Adam's Works on Paper ONILNE Auction Ending August 10th 2020

ADAM’S
Est.1887
Fine Vintage Wines & Spirits
JULY 31st
- August 10th
2020
AN ONLINE AUCTION
ADAM’S
Est.1887
Works on Paper
Ending August 10th
2020
AN ONLINE AUCTION

3
browse-bid-buy
www.adams.ie
Works on Paper
An auction of Maps, Prints, Photographs,
Documents, Literature and Works of Art

4
CONTACTS
Brian Coyle FSCSI FRICS
CHAIRMAN
James O’Halloran BA FSCSI FRICS
MANAGING DIRECTOR
j.ohalloran@adams.ie
Stuart Cole MSCSI MRICS
DIRECTOR
s.cole@adams.ie
Amy McNamara BA
FINE ART DEPARTMENT
amymcnamara@adams.ie
Eamon O’Connor BA
DIRECTOR
e.oconnor@adams.ie
Helena Carlyle BA
FINE ART DEPARTMENT
h.carlyle@adams.ie
Niamh Corcoran BA
FINE ART DEPARTMENT
niamh@adams.ie
Nick Nicholson
CONSULTANT
n.nicholson@adams.ie
Nicholas Gore Grimes
ASSOCIATE DIRECTOR
nicholas@adams.ie
Ronan Flanagan
FINE ART DEPARTMENT
r.flanagan@adams.ie
Claire-Laurence Mestrallet BA, G.G
ASSOCIATE DIRECTOR
HEAD OF JEWELLERY & WATCHES
claire@adams.ie
CONTACTS
Adam Pearson BA
FINE ART DEPARTMENT
a.pearson@adams.ie

5
VENUE
Adam’s Salerooms,
26 St. Stephen’s Green,
Dublin D02 X665,
Ireland
ADAM’S
Est.1887
26 St. Stephen’s Green
Dublin D02 X665
Tel +353 1 6760261
info@adams.ie
www.adams.ie
SALE VIEWING
AUGUST 6TH
- AUGUST 9TH

Thursday 6th
August 10:00am - 5:00pm
Friday 7th
August 10:00am - 5:00pm
Sunday 9th
August 1:00pm - 5:00pm
ONLINE AUCTION ENDS
BIDDING LIVE FROM
Friday 31st
July 2020 at 3pm
Monday 10th
August 2020 at 10am

6
This is a timed online-only auction
This catalogue exclusively contains timed online-only auction lots and will not be offered as partof a live
auction. Bids for these lot(s) may be executed in one of two easy ways:- either by on-linebids through your
My Adams account on our website or by standard written commission bid left with a member of staff.
What is a Timed Auction?
A timed online-only auction is automated and takes place solely online through our website
www.adams.ie. The bidding for each lot is opened at a predetermined level, set by the
auctioneer, and runs for a set period of time, in this instance from 3pm on Friday 31st
July
2020. During this period of open bidding you will be able to see the current winning bid on
each lot. You may place a higher maximum bid of your choice and the bidding will automatically
increase by the next increment. If your maximum bid is several increments higher than the
current bid, the bidding will still only increase by one increment until you are bid against when it will
move up one in your favour. This process will continue until your maximum amount is outbid.
Bidders are automatically informed by email if they are the current winning bidder, or if they
have been outbid by another competing bidder. If you have been outbid and the auction is
still open, you are free to leave a higher bid. At the end of the defined bidding period, 10am on Monday
10th
August, if the highest bid offered meets the minimum price designated by the Auctioneer (i.e. the
seller’s reserve price), the lot is sold. With a timed auction, the closing time is staggered, with bidding
for lot 1 ending at 6pm and each subsequent lot closing one minute after the previous. If there is a flurry
of bidding on a lot just as it reaches its closing time, the lot is kept open for an extended period (c. two
minutes extra) to enable everybody to fairly get their bids in.
All winning bidders will be notified by email once the auction has fully ended.
Steps to participate:
• First, log in to, or register for, a My Adams account (A valid credit/debit card is
required)
• Visit www.adams.ie, click on Sign In and then register.
• Visit the timed online auction catalogue within the Forthcoming Auctions tab.
• Find the lot number you are interested in.
• Place your maximum bid, the current lead bid will be displayed along with the
number of bidders already bidding on the lot. The minimum bid required will
also be outlined.
• If you do not have an email address and cannot set up a My Adam’s account, please
contact our staff who will be happy to help you in placing a bid.
How your maximum bid works:
By placing your maximum bid, the system will automatically adjust your bid to reflect the
next winning bid increment which could be lower than your maximum bid. Your bid will
automatically increase should someone else bid, only up to your maximum bid.
Example: Bidder A leaves a maximum bid of €100, bidder B leaves a maximum bid of €200 on
the same lot. Bidder A is now knocked out of the lead and bidder B holds the current winning
bid that auto adjusts to €110 (NB not their maximum bid). The system auto adjusts the bid
to the next winning increment. User B’s bid will only be further executed if another user bids
above their current bid of €110 up to their maximum of €200, after which they will be knocked
out and an e-mail issued advising them to increase their bid.
• If you are outbid you will be notified immediately by e-mail
• To increase your bid, simply log back in and up your bid
• When the timed auction finishes, winning bidders will be notified by e-mail
• Buyers premium plus VAT (25% in total) will be added to your winning bid
amount.
• An invoice will issue and you can securely pay online through our website or in person
or by bank transfer. Your invoice will detail all the payment & collection particulars.
Buying at Adam’s

7
Buyers’ Premium
Please note Buyer’s Premium plus VAT is 25%. Where a lot is being shipped outside of the EU, the VAT
on Buyers Premium may be Zero rated for VAT purposes being an Export. Adam’s need to secure proof
of export from a recommended shipper in order to avail of this facility. Our Accounts team can answer
any queries you may have in this regard
Payment
All purchases must be paid for within three calendar days of the sale. Our payment terms are cash, bank-
er’s draft or cheque drawn on an Irish bank. Cheques will take a minimum of eight working days to clear
the bank, unless they have been vouched to our satisfaction prior to the sale, or you have a previous
cheque payment history with Adam’s. We also accept the following Credit Cards: Visa, Mastercard, &
American Express (subject to a surcharge of 3.65%). For debit cards including Laser card payments there
are daily limits on payments. Bank Transfer details are available on request. Please ensure that all bank
charges are paid in addition to the invoice total, in order to avoid delays in release of the items. Goods
will only be released upon clearance through the bank of all monies due.
Collection
Collection of purchases is the responsibility of the buyer. We are happy to assist the buyer by rec-
ommending a carrier, however goods remain at the buyer’s risk from the fall of the hammer. Goods
remaining uncollected three days after the auction date may be subject to storage & handling charges,
therefore it is important that you make collection within the designated time, as detailed in the import-
ant information for purchasers in your sale catalogue. If you are unable to remove your item immediately
you will need to arrange storage and shipping. For international deliveries an export licence may be
required. While we can provide Certificates of Antiquity, it is the responsibility of the buyer to assess any
export and custom requirements.
This is intended as a guide only. Should you have any further queries, please do not hesitate to contact
us by either telephone or email. We look forward to seeing you at auction.

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Bidding ends 10am Monday 10th
August
1
GERARD MERCATOR (1512-1592)
A set of five maps
c.185 x 133mm
From the English edition of Mercators Atlas Minor
this edition 1635
Abl P166 (1-5)
Provenance: The Collection of Hugh and Anne
Iremonger
€ 100 - 200
2
GEORGE BICKHAM (1684-1758)
A MAP OF IRELAND
140 X 230MM
From his British Monarchy, published in London
1754
Abl P79
Iremonger
€ 100 - 150
3
S.ROYIERS AFTER JACOB HONDIUS
Hibernia - miniature
95 x 130mm
From the 1616 edition by Jacob Hondius of the
Tabulnom Geographcarum Contractum; to-
gether with five other maps of Provinces. (6)
Iremonger
€ 300 - 500
4
JANSSON, AFTER MERCATOR (1512 -
1592)
Ultonia and Momonia et Lagenia
Ireland in two sections
140x190mm (2)
Iremonger
€ 50 - 100
5
JANSSON, AFTER MERCATOR (1512 -
1592)
UTONIA, MOMONIA AND LAGENIA
Ireland in two sections
140 x 190mm (2)
Iremonger
€ 50 - 100

9
Works on Paper
6
PERTUS BERTUS (1565-1629)
Descripto lageniae in Hibernia
Colour engraving, 132 x 93mm
Abl P210
Iremonger
€ 50 - 100
7
ABRAHAM ORTELIUS (1527 - 1598)
Irlanda - miniature
75 x 105mm
Plate 3, engraved by Philip Galle
Abl P96
Iremonger
€ 50 - 100
8
THOMAS PORCACCHI
(1530-1585)
Descrittione del L’Isola D’ Irlanda
150 x 110mm
From L’Isole Piu Fanose del Mondo... Published in
Venice by Thomas Porcacchi the map is one the
earliest printed maps of Ireland originally engraved
for the 1572 edition. There were five editions be-
tween 1572 and 1620 with the map itself being
printed in a page of letterpress text.
Abl P26
Iremonger
€ 100 - 150
9
JANSSON AFTER GERARD
MERCATOR (1512 - 1594)
Irlandia Regnum
190 x 260mm
Jansson Plates from Mercators Altas Minor
Iremonger
€ 50 - 100
10
HERMAN MOLL (1654 - 1734)
Counties of Ireland, 1728, including four
provinces (17)
Each, 210 x 270mm
Abl P20
Iremonger
€ 250 - 350

10
August
11
C.A. BEVEY (FRENCH, 18TH
CENTURY)
A Chart of the West Coast of Ireland with a
Vignette of Kinsale Harbour
Engraving, 680 x 990mm
Iremonger
€ 100 - 200
12
PIETER SCHENK (1660-1717)
The Counties of Leinster
Colour engraving, sheet 530 x 810mm
Iremonger
€ 100 - 150
13
PIETER MORTIER III (1735-1781)
Chart of Galway Bay and the Shannon
Estuary, withVignette of Kinsale Harbour
865 x 595mm
This chart is from Le Neptune Francois, published
in Paris in 1693
Iremonger
€ 100 - 150
14
WILSON POLLON
Map of the Parts of Corporation Lands of Naas Re-
cently Recovered by The Right Hon. John, Earl of
Mayo, 1822
Pen and ink, 600 x 530mm
Iremonger
€ 200 - 300
15
ROBERT DE VAUGONDY (1688-1766)
Map of Ireland,‘Royaume d’Irlande’
490 x 620mm;
together with another. (2)
Iremonger
€ 100 - 200

11
16
A COLLECTION OF 18TH AND 19TH
CENTURY MAPS OF THE PRINCIPAL
IRISH TOWNS, FORTS AND
HARBOURS
Iremonger
€ 50 - 80
17
PIETER VAN DER AA (1659-1733)
L’Irlande, Suivant les Nouvelles Observa-
tions
Iremonger
€ 100 - 150
18
HENRI ABRAHAM CHATELAIN (1684-
1743)
Carte Ancienne et Modern De Irlande avec
Quelques Remarques (1708)
450 x 340mm. (2)
Iremonger
€ 50 - 100
19
A COLLECTION OF MAPS AND
PLANS FROM PAUL DE RAPINS ‘THE
HISTORY OF ENGLAND’,
including the Plan of the City of Dunkirk; Plan of
the City of Bouchain; The Battle of Wynedale; The
Town and Castle of Lerida; Plan of the Camp of
Tarragona; Plan of the Encampment of the Allies at
Prats Del Rey, each 500 x 390mm. (6)
Iremonger
€ 100 - 200
20
AFTER JOHN ROCQUE (1709-1762)
A Map of the Kingdom of Ireland
Top half of a two section map, 620 x 980mm
Iremonger
€ 200 - 300
Works on Paper

12
August
21
JOANNEM JANSSONIUM (1588-
1664)
Hibernia / Regnum /Vulgo / Ireland
Iremonger
€ 300 - 500
22
ISAAK TIRION (1705-1765)
Nieuwe Kaart /Van / Ierland/ Te Amsterdam.
Engraving, 270 x 320mm;
Together with an engraving of Kinsale Harbour. (2)
Iremonger
€ 50 - 80
23
D. CORBETT
A Plan of the City of Cork in 1750
Print, 410 x 510mm
Iremonger
€ 50 - 100

13
Works on Paper
26
GEORGE BRAUN (1541 - 1622) &
FRANZ HOGENBERG (1535 - 1590)
Galway, Dublin, Limerick and Cork,
310 x 430mm
From Civitates Orbi Terrarum, published, Cologne
1618, Latin Edition
Abl P331
The town plans were taken from the Speeds four
maps of the Irish Provinces which were first five
years earlier.
€ 300 - 400
24
EDWARD WELLS (1667-1727)
A New Map of Ancient Germany, Rhaetia,
Vindelicia and Noricum
Iremonger
€ 50 - 100
25
THOMAS DA CASTIGLIONE
PORACCHI (1530 - 1585)
“Descrizione dell’ isola di Hibernia”
260 x 180mm
From “Le isole piu famose del mondo descritta da
Thomas Poracchi da Castiglione”
Published in Venice, 1596, Latin Edition
€ 200 - 300

14
August
27
“Hiberniae Britannicae Insulae, Nova
Descriptio”
350 x 490mm
From Theatrum Orbis Terrarum (the first time a col-
lection of maps were bound together with descrip-
tive text in a uniform format), published in 1579,
Latin edition
Abl P35
€ 1,000 - 1,500

15
Works on Paper
28
ABRAHAM ORTELIUS, PUBLISHED BY JOANNES BAPTISTA VRIENTS
(ANTWERP 1603-1612)
“IRLANDAE,ACCURATA DESCRIPTIO,Auctore Baptista Boazio”,
Original handcoloured map, 436 x 537mm
Published in the Vrients’ edition of Oretelius Theatrum, published in 1609 Latin Edition
With the tribute to St. Patrick replacing the dedication to James
Abl P67
€ 3,000 - 5,000

16
August
28A
MATTHIAS QUAD (1557 - 1613)
Map of Ireland
305 X 215MM
From Fasciculus Geographicus Complectens, published in Co-
logne in 1608
Abl P222
Although Quad engraved most of the maps in his works himself,
the Irish map is a direct copy of a slightly reduced scale of the
Ortelius map of Ireland although Quad added an oval portrait of
Queen Elizabeth in the top right hand corner.
€ 350 - 450
29
JOHN SPEEDE (1551/2 - 1629)
A matched set of five maps including:
The Kingdom of Ireland
The Province of Muster
The Province of Leinster
The Province of Connaugh
The Province of Ulster
Each 510 x 385mm
From the Theatre of the Empire of Great Britain, published by
Thomas Bassett and Richard Chiswell.
This is the 24th true edition, published in 1676, with later hand
colouring.
€ 1,500 - 2,000
29A
WILLIAM FADEN (1749 - 1836)
A Plan of the City of Dublin as Surveyed
500 x 750mm
Published by W. Faden Geographer to the King,
1797, at Charing Cross. Sold by W. Allen and J. Ar-
cher, Dublin.
This map is found in the first edition of James
Malton’s “Picturesque and descriptive views of
Dublin”.
€ 600 - 800

17
Works on Paper
30
D.E. HEFFERNAN (19TH CENTURY)
Dublin & Suburbs, a separate publication
530 x 730mm
Published 1st June 1868 by D. Heffernan Civil Engi-
neer 12 Charleville Road Rathmines.
The map of Dublin is surrounded by 22 vignettes
of Dublin views.
€ 100 - 200
31
JACQUES-NICOLAS BELLIN (1703 -
1772)
“Plan de Galloway et ses Environs”
180 x 215mm
From Le Petit Atlas Maritime Vol. IV, Published by
Bellin Paris, 1764
€ 80 - 120
32
B. R DAVIES
The Environs of Dublin
Published under the superintendence of the
Society for the Diffusion of Useful Knowledge by
Baldwin & Cradock, [1837], London
€ 150 - 250
33
GERARD MERCATOR (1512 - 1594)
IRLAN/DIAE/REGN/VM
Map of the Southern Half of Ireland, 450 x 470mm
First state German edition (1609)
€ 300 - 400

18
August
37
GREENVILLE COLLINS (1653 - 1694)
Rade et Port de Corke en Irlande
530 x 420 mm
From a French edition of Greenville Collins’ “Great
Britain’s Coasting Pilot”, published by Jacques Bel-
lin, Paris 1757
€ 200 - 300
36
GREENVILLE COLLINS (1653-1694)
A Chart of St. George’s Channel, 1693
610 x 500 mm
From Great Britain’s Coasting Pilot. First published
in 1693.
€ 200 - 300
35
D. A BEAUFORT (1774-1857)
Map of the Diocese of Meath, Dedicated to the Lord Bishop and
Clergy of the Diocese of Meath (within a decorated cartouche).
Folded linen-backed with original hand-colouring to outline, 760 x 610mm
Daniel Augustus Beaufort (1739-1821), educated at Trinity College, Dublin,
succeeded his father as rector of Navan, and in 1790 was presented by his
friend the Right Hon. John Foster to the vicarage of Collon, County Louth. He
was a keen geographer, and is best remembered for this map and his ‘Map’
and ‘Memoir of Ireland’.
Daniel was the father of Sir Francis Beaufort (1774-1857), the renowned
hydrographer, who gave his name to the ‘Beaufort Scale’ of wind force. A
detailed map of Meath with considerable detail of adjacent counties, includ-
ing a miniature plan of Dublin City. A dedication is given. As well as usual
items, the map depicts Anglican Bishopricks, parishes, rectories, vicarages
and chaplaincies.
€ 300 - 400
34
JAMES VAUGHAN (19TH CENTURY)
A Survey of part of PainstownYellowleas
in the Barony of Morgallion and County
of Meath, the Estate of Thomas Bligh, Esqr,
1817.
Folded coloured linen-backed map, 500 x 700mm
€ 150 - 250

19
Works on Paper
38
H. JAILLOT (1632 - 1712)
Le Royaume D’Irlande (1693),
divise en ses Quatre Provinces, qui font la Lagenie,
L’Vltonie, Connacie, et Momonie....; Dresse sur le
Memoires les plus Nouveaux, par le Sr. Sanson, Ge-
ographe du Roy, a Amsterdam chez Jean Covéns et
Corneille Mortier
Handcoloured, 640 X 940 mm
€ 400 - 600
39
Hiberniæ BritannicæA Map of Ireland
from the 1588 Spanish edition of Theatrum Orbis
Terrarum
Colour, 480 x 360 mm
Abl P58
€ 600 - 800

20
August
40
Map of Barony of Idrone,Vdrone Irlandiæ in
Catherlagh Baronia,
17th century, Engraving, 340 x 280mm
Published in Mercator’s “Altlas Novus” by H.
Hondius & J. Jansson, 1630. Printed verso: “La
cinquiesme table d’Irlande ...” in French, the folio
pages are numbered p. 101 and 104.
€ 80 - 120
41
WILLIAM HOLE (FL. 1607-1646)
Hiberniæ
310 x 360mm
From Camden’s Britannia. Sixth edition (1607).
Based on Mercator’s map (1595). Abl P236.
€ 200 - 400
42
GEORG BRAUN AND FRANZ
HOGENBERG
Town Plans of Galway, Dublin, Limerick and
Cork
310 x 420mm
From their Civitates Orbis Terrarum (1618). French
text. Jansson edition. Abl P335.
€ 300 - 400
43
STAFFORD’S PACATA HIBERNIA
The Cittie of Limerick
Handcoloured map, 310 x 390mm
€ 100 - 150

21
Works on Paper
44
A MAP OF IRELAND,
undated with title top lhs reads ‘Regin
HIBERNIAE accurate tabula per Hermanum
Moll recognita a C.Weigelio Nurunberga’.
Scale in German. Bottom rhs outside scale frame
reads ‘M. Kauffer Sculp:A:V’ Rear blank apart from
lower lhs ink inscription ‘1128 USK’. Coloured, 400
x 330mm
€ 100 - 150
45
RICHARD BLOME (1635-1705)
A Map of Ireland
Hancoloured, 390 x 375mm
From his Britannia, first published in 1673. The
maps are based on John Speed. Four Coats of
Arms. Abl 12(i).
€ 400 - 500
46
Ultonia
Handcoloured map 350 x 380mm
French edition, 1628
€ 100 - 150
47
Udrone.
Handcoloured map, 350 x 280mm
Italian edition, 1628
€ 100 - 150

22
August
48
VINCENZO MARIA CORONELLI
(1650-1718)
A Map of Ireland in Two Halves, North &
South (1693)
From Vol. II of his Isolario Dell Atlante Veneto
(1697). Text on verso. 610 x 452mm and 610 x
460mm. Abl 38(ii).
€ 400 - 500
49
GABRIEL NIKOLAUS RASPE (1712 -
1785)
Plan der Gegend von Irrland,
wo Ao. 1760 den 18 Febr: de See Aranturier u.
Capt. Thurot Bey A Gelandet und Carikfergus,
Eingenomen, auch bis Bellast vorgedrungen, den
27 Febr:
Coloured map, 385 x 240mm
Inset vignette of the castle and town of Carrickfer-
gus from the Lough.
€ 200 - 300
49A
HERMANN MOLL (1651-1732)
A collection of maps of various parts of the
world including a general map of Great Britain
and Ireland; France; a map of the Continent of
the East Indies; Great Greece; a map of Terra
Firma; North part of Turkey; Negroland; Great
Asiatic Tartary; and Turkey in Asia. (10)
Provenance: The Collection of Hugh and Anne Ire-
monger
€100 - 200
49B
HERMANN MOLL (1655-1732)
Ireland / Divided into its Provinces and
Counties
Herman Moll 1728
310mm x 250mm;
Together with a new and correct map of Ireland from
Mook’s New and Complete Collection of Voyages
monger
€200 - 400

Works on Paper
50
E GOSSENIN
A portrait of John Paul Jones, bust length
(Naval commander of the first United
States Navy)
Mezzotint, 18 x 13.5cm;
together with a collection of caricature prints
Iremonger
€ 50 - 100
51
AFTER THE VON WRIGHT BROTHERS
(SWEDISH-FINNISH 19TH CENTURY)
A collection of 40 lithographs of birds from
‘Svenska Fåglar’ (Swedish Birds),
by Magnus von Wright and Wilhelm von Wright,
1917-1929, printed by A. Bortzells, Stockholm
Lithographs, each 38 x 27cm
Iremonger
€ 300 - 500
52
CONTINENTAL SCHOOL
A collection of Lithographs and Prints of
birds and wildlife
Circa 40 prints, 29 x 40cm
Iremonger
€ 200 - 300
53
AFTER MATTHEW KENDRICK
(C.1797-1874)
The Departure of the Queen and the Royal
Squadron
Print (reissue), 87 x 107cm
Iremonger
€ 50 - 80
54
AFTER HENRY ALKEN (1785-1851)
Symptoms of Being Amused (1822)
Coloured etchings, xxcm. (30)
Published by Thomas McLean, Haymarket, London
Iremonger
€ 100 - 200
51

24
August
55
AN UNUSUAL LATE VICTORIAN
CALENDAR FOR BYRNE & SONS TEA
& WINE IMPORTS, 1985,
decorated with hunting vignettes, ‘Mistress of
Hounds’, coloured lithograph, 58 x 40cm
Iremonger
€ 50 - 100
56
A COLLECTION OF VARIOUS
ENGRAVED VIEWS OF IRELAND,
INCLUDING:
‘View of City of Dublin from Magazine Hill in Phoe-
nix Park; ‘A View of Ringsend, Irishtown, Pool Beg,
Clontarf, Ireland’s Eye Dublin Bay’, Royce (sculpt),
Published by Alex Hogg, London; ‘The Cathedral
Church of Limerick’, Eastgate (sculpt), Published by
Alex Hogg, London; etc.
Iremonger
€ 50 - 100
57
FRANCIS JUKES (PRINTER &
PUBLISHER)
CASTLE CARBERY
Coloured aquatint, 22 x 35cm
Published Fitzroy Square, London 1804;
Together with ‘A Perspective of the Illuminations
and Fireworks at Stephen’s Green, on the Thanks-
giving Day for the General Peace concluded at Aix
la Chapelle, 1748’, engraved for Universal Maga-
zine, 1749
Iremonger
€ 50 - 100
58
THE ILLUSTRATED LONDON NEWS,
A COLLECTION OF IRISH RELATED
ILLUSTRATIONS,
including Immigrants Leaving Queenstown
Harbour. 41 x 57cm
Iremonger
€ 50 - 100

25
Works on Paper
59
AFTER LUKE FILDES (1843-1927)
Jessica
Colour lithograph;
Together with
After F.M. Skipworth (1854-1929)
A Daughter of the Sun
Print, 77 x 51cm. (2)
Iremonger
€ 50 - 100
60
AFTER JOHN EVERETT MILLAIS
(1829-1896)
Little Miss Muffet
Colour lithograph, 67 x 49cm;
Together with After Cathinca Amyot (1845-1926)
From the Sublime to the Ridiculous
Colour lithograph. (2)
Iremonger
€ 100 - 150
61
AFTER SIR JOSHUA REYNOLDS
(1723-1792)
Dr. Goldsmith (Oliver Goldsmith)
Mezzotint, 48.5 x 35cm;
Together with R.M. Rodgetts
Portrait of Daniel O’Connell
Mezzotint. (2)
Iremonger
€ 100 - 150
62
AFTER R.H. MOORE (BRITISH 19TH
CENTURY)
Dogs of the Day,
Humorous Caricatures, reprinted from ‘Lady’s Pic-
torial’
Lithographs, each 38 x 28cm. (8)
Iremonger
€ 30 - 50
62

August
26
63
AFTER WILLIAM ALEXANDER (1767 -
1816),
Costumes of China:‘
A Chinese Lady and her Son attended by a servant’
published 1798 by G. Nicol, Pall Mall and ‘A Man-
darin attended by a domestic’, published 1803 by
William Miller, London
A pair, hand coloured prints, each 25 x 21cm
€ 200 - 300
64
ERIC WILLIAMS RAVILIOUS (1903-
1942)
From ‘The Aopcrypha’ - But the Angel
of the Lord Came Down Into the Oven
Together with Azarias and His Fellows,And
Smote The Flame of The Fire Out of the
Oven
Wood engraving, image size 18.1 x 12.6cm
Printed by The Cresset Press, 1931
Edition of 450
€ 250 - 350
65
JOHANN ZIEGLER (1749-1812)
View against the suburbs of Wieden and
Vienna, c.1780
Hand Coloured Engraving, 33.5 x 42cm;
together with Daumont, Paris c.1780
Le Palais des Tuileries du côté de la Cour
Coloured engraving, 33.5 x 42cm
€ 400 - 600
66
JEAN DAULLE, AFTER DELARUE
(1718 - 1780)
Louis Cazeau de Nestier, (1686 - 1754)
Engraving 55 X 40cm
€ 100 - 200
66A
JEAN-LOUIS ROULLET, AFTER
FRANÇOIS GIRARDON (1628 - 1715)
Édouard Colbert, Marquis deVillacerf
Line Engraving, 61 x 45cm
€ 100 - 200
64
6465
66

Works on Paper
27
67
WILLIAM CAVENDISH, DUKE OF
NEWCASTLE (1593 - 1676)
Courbetten auf einer Steffe Links
(Courbettes de Ferme á Ferme á Gauche)
Monochrome Engravings from the book “La Meth-
ode et Invention Nouvelle de Dresser les Chevaux”
A Pair 23.5 x 32cm
€ 200 - 300
68
ADAM DE FRIEDEL (DANISH 19TH
CENTURY)
Prince Petro Mavromichali, Chief of the
Mainottes or old Spartans and Notis (Con-
stantine) Botzaris
Hand-Coloured Lithographs, 34.5 x 26cm
Two examples from a set of Twenty-Four
€ 500 - 700
69
SIMON THOMASSIN, C.1723
Le Sphinge et l’enfant
Copper engraving;
together with a collection of classical ‘Versailles’
engravings (5)
Framed
€ 200 - 250
70
A SET OF FOUR PRINTS,
Italian (18th Century)
European Military Uniforms
Hand Coloured Engravings, 28 x 39cm
€ 200 - 300
71
ITALIAN SCHOOL (19TH CENTURY)
The return of the Horsemen
Monochrome Lithograph
Contained within gilt frame
€ 80 - 120
67
68
69

28
August
72
ANTOINE DE PLUVINEL, ENGRAVED
BY CRISPIJN DE PASSE, (DUTCH 17TH
CENTURY)
Two Plates from “L’Instruction du Roy en L’exercice
de Monter a Cheval”
A pair, copper engravings, 32 x 42cm
€ 200 - 300
73
ALEXANDER CHAPONNIER AFTER
J. K SHERWIN
‘La Danse de Village’
Stipple engraving, 47 x 58cm
€ 250 - 350
74
AFTER JOHN AUGUSTUS SIMSON
Cacti, c.1739
coloured prints, a pair
€ 50 - 80
75
A. TROUVAIN, (17/18TH CENTURY)
A Set of Portrait Engravings depicting:
Charlotte of Hesse-Kassel, Queen of
Denmark;
Marie Adelaide de Savoie, Duchesse de
Bourgogne;
Anne Marie Louise d’Orléans, Duchesse de
Savoye;
Philippe de France, Duc d’Anjou
Hand Coloured and contained within ‘Verre Eglo-
mise’ mounts and gilt frames
€ 200 - 300
76 A PAIR OF CLASSICAL ROUNDELS,
18TH/19TH CENTURY,
each inset with cast medallions of VITELLIUS and
LEPIDA, busts encircled by legend
€ 300 - 400
76
74
75
73

29
Works on Paper
77
NEWMAN & CO [PUBLISHER]
Glendalough, on the Seven Churches,
Wicklow
Coloured lithograph, 25 x 35cm;
Together with another lithograph after G. M Brighty
‘A well-known Character at Brighton’ published by
G. W Wetton Maidenhead, 1829, 34 x 24cm
(2)
€ 150 - 250
78
GILES KING AFTER WILLIAM JONES
(FL. 1726 - 1747)
Dublin Bay looking towards the Hill of
Howth,
inscribed “To the Rt. Honble. Wm. St. Laurence Lord
Baron of Hoth in ye County of Dublin. This View of
Hoth&c is Humbly dedicated to his Lordship by His
Most Obedient Humble Servt. Wm. Jone.”
Modern copy, 60x 51 cm
Engraved by Giles King, London, the original print-
ed for Bowles in Cornhill, 1745.
€ 250 - 350
79
AFTER CLARA MARIA POPE (1767-
1838)
Monograph on the Genus Camellia (1819)
Five Coloured prints, reissued 20th century, 70 x
50cm
Iremonger
€ 100 - 150
80
AFTER ARCHIBALD THORBURN
(1860-1935)
Game Birds, FiveViews
Coloured prints (reissued), 54 x 69cm. (5)
Iremonger
€ 40 - 60
81
THE ILLUSTRATED LONDON NEWS
A collection of illustrations, including The State
Prosecution in Ireland Departure of Irish Emigrants
at Clifden (Aloysius O’Kelly). 40 x 57cm
Iremonger
€ 50 - 100
77
78
79
80
81

30
August
82
E.G HESTER, AFTER JOHN STURGESS
(FL. 1864 - 1903)
Punchestown, Conyngham Cup 1872:‘The
Start’;‘The Stone Wall’;‘The Double’ and
‘The Finish’
Set of four coloured aquatints, each 53 x 85cm
Published by Thomas Cranfield, Dublin & Acker-
mann, London 1874
€ 1,500 - 2,000
83
CHARLES PAYNE (SNAFFLES) (1884-
1967)
‘The Big Fence’
Hand coloured lithograph, 50 x 74.5cm
Signed in pencil
€ 400 - 600
84
AFTER C.J PAYNE (SNAFFLES) (1884 -
1967)
‘Great Banks Below in the Fields’
Lithograph, 67.5 x 49cm
Signed in pencil with studio blindstamp
€ 200 - 300
85
AFTER JOHN STURGESS (1839-1903)
Punchestown,The Conynham Cup
Six coloured prints (reissued), sheet 64 x 99cm
Iremonger
€ 150 - 200

31
Works on Paper
86
CURRIER & IVES AFTER ARTHUR
FITZWILLIAM TAIT (1819 - 1905)
‘Pigeon Shooting, Playing the Decoy’
Handcoloured lithograph, 48 x 69.5cm (framed)
Published 152 Nassau St, New York, 1862
€ 800 - 1,200
87
CURRAN & IVES AFTER ARTHUR
FITZWILLIAM TAIT (1819 - 1905)
‘American Field Sports:A chance for both
barrels’
Fine Coloured lithograph, 54.5 x 71cm
Published 152 Nassau St, New York
€ 800 - 1,200
88
AFTER THOMAS ROBERTS (1760 -
1826)
Lower Glanmire on the River Glashaboy,
County Cork 1796.
Engraving 37 x 47cm
Coloured and mounted
€ 200 - 300

32
August
89 40192-136
89
AFTER WILLIAM HINCKS (18TH CENTURY)
‘The Linen Industry’
A set of twelve sepia printed aquatints, each 58.5 x 52cm
Published as the Act directs by R. Pollard, Spitalfields, London, June 20, 1791. Exceedingly rare.
Each plate is dedicated to members of the Landed Gentry and Aristocracy.
The twelve plates:
I. View taken near Scarva in the County of Downe representing Ploughing, Sowing the Flax Seed and Harrowing;
II. View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Hooking or Putting it up to Dry, Ripling or saving
the Seed and Boging or burying it in Water.
III. Representing taking the Flax out of the Bog when it has been lain a sufficient time to separate the Rind which is the Flax from the Stem, & strengthen
it, spreading it to dry, stoving, beetling, and breaking it.
IV. Representing the common Method of Beetling, Scratching and Hackling the Flax.
V. Perspective View of a Scutch Mill, with the Method of Breaking the Flax.
VI. Taken on the spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn.
VII. Representing Winding, Warping with a new improved warping mill and Weaving.
VIII. The Brown Linen Market at Banbridge.
IX. A Complete Perspective View of all the Machinery of a Bleach Mill.
X. View of a Bleach Green taken in the County of Downe.
XI. Perspective View of a Lapping Room.
XII. Perspective View of the Linen Hall in Dublin.
William Hincks was born in Waterford, and in early life was apprenticed to a blacksmith. Self-taught as an artist, his name first appears in 1773, when he
was living in York Street, Dublin, and was an exhibitor of portraits in crayons at the Society of Artists in William Street. He made similar contributions the
following year; and in 1775 he sent five works in oils and five in chalks. In 1777 he exhibited six portraits, including one of “A Siberian Cat, in possession
of Lady St. George. In 1780 he went to London, and one of his first works on his arrival was a series of illustrations designed for an edition of Tristram
Shandy.
This remarkable work by Hincks representing the process of producing linen from preparing the ground and sowing, to the arrival of the finished mate-
rial for exportation at the Linen Hall in Dublin. The depiction of an agri/industrial process is unique in Irish eighteenth century literature.
The series consists of twelve plates, each plate measuring approximately 42 by 35cm. The set was republished in 1791 by R. Pollard, Spafields, London.
€ 2,500 - 3,000
The Linen Industry in 18th Century Ireland

34
August
90
JAMES MALTON (1761-1803)
A set of twenty-five views of Dublin in hand coloured aquatint, with ‘Arms of the
City of Dublin’ frontispiece and binding (27), each 31 x 43cm
€10,000 - 15,000
James Malton’s Views of Dublin

36
August
91
DAY & SON AFTER T. G DUTTON
(1820 - 1891)
Clipper Ship “TRUE BRITTON” 1100 Tons,
George H. Bawn Commander. Built by
Messrs. Money Wigram & Sons, Blackwall
Coloured lithograph, 35 x 48cm
Published London 21st September 1861 by W. Fos-
ter, 114 Fenchurch Street
€ 400 - 600
92
H.J.VERNON, (LITH). DAY & HAGHE
(LITHRS.TO THE QUEEN)
Nautical Sketches. No. 1. Kestrel. R.Y.S.
Commodore the Earl ofYarborough
Coloured lithograph, 310 x 460mm
Published by Hinton and Ackermann & Co. London
€ 400 - 600
93
EDMUND FRY AFTER GERALD
W. BRIERLEY
‘THE WANDERERS R.Y.S.’
Coloured lithograph, 35 x 49.5cm
Published by Edmund Fry London
€ 300 - 500

37
Works on Paper
94
J. W EDY AFTER THOMAS SAUTELLE
ROBERTS (1760 - 1826)
‘The Entrance to Waterford Harbour’
Original Coloured aquatint, 35 x 46cm
Published, London, August 1796
€ 300 - 400
95
JAMES MALTON (1761 - 1803)
St. Stephen’s Green, Dublin
Coloured aquatint, 31 x 43cm
From James Malton’s “Picturesque and Descriptive
views of Dublin”, published London, June 1796
€ 300 - 400
96
JAMES MALTON (1761 - 1803)
Trinity College, Dublin
Aquatint framed, 31 x 43cm
The rare first state of this print from Malton’s Pictur-
esque and Descriptive views of Dublin, published
March 1793
€ 400 - 500

38
August
97
EBERHARD WERNER HAPPELIO (1647 - 1690)
View of fortified town of Athlone
190 x 130mm
From “Hibernia Vindicata Oder Des Britannischen Glücks-
Wechsels Anderer Theiletc” which forms the second book
of “Fortuna Brittannica”, published Hamburg, 1691
A rare an unusual print
€ 150 - 200
98
J. MCARDELL AFTER VAN DYCK (1599 -
1641)
‘Lord John and Lord Bernard Stuart, Sons of Esme
Duke of Lenox’, done from the original in the
collection of the Right Hon.ble Lord Royston and
the Marchioness Grey’ [n.d c.1760]
Mezzotint, 50 x 35cm
The original portrait painting by Van Dyck of of the two
sons of Esmé Stuart, 3rd Duke of Lennox, is not part of the
collection of the National Gallery, London. Both brothers
fought for the Royalist cause in the Civil War; the elder,
Lord John Stuart (1621-1644), was killed at the Battle of
Cheriton; the younger, Lord Bernard Stuart, Earl of Li-
chfield (1622-1645), died at the Battle of Rowton Heath.
€ 80 - 120
99
A PAIR OF EARLY FRENCH ENGRAVINGS,
titled ‘L’Innocence en Danger’, [n.d] by Jean Gabriel Caquet (French, 1749-1802) after Nicolas Lavreince (Swedish, 1737-1807), 37 x 25cm and
‘L’Épouse Indiscrete’ by Nicolas Delaunay (1739 - 1792) after Pierre-Antoine Baudouin (1723 - 1769), 42 x 28cm, original early state dated 1771
€ 500 - 800

39
Works on Paper
100
GIOVANNI OTTAVIANI (1735 - 1808)
AFTER PIETRO CAMPORESI AND
GAETANO SAVORELLI
Eve Conceived Cain and his brother Abel [Concep-
it Heva, et peperit Cain Frantremque ejus Abel]
Copper plate of engravings by Ottaviani from “Log-
gia di Raffaello nel Vaticano”, 57 x 60cm
Examples in original colour heightened in gold are
extremely rare depicting the frescoes executed by
Raphael and his assistants between 1518-1519 in
the Vatican. They were drawn by Gaetano Savorelli,
a Roman painter and draughtsman best known for
his Raphael drawings, and Pietro Camporesi, a Ro-
man architect, who worked for Pope Clemens XIII
and Pius VI on rooms for the Vatican Museum. This
biblical scene depicted shows the infant brothers
Cain and Abel vying for their mother’s attention,
while Adam is sowing nearby.
€ 600 - 800
101
AFTER GEORGE CRUIKSHANK
“Liberty Suspended with the Bulwark of
Constitution”
Coloured print, 22 x 34cm
€ 250 - 350
102
THREE COLOURED PRINTS OF THE
DUBLIN KINGSTON RAILWAY,
from the Dublin Penny Journal, 1834, framed as
one, 16 x 24cm; 17 x 10cm; 15 x 21.5cm
€ 80 - 120

40
August
103
AN ASSORTED COLLECTION OF FIVE
NAPOLEONIC PRINTS, INCLUDING:
- Lancedelli “Napoleon bei Montereau”, mon-
chrome lithograph, 19 x 61cm, depicting Napo-
leon visiting a cannon outpost on the battlefield of
Montereau;
- “Entree Solennelle du S.M. Louis XVIII dans Paris
par la Porte St Denis le 3rd Mai 1814”, lithograph,
34 x 43 cm;
- “ Exhumation des Cendres de l’Empereur Napo-
leon”, possibly engraved by Boullay, lithograph 40
x 56 cm;
- An aquatint of Napoleon standing along a broken
stonewall on the battlefield of Montmirail, 37 x 45
cm;
- A lithograph titled “Le Prisonneirs de Guerre, des
Puissances Alliees passant dans Paris, escortes par
la Garde Nationale, le 17 Ferrier 1814. Sont accue-
illis par les habitans qui leur offrent des Secours”
€ 300 - 400
104
AN ASSORTED COLLECTION OF FIVE
NAPOLEONIC PRINTS, INCLUDING:
- Jeannin after Arnout, “Le Catafalque de Napo-
leon - Dessine d’apres nature dans l’Eglise des In-
valides”, lithograph 36 x 51 cm;
- Carlo Sommariva, after Cherubinio Cornienti, “
L’Apoteosi du Napoleon”, 1840, lithograph, 50 x
61 cm;
- Jacob Loder, “Haupt-momente aus dem Leben
des Kaisers Napoleon”, lithograph, 55.5 x 39.5 cm;
- Vayron “Translation des Cendres de Napoleon”,
monochrome lithograph, 49.5 x 62 cm;
- Alphons Urruly “La France et la Prince de Joyn-
venille au Tombeau de Saint Helen”, monochrome
lithograph, 53 x 50cm;
- A monochrome lithograph titled “Empire Fran-
cais” , 49 x 63 cm.
€ 300 - 400
105
AN ASSORTED COLLECTION OF
NAPOLEONIC PRINTS INCLUDING:
- After Horace Vernes, “Le Mareshal Moncey a la
Barriere de Clichy”, mezzotint, 42.5 x 51 cm;
- J. Dupressoir “Entree de Napoleon, 1er Reims,
monochrome lithograph;
- Anstalt, “Napoleon ascending to Heavens”,
monochrome lithograph, 43 x 30 cm;
- Vayron, “Convoy funebre de Napoleon”, litho-
graph, 49 x 61 cm; and two further examples.
€ 300 - 400

41
Works on Paper
106
AFTER GEORGE CRUICKSHANK (1792 -1878)
“A Turning General and three and twenty bottle holders all in
a row”
Coloured etching, 23 x 33 cm
Published by McClony, Nassau St.
€ 100 - 150
107
J. SIDEBOTHAM [PUBLIHSER, SACKVILLE ST]
A Sale of Fox Hounds
Coloured etching, 21.5 x 33 cm
€ 100 - 150
108
J. SIDEBOTHAM [PUBLISHER, SACKVILLE ST]
Farmer Giles and his Wife showing off their daughter Betty to
the neighbours on her return from school
€ 150 - 250
109
J. SIDEBOTHAM [PUBLISHER, SACKVILLE ST]
Hiring a servant
€ 100 - 150
110
A CARICATURE PRINT OF TYRONE’S ELECTION
RACES OF 1881,
signed J.R.L. in the bottom right corner, 33 x 40 cm
€ 150 - 250

42
August
111
AFTER PAUL HENRY RHA (1877-1958)
Cottages in a West of Ireland landscape
Coloured print, 37 x 42cm
Signed in pencil lower right by the artist and with
blind stamp, published by ‘W J Stacey, London’.
€ 300 - 500
112
JACK BUTLER YEATS RHA (1871-
1957)
‘Pookawn’
Handcoloured Cuala Press print, 14 x 25cm
€ 150 - 200
113
1957)
‘The Post Car’
€ 150 - 200
114
1957)
‘The Jockey’
€ 100 - 150
115
JACK BUTLERYEATS RHA (1871-1957)
‘The Bog Road’
€ 100 - 150

43
Works on Paper
116
PIERRE-AUGUSTE RENOIR (1841-1919)
Baigneuse Assise
Soft ground etching, with the artist’s ink stamped signature,
21.7 x 13.6cm
From the edition of 1000, published by Leon Roger-Miles, with margins framed.
With label verso for Folio Fine Art Ltd, 6 Stratford Place, London
€ 800 - 1,200

44
August
117
AFTER SALVADOR DALI (1904-1989)
Ship and Fruits
Lithograph on Arches paper, 80 x 56cm
Stamped verso 172 of 2500
Iremonger
€ 80 - 120
118
A COLLECTION OF 20TH CENTURY
EXHIBITION POSTER ILLUSTRATIONS,
including ‘Poteries de Picasso’ Maison de la Pensée
Francaise, Paris 1948-49; ‘Georges Braque’, Gal-
erie Maeght, Paris 1943; ‘Miro: Art, Sculptures,
Graphique’, Galerie Maeght, Paris (n.d); ‘Henri Mat-
tise: Jazz’ Chez Pierre Berés, Paris 1947; ‘F. Leger
Oeuvres Récentes’ Maison de la Pensée, Paris
1954; ‘Le Vivre Italien Contemporain’, Galerie des
Ponchettes, Nice 1953’, etc. Each 31 x 29cm
Iremonger
€ 20 - 30
119
A POSTER FOR GALERIE MADOURA,
CANNES
Chagall Ceramiques, August-September 1962
Print, 64 x 49cm;
Together with a Chagall poster, ‘La Maison de Mon
Village’. (2)
Iremonger
€ 150 - 250
120
AFTER MARC CHAGALL (1887-1985)
La Maison de Mon Village
Print, CH. Sorlier_Grav. Lith, 76 x 54cm
Iremonger
€ 100 - 150
118
119120
117

45
122
A POSTER FOR GALERIE MAEGHT
Chagall, December 1969 - January 1970
Printed by Mourlot
Iremonger
€ 200 - 300
123
A COLLECTION OF CHAGALL &
PICASSO POSTERS, PRINTED ILLUS-
TRATIONS, ETC.
Iremonger
€ 100 - 150
124
RENÉ VINCENT (1879 - 1836)
Two girls sitting on a diving board
Lithograph, 34 x 30cm
Signed lower right
€ 400 - 600
Works on Paper
122 123
124

46
August
125
AFTER HIROSHIGE, UTAGAWA (1797-1858)
The fifty-three stations of the Tokaido. C.20th
century.
A collection of 53 modern reproductions of woodblock
prints by famed Ukiyo-e artist Utagawa Hiroshige detailing
his journey along the Tokaido, Japan
Prints contained in a brown cloth case with Japanese char-
acters writings on the front board. 25 x 37 cm
€ 300 - 500

47
Works on Paper
126
UCHIDA KUICHI (JAPANESE 1844 - 1875)
A folio of fifty hand tinted photographs depicting various nation-
al landmarks, c.1870
€ 1,500 - 2,500

48
August
129
HEINRICH KLEY (1863-1945)
Two Caricatures
Etching, 27 x 20cm
monger
€ 100 - 150
128
RICHARD COOPER
The NorthView of Windsor Castle
Aquatint, 48 x 69cm
monger
€ 50 - 100
127
CONTINENTAL SCHOOL 16TH
CENTURY
Three sheets of woodblock printed sheet
music
Each 550 x 390mm
Iremonger
€ 200 - 300

49
Works on Paper
131
RICHARD BLOME
Nine engravings depicting stag hunting and
fox hunting, from ‘The Gentleman’s Recre-
ation’, published 1686.
Sheet c.40 x 26cm
Iremonger
€ 150 - 200
132
CONRAD GESNER (1516-1565)
Six coloured woodcuts of birds from ‘Histo-
ria Animalium’, with text
35 x 23cm
Iremonger
€ 150 - 200
133
18TH CENTURY SCHOOL
A set of 29 plates depicting exotic and
domestic birds
Engraving, 36 x 24cm
Iremonger
€ 150 - 200
134
GEORGE GRATTON
Studies of Pheasants
Coloured engraving, 24 x 19cm. (6)
Iremonger
€ 150 - 200

50
August
135
CONTINENTAL SCHOOL
‘Bataille de Tudela’;‘Futie Precipiter des
Anglais a la Corogne’; and ‘Battle of the
Pyrenees’
Coloured engravings, each 27 x 36cm;
together with three British Naval lithographs of
sailors
Iremonger
€ 100 - 150
136
AFTER GEORGE CRUICKSHANK
A collection of 12 sheets, each containing
multiple vignettes. 28 x 38cm
Iremonger
€ 80 - 120
137
JOHN COLLIER, ALIAS TIM BOBBIN
A collection of coloured engraved carica-
tures, published ‘As the Act Directs, June
1773’
Various sizes
Iremonger
€ 50 - 100
138
IRISH SCHOOL (19TH CENTURY)
The Humble Candidate - A political cartoon
depicting Daniel O’Connell
Lithograph, 30 x 25cm
Iremonger
€ 100 - 150

51
Works on Paper
139
AFTER EUSTACE LORSAY
Daniel O’Connell
A lithograph from a daguerreotype, 35 x 27.5cm;
Together with an engraved profile, by J. Bell, Bel-
fast, 40 x 27.5cm
Iremonger
€ 50 - 100
140
A COLLECTION OF IRISH 19TH
CENTURY POLITICAL CARICATURES,
including The Weekly National Press,“After
the Inquest”,“The National Fund”;The
Weekly Freeman “My Bank is on the Shore”,
“Gerard Collins United Ireland”,“Hail to
the Chief”,“Hoist with their own Petard”
Iremonger
€ 150 - 250
141
CHARLES E. BROCK
Twelve extra illustrations to the Pickwick
Papers
Hand coloured lithographs, 21 x 34 cm, with wrap-
per
Published by Arthur W. Waters, Leamington Spa &
Holland Bros, Birmingham, 1921
Iremonger
€ 50 - 100
142
AFTER GEORGE CRUICKSHANK
Seven caricatures of various social and political
subjects
Coloured engrabvings, 25 x 33cm
Published by Thomas McClean, 26 Haymarket
August 1st 1835
Iremonger
€ 100 - 150

52
August
143
A SET OF SEVEN PRINTS
Entitled ‘A Parody’ by J.R., 1834
Lithograph in a wrapper. 19 x 24cm
Iremonger
€ 100 - 150
144
A COLLECTION OF IRISH 18TH
CENTURY AND 19TH CENTURY
POLITICAL CARICATURES,
including ‘The Irish Howl’,‘An Irish Union’,
‘High Price, Low Price, Full Price, Half Price’,
‘An Agreeable Whit Party’ and ‘Save This
Day’
Various sizes
Iremonger
€ 100 - 200
145
AFTER CRUICKSHANK
Protestant Descendancy - A political
caricature depicting the push for Catholic
emancipation
Coloured engraving, 26 x 37cm
Published Thomas McLean, 26 Haymarket, March
1829
Iremonger
€ 100 - 150
146
O’KEEFE (19TH CENTURY)
The Irish Cow Doctor
Coloured engraving, 24 x 36cm
Iremonger
€ 100 - 150

53
Works on Paper
147
A COLLECTION OF 19TH CENTURY
AND 18TH CENTURY CARICATURES,
including: After T.H Guerin ‘Reform 1832
- 1859, Oh What a Falling off was There!’,
published McCleary, 32 St James Street;‘A
Rehearsal Scene in Othello,Act 4th Scene
2nd, Dramatis Personae Othello, Hon.
G.C.N; Emilia Eliza Gibson’; Characters:
‘For a farthar explanation of the Difference
Betwixt’.
Iremonger
€ 100 - 150
148
TWO 19TH CENTURY LITHOGRAPH
SHEETS,
depicting humorous vignettes of the Prog-
ress of a Chess Match
35 x 49cm; together with a print of Billiards, c.41
x 34cm
€ 50 - 80
149
WILLIAM HINCKS
AView of Bleach Green in the County of
Down, from the Linen Hall series
Engraved within an oval with dedication, 35 x 43cm
monger
€ 100 - 200
150
JAMES MALTON (1761-1803)
View of the Four Courts Looking up the
Liffey
Aquatint, 31 x 42cm
monger
€ 200 - 300

54
August
151
A LARGE COLLECTION OF ENGLISH
MUSIC COVER SHEETS,
depicting English views and subjects
Iremonger
€ 100 - 150
152
A LARGE COLLECTION OF ENGLISH
MUSIC COVER SHEETS,
depicting English views and subjects
Iremonger
€ 50 - 80
153
A COLLECTION OF IRISH MUSIC
COVER SHEETS,
engraved with IrishViews or Subjects,
including ‘Thady O’Flinn’,‘Kate Kearny’,‘The
Low Backed Jaunty Car’,‘Irish Steeple Chase
Gallop’, and ‘The Royal Irish Quadrilles’
Each c.34 x 26cm
Iremonger
€ 50 - 100
155
FOUR LITHOGRAPHS BY D.G
KEULAMANS
Each 29 x 40cm; and four lithographs of
Scandinavian birds, each 38 x 27cm
Iremonger
€ 50 - 100

55
Works on Paper
157
COVER SHEETS, AND MUSIC AND
WORDS,
each engraved with various Irish themes,
including ‘Dublin Bay’,‘The Royal Irish Qua-
drilles’,‘Dublin Walzer’,‘Moonlight’
c.35 x 24cm
Iremonger
€ 50 - 100
158
COVER SHEETS,
engraved with IrishViews or Subjects,
including ‘The Melodies of Ireland’,‘The Irish
Emigrants’,‘St. Patrick’s Cathedral’,‘Dublin’,
‘The Tinton Gallop’,‘One Evening From
Market Returning’, and ‘Colleen Dawn’
c.35 x 24cm
Iremonger
€ 150 - 250
159
GROSE’S ANTIQUITIES OF ENGLAND
AND WALES,
(3 vols) disbound, possibly incomplete,
engravings; Goldsmith’s Works, (2 vols), and
some other items disbound or incomplete,
some with engravings.As a collection, w.a.f.,
s.n.s.r. (boxed)
monger
€ 10 - 20
156
AFTER GEORGE MORLAND
Studies of Figures from an Inn
Coloured stipple engraving, 19 x 12cm;
Together with an 18th century caricature entitled
“Sir Richard Worse - Thou Sly Exposing His Wife’s
Bottom”, 35 x 25cm
Iremonger
€ 100 - 150

56
August
160
A COLLECTION OF WATERCOLOUR
SKETCHES;
including:Tristram Ellis (British 1844 - 1922)
‘Mosul, 1880’, 18.5 x 27cm and Gibraltar,
26 x 36cm;View of ‘Oystermouth Castle
from.... Park, dated July 11th 1866, 16.5 x
24.5cm; and further landscape studies
Iremonger
€ 50 - 100
161
A COLLECTION OF WATERCOLOUR
SKETCHES,
including figural studies, sketches of animals
etc.
Iremonger
€ 50 - 100
162
ENGLISH SCHOOL, EARLY 19TH
CENTURY
‘Figures outside a Thatched Inn’ and ‘Fisher-
man in a longboat’
Watercolour, 16 x 22.5cm, 13.5 x 19cm; together
with
French School
A Country House
Watercolour, 24 x 19cm. (3)
Iremonger
€ 100 - 150
162A
A MISCELLANEOUS COLLECTION OF
SKETCHES,
some coloured, comprising landscape scenes, bust
length portrait of woman with headdress, classical
figural studies etc
Iremonger
€ 50 - 100

57
Works on Paper
163
IRISH SCHOOL (19TH CENTURY)
South Wall Lighthouse, Dublin
Pen and ink, 20 x 31cm;
Together with a sheet containing three sketches of
designs for playing cards
monger
€ 100 - 150
164
FRENCH SCHOOL (18TH CENTURY)
Figural Sketches
Conte, 19 x 23cm. (3)
monger
€ 200 - 300
165
H. KATO
OrientalViews
A pair, watercolour, 35 x 50cm
monger
€ 200 - 300
166
J. OGAWA
Japanese Fishermen by a RiverVillage
Watercolour, 32 x 49cm
Signed
monger
€ 150 - 250

58
August
167
KASIETSU T.
A Temple in Woodland
monger
€ 150 - 250
168
TOM CARR (1909 - 199)
Winter lake
Signed
€ 300 - 500
169
NORMAN LITTLE (1883 - 1917)
Faust and Marguerite
Watercolour illustration with original book, 25.5 x
17cm
Signed and dated 1911;
Together with another framed illustration by Doro-
thy Wheeler, with associated book, 37.5 x 25.5cm
€ 300 - 500
170
JOHN PETHERICK (1790-1862)
Looking out from Kingston Harbour to-
wards Howth
Watercolour, 14.5 x 21.5cm
Inscribed verso 1836, framed
€ 100 - 200

59
Works on Paper
171
JOHN PETHERICK (1790-1862)
Looking towards Kingston Harbour with
Killiney Hill in the background
Watercolour, 14.5 x 21.5cm
Inscribed verso, framed
€ 100 - 200
172
RICHARD CAUFIELD ORPEN RHA
(1863-1938)
After the Duel
Double sided Watercolour, 15 x 20 cm
Signed
Framed as one with sketches verso
€ 100 - 200
173
ALFRED GREY RHA (1845 - 1926)
The See-Saw
Watercolour, 23.5x34cm
Signed
€ 300 - 500
174
CUTHBERT EDMUND SWAN (1870 -
1931)
A leopard with it’s prey
Signed
€ 200 - 300

60
August
175
INDIAN MINIATURE SCHOOL
PAINTING (19TH CENTURY)
Hunting Party with Antelope on a Moun-
tainside
Gouache on paper, 28 x 17cm
Unframed;
Together with another Indian Miniature painting
depicting a Figure in a Court
Gouache on paper, 26 x 15cm
Within gilt sprinkled claret border. (2)
Iremonger
€ 200 - 300
176
PERSIAN MINIATURE SCHOOL (19TH
CENTURY)
Hunting Party on horseback
Ink and watercolour, between two panels of Islamic
text, marbleized borders, 21 x 12cm;
Together with another Persian miniature painting
of a Dignitary Riding on a Camel-Back Throne, un-
der a banner of text, narrow coloured margins, 20
x 13cm. (2)
Iremonger
€ 200 - 300
177
A COLLECTION OF THREE INDIAN
MINIATURE PAINTINGS
including one depicting Rama with attendant
overlooking an elephant parade
Gouache and watercolour, 21 x 13cm;
Together with two further studies
Iremonger
€ 300 - 500

61
Works on Paper
178
ROSITA MANAHAN (B.1935)
Seated Girl with a Fan
Signed and dated (19)’89
€ 300 - 500
179
TOM NESBIT RHA (1909-2001)
Witton Park,Autumn
Signed
€ 200 - 300
180
BREON O’CASEY (1928-2011)
MMIV
Acrylic on paper, 37 x 55cm
Signed
€ 800 - 1,200

62
August
181
MICHAEL MULCAHY (B.1952)
Abstract
Mixed media on paper, 56 x 76cm
Signed
Iremonger
€ 100 - 200
182
Abstract Orange
Iremonger
€ 100 - 200
183
Abstract
Signed verso
Iremonger
€ 100 - 200

63
Works on Paper
184
RAPHAËL KIRCHNER (AUSTRIAN
1876 - 1917)
Young Girl Telephoning
Gouache, pencil and pastel, 35 x 46cm
Signed
€ 800 - 1,200
185
NEAPOLITAN SCHOOL (19TH
CENTURY)
Le Telemaque Port du Naples, 1851
Gouache, 29 x 43cm
In a rosewood frame
€ 300 - 400

64
August
186
ILLUMINATED LEAF ON VELLUM
FROM A FRENCH BOOK OF HOURS,
‘The Hours of theVirgin’ c.1485
10.5 x 15.2cm
Written in Latin in brown ink in a gothic style, large
initials in blue and red with white on a ground of
burnished gold, foliate border painted in blue, red,
yellow, brown and green. Framed & glazed.
€ 250 - 300
187
HARRY CLARKE (1889-1931)
Original pencilled design for a single light stained glass window
In nine panels, hard and soft pencils on cream paper, 29.5 x 7cm
The panels with inked outlines, mounted, showing the bearded figure of
the adult Christ holding a staff, standing below a circular vignette showing
figures attending an old man in bed, over a matching vignette showing
the Virgin and Child on a donkey, flanked by angels with long hair, their
gowns with Celtic ornamentation, the entire composition headed by an
angel with long hair and crossed hands, over ranks of faces in profile
looking in from left and right, hatched in freehand and elaborately orna-
mented throughout in the style of Harry Clarke. The vignette showing the
Virgin on donkey is reminiscent of Clarke’s illustration to Chesterton’s ‘The
Donkey’ in The Year’s At The Spring.
An attractive design, apparently executed freehand except for the circular
forms, the composition full of the minute detail characteristic of Clarke.
Taken as a whole, the design does not appear to match any of Clarke’s
published windows. It may be a sketch for an uncompleted project
€ 800 - 1,200

65
Works on Paper
188
HARRY CLARKE (1889 - 1931)
Original pencilled design for a three light stained glass window with smaller openings above
Hard and soft pencils on cream paper, 15 x 27cm
The windows with inked outlines, mounted, showing Christ crucified on a circular ground, flanked on either side by a bishop with crook,
with lightly sketched vignettes including an eagle and a round tower, the foot of the cross with Celtic patterns, the upper central opening
showing God the father with outstretched hands, a radiant triangle behind his crowned head. The vignette in the upper opening, overlook-
ing the design, is very like the similarly placed vignette in Clarke’s Coronation of the Blessed Virgin window in Glasgow (also a three-light
window), both showing a deity with outstretched hands, wearing a stepped crown, with a triangular form behind the head (see Costigan
& Cullen, Strangest Genius, colour plate opposite p. 255). The similarity is surely more than coincidental, although the remainder of the
design does not match the Glasgow window.
The present design may therefore be an earlier version, or a sketch for a different and uncompleted project, one part of which went into
the finished design for the Glasgow window. In either case it is an attractive and desirable item.
€ 800 - 1,200

66
August
189
MAURICE C WILKS ARHA RUA (1910-
1984)
Cottages in Donegal
A pair, ink on paper, 24 x 42cm
Provenance: From the Maurice C. Wilks studio sale,
Ross’s, Belfast, 1997.
€ 300 - 500
190
A FOLIO OF SKETCHES BY MAURICE
C. WILKS ARHA RUA (1910-1984)
Ross’s, Belfast, 1997, lot 159
€ 500 - 800
191
Ross’s, Belfast, 1997, lot 160.
€ 500 - 800

67
Works on Paper
192
1984)
Joyce’s Tower, Sandycove
Pen and ink
Together with two further landscape sketches
Each, 28.5 x 20cm
€ 500 - 700
193
1984)
A collection of four framed and mounted
landscape sketches including one titled
‘Roundstone’
Each 24 x 34cm, signed
€ 600 - 1,000
194
Ross’s, Belfast, 1997, lot 158
€ 500 - 800

68
August
200
WEXFORD REIGN OF CHARLES III
A large illuminated document on vellum setting out the decision of the commissioners at the Kings Inns in Dublin under
the Acts of Settlement and Explanation of certain property in the town of Wexford in favour of Nicholas Cooper and
Dame Margaret, his wife
Framed and folded but displaying the title with portrait of the king, the royal arms flanked by the standards and symbols of England and
Scotland, apparently retaining much of the Great Seal, the glazed square case
94 x 94cm
These are ‘Letters Patent of Charles II’, the coloured decoration is over a printed base.
€ 1,000 - 1,500

69
Works on Paper
202
LADIES OF LLANGOLLEN MANUSCRIPT RECEIPT
Manuscript Receipt:‘Lady Eleanor Butler and Miss Ponsonby have the pleasure to enclose
Mr.André’s the amount of his Bill £9.6.0 with an addition of 4p for postage and the delay
which they are sorry has Occurred in discharging it.’
Dated at Llangollen Vale 7th January 1809. Single page (18 x 23cm). Paper repair to verso. With address
panel and stamp.
The “Ladies of Llangollen”, Eleanor Butler and Sarah Ponsonby, were two upper-class Irish women
whose relationship during the late 18th and early 19th century scandalized and fascinated their con-
temporaries.
Eleanor Charlotte Butler was a member of the Butlers, the Earls (and later Dukes) of Ormond. Butler was
considered an over-educated bookworm by her family, who resided at the Butler family seat Kilkenny
Castle. She spoke French and was educated in a convent in France. Her mother tried to make her join a
convent because she was remaining a spinster.
Sarah Ponsonby lived with relatives in Woodstock, County Kilkenny, Ireland. She was a second cousin of
Frederick Ponsonby, 3rd Earl of Bessborough, and thus a second cousin once removed of his daughter
Lady Caroline Lamb.
Their families lived 25km from each other. They met in 1768, and quickly became close. Over the years
they formulated a plan for a private rural retreat. It was their dream to live an unconventional life togeth-
er.(see note online)
€ 300 - 500
201
AUTOGRAPHED LETTER SIGNED BY ARTHUR GUINNESS,
dated at James’s Gate, 19th March 1795
Single page (18.5 x 23.5cm) written on one side only. In this letter he discusses
Mr. Gardiner’s bill which has being lodged to the credit of his account in the
Bank of Ireland. Addressed to ‘My Lord’ “Inclosed yr Lordship has my Acknowl-
edgment that I am to provide for payment of Your Lordships acceptance for
£335.19.2 dew 15 April next.”
Arthur Guinness (1725-1803) brewer and the founder of the Guinness brewery
business and dynasty. He was also an entrepreneur and philanthropist. At twen-
ty-seven, in 1752, Guinness’s godfather Arthur Price, the Church of Ireland Arch-
bishop of Cashel, bequeathed him £100 in his will. Guinness invested the money
and in 1755 had a brewery at Leixlip, just 17 km from Dublin. In 1759, Guinness
went to the city and set up his own business. He took a 9,000-year lease on the
4-acre brewery at St. James’s Gate from the descendants of Sir Mark Rainsford
for an annual rent of £45.
Arthur Guinness’s parents Richard and Elizabeth were both the children of tenant
farmers in Dublin and Kildare. Richard’s family claimed a descent from the Gaelic
Magennis clan of County Down. Recent DNA evidence however suggests de-
scent from the McCartans, another County Down clan, whose spiritual home of
Kinelarty included the townland of “Guiness” near Ballynahinch, County Down.
Luke Gardiner, 1st Viscount Mountjoy (1745-1798) landowner and politician. He
was educated at St John’s College, Cambridge. He was the son of Charles Gar-
diner by his wife Florinda, daughter of Robert Norman. His sister Anne later be-
came Countess of Clancarty. In 1773 he married Elizabeth, daughter of William
Montgomery, an MP for Ballynakill and later a Baronet. Their children included
a son, Charles John, and a daughter Margaret, who later became Countess of
Donoughmore.
Gardiner represented Dublin County in the Irish House of Commons from 1773
to 1789. He was appointed to the Irish Privy Council in 1780 and created Baron
Mountjoy in 1789 and Viscount Mountjoy both in the Peerage of Ireland. Lord
Mountjoy was killed in action at the age of fifty three, leading his regiment at the
Battle of New Ross. He was succeeded by his son Charles, who was later created
Earl of Blessington.
€ 600 - 800

70
August
203
MARY ANNE O’CONOR
Autographed letter
From M(ary Anne) O’Conor to Thomas L. Kelly in Dublin dated at Clonalis, 7 March (1840). Three pages (18.5
x 23 cm). with address panel stamp and wax seal. In very good condition.
A rare and interesting letter: “I dislike keeping money in the House and we never have beyond a certain sum
in our Bank at Castlerea and the tenants immediately near. For convenience pay me instead of our Agent
who resides at present in Sligo. I enclose £100 which I shall feel exceedingly obliged to you to get Messieurs
Curtis & Power to put in the three and a half old per cents for OCD [O’Conor Don] I had a few lines from OCD
today he says the rumours of dissolution are again gaining ground. The Corn Law Question is making great
progress in England he says and even the Tories are willing to compromise it if they took office. How Ireland
will be affected by such a change it is hard to say but certainly her Landed Proprietors deprecate it however
it is all the same if the Question be carried in England it will pass ... . “
Mary Anne O’Conor, daughter of Major Blake of Towerhill, County Mayo, married Denis O’Conor of Bela-
nagare and Clonalis House, County Roscommon, in 1824. Denis O’Conor, known as The O’Conor Don, was
MP for Roscommon 1831-47; he had large estates in Roscommon and Sligo. He became a Treasury Lord
in 1846 and that year supported the repeal of the Corn Laws, although he had earlier voted against their
abolition.
There are family archives at Clonalis House, Castlerea, County Roscommon (according to the Oxford DNB
entry for Charles Owen O’Conor); the title O’Conor Don was a hereditary one of this branch of the ancient
O’Conor family (hence OCD in the letter).
€ 250 - 350
204
A LEASE OF PART OF THE LANDS OF UPPER BALLYORLEY, IN THE CO. OF
WEXFORD
dated 1st August 1815, Robert Donovan Gent.To Charles Murphy, farmer.
With map of the Lands of Upper Ballyorley in colour. Vellum document. Signed by Donovan and Murphy.
€ 100 - 200
205
WHATELY, RICHARD, ARCHBISHOP OF DUBLIN.
Autographed Letter Signed from Richard Whately,Archbishop of Dublin to Lady Osborne
[ancestor of George Osborne, MP] of Newtown Anner, County Tipperary, dated 17 March,
1848
Four pages octavo written on two sides only. In this letter he inquires ‘Surely you had a copy of my Speech?
in it I said exactly the reverse of what is imputed to me. I said (pp. 12, 13) that I always did require a fair day’s
work; but that anyone legally compelled to supply labourers could not enforce this. You may shew what I
said in black and white. We are quiet thus far, and I have hopes we shall continue so, our hope is in you stay
in the business? of Gov, or the cowardice of the Demagogues. I believe we have both advantages. / Ever
you truly / R Dublin.
€ 150 - 200

71
Works on Paper
207
BORROMEO, CARLO (1538-1584)
A vellum document, 1566 of a dispensation granted by Carlo Borromeo as
cardinal priest of Santa Prassede in Rome to an Italian couple desiring to marry,
but who were within the restricted degrees of consanguinity
€ 300 - 400
208
HALL, ANNA MARIA
Autograph draft with extensive correction for ‘The Groves of Blarney’
Quarto, dated 21st December 1837. With accompanying autograph letter, no date, from The
Rosery, Old Brompton, specifying the ‘exact shape’ of the Theatre programme.
€ 150 - 250
209
A LETTER FROM EDWARD MANGIN TO THOMAS MOORE,
dated ‘Bath,Aug: 5. 1834’, Mangin is writing in relation to Moore’s book ‘The
Life of Lord Edward Fitzgerald’ to suggest a ‘slight alteration or correction’ in
relation to his ‘old friend...Will Lawless...in P.P. 75.76. vol: 2’,
€ 600 - 800
206
FITZGERALD, GEORGE FRANCIS
Autographed letter signed from Fitzgerald to Mr. Mooney
Six pages [112 x 180mm], black border on TCD headed paper, dated 26? November 1897.
Important letter regretting he can’t attend a Mansion House meeting “I had overlooked a
very long arranged meeting of the Board of National Education ... to decide some very
important questions about ‘Readers’ for National Schools ... that my duty to the public in
connection with my position as a Commissioner of Education must take precedence.” He
goes on to discuss a permanent exhibition of Irish Industry and a site between Kildare Place
and Upper Mount Street “It is generally believed that this ground is intended for a College
of Science, but it would be in every way preferable that the great Technical College which
we all expect soon to be provided in Dublin should be built in connection with the City of
Dublin Technical Schools.”
Prof George Francis FitzGerald FRS FRSE (1851-1901) academic, was Erasmus Smith’s Pro-
fessor of Natural and Experimental Philosophy (1881-1901) at Trinity College Dublin (TCD).
FitzGerald is known for his work in electromagnetic theory and for the Lorentz-FitzGerald
contraction, which became an integral part of Einstein’s special theory of relativity. A crater
on the far side of the Moon is named for him, as is a building at TCD
€ 150 - 200

72
August
210
A LETTER FROM CHARLES JAMES FOX TO HIS BROTHER GENERAL HENRY FOX, C. 1803,
Royal Hospital Kilmainham,August 12th 1803, following the rebellion attempt of July 1803.
The Irish Rebellion of 23rd July 1803 was an unsuccessful attempt by the United Irishmen led by Robert Emmet, Thomas Russell and James
Hope, to secure Ireland’s independence from the United Kingdom.
The plan was to attack and occupy a number of strategic positions around Dublin and wait for others to take up the cause and rebel also.
The most important target was Dublin Castle, for its symbolic position as the seat of the British Government in Ireland. The majority of the
fighting took place on Thomas Street where serious rioting broke out. On witnessing the brutality of some of the men who had risen up,
Emmet called off the rebellion. However, at this point he only had command over the original contingent of men who had joined. The
fighting continued while Emmet fled into hiding in Harold’s cross but was captured a month later on 25th August. He was tried for treason,
sentenced and executed by hanging at Thomas Street. A similar fate awaited Russell who was captured a few weeks later and killed in
October. Only Hope managed to avoid capture as he done following the 1798 rebellion. He fled north and secured employment with a
sympathetic friend from England.
€ 1,000 - 1,500

73
Works on Paper
212
ELIOT, T. S.
TLS from American-born English Poet & Dramatist, Nobel Prize winner for Liter-
ature,T. S. Eliot
One page, 8vo, Russell Square, London, dated 28th May 1957, to Neville Braybrooke, on the
printed stationery of Faber and Faber Limited.
Eliot thanks his correspondent for their letter and states that he has discussed his proposal with
another director, Mr. P. F. du Sautoy, and writes to confirm ‘that there appears to be no objec-
tion whatsoever on our part to your adapting Nightwood for radio’, further adding ‘If you show
your script to Miss Barnes and get her approval of it, we have no objection at all’. Some minor
remnants of former mounting to the upper half of the verso;
together with another typed letter from Valerie Eliot (1926-2012) Second wife (and later wid-
ow) of T. S. Eliot, his most important editor and literary executor following his death. T.L.S., Val-
erie Eliot, one page, 4to, Russell Square, London, signed and dated 24th May 1966, to Neville
Braybrooke, on the printed stationery of Faber and Faber Limited. Eliot thanks her correspon-
dent for his letter and states ‘I am afraid that it never occurred to me to ask my husband what
‘’S.A.’’ stands for, but a good guess might be ‘’Smith Academy’’, the day school in St. Louis - now
defunct - which he attended and remembered with such pleasure’, further adding ‘Of course
he was too young to be a pupil when he edited ‘’The Fireside’’, but several relatives and his
brother Henry were former pupils and he knew that he would be going there in due course’.
Eliot continues her letter by remarking ‘Faber & Faber have advised me to protest at your quot-
ing from ‘’Poems Written in Early Youth’’ in your article in the ‘’Sewanee Review’’’ and explains
‘My husband did not wish these poems quoted at any length and we are surprised that you
did not ask permission in the usual way. Although the poems have not yet been published by this
firm it would have been courteous to approach me, as I control the copyright’. About VG, 2 Neville
Braybrooke (1923-2001) English Poet, Writer, Editor, Literary Critic and Publisher.
€ 300 - 500
211
PEEL, ROBERT [ALEXANDER PRINGLE; DANIEL O’CONNELL; WILLIAM
COBBETT]
ALS about Irish Affairs & Reform Act
Handwritten letter dated Feb 13 1833 to Peel’s friend and Scottish politician Alexander Pringle
with unbroken red wax seal and stamped free frank. A six page letter written at Peel’s home in
Whitehall Gardens in which he conveys regret for Pringle’s absence from Parliament (Pringle lost
to a Whig/ liberal candidate in the general election of December 1832 held in the aftermath of
passing the Great Reform Act earlier that year) finding the ‘general appearance and demeanour of
the house most unsatisfactory’ as the ‘tenor of democratic influence was unchecked either by the
government or its supporters’. Lord Althorp’s speech comes in for particular ridicule - resembling
‘the overseer of a Parish meeting threatened with an indictment’ and Lord Ormelie comes in for
similar vitriol which Peel further heaps onto the as-yet unreformed House of Lords as he ‘justified
by his silly and impotent provocations all the fury of the Irish agitators [against Church of Ireland
reform]... such are the vapid vicissitudes of public feeling in unreformed houses’. All of which, says
Peel, ‘have given the utmost present satisfaction to O’Connell and his Crew’. Peel finishes with a
furious sideswipe at William Cobbett: ‘Old Cobbett is a regular twaddler, excepting when he is
making a personal attack upon the Whigs - in his species of warfare he seems very formidable...’
w.a.f.
€ 300 - 500

74
August
213
DUKE OF WELLINGTON
Single page ALS dated Nov 24th 1830 in the
hand of the Duke of Wellington in which
he begs to be pardoned from the request
to conduct a presentation to the House of
Lords
€ 150 - 250
214
A COLLECTION RELATING TO
THOMAS CROFTON CROKER,
including an autographed letter, notes and draw-
ing by the Irish Antiquarian Thomas Crofton Cro-
ker circa 1820;
Together with four autograph letters and a note
from: S.C. Hall; Lord Landesborough, Charles
Dance, etc
€ 250 - 350
215
DOWNES
Autographed letter, signed,“Private Note - To
the Editor of the Literary Gazette,” dated at
Dunville, near Dublin, 2nd November, 1824
Quarto, three pages. Corner piece missing with loss
of one word.
An interesting letter regarding the publication of Rev.
Charles Wolfe’s poem ‘The Burial’, his only enduring
work which gained uncommon fame when it was first
published anonymously following the poet’s early
death in 1823. The poem suffered many spurious at-
tributions, and was extravagantly praised by Byron,
who declared it “the most perfect ode in the English
language.” In this letter Downes discusses the poem:
“Since forwarding my communication of yesterday I
have happened to meet with Mr. Taylor’s letter in the
Morning Chronicle of 29th Oct. relative to Mr. Wolfe’s
poem. I have no hesitation in saying that his emen-
dations are in two important instances more correct
than mine.”
George Downes, A.M., author, was born in South King
Street, Dublin about 1790. He was a man of great
and versatile genius exhibited chiefly in some shorter
pieces of poetry, and was an accomplished scholar in
the Norse languages. He was an intimate friend and
classmate of Wolfe’s at Trinity College, Dublin and
here, he writes the Literary Gazette in London to cor-
rect a reading of the poem he had submitted to the
publication from memory. He was the author of some
papers read before the Royal Irish Academy. His later
years were spent in Trinity College, employed upon
the cataloguing of the library. He died at Dalkey in
1846, and was buried at Ballitore, County Kildare.
€ 100 - 200
216
ALS EDMUND DOWNEY [F.M. ALLEN],
signed and dated at Munster House, Lucien Road,Tooting Com-
mon, St.W. 7 February 1902
Four pages octavo written on two sides only. Interesting letter in which he
discusses his book publishing business, copyright and his unpublished
‘Through Green Glasses.’: “My Friend W. Farrow told me recently that you
had taken over all his books and this emboldens me to ask if you would
care to consider the taking-over of mine. I think most of them have life
in them for many years, the majority have being allowed to lie fallow. My
connection with Downey & Co. Ld. ceased last year. All the copyright in
these books are mine and I am contemplating the purchase of such stere-
os & mould, as appear in the enclosed list ... About a year ago my Through
Green Glasses was set for sixpenny (demy 8vo) Publication but owing to
differences with D & Co Ld it has remained unpublished in this form ... .”
Also included
is the list of Edmund Downey’s (F.M. Allen) published and unpublished
works in his own hand.
€ 200 - 300
213 214

75
Works on Paper
217
A NOTE FROM GEORGE BERNARD
SHAW TO EDITH SOMMERVILLE,
regarding his broadcast to be submitted to
The Listener Magazine, to which Shaw was a
regular contributor
Mounted, 15 x 19cm. n.d, als
€ 300 - 500
218
A LETTER FROM A CLERK OF THE
PROVINCIAL BANK OF IRELAND IN
SLIGO TO THE SECRETARY OF THE
PROVINCIAL BANK OF IRELAND IN
LONDON,
dated 12th August 1841, stamped with
costume stamps from Sligo
€ 50 - 100
219
DUN EMER
A letter from ElizabethYeats to a customer
Mr. John Scully
Dated September 14th 1906, regarding his recent
subscription to A.E’s book ‘By Still Water’, in Feb-
ruary 1905, a handwritten receipt of payment also
enclosed, als; together with a prospectus for Dun
Emer Press, listing out of print works, upcoming ti-
tles and handcoloured prints
€ 300 - 500
220
CUALA PRESS
A collection of eight letters 1945 - 1947
from George Yeats to Mr Freyer in regard to cop-
ies of publications being sent for sale by him. He
writes of having sold ‘most of the broadsides’ and
asks for another copy of Stranger in Aran by Eliz-
abeth Rivers. In another letter, on personal note,
George asks if Michael will check with his brother
Grattan about the number of the Times Literary
Supplement in which he wrote a letter about the
punctuation of the final line of W.B Yeats poem ‘A
Crazed Girl’. One handwritten, the others typed,
five als by George Yeats. An interesting collection
€ 500 - 700

76
August
221
A SMALL 33 PAGE AUTOGRAPH BOOK,
containing signatures of 1955 ‘Five Nations Cham-
pionship’ rugby players from Ireland, England and
France : January 22nd 1955 - IrelandV France (3pts
- 5pts) February 12th 1955 - IrelandV England (6pts
- 6pts), 46 signatures including Irish players Jack Kyle,
Tony O’Reilly, Cecil Pedlow, Mick Madden, John
Hewitt and others, collected by the current owner as
a young boy. 5.4 x 8.5cm
Proceeds of the sale of this Autograph Book are to benefit St
Vincent de Paul.
€ 100 - 150
223
MANUSCRIPT INVENTORY OF THE SILVER
OWNED BY R.P. AND H. M. FITZGERALD,
folio volume consisting of 6 pages of manuscript entries of
items: small cups; bread basket; spoons; Dick’s Sea plate -
1879; telescope cup - wedding present Capt. Balfour; Breach
candlesticks; pickle stand; curets; venison dish; round wait-
er; wine strainer; coffee pot; fish slice; forks; Sheffield Plate
dishes, etc. Also listed are the items that the couple received
as gifts for their Silver Wedding day, April 16th 1886. The re-
mainder of the pages are unused. Corrected list dated March
27, 1873 and also corrected in May 1883, signed by R.P. &
H.M. FitzGerald. Full vellum. Very good.
€ 150 - 250

77
Works on Paper
226
A BOOK TITLED ‘AN GRÁ IS AN GRUAM’
Signed by Sean McDermott in Irish;
together with a collection relating to McDermott, including his memorial card; a letter from
the Director of the National Museum R.J Hayes, dated 7th August 1962, addressed to Ter-
ence McDermott regarding the ‘problem of preserving unfaded a letter of Seán McDermott
written from Kilmainham the night before his execution’; and a death certificate for a relative.
(4)
€ 600 - 1,000
227
EDWARD REDMOND, IRISH
VOLUNTEER 1916
A collection of manuscript correspondence
to Edward (Teddy) Redmond, IrishVolunteer
imprisoned in Frongoch and Stafford, dating
May - July 1916; together with his personal
training rifle inscribed by hand ‘Ed. Red-
mond,A. Co. IrishVolunteers, Enniscorthy,
1914.’ and another bolt action training rifle
€ 500 - 800

78
August
THE FOLLOWING, LOTS 228 - 239 ARE FROM THE COLLECTION OF COMDT. GERALD O’CONNOR, 2ND WESTERN DIVISION,
NO. 2 BRIGADE, CASTLEREA.
Gerald O’Connor of Loughglynn, County Roscommon, served as the 1st Battalion Commandant and later as the No. 2 Brigade
Commandant in the 2nd Western Division. As part of his duties as Commandant, he took part in many military operations such as
the attempted attack on Castlerea Station Guard in July 1920 and the attack on the Frenchpark Barracks on 2nd October 1920. As
well as overseeing the day-to-day running of his Brigade in Roscommon. This collection of letters and documents provides unpar-
alleled detail into the structure and organisation of the Óglaigh na hÉireann, particularly in the year of 1922, in the aftermath of
the Anglo-Irish Treaty and lead up to the outbreak of the Irish Civil War (1922 - 1923). In a statement from General Headquarters,
Four Courts, Dublin and signed by Owen Duffy and Liam Lynch details the truce ordered for the cessation to the fighting in the
Four Courts between 4th May until 8th May 1922 (lot 238) . While in lot 239, we have a fascinating insight into the IRA General
Convention of May 1922, which was set up to decide the allegiance of the IRA to the newly formed Dáil Éireann. In a considerably
democratic fashion, ballot papers (Lot 233) were cast by each member of Óglaigh na hÉireann, by men of all ranks to exercise their
right in deciding the future of the organisation.
He gave the ‘Cease and Desist’ order on the lawn of Clonalis House, which had been occupied by the IRA, after the Treaty was
signed. He urged his men to not engage in fighting against their fellow Irishmen and to place their trust in the newly elected gov-
ernment to solve the issues facing the country. As a result of O’Connor’s words, many members of the South Roscommon Brigade
did not actively take part in the Civil War. He left military service and became a teacher in Meelick National School. O’Connor was
a meticulous in taking notes about the activities of the men volunteering in his division. These records were of vital importance
in 1930s and 40s, in order to help verify individual’s involvement in the order for them to qualify for a military pension. He was an
elected Fianna Fail representative for the Roscommon County Council from 1934 until 1942. He died in 1972 and is buried Lisacul
cemetery.

79
Works on Paper
229
IRA INTELLIGENCE & COVERT OPERATIONS, 1922
A large archive of material relating to intelligence reports for the
IRA in 1922, including reconnaissance; enemy blacklists, coded notes,
observations on British Army posts.
€ 300 - 500
228
THE STRUCTURE AND ORGANISATION OF THE IRA, 1922
A comprehensive archive of documents detailing the specific duties
and organisation of members of Óglaigh na hÉireann including a
copy of the ‘Oath of Allegiance’; inventories, reviews, manuscript
letters, etc.
€ 400 - 600

80
August
230
COMPLAINTS AND DISCIPLINE
A small archive of letters and documents (1922)
dealing with complaints from the public regard-
ing the transgressions of IRA volunteers in their
locality and disciplinary incidents within the
organisation proper, etc.
- A letter addressed to The Adjutant, 2nd Western Divi-
sion of the No. 2 Brigade, dated 13/1/22, stating ‘Nei-
ther Thomas Comer or Patrick Mannion were ever con-
nected with the IRA or Sinn Fein. They were not directed
by either body to raid the mail car and Sinn Féin does
not differentiate between the two prisoners’.
- A document titled ‘General Order No.3’ from Brigade
Commandant, No. 2 Brigade, signed G O’C (Gerald
O’Connor) stating ‘Any private volunteer under the in-
fluence of drink will on the first offence be severely dealt
with, on second offence will be dismissed from the ser-
vice’
€ 200 - 300
231
FUNDRAISING
A collection of documents detailing the
fundraising activities of Óglaigh na hÉireann
in 1922 and the distribution of said funds
€ 200 - 300

81
Works on Paper
235
POLICE, 1922
An assembled collection of documents relating to the activities
and organisation of the Police department in Castlerea, 1922
€ 200 - 300
232
PRINTED MATERIAL
A large collection of printed material
including propaganda pamphlets; newspapers ‘An
Phoblacht’ and ‘Sinn Féin’ dating to 1920s; photo-
graphs of volunteers; copies of ‘An t-Óglách’ and
accompanied by letters from the volunteers recom-
mending improvements to the newsletter, etc.
€ 300 - 500
233
VOTING ON THE DIRECTION OF
ÓGLAIGH NA HÉIREANN 1922
A comprehensive collection of ballot papers
cast by soldiers of all ranks across various
divisions in manuscript and with individual
names and crossed boxes on preference for:
‘In Favour of Army Retaining Republic’; ‘In Favour
of Army supporting the Free State’; ‘In Favour of
unity if common ground is found’; or ‘UNCOMPRI-
MISING’.
€ 300 - 400
234
IRA TRAINING 1922
A selection of documents relating to
training, gun handling and explosives, with
instructions on the assembling and dis-
mounting of machine guns, ammunition and
further training reports, etc.
€ 300 - 400

82
August
236
COMMANDANT GERALD O’CONNOR, 2ND WESTERN
DIVISION, NO.2 BRIGADE, CASTLEREA
The personal notebook of Comdt. Gerald O’Connor,
including interrogation and interviews with witnesses after the shooting of a woman
named Mrs Rogers in a local shop. The accused is listed by one witness to be Fran
McDonogh. There is also reference to a dispute between Toby Scally and Sean Ber-
gin, in which the latter has publicly accused Mr Scally and his family of ‘giving infor-
mation to the enemy of movements of enemy troops’. This is countered by a request
by Scally for an enquiry to be launched into the accusation and public investigation;
minutes from battalion meetings, etc.
Both men were later involved in the Loughglynn Ambush, April 19th 1921 in which
Sean Bergin, captain of the Castlerea Battalion was killed by British Troops along
with Stephen McDermott. Toby Scally was wounded but managed to escape while
a fourth man Joe Satchwell was taken to Athlone where he was brought before the
court and sentenced to 15 years penal servitude. He was released on general am-
nesty later that year.
Loughglynn Ambush
On April 19th, 1921 Roger McDermott left his home near Loughlynn wood, to tend
to his cattle. Upon leaving he spotted a large convoy of police and military combing
the woods and fields nearby. He returned to his house immediately and roused the
four IRA men who were in hiding, Sean Bergin, Toby Scally, Joe Satchwell and Ste-
phen McDermott.
As they made their hasty escape, the men armed themselves with shotguns, Webly
revolvers and a Lee Enfield rifle. Progress by the men was slow due to the fact that
Bergin had not fully recovered from his bout of pneumonia the year previously and
was still in a very weakened state. He pleaded with the others to leave him behind
and try and reach safety themselves but they refused.
As they headed towards the north side of the woods they were caught by the British
soldiers who opened fire. Scally was hit first through the leg and fell into a nearby
drain. The others headed for the bank of the river and began to return fire. They
hung on until all their ammunition was spent before finally surrendering. Bergin,
who was was captain of the Castlerea Battalion of South Roscommon, told the oth-
ers he would take responsibility for their actions as head of the party but the British
soldiers ignored this and showed little mercy to the men.
In the confusion, Scally who was presumed dead managed to get out of the drain
and make his way to Glynn house and then beyond to Moyne townland. Bergin,
Satchwell and McDermott were taken into custody, beaten and then court-mar-
tialled. Bergin and McDermott were sentenced to death. Satchwell was told my Cap-
tain McKay ‘You are being taken back to be shot on the square in Castlerea to make
an example of you’ (Michael O’Callaghan, For Ireland and Freedom: Roscommon
and the fight for Independence 1917-1921, Mercier Press, 2012, p. )
He was brought to an awaiting lorry while McDermott and Bergin were escorted into
the nearby woods and shot dead.
However, Satchwell was instead brought to Athlone where he was brought before
the court and sentenced to 15 years penal servitude. He was released on general
amnesty later that year.
The wounded Scally who had made his escape, was then met by Gerald O’Connor,
battalion commandant in Castlerea. O’Connor had been returning from a meeting
of Brigade staff in Rathconnor, Fourmilehouse, the evening before. He took Scally
to a nearby house in Cortoon where he was welcomed and received medical atten-
tion. Knowing that the area would be searched for Scally’s body, O’Connor had him
moved twice more before he was returned to his own home in Cloonaugh where he
remained until he fully recovered.
€ 800 - 1,000

83
Works on Paper
239
IRA GENERAL CONVENTION 1922
A collection of documents and letters relat-
ing to the organisation of the ‘General Con-
vention of the IRA, 26th March 1922’ set up
following the ratification of the Anglo-Irish
Treaty in December 1921, to decide the
allegiance of the IRA to the newly formed
Dail Éireann and the Irish Free State; a
series of ballot papers issued to the Brigade
Convention for the election of delegates
to represent at the General Convention;
together with the agenda for a further IRA
Convention on 9th April 1922, after the
March Convention had been adjourned; a
copy of the Draft Constitution and Rules
for Óglaigh na hÉireann.
€ 400 - 600
238
TRUCE FOUR COURTS, 1922
Internal documents relating to the truce ordered for the cessation to the
fighting in the Four Courts between 4th May until 8th May 1922, including
a statement from General Headquarters, Four Courts, Dublin and signed (in
print) by Owen Duffy and Liam Lynch; together with manuscript notes and
telegram to O’Connor stating:‘Agreement reached, army unified, Maguire’
€ 200 - 300
237
BATTALION REPORTS 2ND BRIGADE
WESTERN DIVISION, 1922
A collection of documents, manuscript
letters and detailed reports on 1st, 2nd and
3rd battalions including list of staff names,
companies, strength, etc.
€ 250 - 350

84
August
240
P.H PEARSE (1879 - 1916)
Handwritten letter from P.H. Pearse to Mícheál MacRhuairi in Irish, advising him that he had been supplied with suffi-
cient stories from the West of Ireland for his publication ‘Le Linn M’Óige’
Provenance: Vendor’s uncle was gifted letter by MacRhuairi family as a token of gratitude for building a commemoration of Micheal Mac-
Rhuairi
€ 5,000 - 7,000

85
Works on Paper
241
SGOIL EANNA
St. Enda’s School Rathfarnham, a detailed
Prospectus, in Irish and with English on fac-
ing pages, setting out the school’s staff and
programme for 1910-11, following its move
to Rathfarnham
Dublin: Dollard, n.d. [1919], small quarto, 16 un-
numbered pages, printed stapled wrappers in fine
conditions.
€ 250 - 350
242
P. H PEARSE
‘The Story of Success, Being a Record of St.
Enda’s College, September 1908 to Easter
1916’
Edited by Desmond Ryan, B.A. 1917, Maunsel &
Co. Dublin & London, signed by Gerard Crofts to
inside page; together with ‘The Irish At The Front’
By Michael McDonagh, 1916, Hodder and Stough-
ton. (2)
€ 500 - 800
243
AN ORIGINAL PORTRAIT
PHOTOGRAPH OF PATRICK PEARSE,
possibly by Lafayette of Dublin, half-length
Mounted on card, 11 x 16 cm
This is the famous portrait of Pearse which has be-
ing much reproduced over the last century. Fine.
€ 400 - 600

86
August
244
MAC PIARAIS, PÁDRAIC
Suantraidhe agus Goltraidhe, Baile Átha Cliath:The Irish Review, 1914.
19 pp. Printed blue stitched wrappers. Inscribed on the front free endpaper by Pearse “Do Cholm Ó Lochlainn / Ó Phádraic Mac Piarais. /
20 Bealtaine 1914”. Light sun-tanning to spine.
Patrick Henry Pearse (1879-1916) Irish teacher, poet, barrister, writer, nationalist, and revolutionary leader of the Easter Rising in 1916.
Following his execution along with fifteen others, Pearse came to be seen by many as the embodiment of the rebellion.
€ 1,500 - 2,000

87
Works on Paper
245
CAIRO GANG
Two ALS regarding the death of the Major Cholmeley Dowling (1891 - 1920), killed on Sunday 21st November 1920 at 28 Upper
Pembroke Street, Dublin. One from his sister Lillian to their Mother in London
Eight pages, and a second letter from a family friend Phyllis to his other sister Rene (Irene) in London, five pages on Shelbourne Hotel paper; together
with a photograph of Major Dowling, half length in uniform, 10 x 8cm
The ‘Cairo Gang’ was a group of British Intelligence agents who were stationed in Dublin during the Irish War of Independence. Their modus operandi
was to conduct surveillance and gather information on prominent figures within the IRA, with the express result, according to Irish intelligence, to
assassinate them. The origins of the synonymous name of the gang are somewhat disputed, some thinking it refers to a common history amongst it’s
members of serving in the Middle East, others that it was received due to the frequency with which the group met and held meetings at the Café Cairo,
on Grafton Street.
On the morning of November 21st 1920, a number of addresses around Dublin city were targeted by senior members of the IRA. The assassinations
were planned for the same day as the Gaelic football match between Dublin and Tipperary as the large crowds of spectators would make it easier for
the squad to move around the city undetected. The members of the Cairo Gang lived in boarding houses and hotels across the city, the location of
which was disclosed to Collins and his men through a source within Dublin Castle and a high-ranking police sergeant. Officers on Collins’ intelligence
staff had also been acting as double agents, meeting with members of the Cairo Gang, under the pretence of providing information about the IRA.
The first target was 28 Upper Pembroke Street, where Major Cholmeley was living. Squad members arrived at the house at 9:00am and were seen
jumping over the garden wall by Colonel Wilfrid Woodcock’s wife who did not initially think there was any reason to panic. However, when she saw him
remove a revolver from his pocket, she raised the alarm. As Lillian reports in her letter to her mother that Mrs Woodcock ‘had seen the man drop over
the garden wall with revolver, she screamed...and then she heard the shot.’
This ‘shot’ refers to the first round fired which killed Major Cholmeley and Captain Leonard Price. This moment is written in detail by Phyllis in her letter
to Rene. Affectionately referring to him as ‘Chum’ she recounts that ‘he was laughing and calling for his breakfast....when the men came up. There is a
thick stair carpet so they made no sound and they think that they did not call out or knock at the door but shot at Chum as he stood in the doorway,
clean through the heart’. Captain Leonard Price was another member of the Cairo Gang, also living in the house and he is remembered in Lillian’s letter
as a great friend of Cholmeley’s and when he was ‘at the Curragh, Price had said - I do miss my sweetheart...and he meant Chum’. Lillian and Phyllis both
visited Pembroke street and remarked how normal it seemed and upon entering Cholmeley and Price’s rooms finding ‘they are very quiet now - nothing
unusual but just the bullet marks in Chummy’s room, one in the ceiling and Captain Price’s in the side of the window sash.’
Three other men were shot, Captain Brian Christopher Headlam Keenlyside, Colonel Wilfrid Woodcock, and Lieutenant-Colonel Hugh Montgomery.
Woodcock was not an intelligence agent, he happened upon a confrontation on the first floor of the house as he was preparing to leave to command
a regimental parade at army headquarters. Dressed in his military uniform he was shot twice in the shoulder and back but survived.
In Lillian’s letter to their mother, she and Phyllis have just returned from the hospital and goes to great lengths to stress how peaceful her brother was
‘looking as happy and perfect in death as he ever looked in life’. A sentiment which is repeated by Phyllis in her letter to Rene, who speaks quite frankly
that she was very frightened at the thought of seeing a dead body for the first time but ‘Chum was so glorious and so beautiful - that we was just carried
away from ordinary sorrow. He was smiling and looking so peaceful and happy that you had to know and believe he was alright. ‘
She goes on further to recount their visit to 28 Upper Pembroke Street where they collected Cholmeley’s clothes and personal belongings remarking
on two particular items, ‘at present the watch is running but I think it has been taken off and kept in a safe place but it is not certain. I have the chain’.
Major Cholmeley was buried at Kensal Green Cemetery in London.
€ 1,500 - 2,000

Adam's Works on Paper ONILNE Auction Ending August 10th 2020

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Adam's Works on Paper ONILNE Auction Ending August 10th 2020