dated verso
€ 200 - 400

26
Three Rock and Taylor’s Folly, August 1965
Oil on canvas laid on board, 20.5 x 26cm
€ 200 - 400

27
Wooded River Landscape
Oil on canvas laid down on board, 25.5 x 35cm
Signed
€ 200 - 400

28
Dublin Mountains
Oil on canvas laid on board, 20.2 x 27cm
Signed
€ 200 - 400

29
Pine Forest, July 1969
Oil on canvas laid on board, 20 x 28cm
€ 200 - 400

30
Roundstone, July 1974
Oil on canvas paper laid on board, 25.5 x 34cm
€ 200 - 300

31
Innislacken, Roundstone, July 1970
Oil on canvas paper laid on board, 25.8 x 34.5cm
€ 300 - 500

32
Twelve Pins, Connemara, July 1967
Oil on canvas paper laid on board, 13 x 34.5cm
€ 300 - 400

33
Coral Strand, Ballyconneely, Whit 1968
Inscribed and dated verso
€ 300 - 500

34
Sketch for Ballyubbic, Roundstone, July 1970
€ 300 - 500

35
Ballyconneely, Connemara, July 1967
€ 300 - 500

36
Clifden from Errislannan, 1969
€ 300 - 500

37
Clifden from Errislannen, Whit 1969
€ 300 - 500

38
Study for Victoria Bridge, November 1976
Mixed media, 25.3 x 35cm
€ 200 - 300

39
17th Lock, Landenstown
€ 300 - 500

40
Cashel Mountain from Black Harbour, Innisnee, July 1967
Oil on canvas paper laid on board
€ 200 - 300

41
Sketch for Lake at Blessington, December 1976
Mixed media, 25 x 35.5cm
Inscribed and dated verso
€ 150 - 250

42
Study for Avonmore River, Laragh, June 1974
Signed; also signed, inscribed and dated verso
€ 200 - 300

43
Study for Kelly’s Mill, Victoria Bridge, May 1978
Oil on canvas paper laid on board, 25 x 35cm
€ 150 - 250

44
Connemara Landscape
Signed
€ 300 - 500

45
Millicent, Co. Kildare, May 1974
€ 100 - 150

46
Sketch for Lock on the Boyne Canal
€ 150 - 250

47
Roundwood, Co. Wicklow, December 1970
Signed
€ 300 - 400

48
Sketch for the Liffey at Ballyward, Co. Wicklow, December 1967
Signed indistinctly lower right; inscribed and dated verso
€ 200 - 300

49
Burgage Castle, Blessington, June 1975
€ 200 - 300
Sketch for Lake at Blessington, January 1975
Mixed media, 25.3 x 35cm
€ 150 - 250

50
Blessington Lake, January 1967
€ 150 - 250

51
The Lake Near Blessington, January 1967
€ 150 - 250

52
Sketch for Blessington Lake
Signed
€ 300 - 400

53
Study for Doyle’s Mill, Victoria Bridge
Signed
€ 200 - 300

54
Pine Forest, October 1973
Signed
€ 300 - 400

55
Study for Canal at Sallins, December 1974
Mixed media, 26 x 35cm
€ 150 - 250

56
Study for Athgarvan, April 1980
€ 200 - 300

57
Sketch for Avoca, Co. Wicklow, October 1976
€ 200 - 300

58
Study for River at Rathdrum, November 1969
€ 200 - 300

59
Castle Kevin, Annamoe, Co. Wicklow
Signed; also signed and inscribed verso
€ 200 - 300

60
Kippure Estate, December 1973
€ 200 - 300

61
Study for Canal at Lyons, Co. Kildare, 1979
Signed
€ 200 - 300

62
Study for Limerick from Thomondgate
€ 400 - 600

63
Continental City Scene with Church Spires
Signed
€ 400 - 600

64
Dublin Street Scene with Georgian Houses
Signed
€ 500 - 800

65
Millicent, Co. Kildare
€ 400 - 500

66
Street Scene, Peniscola, July 12th 1955
Watercolour, 17.8 x 25cm
Signed, inscribed and dated
€ 150 - 200

67
Annamoe, September 1952
Watercolour, 18 x 25cm
€ 250 - 350

68
River Landscape, Springtime
Signed
€ 400 - 500

69
Leinster Aqueduct, Sallins, June 1977
€ 300 - 400

70
Signed
€ 350 - 450

71
The Vale of Clara, Co. Wicklow, April 1966
€ 200 - 300

72
Annamoe, Co. Wicklow, April 1966
€ 200 - 300

73
River Landscape, Co. Wicklow
Signed
€ 300 - 500

74
Co. Wicklow River Landscape
Signed
€ 300 - 500

75
View across Fields to Farmhouse
Signed
€ 300 - 400

76
Figures by a Farmhouse on the Edge of a Lake
Signed
€ 300 - 500

77
Farm Buildings, Hazelhatch, 1979
€ 200 - 300

78
The Liffey, Castle Size, November 1973
€ 200 - 300

79
The Avonmore, Vale of Clara
Signed
€ 200 - 300

80
Willows at Victoria Bridge
Signed
€ 200 - 300

81
Canal, Naas, Co. Kildare
€ 100 - 150

82
Fishermen in a Quiet Cove
Signed
€ 100 - 200

83
Signed
€ 100 - 200
Kings River, Lockstown, Co. Wicklow
€ 100 - 200

84
Lough Dan, Co. Wicklow, May 1973
Watercolour, 17 x 25.5cm
€ 100 - 200

85
Blessington Lake, September 1976
Signed; also signed, inscribed and
dated verso
€ 100 - 150

86
A View of the Grand Canal, Venice, with Shipping
Watercolour, 25.5 x 35.5cm
Signed
€ 100 - 200

87
College of the Irish Nobles, Salamanca, Spain
Signed and inscribed; also inscribed verso
€ 300 - 400

88
A Continental Street Scene
Signed
€ 100 - 200

89
Hydra, Greece, 1952
€ 100 - 200

90
Parisian Street Scene
Signed, inscribed indistinctly and dated 1948
€ 100 - 200

91
Saint Germain des Prés, Paris, 1949
€ 100 - 200

92
A Continental Street Scene with Figures
€ 100 - 200

93
Café Bar du Petit Pont, Paris
Signed
€ 100 - 200

94
Figures under Trees, Ibiza, August 1955
€ 100 - 200

95
Hydra, Greece, 1952
€ 100 - 150

96
Victoria Bridge, May 1980
€ 300 - 400

97
Study for Liffey at Victoria Bridge, November 1979
€ 300 - 400

98
A View of Old Dublin
Signed
€ 100 - 200

99
Huband Bridge, Autumn
€ 300 - 400

100
Ash Tree, Kilbride, Co. Wicklow, August 1976
€ 60 - 100

101
The Dodder at Milltown, Co. Dublin
€ 60 - 100

102
Ashtons, Clonskeagh, September 1976
€ 60 - 100

103
Ashtons, Clonskea, Donnybrook, September 1976
€ 60 - 100

104
Farmhouse Near Sallins
Signed and inscribed verso
€ 70 - 100
Sluice-Gate, Milltown, Co. Dublin
€ 100 - 150

105
Study for Kippure Brook, Co. Wicklow
€ 100 - 150

106
98 PETER COLLIS RHA (1929-2012)
Evening Light with Trees
Oil on canvas board, 11 x 28cm (4¼ x 11’’)
Signed
€ 800 - 1,200

107
The Farm Gate
Oil on canvas board, 19 x 23.5cm (7½ x 9¼’’)
Signed
€ 800 - 1,200

108
Landscape
Mixed media on canvas board, 25 x 27cm (9¾ x 10½’’)
Signed
€ 100 - 200

109
Mountain and Trees
Mixed media on paper, 21 x 23.5cm (8¼ x 9¼’’)
Signed
€ 200 - 300

110
Landscape, Glencree
Graphite on paper, 23 x 26cm (9 x 10¼’’)
Signed
€ 100 - 150

111
Country Road, Wicklow
Graphite on paper, 25 x 36cm (9¾ x 14¼’’)
Signed
€ 100 - 150

112
104 JOHN FRANCIS SKELTON ANCA (1925 - 2009)
Our Time, Great Blasket Island
Oil on board, 30 x 40cm (11½ x 15¾”)
Signed
€ 300 - 400

113
105 JOHN FRANCIS SKELTON ANCA (1925 - 2009)
Evening Stroll, Mullagh
Oil on board, 30 x 40cm (11½ x 15¾”)
Signed
€ 300 - 400

114
106 JAMES G. BROHAN (B.1952)
Morning Chores
Oil on board, 36 x 30cm (14 x 11½”)
Signed
€ 300 - 500

115
107 JAMES G. BROHAN (B.1952)
Old Cottage and Flowers
Oil on board, 60 x 50cm (24 x 20”)
Signed
€ 400 - 600

116
108 LIAM TREACY (1934-2004)
River, Woodland Scene
Oil on canvas, 30 x 25cm
Signed
€ 400 - 600

117
109 LIAM TREACY (1934-2004)
Work in the Dry Dock, Arklow Harbour
Signed
€ 500 - 700

118
The River Slaney, Glen of Imaal
Signed
€ 300 - 500

119
111 PETER PEARSON (B.1957)
The Browne Clayton Pillar under repair, Wexford
Oil on canvasboard, 30 x 41cm
Signed and dated (20)’02
€ 500 - 800

120
112 DARA MACGIOLLA PHADRAIG (20TH/21ST CENTURY)
Coastal Landscape
Signed and dated 1986 verso
€ 200 - 400

121
113 CARMEL MOONEY (20TH/21ST CENTURY)
Volcanic Series
Signed
€ 600 - 800

122
114 MODERN BRITISH SCHOOL
Landscape
€ 250 - 350

123
115 TUEMA PATTIE (B.1938)
Urch Font
Acrylic on card, 25 x 19cm
Signed
€ 200 - 300

124
116 MODERN DUTCH SCHOOL
River Landscape with Windmills
Signed indistinctly
€ 100 - 200

125
117 PADRAIG LYNCH (B.1936)
The Evening Shade Creeps over the Land
Signed
€ 400 - 600

126
118 JACK CUDWORTH (1930-2010)
Beaver Row, Dublin
Signed
Provenance: With the Davis Gallery, Dublin.
€ 400 - 600

127
119 P. NORMOYLE
Adare Street Scene
Signed
€ 200 - 400

128
120 ROGER MCCARTHY (20TH/21ST CENTURY)
Bridge over the Shannon at Limerick
Signed
€ 150 - 250

129
121 EVA O’CONNELL (D.2015)
Ruin in a Country Landscape
Oil on canvas, 60 x 50cm (23½ x 19¾’’)
Signed
€ 100 - 200

130
122 WILLIAM CARRON ARHA (B.1930)
The Big Rock, Cleggan
Pen and ink, 35 x 25.5cm
Artist’s label, business card and correspondence verso
€ 200 - 300

131
123 BARBARA WARREN RHA (1925-2017) RHA
A Church in Tuscany
Conte, 25 x 36cm
Signed
Provenance: Exhibited RHA: 2002
€ 250 - 350

132
124 CAROL CALLAGHAN (20TH/21ST CENTURY)
Towards Dun Laoghaire from Sandymount Strand
Oil on board,
Signed
Provenance: RHA 1989 label verso
€ 200 - 400

133
125 PALM SKERRETT (1936-2020)
Where Time Stands Still
Gouache, 75 x 55cm
€ 500 - 800

134
126 PAT RYAN (B. 1941)
Brittas River, Kilbride
Oil on board, 22.5 x 32.6cm (8¾ x 12¾”)
Signed lower right
€ 200 - 300

135
127 A. LAVERY
Water Lilies
Oil on canvasboard, 35 x 45cm
€ 200 - 400

136
128 IRISH SCHOOL
Killiney Bay
Oil on board, 29 x 22cm (11½ x 8¾”)
€ 200 - 300

137
129 ENGLISH SCHOOL
‘Champs-Elysees’
Oil on board, 60 x 60cm (23½ x 23½”)
Signed indistinctly
€ 500 - 700

138
130 DERMOD O’BRIEN PRHA (1865-1945)
Italian Landscape
Oil on board, 34 x 44cm, (13.5 x 17.5”)
€ 1,000 - 1,500

139
130A ATTRIBUTED TO GEORGE BARRETT JNR
Chapel on Wooded Ground
Provenance: Geoffrey Fowler Collection Label verso; purchased from
Abbott of Barnes, November 1952
€ 200 - 300

140
131 DESMOND TURNER RUA (B.1923)
Sunset in the West
Signed; signed, inscribed and dated 1973 verso
€ 300 - 500

141
132 HENRY HEALY RHA (1909-1982)
Montparnasse
Signed
€ 500 - 700

142
133 NELL POLLEN (1928-2010)
The Last Supper
Terracotta, 21.5 x 31cm
Exhibited: Foxrock Parish Hall, ‘Sacred Art from the Home’.
€ 200 - 400

143
134 MARK RODE
Acrobat with Ring
Bronze
€ 1,500 - 2,000
135 OISIN KELLY (IRISH, 1915-1981)
Male And Female Candleholders
Cast iron, 18cm high, (7’’)
Cast by Waterford Iron Founders in
1966 for
Kilkenny design
€ 500 - 800

144
136 MANNER OF H. SAFTLEVEN
View of the Rhine
Oil on panel, 17 x 23cm
€ 100 - 200

145
137 ATTRIBUTED TO J.F HERRING SNR
Farmyard with Horses and Fowl
Oil on canvas, 24.5 x 34.5cm
Signed
€ 400 - 600

146
138 STYLE OF ALEXANDER WILLIAMS RHA (1846-1930)
Lakes of Killarney
€ 150 - 250

147
139 ALEXANDER WILLIAMS RHA (1846-1930)
Ladies Cove, Tramore
Pencil and pen, 11 x 17.5cm
Inscribed
€ 150 - 200

148
140 CHARLES LESLIE (1839-1886)
Figures with Sheep by the Riverside
Oil on canvas, 30 x 58
Signed and dated 1884
€ 300 - 400

149
141 MR WILSON (19TH CENTURY)
Cattle Watering
€ 250 - 300

150
142 IRISH SCHOOL (19TH CENTURY)
Figures in a Cottage
Oil on panel, 17 x 25cm
€ 250 - 350

151
143 ENGLISH SCHOOL (19TH CENTURY)
Sailing in Choppy Waters
Oil on canvas, a pair
One signed ‘JWE’
€ 400 - 600

152
144 JOHN CAMPION (B.1965)
Boxer
Mixed media, 57 x 51cm
Signed and inscribed
€ 250 - 350

154
145 FRANCES BIGGS (FL.1940S-1950S)
Untitled, Figures
Signed
€ 800 - 1,200

155
146 HERMAN WAGNER (B.1942)
Still Life with Cats
Signed
€ 400 - 600

156
147 ALEXANDRE MONNTOYA (20TH/21ST CENTURY)
A La Ducha
Signed and dated (20)’04; also signed, inscribed ‘Malaga’ and
dated verso
€ 300 - 500

157
148 AÏDA KELLY (AKA PADDY KELLY)
Portrait of Brinsley McNamara
Oil on board, 50 x 37cm (19¾ x 14½”)
Painted by Aïda Kelly, later Mrs Maurice MacGonigal, while she was still a student. Her
father William Kelly commissioned a series of six or seven portraits of actors dur-
ing the time he was involved with The Abbey Theatre as a producer. The series was
thought lost in the Abbey Theatre fire of 1951.
At some later stage a signature ‘HKernoff’ was added to the painting and requires
removal.
We are indebted to Ciarán MacGonigal for providing this information.
€ 1,000 - 2,000

158
149 JOHN SCHWATSCHKE (B.1943)
Philomena’s Night Out
Signed, inscribed and dated 2008 verso
€ 800 - 1,200

159
150 HARRY KERNOFF RHA (1900-1974)
Portrait of a Girl with Red Hair
Pastel and crayon, 50 x 38.5cm
€ 700 - 1,000

160
151 JOHN SCHWATSCHKE (B.1943)
Gay Pari
€ 1,000 - 1,500

161
152 MODERN SCHOOL
The House of Cards
Acrylic on canvas, 60 x 90cm
€ 200 - 300

162
153 GEORGE CAMPBELL RHA (1917-1979)
Face of Christ
Mixed media on paper, 26 x 22cm
Signed verso
€ 400 - 600

163
154 ROSE CONNOLLY (20TH/21ST CENTURY)
Nest of Hawfinch (1993)
Oil on gessoed board, 17 x 25cm
Signed
€ 300 - 500

164
155 ROSE CONNOLLY (20TH/21ST CEN TURY)
Nest of the Common Snipe (1992)
Signed; also signed and dated verso
Exhibited: RHA, 1993.
€ 200 - 300

165
156 IAN MCALLISTER
Three Oranges
Signed with initials
Provenance: with Jorgensen Gallery
€ 400 - 600

166
157 TONY AGOSTINI (1916-1990)
Still Life with Guitar and Vase
Lithograph, 41 x 48cm, Artist’s proof
Signed
€ 150 - 250

167
158 GERALD DAVIS (1938 - 2005)
Into the Mystic
Mixed media on paper, 29.5 x 40cm
€ 200 - 300

168
159 GERALD DAVIS (1938 - 2005)
Mysterioso
Mixed media on paper, 40 x 30cm (15¾ x 11¾”)
Signed
€ 300 - 500

169
160 GERALD DAVIS (1938 - 2005)
After Wicklow
Oil on canvas, 75 x 60cm (29½ x 23½”)
Signed
€ 500 - 700

170
161 DONAL O’SULLIVAN (1945 - 1991)
Last Post
Charcoal on paper, 44 x 39.5cm
Signed
€ 200 - 300
162 COLIN MIDDLETON MBE ARHA
HRUA (1910 - 1983)
Gaze
Pen on paper, 24 x 19cm (9½ x 7½”)
Dated 18th July 1946
Provenance: Formerly of the Collection of
Cecil McCartney
€ 300 - 500

171
163 LESLIE MACWEENEY (B. 1935)
The Red Head
€ 200 - 300
164 LESLIE MACWEENEY (B. 1935)
A Bird in the Hand
Pen on paper, 16.75 x 27.75cm
Signed
€ 200 - 300

172
165 EDWARD MAGUIRE RHA (1932 - 1986)
Solider of Destiny
Oil on board, 61 c 74cm
Signed
€ 1,000 - 1,500

173
166 ATTRIBUTED TO HENRY ROBERTSON CRAIG RHA
(1916-1984)
Portrait of a Bearded Gentleman
€ 400 - 600

174
167 W. LAWSON DICK (BRITISH, 20TH CENTURY)
Still life with glass bowl and fruit
€ 400 - 600

175
168 SHEILA POMEROY (20TH CENTURY)
Still Life of Oranges and Bread
Signed, dated 1997 verso
€ 400 - 600

176
169 MICK O’DEA PRHA (B.1958)
Nude
Pastel, 43 x 29cm
€ 400 - 600

177
170 JAMES HANLEY RHA (B.1965)
Five Minutes
€ 200 - 300

178
171 DAVID GOLDBERG (B.1945)
Daffodils
Signed with initials
€ 500 - 800

179
172 DECLAN BOYLE (20TH/21ST CENTURY)
Gravity
Oil on canvas, 96.5 x 51cm
Provenance: Solomon Gallery, label verso.
€ 500 - 800

180
173 GERALDINE HONE (20/21ST CENTURY)
Gone on the Liffey Banks, West Wicklow
Signed
€ 200 - 300

181
174 MICHAEL CULLEN RHA (1946-2020)
Queen of Hearts - Disrobing Girl
Oil on wood, 22 x 22cm
€ 800 - 1,200

182
175 SONIA SHIEL (20TH/21TH CENTURY)
Store
Signed
€ 1,000 - 1,500

183
176 MIKE FITZHARRIS (B.1952)
Night Fishing
Oil on tyre tube, 30 x 40cm
Signed and dated (19)’94; also signed and dated verso
€ 500 - 800

184
177 JACK DONOVAN (1934-2014)
Standing Nude
Mixed media on paper, 30 x 21.5cm
Signed, inscribed and dated (19)’76 verso
€ 300 - 500

185
178 BOBBY DAWSON (20TH/21ST CENTURY)
Marjorie with the Old Hags, Cannes
Mixed media on board, 68 x 53cm
Signed
Provenance: With the Bobby Dawson Gallery, Dun Laoghaire verso.
€ 300 - 500

186
179 MARTIN BEDFORD (20TH/21ST CENTURY)
Fragment 16 Dark Sea
€ 100 - 150

187
180 MARTIN BEDFORD (20TH/21ST CENTURY)
Stone Mountain, Turf, Sea
€ 100 - 150

188
181 JOHN REDMOND (20TH/21ST CENTURY)
Abstract Composition
Signed
€ 500 - 700

189
182 JOHN REDMOND (20TH/21ST CENTURY)
Abstract Composition
Signed
€ 800 - 1,200

190
183 SHIRLEY O’BRIEN (20TH/21ST CENTURY)
Abstract Composition - Homage to Mainie Jellett
€ 600 - 1,000

191
184 KIM EN JOONG (B.1940)
Abstract (1998)
Oil on canvas board, 23.5 x 19cm
Signed with initials and dated (19)’98
Provenance: With Taylor Galleries, Dublin.
€ 800 - 1,200

192
185 CHRIS ATKINS (20TH/21ST CENTURY)
Abstract
Signed
€ 100 - 200

193
186 SAMUEL WALSH (B.1951)
Untitled
Conte on paper, 32 x 31cm
€ 300 - 500

194
187 PAUL DORAN (B.1972)
Untitled
Signed verso
€ 500 - 700
Untitled
Signed verso
€ 500 - 700

195
Blue House
Acrylic on canvas, 26.75 x 20.5cm
Signed verso
€ 300 - 500

196
190 JEAN-PIERRE DELISSE (1961-2006)
Portrait of a Young Man
Pastel, 106 x 77.5cm
Signed with monogram
€ 500 - 800

197
191 NICK MILLER (B.1962)
Chasm Gaps
€ 1,000 - 1,500

198
192 JACK COUGHLAN (20TH CENTURY)
W.B Yeats
Charcoal on paper, 17.5 x 21.5cm
Signed, inscribed and dated 1967
€ 300 - 500
193 TOM CAMPBELL (20TH/21ST CENTURY)
Angel
Exhibited: Cork, Groupshow 2012.
€ 200 - 300

199
Circus Tent
Monochrome wash, 10.5 x 11.5cm
€ 150 - 200

200
195 NEVILL JOHNSON (1911-1999)
Figure Study with Soldiers
Ink and monochrome wash, 20 x 25.2cm
Signed and indistinctly dated (19)’69
€ 600 - 1,000

201
196 BARBARA WARREN RHA (1925-2017)
Cottage Interior with Three Figures
€ 300 - 500

202
197 PAKI SMITH (20TH/21ST CENTURY)
Seascape
Signed
€ 100 - 150

203
198 WILLIAM CROZIER HRHA (1930-2011)
West Cork Landscape
Signed
€ 600 - 1,000

204
199 ROSEMARY TAYLOR (2OTH/21ST CENTURY)
Male and Female Nude Study
Charcoal and chalk on brown paper, 108 x 75cm
Signed and dated (19)’91 and 16.4.91
€ 500 - 800
200 ROSEMARY TAYLOR (2OTH/21ST CENTURY)
Woman Reading
Pastel, 109 x 67cm
Signed
€ 500 - 800

205
201 BARBARA WARREN RHA (B. 1925)
The Homestead
Pencil, 14.5 x 23cm (5¾ x 9”)
Signed
€ 300 - 500

206
Fun is No Bad Thing
Signed, inscribed and dated (20)’04
€ 600 - 1,000

207
203 RUTH BRANDT (1936-1989)
Still Life with Nasturtiums
Watercolour 31 x 24cm
€ 600 - 800

208
204 ROBERT BATES (B.1943)
Lone Figure in a Landscape
€ 100 - 200

209
205 FRANK EGGINTON RLA FIAL (1908-1990)
Bridge on Roundstone Bog Road
Signed.
€ 300 - 500

210
206 GEORGE TREVOR (20TH CENTURY)
Donegal Landscape Scene
Signed
€ 200 - 300

211
207 PAULINE SCOTT (20TH/21ST CENTURY)
Near Letterfrack, Connemara
Signed
€ 200 - 300

212
208 DAIRINE VANSTON (1903 - 1988)
Wicklow Landscape
Japanese Ink drawing, 25 x 40.5cm
Signed and dated
Provenance: Collection of Patrick Pye
€ 600 - 900

213
209 THOMAS RYAN PRHA (B.1929 - 2021)
Life Class
Chalk, 35 x 25cm
Signed
€ 200 - 400
211 NIGEL HUGHES (20TH CENTURY)
Ryevale Mill Leixlip
€ 300 - 500

214
212 JOHN LUKE RUA (1906-1975)
Portrait Study, in Profile
Pencil, 25 x 18.5cm
Provenance: The artist’s studio, pri-
vate collection.
€ 100 - 150
213 JOHN LUKE RUA (1906-1975)
Study of a Woman Wearing a Coat
Pencil, 26.2 x 11.4cm
Provenance: The artist’s studio,
private collection.
€ 100 - 150

215
214 JOHN LUKE RUA (1906-1975)
Study of a Female Nude, Lying Down
Pencil, 6.5 x 30.5cm
Provenance: The artist’s studio, private collection.
€ 100 - 150
215 JOHN LUKE RUA (1906-1975)
Portrait Study of a Young Man
Pencil, 10 x 7.5cm;
Together with
Portrait of a Young Woman
Pen and ink, 11 x 8.5cm. (2)
Provenance: The artist’s studio, private
collection.
€ 100 - 150

216
216 JOHN LUKE RUA (1906-1975)
Portrait Study of a Young Woman
Pencil, 12 x 9cm;
Together with
Portrait of a Woman
Print, 11 x 8cm. (2)
Provenance: The artist’s studio, private collection.
€ 100 - 150

217
217 FRANK MCKELVEY (1895-1974)
Coastal scene
Watercolour,
Signed
€ 400 - 600
218 GLADYS WYNNE (1876-1968)
Boats by a Pier
Watercolour
Signed
€ 200 - 300

218
219 ENKHBOLD DAMBADARJAA (B.1966)
Dublin Castle
Signed
€ 200 - 300

219
220 WILLIAM HENRY JAMES BOOT (1848-1918)
Cottage Garden with Sheep
€ 150 - 250
221 NICCOLO D’ARDIA CARACCIOLO RHA (1941-1989)
Rabbit Hutches
Signed
€ 300 - 500

220
222 EDWIN A. PENLEY (19TH CENTURY)
Mountain Landscape with Figures Chatting
€ 150 - 250
224 SCOTTISH SCHOOL (19TH CENTURY)
The Black Mount, Argyllshire
Signed, inscribed and dated 1893
€ 300 - 500

221
224 THOMAS ELLISON (1866-1942)
A Farmer with his Flock in a Farmyard
€ 150 - 250

222
225 FRANCIS WHEATLEY (1747 - 1801)
Figures looking at caged birds
Provenance: With The Bell Gallery,
Belfast
€ 300 - 400
226 SAMUEL MCCLOY (1831 - 1904)
Study of a small child
Signed with monogram
€ 200 - 400

223
227 L.GREY (ENGLISH C. 1904)
Young Girls Conversing on a Pathway
Watercolour, 32x 23cm
Signed
€ 300 - 400

224
228 LEOPOLD RIVERS R.B.A. (1850-1905)
A Country Cottage with Figures on a Path-
way and Sheep Grazing
Signed lower right
€ 250 - 350
229 JAMES WALTER GOZZARD (1888-1950)
Sheep Grazing
Signed lower right
€ 250 - 350

225
230 20TH CENTURY SCHOOL
Figures by a Grotto
Signed indistinctly
€ 150 - 200
Botanical Study
€ 150 - 200

226
232 ENGLISH SCHOOL 19TH CENTURY
Lady in Pink Bonnet
Watercolour on board
16x 11cm
€ 150 - 250

227
233 KATHLEEN MCKEITH COOKE (1908-1978)
Animal Forms
Pencil and pastel, 32 x 41.5cm
Signed lower left
€ 200 - 300

228
235 JOSHUA RENSHAW (19TH CENTURY)
English Rural Farmyard
Signed
€ 400 - 600

229
236 WALTER FREDERICK ROOFE TYNDALE RI (1855 - 1943)
Egypian Temple with Fox
Signed
€ 500 - 800

230
237 ATTRIBUTED TO WILLIAM
COLLINGWOOD SMITH
Study of a Curtain
€ 200 - 300

231
238 JOHN MACALLAN SWAN RA RWS (1847-1910)
Nude Study
Chalk drawing, 39 x 26cm
With Abbott & Holder Gallery label verso, inscribed ‘Ex collection:
Wyndham T. Vint;
Exhibited: Colnaghi’
€ 400 - 600

232
239 C. DAUSSUT
Winter Scene
€ 400 - 600

233
240 EDWARD MATTHEWS (BRITISH, D.1890)
Carshalton
Signed and dated 1885; together with another example
signed ‘E. Ranford’
€ 350 - 550

235
241 C. CALLAGHAN (20TH CENTURY)
St. Stephen’s Green; and Other Views
A set of three, watercolours, 24 x 17cm
Signed and dated (19)’80. (3)
€ 200 - 400

236
242 PATRICK COLLINS HRHA (1911-1994)
Pont Notre Dame and Palais
Pencil, 12 x 16cm
€ 200 - 300
Summer Haze, Paris
Pencil, 12 x 16cm
€ 200 - 300
Ponts Neuf
Pencil, 12 x 16cm
€ 200 - 300

237
Pont Louis Philippe
Pencil, 12 x 16cm
€ 200 - 300
Pont de la Tournelle
Pencil, 12 x 16cm
€ 200 - 300
Pont Marie
Pencil,12 x 16cm
€ 200 -300

238
Pont Sully, Notre Dame
Pencil, 12 x 16cm
€ 200 - 300
Boats below Pont Alexandre III
Pencil, 12 x 16cm
€ 200 - 300
Viaduct Pont d’Austerlitz
Pencil, 12 x 16cm
€ 200 - 300

239
Pont du Carrousel and Eiffel Tower
Pencil, 12 x 16cm
€ 200 - 300
Embankment from Pont d’Austerlitz
Pencil, 12 x 16cm
€ 200 - 300
Pont Royal
Pencil, 12 x 16cm
€ 200 - 300

240
254 BREON O’CASEY (1928-2011)
Untitled
Lithograph, 62 x 49cm, Edition 6/12
Signed
€ 500 - 800

241
255 PAULINE BEWICK RHA (B.1935)
Kicking Water
Etching, 59.5 x 39.5cm
Signed, inscribed and numbered 12/15
€ 600 - 800

242
256 ELIZABETH RIVERS RHA (1903-1964)
The Annunciation (1950-60)
Monotype in colours
Provenance: The artist’s estate; With the Frederick Gallery, Dublin.
Exhibited: Dublin, The Hugh Lane, Memorial Exhibition 1966, Cat.No.94.
€ 500 - 800

243
257 MIKE FITZHARRIS (B.1952)
Vessel Dublin Port
Lithograph, 45 x 50cm
Edition 27/40
€ 200 - 300

244
258 WILL ST. LEGER (B.1972)
Collins Rising (Neon Orange)
Screenprint, 76.2 x 57.2cm
Signed and numbered 1/5
€ 400 - 600
Collins Rising (Neon Pink)
€ 400 - 600

245
Collins Rising (Olive Green)
€ 400 - 600

246
261 LOUIS LE BROCQUY HRHA (1916-2012)
Image of Bono
Poster, 61 x 44cm
Signed
Provenance: Taylor Galleries label verso
€ 200 - 300

247
262 ROBERT BALLAGH (B.1943)
Portrait of J.P Dunleavy
Giclée print, 79 x 60.5cm
Signed by artist and sitter and numbered 21/100
€ 500 - 800

248
263 HARRY KERNOFF RHA (1900-1974)
A Bird Never Flew on One Wing
Coloured print, 27 x 29cm
€ 100 - 200

249
264 MICHAEL FARRELL (1940 - 2000)
Untitled (Red Tie)
Etching, 46 x 20cm
Edition 56/150
€ 300 - 500

250
265 EDWARD DELANEY (1930 - 2009)
The Samson Riddle
Lithograph, 29.5 x 24.5cm (11½ x 9½”)
Provenance: Collection of Gerald Davis
€ 100 - 200
266 CLUNA STUDIO
Tyrnanoge
Hand-coloured print, 20 x 14.5cm
€ 50 - 100

251
267 JOHN LUKE (1906 - 1975)
Landscape Composition
Print, 9 x 14.75cm (3½ x 5¾”)
Provenance: Artist Estate where purchased by
previous owner
€ 100 - 150
268 JOHN LUKE (1906 - 1975)
Study for Portrait of Alexander Irvine
Pencil on tracing paper, 50 x 37cm (19¾ x
14½”)
This is a scale drawing for Luke’s 1938 portrait
in tempura of writer, Alexander Irvine in the
collection of museums of Northern Ireland
€ 500 - 700

252
269 GERTRUDE DEGENHARDT
(GERMAN B.1940)
Bar scene series
Etching, 34 x 24cm
Signed, numbered 6/22
€ 300 - 500
270 GERTRUDE DEGENHARDT
(GERMAN B.1940)
Band of merrymakers
Etching, 34 x 25cm
€ 300 - 500

253
271 ARTHER DANTO (AMERICAN, 1924-2003)
Child in a Winter Hat
Woodcut, 41 x 30cm, Edition 6/70
€150 - 200

254
272 JEAN DINSDALE YOUNG (20TH/21ST CENTURY)
Hornpipe off the Old Head of Kinsale
Lithograph, 41 x 32cm
Signed, Edition 4/18
€ 80 - 100

255
273 LARS NYBERG (B.1956)
Quayside Buildings
Etching, 16 x 15cm
€ 100 - 200

256
274 GERARD DILLON (1916-1971)
Aran Island - Next Stop USA
€ 50 - 100
Aran Island - Next Stop USA
€ 50 - 100

257
A Fair Day in the West of Ireland
€ 50 - 100

258
277 A PAIR OF PUNCH PRINTS FROM 1877 & 1881
- Pigheaded Obstruction
- The Rivals
26 x 20cm. (2)
€ 50 - 100

259
278 A COLLECTION OF NINE HAND-CO LOURED
ENGRAVINGS
Political cartoons, framed as three.
12 x 20cm;
together with a set of three Punch cartoons, framed
as one.
12.5 x 30cm. (4)
€ 100 - 150

260
279 A ROYAL GEOGRAPHICAL SOCIETY
SILVER MAP OF THE WORLD
London 1977, printed, depicting various sea life, sailing ships
etc and the busts of Ptolemy and Mercator. Framed overall size
51cm x 70cm
€150 - 250

261
280 HIBERNIAE, BRITANNICAE INSULAE,
NOVA DESCRIPTION
Hand coloured engraving, 37 x 50cm
€ 200 - 300

262
281 A SET OF THREE FRAMED ANTIQUE
BOTANICAL PRINTS, ‘PAEONIA’, ‘
LILIUM’ AND ‘TULIPA’.
50.5 x 42cm. (3)
€ 150 - 250

264
282 A PAIR OF FRAMED ANTIQUE
BOTANICAL PRINTS,
‘MARTAGON’
AND ‘LILIUM’.
35 x 23.5cm. (2)
€ 100 - 200
283 A SET OF FOUR FRAMED REPRO
DUCTION BOTANICAL PRINTS,
TULIPS’, ‘FRITILLARY’, ‘VIOLET &
TULIP’ AND ‘FRITILLARY’
(COLOURED).
40 x 28cm. (4)
€ 120 - 150

266
284 BILLY SHOWELL (20TH/21ST CENTURY)
Botanical Studies
Two coloured prints, 20 x 13cm and 27 x 19cm
Signed and numbered 6/50. (2)
€ 100 - 150

267
285 THREE MISCELLANEOUS FRAMED
BOTANICAL PRINTS, ‘POLYPODIUM
WALLICH’, ‘CEDRIC’S PINK’ AND
‘BUTTERFLY’,
various sizes. (3)
€ 100 - 150

268
286 EARLOM AND STADLER AFTER REINAGLE
‘Tulips’ and ‘Large Flowering Sensitive Plant’
A pair, mezzotint, 47 x 35cm. (2)
€ 150 - 200

269
287 UNKNOWN
Onions, Peppers, Asparagus and Mushrooms
Four limited edition prints of 100 and 200
Signed indistinctly, inscribed and numbered. (4)
€ 100 - 150

270
288 PETER DEIGHAN (B.1941)
‘Lester Piggott’s Derby Winners’ and ‘Lester Piggott’s Oaks Winners’
A pair, coloured prints, 50 x 56cm
Signed and numbered 213/850, published by Curragh Fine Art. (2)
€ 100 - 200

271
289 C.R. STOCK AFTER E.A.S. DOUGLAS
Hunting Scenes
A set of four, 40 x 81cm (sheet size)
Published by Arthur Ackermann, London. (4)
€ 150 - 200

272
290 ENGLISH SCHOOL
A Local Hunt
Oleograph/textured print, 21 x 29cm
Contained in a giltwood frame
€ 100 - 200

273
291 ALEX MCKENNA (20TH/21ST CENTURY)
Duck from Lough Sheelin
Signed and dated ‘88
€ 600 - 800

274
292 JACK B YEATS
Start of the race No.3 and Finish of the Race no.4
Handcoloured Cuala press Print (a pair)
13 x 43cm
€ 80 - 120

275
293 A PAIR OF HANDCOLOURED PRINTS
DEPICTING WILD HORSES IN A
COASTAL LANDSCAPE
Each 22 x 33.5cm
€ 150 - 250

276
294 AFTER WILLIAM HOGARTH (1697-1764)
Mr. Carrick in the Character of Richard III
Line engraving, 42 x 51.5cm
Published 20th June 1746
€80 - 120

277
View of St Patrick’s Cathedral, New York City
Coloured engraving, 30 x 22cm
Signed in pencil indistinctly
€ 200 - 400

278
GENERAL TERMS & CONDITIONS OF BUSINESS
The Auctioneer carries on business on the following terms and conditions and on such other terms or conditions as may be
expressly agreed with the Auctioneer or set out in any relevant Catalogue. Conditions 12-21 relate mainly to buyers and con-
ditions 22-32 relate mainly to sellers. Words and phrases with special meanings are defined in condition 1. Buyers and sellers
are requested to read carefully the Cataloguing Practice and Catalogue Explanation contained in condition 2.
DEFINITIONS
1. In these conditions the following words and expressions
shall have the following meanings:
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Auctioneer’s Commission - The commission payable to the
Auctioneer by the buyer and seller as specified in conditions
13 and 25.
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other publication.
Forgery - A Lot which was made with the intention of
deceiving with regard to authorship, culture, source, origin,
date, age or period and which is not shown to be such in the
description therefore in the Catalogue and the market value
for which at the date of the auction was substantially less
than it would have been had the Lot been in accordance
with the Catalogue description.
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eer’s Commission thereon under condition 25 the seller’s
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auctions held by the Auctioneer and completed registration
forms, the register maintained by the Auctioneer which
is compiled from such registration forms) to be complet-
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Auctioneer has acknowledged pursuant to condition 12 that
a bidder is acting as agent on behalf of a named principal,
each such bidder prior to the commencement of an auction.
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auction.
Total Amount Due - The Hammer Price of the Lot sold, the
Auctioneer’s Commission due thereon under condition
13, such VAT as is chargeable and any additional interest,
expenses or charges due hereunder.
V.A.T. - Value Added Tax.
Cataloguing Practice & Catalogue Explanations
2. Terms used in Catalogues have the following meanings
and the Cataloguing Practice is as follows:
The first name or names and surname of the artist - In the
opinion of the Auctioneer a work by the artist.
The initials of the first name(s) and the surname of the artist
- In the opinion of the Auctioneer a work of the period of
the artist and which may be in whole or in part the work of
the artist.
The surname only of the artist - In the opinion of the Auc-
tioneer a work of the school or by one of the followers of
the artist or in his style.
The surname of the artist preceded by ‘after’ - In the opinion
of the Auctioneer a copy of the work of the artist.
Signed/Dated/Inscribed - In the opinion of tile Auctioneer the
work has been signed/dated/inscribed by the artist.
With Signature/With date/With inscription’- In the opinion of
the Auctioneer the work has been signed/dated/inscribed by
a person other than the artist.
Attributed to - In the opinion of the Auctioneer, probably a
work of the artist.
Studio of/Workshop of - In the opinion of the Auctioneer a
work executed in the studio of the artist and possibly under
his supervision.
Circle of - In the opinion of the Auctioneer a work of the
period of the artist and showing his influence.
Follower of - In the opinion of the Auctioneer a work execut-
ed in the artist’s style yet not necessarily by a pupil.
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in artist’s style but of a later date.
None of the terms above are appropriate but in the Auction-
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Auctioneer Acting as Agent
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specifically stated to the contrary. The Auctioneer as agent
for the seller is not responsible for any default by the seller
or the buyer. The auctioneer reserves the right to bid on
behalf of the seller.
Auctioneer Bidding on behalf of Buyer
4. It is suggested that the interests of prospective buyers are
best protected and served by the buyers attending at an auc-
tion. However, the Auctioneer will, if instructed, execute bids
on behalf of a prospective buyer. Neither the Auctioneer nor
its employees, servants or agents shall be responsible for any
neglect or default in executing bids or failing to execute bids.
Admission to Auctions
5. The Auctioneer shall have the right exercisable in its
absolute discretion to refuse admission to its premises or
attendance at its auctions by any person.
Acceptance of Bids
6. The Auctioneer shall have the right exercisable in its abso-
lute discretion to refuse any bids, advance the bidding in any
manner it may decide, withdraw or divide any Lot, combine
any two or more Lots and, in the case of a dispute, to put any
Lot up for auction again.
Indemnities
7. Any indemnity given under these conditions shall extend
to all actions, proceedings, claims, demands, costs and
expenses whatever and howsoever incurred or suffered by
the person entitled to the benefit of the indemnity and the
Auctioneer declares itself to be a trustee of the benefit of
every such indemnity for its employees, servants or agents
to the extent that such indemnity is expressed to be for their
benefit.

279
Representations in Catalogues
8. Representations or statements made by the Auctioneer
in any Catalogue as to contribution, authorship, genuine-
ness, source, origin, date, age, provenance, condition or
estimated selling price or value is a statement of opinion
only. Neither the Auctioneer nor its employees, servants
or agents shall be responsible for the accuracy of any
such opinions. Every person interested in a Lot must
exercise and rely on their own judgment and opinion as
to such matters.
9. The headings of the conditions herein contained are
inserted for convenience of reference only and are not
intended to be part of, or to effect, the meaning or inter-
pretation thereof.
Governing Law
10. These conditions shall be governed by and construed
in accordance with Irish Law.
Notices
11. Any notice or other communication required to be
given by the Auctioneer hereunder to a buyer or a seller
shall, where required, be in writing and shall be suffi-
ciently given if delivered by hand or sent by post to, in the
case of the buyer, the address of the buyer specified in
the Registration Form or Register, and in the case of the
seller, the address of the seller specified in the Sale Order
Form or to such other address as the buyer or seller
(as appropriate) may notify the Auctioneer in writing.
Every notice or communication given in accordance with
this condition shall be deemed to have been received if
delivered by hand on the day and time of delivery and if
delivered by post three (3) business days after posting.
CONDITIONS WHICH MAINLY CONCERN THE BUYER
The Buyer
12. The buyer shall be the highest bidder acceptable
to the Auctioneer who buys at the Hammer Price. Any
dispute which may arise with regard to bidding or the
acceptance of bids shall be settled by the Auctioneer.
Every bidder shall be deemed to act as principal unless
the Auctioneer has prior to the auction, acknowledged
in writing that a bidder is acting as agent on behalf of a
named principal.
The Commission
13. The buyer shall pay the Auctioneer a commission at
the rate of 25% of the Hammer Price inclusive of VAT at
the applicable rate on all individual lots.
Payment
14. Unless credit terms have been agreed with the Auc-
tioneer before the auction the buyer of a Lot shall pay to
the Auctioneer within one (2) days from the date of the
auction the Total Amount Due. Notwithstanding this, the
Auctioneer may, in its sole discretion, require a buyer
to pay a deposit of 25% of the Total Amount Due at the
conclusion of the auction.
The Auctioneer may apply any payments received by a
buyer towards any sums owing from that buyer to the
Auctioneer on any account whatever regardless of any
directions of the buyer or his agent in that regard whether
express or implied.
The Auctioneer shall only accept payment from success-
ful bidders in cash, draft in Euro or by the bidder’s own
cheque drawn on an Irish bank account vouched to the
satisfaction of the Auctioneer. Cheques drawn by third
parties, whether in the Auctioneer’s favour or requiring
endorsement, shall not be accepted. We also accept pay-
ment by credit card, Visa & Mastercard.
American Expess is subject to 3.9% administration charge
on the total amount due. We also accept debit card pay-
ments by way of Laser, with no surcharge, however the
cardholder in person can only make the payment.
Reservation of Title
15. Notwithstanding delivery or passing of risk to the buy-
er the ownership of a Lot shall not pass to the buyer until
he has paid to the Auctioneer the Total Amount Due.
Collection of Purchases
16. The buyer shall at his own expense collect the Lot
purchased not later than seven (2) days after the date of
the auction but (unless credit terms have been agreed
with the Auctioneer pursuant to condition 14) not before
payment to the
Auctioneer of the Total Amount Due.
The buyer shall be responsible for any removal, storage
and insurance charges in respect of any Lot which is not
taken away within seven (2) days after the date of the
auction.
The purchased Lot shall be at the buyer’s risk in all
respects from the earlier of the time of collection or the
expiry of (2) days from the date of the auction. Neither
the Auctioneer nor its employees, servants or agents shall
thereafter be liable for any loss or damage of any kind
howsoever caused while a purchased Lot remains in its
custody or control after such time
Packaging and Handling of Purchased Lots
17. Purchased Lots may be packed and handled by the
Auctioneer, its employees, servants or agents. Where this
is done it is undertaken solely as a courtesy to buyers and
at the discretion of the Auctioneer. Under no circumstanc-
es shall the Auctioneer, its employees, servants or agents
be liable for damage of any kind and howsoever caused
to glass or frames nor shall the Auctioneer be liable for
the errors or omissions of, or for any damage caused
by, any packers or shippers which the Auctioneer has
recommended.
Non-Payment or Failure to Collect Purchased Lots
18. If a buyer fails to pay for and/or collect any purchased
Lot by the dates herein specified for payment and collec-
tion the Auctioneer shall, in its absolute discretion and
without prejudice to any other rights or remedies it may
have, be entitled to exercise one or more of the following
rights or remedies without further notice to the buyer:
(a) To issue court proceedings for damages for breach of
contract;
(b) To rescind the sale of that Lot or any other Lots sold to
the buyer whether at that or at any other auction;
(c) To resell the Lot or cause it to be resold whether by
public auction or private sale. In the event that there is a
deficiency between the Total Amount Due by the buyer
and the amount received by the Auctioneer on such
resale after deduction of any necessary expenses the
difference shall be paid to the Auctioneer by the buyer.
Any surplus arising shall belong to the seller;
(d) To store (whether at the Auctioneer’s premises or
elsewhere) and insure the purchased Lot at the expense
of the buyer;
(e) To charge interest on the Total Amount Due at the rate
of 2% over and above the base rate from time to time of
Bank of Ireland or if there be no such rate, the nearest
equivalent thereto as determined by the Auctioneer in its

280
absolute discretion from the date on which payment is due
hereunder to the date of actual payment;
(f) To retain that Lot or any other Lot purchased by the buyer
whether
at the same or any other auction and release same to the buyer
only after payment to the Auctioneer of the Total Amount Due;
(g) To apply any sums which the Auctioneer received in respect
of Lots being sold by the buyer towards settlement of the Total
Amount Due.
(h) To exercise a lien on any property of the buyer in the posses-
sion of the Auctioneer or whatever reason.
Liability of Auctioneer and Seller
19. Prior to auction ample opportunity is given for the inspec-
tion of the Lots on sale and each buyer by making a bid ac-
knowledges that he has, by exercising and relying on his own
judgment, satisfied himself as to the physical condition, age and
Catalogue description of each Lot (including but not restricted to
whether the Lot is damaged or has been repaired or restored).
All Lots are sold with all faults and imperfections and errors of
description. None of the seller, the Auctioneer nor any of their
employees, servants or agents shall be responsible for any er-
ror of description or for the condition or authenticity of any Lot.
No warranty whatsoever is given by the seller or Auctioneer
or by any of their employees, servants or agents in respect of
any Lot and any condition or warranty express, or implied by
statute or otherwise is hereby specifically excluded.Forgeries
20. Any amount paid by a buyer in respect of a Lot which, if it is
proved within three (3) years of the date of the auction at which
it was purchased, to have been a Forgery shall be refunded to
the seller subject to the provisions hereof, provided that:
(a) The Lot has been returned by the buyer to the Auctioneer
within three (3) years of the date of the auction in the same
condition in which it was at the time of the auction together with
evidence proving that it is a Forgery, the number of the Lot and
the date of the auction at which it was purchased;
(b) The Auctioneer is satisfied that the Lot is a Forgery and that
the buyer has and is able to transfer good and marketable title
to the Lot free from any third party claims;
FURTHER PROVIDED THAT the buyer shall have no rights
hereunder if:
(i) The description of the Lot in the Catalogue at the time of the
auction was in accordance with the then generally accepted
opinion of scholars or experts or fairly indicated that there was
a conflict of such opinion;
(ii) The only method of establishing at the time of the auction in
question that the Lot was a Forgery would have been by means
of scientific processes which were not generally accepted for
use until after the date of the auction or which were unreason-
ably expensive or impractical.
The buyer’s sole entitlement under this condition is to a refund
of the actual amount paid by him in respect of the Lot. Under
no circumstances shall the Auctioneer be liable for any damage,
loss (including consequential, indirect or economic loss) or
expense suffered or incurred by the buyer by reason of the Lot
being a Forgery.
The benefit of this condition shall be solely and exclusively for
the buyer and shall not be assignable. The buyer shall for the
purpose of this condition be the person to whom the original
invoice in respect of the sale of the Lot is made.
Photographs
21. The buyer authorises the Auctioneer at any time to make
use of any photographs or illustrations of the Lot purchased by
the buyer for such purposes as the Auctioneer may require.
22. New VAT Regulations
22a) All lots are sold within the Auctioneer’s VAT margin scheme.
Revenue Regulations require that the buyers premium must
be invoiced at a rate which is inclusive of VAT. This VAT is not
recoverable by any VAT registered buyer.

281
26 St. Stephen’s Green, Dublin 2 +353 (0)1 6760261

Adam's online Art Auction opens 29th January 2022

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Adam's online Art Auction opens 29th January 2022