Adams Fine Jewellery & Watches 5th December 2017

Tuesday December 5th
2017
Fine Jewellery & Watches

2
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3
AUCTION
Tuesday 5th December 2017 at 6pm
VENUE
Adam’s Salerooms,
26 St. Stephen’s Green, Dublin D02 X665,
Ireland
SALE VIEWING DECEMBER 2nd
- 5TH
At Adam’s, 26 St. Stephen’s Green Dublin D02 X665

Saturday 2nd
December 1:00pm - 5 :00pm
Sunday 3rd
December 1:00pm - 5 :00pm
Monday 4th
December 10:00am - 5:00pm
Tuesday 5th
December 10:00am - 4:00pm
ADAM’S
Est.1887
26 St. Stephen’s Green
Dublin D02 X665
Tel +353 1 6760261
info@adams.ie
www.adams.ie
Private Viewing by appointment only

4
IMPORTANT INFORMATION FOR PURCHASERS
1. ESTIMATES AND RESERVES
These are shown below each lot in this sale.All amounts shown are in Euro. The figures shown are provided merely as a guide to prospective
purchasers.They are approximate prices which are expected, are not definitive and are subject to revision. Reserves, if any, will not be any higher
than the lower estimate.
2. PADDLE BIDDING
All intending purchasers must register for a paddle number before the auction. Please allow time for registration. Potential purchasers are recom-
mended to register on viewing days.
3. PAYMENT, DELIVERY AND PURCHASERS PREMIUM
Wednesday 6th December 2017. Under no circumstances will delivery of purchases be given whilst the auction is in progress. All purchases must
be paid for and removed from the premises not later thanWednesday 6th December 2017 at the purchaser’s risk and expense.After this time all
uncollected lots will be removed to commercial storage and additional charges will apply.
Auctioneers commission on purchases is charged at the rate of 20% (exclusive ofVAT). Terms: Strictly cash, bankers draft or cheque drawn on
an Irish bank. Cheques will take a minimum of five workings days to clear the bank, unless they have been vouched to our satisfaction prior to
the sale, or you have a previous cheque payment history withAdam’s. Purchasers wishing to pay by credit card (Visa & MasterCard) may do so,
however, it should be noted that such payments will be subject to an administrative fee of 1.5% on the invoice total. American Express is subject
to a charge of 3.65% on the invoice total. Debit cards including laser card payments are not subject to a surcharge, there are however daily limits
on Laser card payments. BankTransfer details on request. Please ensure all bank charges are paid in addition to the invoice total, in order to avoid
delays in the release of items.
Goods will only be released upon clearance through the bank of all monies due.
4. VAT REGULATIONS
All lots are sold within the auctioneersVAT margin scheme. Revenue Regulations require that the buyers premium must be invoiced at a rate
which is inclusive ofVAT. This is not recoverable by anyVAT registered buyer.
5. It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot.Whilst we make certain observations on the lot,
which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance only and should be
evaluated by personal inspection by the bidder or a knowledgeable representative.The absence of such a reference does not imply that an item is
free from defects or restoration, nor does a reference to particular defects imply the absence of any others.The condition report is an expression of
opinion only and must not be treated as a statement of fact.
Please ensure that condition report requests are submitted before 12 noon onTuesday 19th September as we cannot guarantee that they will be
dealt with after this time.
6. ABSENTEE BIDS
We are happy to execute absentee or written bids for bidders who are unable to attend and can arrange for bidding to be conducted by telephone.
However, these services are subject to special conditions (see conditions of sale in this catalogue). All arrangements for absentee and telephone
bidding must be made before 5pm on the day prior to sale. Cancellation of bids must be confirmed before this time and cannot be guaranteed after
the auction as commenced.
Bidding by telephone may be booked on lots with a minimum estimate of €500. Early booking is advisable as availability of lines cannot be guaran-
teed.
7. ALL LOTS ARE BEING SOLD UNDER THE CONDITIONS OF SALE AS PRINTED IN THIS CATALOGUE AND
ON DISPLAY IN THE SALEROOMS.

5
Amy McNamara BA
FINE ART DEPARTMENT
amymcnamara@adams.ie
Claire-Laurence Mestrallet BA, G.G
HEAD OF JEWELLERY
claire@adams.ie
CONTACTS AT ADAMS FOR THIS AUCTION
Niamh Corcoran BA
ADMINISTRATOR
niamh@adams.ie
Katie McGale BComm Intl, MPhil
FINE ART DEPARTMENT
katie@adams.ie
Helena Carlyle BA
ADMINISTRATOR
h.carlyle@adams.ie

6
Tuesday 5th December 2017
Jane McDonnell and Sarah McDonnell are founders of Gloss Publications,
a Dublin-based boutique publishing and events company and creative agency. Flagship
title THE GLOSS Magazine, with its mix of fashion, features, interiors and culture,
combines fresh contemporary design and distinctive editorial content aimed at the Irish
market, but with an international outlook.THE GLOSS is published with The Irish
Times on the first Thursday of every month, with the exception of March and Septem-
ber issues, published with The Irish Times on the first Saturday of the month. THE
GLOSS Interiors, with is also published in March and September. GPL publishes client
magazines, devises clever ideas for events and produces glossy books for the coffee table.
Its founders share with their readers a love of good design and little luxuries, including
trawling auction houses for interesting finds, and wonderful antique and contemporary
jewellery.
SARAH’s favourite:
Lot 55: I just adore this aquamarine cocktail ring, its shape and sparkle. Even though it’s a grand piece, its colour, my favourite
light blue, and delicate diamond setting make it seem light and feminine.
Lot 32:These antique diamond and rubyVan Cleef & Arpels cufflinks are divine. I’d like them for myself, to wear with a white
shirt, though they could look wonderful on the right man!
Lots 96 & 25:This antique diamond ring and antique pearl earrings with diamond surrounds could be purchased as a little set.
Worn casually every day, they would look like family pieces.
Lot 14:These littleVictorian brooches are just gorgeous, pretty on a jacket or even in your hair for a formal event.The brooch is
back in vogue, for all ages, and makes a really lovely gift.
Lot 100:This design of thisTiffany & Co gold cuff means it is supple enough to sit beautifully at the wrist. I’d wear this bold piece
with a sweater and jeans, rather than with eveningwear.
They both loved...
Lot 81:We both were drawn to this diamond bracelet: modern yet classic which won’t go out of fashion.The trick is to wear this
with something sleek and unfussy.
Lot: 193: Ditto for this unusual diamond ring with its intertwined leaf design.The raised setting means it really catches the light
and has a wonderful sparkle.And delicate diamond teardrop earrings have a place in every jewellery box.These are so pretty and
wearable.
96
25
14
81
193

7
JANE’s favourite:
Lot 69:This trio of modern bangles really appeals.The bangles are oblong, therefore much more comfortable and
practical to wear than round, and have a clean, contemporary look.
Lot 35: It’s rare to see a great long gold chain necklace like this.This one is particularly smart and would look
great with a simple wool dress.
Lot 82: I’m drawn to the colour and size of this smoky quartz in its simple setting, which allows the stone to be
the star of the ring.The colour is dark and dramatic, and works with a winter wardrobe.
Lot 56:This wide gold Cartier band has a modern architectural quality and makes quite a statement. Cartier is
known for its timeless approach to design: this ring will endure.
Lot 94:ThoseTiny gold hoops by Cartier are jewellery classics and adding small diamond clusters only makes
them more covetable.A great everyday pair, with a touch of the heirloom about them.
55
32
100
69
35
82
56
94

8
1
A LADY’S 18K GOLD MANUAL WIND TANK
WRISTWATCH, BY CARTIER, 1989
The 15-jewel manual wind movement, white dial with Roman
numerals, blued steel sword hands, with blue cabochon crown,
polished 18K gold round case with molded bezel, dial,case and move-
ment signed,on original leather strap,maker’s marks,serial no.670863289,
with Cartier case and original papers
€ 1,500 - 2,000
2
A GENTLEMAN’S GOLD PLATED MANUAL WIND
TANK WRISTWATCH, BY CARTIER, CIRCA 1980
The 17-jewel manual wind movement, cream dial with Roman nu-
merals, gilt steel sword hands, with blue cabochon crown, polished
rectangular shaped gold plated case, secret signature at 7 o’clock,
dial,case and movement signed,on maker’s leather strap,maker’s marks,
serial no.6079333,with Cartier case,case width (including crown):2.7cm
€ 800 - 1,000
3
A PAIR OF SAPPHIRE AND GOLD CUFFLINKS, BY CARTIER
Double-sided, each designed as two polished gold batons, each end set with sugarloaf
sapphires, mounted in gold,signed Cartier,numbered,length 2cm
€ 1,500 - 2,000

10
5

A TRINITY RING, BY CARTIER
The three interlocking hoops of rose, yellow and white gold, in 18K gold,
signed Cartier,1997,maker’s mark,French assay mark,with Cartier Box,ring size H
(46)
€ 350 - 550
4
A DIAMOND AND GOLD NECKLACE
The flat fancy-link chain necklace, with a collet-set round brilliant-cut diamond
to the centre, weighing approximately 0.35ct, mounted in 18K gold,length 46cm
€ 1,200 - 1,800

11
6

A JADE AND GOLD ‘ALHAMBRA’ NECKLACE,
BY VAN CLEEF & ARPELS
Composed of five quatrefoil-shaped links set with jade, mounted in
18K gold,signed VCA,numbered,French assay mark,length 38.8cm
€ 3,000 - 4,000
Van Cleef & Arpels created the firstAlhambra jewel in 1968.TheVintageAlhambra creations are very
faithful to the original design, distinguished by their unique, timeless elegance. Inspired by the clover leaf, these
icons of luck are adorned with a border of golden beads.
7
AN ONYX AND DIAMOND ‘ALHAMBRA’ RING,
BY VAN CLEEF & ARPELS
The polished onyx plaque of quatrefoil design, centrally-set with a
brilliant-cut diamond, mounted in 18K gold,signed VCA,maker’s mark,
numbered,ring size L (52)
€ 1,500 - 2,000

12
13
A LATE VICTORIAN GEM-SET BEE BROOCH,
CIRCA 1880
Realistically modelled as a bee, set throughout with rose-cut dia-
monds, the body set with a chatoyant dark yellowish-green gem,
mounted in silver and gold,French assay marks,numbered,length 3cm
€ 600 - 800
12
A LATE 19TH CENTURY NATURAL PEARL AND
DIAMOND CLOVER BROOCH, CIRCA 1880
Designed as a clover brooch, the natural drop pearls highlighted
with old brilliant and rose-cut diamonds, mounted in silver and gold,
diamonds approximately 0.60ct total,French assay mark,length 2.2cm
€ 2,000 - 3,000
Accompanied by a report from SSEF laboratory in Switzerland,
stating that the pearls are Natural, Saltwater. Report number 93895,
dated July 24th 2017
11
TWO 19TH CENTURY GEM-SET RINGS
Including a ring of marquise-shaped panel set throughout with old
cushion-shaped colourless stones, in closed back setting, to a trifur-
cated hoop,ring size M;Together with a ring designed as a snake, set
with a blue stone and two colourless stones for the eyes, ring size N
€ 300 - 500
10
A LATE 18TH/ EARLY 19TH CENTURY DIAMOND
RING
The rectangular-shaped brown diamond, within claw-setting, to a
plain gold hoop,ring size L
€ 500 - 700
9
A 19TH CENTURY AMETHYST, SEED PEARL AND
GOLD NECKLACE, CIRCA 1860-1880
Probably Spanish
The central pear-shaped amethyst within a surround of seed pearls
and scrolling work with matching graduated links, suspending from
a delicate ropetwist chain with further seed pearl links, mounted in
gold, length approximately 43cm
€ 1,000 - 1,500
8
A LATE 18TH/EARLY 19TH CENTURY CHRYSOBERYL
BROOCH
Probably Portuguese
The articulated brooch of stylised foliate design, terminating in a
pear-shaped cluster drop, set throughout with vari-cut chrysober-
yls, foiled and closed-back settings throughout, mounted in silver,
length 5.4cm
€ 600 - 800

14
15
A PAIR OF LATE 19TH CENTURY DIAMOND
EARRINGS, CIRCA 1890
Each old cushion-shaped diamond, surmounted by a smaller old
brilliant-cut diamond, mounted in silver and gold,principal diamonds
approximately 0.90ct total,length 2.2cm
€ 1,400 - 1,800
16
A VICTORIAN GOLD AND SEED PEARL BRACELET
The centre piece designed as a circular dome set throughout with
graduated seed pearls, between two round links with scrolling
designs, to further links of similar design each highlighted by a seed
pearl, finishing with a a double fancy-link chain bracelet, mounted in
gold,with security chain
€ 600 - 800
17
A LATE 19TH CENTURY RUBY BANGLE
Of openwork design, the frontispiece set with two rows of grad-
uated old cushion-shaped rubies, to a foliate reverse highlighted
with similarly-cut rubies, inner diameter 5.5cm
€ 1,000 - 1,500
18
A PAIR OF LATE 19TH CENTURY DIAMOND AND
SEED PEARL PENDENT EARRINGS, CIRCA 1880
Each quatrefoil cluster of old brilliant-cut diamonds within textured
collet settings, suspended from a cable-link chain interspersed
with similarly-cut diamonds, surmounted by a seed pearl within a
polished star motif surround, mounted in gold,diamonds approximately
0.60ct total,length 4.2cm
€ 300 - 500
19
A PAIR OF EARLY 19TH CENTURY DIAMOND
PENDENT EARRINGS
Each collet-set rose-cut diamond, suspending from a round rose-
cut diamond, mounted in silver and gold,length 3cm
€ 800 - 1,000
14
TWO VICTORIAN GEM-SET AND SEED PEARL
BROOCHES
The first brooch set with a foil-backed setting cushion-shaped
pink topaz, to a surround of seed pearls, mounted in silver and gold,
length 2.2cm;Together with a second brooch comprising a central
elongated oval-shaped orange topaz, within foil-backed setting, to a
surround of seed pearls and circular-shaped garnets, mounted in silver
and gold,length 2.4cm
€ 250 - 350

16
25
A PAIR OF PEARL AND DIAMOND EARRINGS
Each round-shaped pearl, within a surround of old brilliant-cut
diamonds, mounted in gold,diamonds approximately 1.60cts total,length
1.8cm
€ 1,200 - 1,600
24
A DEMANTOID GARNET AND SEED PEARL
PENDANT
Of flower design, set with circular-cut demantoid garnets and seed
pearls throughout,mounted in 15K gold,length 3.7cm
€ 300 - 500
23
A GOLD AND SAPPHIRE ‘SERPENT’ BANGLE,
CIRCA 1910
The highly articulated sprung wrap-around bracelet designed as a
serpent with basket-waved scales, accented by an oval-shaped sap-
phire head crown, to circular-cut sapphire eyes, mounted in 18K gold,
French import marks,diameter approximately 6.5cm
€ 800 - 1,200
22
AN AQUAMARINE AND DIAMOND BROOCH
The central oval-shaped aquamarine, highlighted with rose-cut
diamonds, length 4cm
€ 0 - 0
21
A PAIR OF MID 19TH CENTURY PENDENT
EARRINGS
Each circular cluster set with rose-cut diamonds, within a single-cut
diamond frame, in closed back settings, suspending from a similar-
ly-cut diamond surmount, mounted in silver and gold,length 3cm
€ 1,200 - 1,800
20
A VICTORIAN GOLD BANGLE BRACELET,
CIRCA 1870
The hinged bangle in the Etruscan revival style, with applied floral
scroll decoration throughout with wirework and beaded details,
mounted in gold,maker’s mark‘CB’,inner diameter 5.7cm,with gold
security chain
€ 800 - 1,000

18
26
A PAIR OF EDWARDIAN DIAMOND PENDANT
Each collet-set old brilliant-cut diamond surmount, suspending a
knife-wire bar with an old brilliant-cut diamond cluster terminal,
within millegrain setting, diamonds approximately 1.00ct total,
length 3cm
€ 500 - 700
27
A DIAMOND AND PEARL PENDANT, CIRCA 1910
The finely pierced openwork pendant set throughout with old
brilliant and rose-cut diamonds, suspending a fringe of similarly-cut
diamonds and seed pearls, mounted in platinum, diamonds approxi-
mately 1.50cts total, length 4.4cm
€ 1,000 - 1,500
28
A MOTHER-OF-PEARL AND DIAMOND PENDANT
ON CHAIN, CIRCA 1900
The oval-shaped carved mother-of-pearl plaque, depicting‘Saint
Christopher’, within an openwork frame of single and rose-cut
diamonds in millegrain setting, suspending from a fancy-link chain,
mounted in gold 18K gold, chain with French assay marks, pendant
length 4.7cm, chain length 44.5cm
€ 1,000 - 1,300
29
A PAIR OF PEARL AND DIAMOND PENDENT
Each collet-set button-shaped pearl, suspending from foliate
diamond connecting links, within millegrain setting throughout,
mounted in gold, cased by‘H. Pidduck & Sons Ltd, Hanley’, length
3.2cm
€ 800 - 1,000
30
A RUBY AND DIAMOND RING, CIRCA 1920
The collet-set round-shaped cabochon ruby, to a old single-cut
diamond leaf details, mounted in gold, ring size M½
€ 200 - 400
31
AN EARLY 20TH CENTURY DIAMOND RING,
CIRCA 1910
The three collet-set transitional brilliant-cut diamonds, set vertical-
ly along a rose-cut diamond plaque with pierced detail, mounted in
14K gold, diamonds approximately 0.50ct total, ring size R
€ 400 - 600
30

20
33
AN ART DECO DIAMOND, TORTOISE SHELL, ONYX AND PLATINUM
CIGARETTE HOLDER, CIRCA 1925
The tortoise shell holder accented by a rose-cut diamond band with millegrain detail decoration, to
further onyx bar, mounted in platinum,French assay mark,cased Lacloche frères,New Bond Street,length 9cm
€ 500 - 800
34
AN ART DECO DIAMOND DOUBLE-CLIP BROOCH, CIRCA 1930
The lozenge-shaped plaque, pierced and set throughout with round brilliant, marquise and baguette-cut
diamonds, mounted in platinum and gold,French import marks,diamonds approximately 6.00cts total,length
6.5cm
€ 4,000 - 5,000
32
A PAIR OF DIAMOND AND RUBY CUFFLINKS, BY VAN CLEEF & ARPELS,
CIRCA 1925
The circular-links decorated with transitional round brilliant-cut diamonds and calibré-cut ruby high-
lights within millegrain setting, each signedVan Cleef & Arpels and numbered,diamonds approximately 1.80cts
total,diameter for each link 1.2cm
€ 3,000 - 5,000
34

22
36
AN EARLY 20TH CENTURY DIAMOND AND ONYX RING, CIRCA 1920
The oval-shaped onyx plaque, set centrally with an old brilliant-cut diamond, within a scalloped
border, to a plain thin hoop, diamonds approximately 0.60ct,ring size N
€ 500 - 700
35
A GOLD SAUTOIR NECKLACE
The long necklace designed as a continuous series of fancy-links, in 18K gold,length
approximately 175cm
€ 3,000 - 3,500

23
37
A PEARL TIE STICK PIN
The stick pin, with a drop-shaped pearl finial, the measuring
approximately 10.44 x 8.11mm, mounted in gold,length 7.3cm,cased
‘Bucherer Juwelier und Uhrmacher,Zurich-Luzern,St Moritz-Lugano,
Interlaken’
€ 1,400 - 1,800
Accompanied by its original invoice from Bucherer, dated
November 25th 1949
BUCHERER
In 1888, Carl-Friedrich Bucherer and his wife Luise opened the first watch and jewellery store in Lucerne, Swit-
zerland and laid the cornerstone for a successful family business. His sons Ernst and Carl Eduard Bucherer, joined
the family-owned company in the 1920’s and thanks to their wide-ranging experience, they took the company to
even greater success.
Despite the crises of the 1930’s and the SecondWorldWar, the company continued to grow, and opened branches
in other Swiss cities and tourist destinations. In 1977, the third generation of family entrepreneurs took on the
management of the flourishing company. Under the direction of Jörg G. Bucherer it expanded into Austria in the
1980’s and Germany in the 1990’s.
Bucherer celebrated its 125th jubilee in 2013, and opened the world’s largest watch and jewellery store in Paris.

38
A GOLD AND PLATINUM BANGLE-BRACELET
WATCH, CIRCA 1940
The 17-jewel manual wind geometric millegrain-set platinum watch
with applied Arabic numerals within a surround of old marquise and
single-cut diamonds, to a gold fluted bangle with hinged clasp, bangle
mounted in 14K gold,serial number 3711,Movement name‘CrotonWatch Co.’,
inner diameter 5.8cm
€ 1,400 - 1,800

24
39
A DIAMOND AND GOLD BROOCH, BY STERLÉ, CIRCA 1955
Of stylised fern motif, highlighted with round brilliant-cut diamonds and one marquise-shaped
diamond accent, mounted in 18K gold,signed Sterlé Paris,numbered,maker’s mark,French assay mark,
length 8.5cm
€ 3,500 - 4,500
Pierre Sterléwas famed for his innovative approach to jewellery design using baguette-cut diamonds and co-
loured gemstones in sweeping, curling lines. He created pieces that were considered revolutionary by his contemporaries
for their creative originality and superior technical expertise. His designs embodied the dynamics of 1950s design and were
wrought with great movement and energy.
Son of a family of bankers, Sterlé was sent to live with his uncle, a jeweller in Paris, after the death of his father during the
FirstWorldWar. In 1934 he founded his own establishment and was supported by many large jewellery houses, such as
Boucheron and Chaumet, for whom he was already designing jewellery. Sterlé quickly acquired both international renown
and a clientele who enjoyed the exclusive nature and originality of his style. In 1945 Sterlé opened a third floor boutique at
43Avenue de l’Opera, near the PlaceVendôme, in a bid to distance himself from the general public at ground level. Herein-
to, the designer greeted and entertained leading fashion and society women of the day in an elite atmosphere.
His reputation was cemented when he won the De Beers Diamond Award, a major achievement in the jewellery profession,
for 3 consecutive years 1953, 1954 and 1955.Aside from the sheer beauty and grace of Sterlé's work, his greatest contribu-
tion to the jewellery industry was the invention of a gold plaiting technique calledTil d'ange.
The style of Pierre Sterlé is characterised by its inspirational designs, artistic treatment and technical mastery. His recurring
themes derived from nature, such as birds, wings, feathers, animals and various types of flowers, feature asymmetry and a
type of baroque extravagance, contrasted with geometric forms and opulent arabesques, observed in the traditional jewel-
lery of the era. Sterlé managed "to manipulate metal like no other before him".The technique used on the metal suggests
dripping, freezing or etching, resulting in braided, twisted and flexible ropes of gold.
Despite coming from a family of financiers, Sterlé was a poor businessman, his perfumes and boutique were financial disas-
ters, leading to the liquidation of his company in 1976. During the final years of his life, he became a technical consultant at
Chaumet. However, thirty years after his death, the items created by him continue to have a strong following at auction.

25
41
A PAIR OF DIAMOND AND GOLD EARCLIPS, BY STERLÉ, CIRCA 1955
Each designed as a stylised flower, highlighted with round brilliant-cut diamonds, mounted in 18K gold,signed Sterlé Paris,
numbered,maker’s mark,French assay mark,length 2.7cm
€ 3,000 - 4,000
40
A FINE GOLD AND DIAMOND EVENING EVENING BAG, BY STERLÉ, CIRCA 1955
Of basketweave design, the hinged lid edged with round brilliant-cut diamonds weighing approximately
3.00cts total, the interior fitted with a mirror, mounted in 18K white and yellow gold,signed Sterlé Paris,numbered,
maker’s marks,French assay marks,width approximately 18cm,length approximately 7.5cm,with black satin holder
€ 10,000 - 12,000

26
42
A CULTURED PEARL NECKLACE WITH AN
EMERALD AND DIAMOND PENDANT CLASP
The single row of 9.77mm cultured pearls to a cluster pendant
clasp centred with a rectangular-cut emerald, within a surround of
round brilliant-cut diamonds and a princess-cut diamond surmount,
mounted in 18K gold,emerald approximately 4.30cts,diamonds approxi-
mately 0.70cts total,length approximately 46cm
€ 4,500 - 5,500
* Please note that the necklace has an extra pearl clasp to be
alternatively worn without the emerald pendant
43
A DIAMOND SINGLE-STONE RING
The transitional round-shaped diamond, weighing approximately
0.70ct, within a four-claw setting, between single-cut diamond shoul-
ders, mounted in platinum,ring size M
€ 1,600 - 1,800
44
AN EMERALD AND DIAMOND CLUSTER RING
The step-cut emerald, weighing approximately 3.20cts, within a
double four-claw setting, to round brilliant-cut diamond frame,
mounted in 18K gold,diamonds approximately 0.90ct total,ring size M
€ 2,500 - 3,500
45
A PAIR OF CULTURED PEARL AND DIAMOND
PENDENT EARRINGS
Each pavé-set round brilliant-cut diamond drop-shaped surmount,
suspending a round-shaped South Sea cultured pearl, of white tint,
mounted in 18K gold,diamonds approximately 1.10cts total,length 3.8cm
€ 1,300 - 1,700
46
The princess-cut diamond, weighing approximately 0.80ct total,
between pavé-set diamond shoulders, mounted in 18K gold,remaining
diamonds approximately 0.50ct total,French assay mark,ring size P
€ 1,200 - 1,800
47
A PAIR OF DIAMOND EARRINGS
Each hoop pavé-set with brilliant-cut diamonds to the front and
back, with circular-cut black diamond accents, mounted in gold,
diamonds approximately 2.00cts total,inner diameter 2cm
€ 2,000 - 2,500

28
49
A PAIR OF CULTURED PEARL AND DIAMOND
PENDENT EARRINGS
Each set with a round-shaped cultured pearl of grey tint, measuring approximately 10.80mm,
suspending a round brilliant-cut diamond, terminating with a white drop-shaped, cultured
pearl, mounted in 18K gold,diamonds approximately 0.20ct total,length 2.8cm
€ 800 - 1,200
48
A CULTURED PEARL NECKLACE WITH A SAPPHIRE
CLASP
Composed of a single strand of baroque graduated South Sea cultured pearls,
measuring approximately 17.70mm - 13.71mm, to a sapphire pavé-set clasp,
mounted on 14K blackened gold,length 45cm
€ 1,600 - 2,200

29
50
A CULTURED PEARL NECKLACE WITH DIAMOND
CLASP
Composed of a single strand of round graduated South Sea cultured
pearls, measuring approximately 15.39mm - 12.89mm, to a diamond
pavé-set clasp mounted in 14K gold,diamonds approximately 0.30ct total,
length 45.8cm
€ 3,200 - 4,200
51
A DIAMOND BRACELET
Composed of eleven clusters of round brilliant-cut diamonds, each within a frame of similarly-cut diamonds,
interspersed by openwork diamond-set marquise-shaped links, mounted in 18K gold,diamonds approximately
4.00cts total,length 17.3cm
€ 4,000 - 5,000

30
52
A DIAMOND LINE NECKLACE
Composed of a continuous row of graduated round brilliant-cut
diamonds, mounted in 18K gold,diamonds approximately 4.50cts total,
length 42cm
€ 4,200 - 5,200
53
A DIAMOND DRESS RING
The fan-shaped motifs at the front, each set with baguette-cut
diamonds, mounted in gold,diamonds approximately 1.00ct total,ring
size N½
€ 600 - 800
54
A PAIR OF DIAMOND EARSTUDS
Each round brilliant-cut diamond, within a four-claw setting,
mounted in gold
€ 500 - 700
55
AN AQUAMARINE AND DIAMOND DRESS RING
The rectangular-cut aquamarine, weighing approximately 11.00cts,
within a multi-claw settings, and between single-cut diamond shoul-
ders, mounted in 18K gold,ring size J
€ 1,200 - 1,800
56
A PAIR OF AQUAMARINE AND DIAMOND
EARRINGS, BY MARGHERITA BURGENER
Each round-shaped cabochon aquamarine, within a frame of
round brilliant-cut diamonds, mounted in 18K gold,aquamarines
30.26cts total,diamonds 1.46cts total,signed Margherita Burgener,
maker’s marks,Italian assay marks,length 2cm
€ 3,000 - 3,500
57
A DIAMOND LINE BRACELET
The continuous line of round brilliant-cut diamonds, each within a
four-claw setting, mounted in 18K gold,diamonds approximately 1.60cts
total,length 18cm
€ 1,500 - 2,000

32
58
A PAIR OF DIAMOND AND TITANIUM EARRINGS,
BY MARGHERITA BURGENER
Each designed as a stylised leaf of green tint, accented by pavé-set
diamond borders, mounted in 18K gold and titanium,diamonds 0.48ct
total,with maker’s marks,with Italian assay marks,with maker’s box,length
2.6cm
€ 1,300 - 1,800
59
A GEM-SET AND DIAMOND CROSS PENDANT
The Latin cross set with oval-shaped amethyst, citrine, peridot
and tourmaline cabochons, centrally-set with a round brilliant-cut
diamond, mounted in 18K gold,length 8cm
€ 700 - 900
60
A PAIR OF FANCY COLOURED DIAMOND AND
DIAMOND PENDANT EARRINGS
Each oval-shaped yellow diamond, within a brilliant-cut yellow
diamond surround, to a further similarly-cut diamond frame,
suspended from a similarly-cut diamond surmount, mounted in 18K
gold,diamonds approximately 0.80ct total,length 2.7cm
€ 1,300 - 1,700
* Please note that the yellow diamonds have not been tested for
natural yellow colour
61
A COLOURED DIAMOND AND DIAMOND
BRACELET
Composed of sixteen collet-set, princess-cut, yellow diamonds,
each framed by round brilliant-cut diamonds, each interspersed by
similarly-cut diamond links, mounted in bi-colour 18K gold,diamonds
approximately 5.00cts total,English hallmarks,length 18.7cm
€ 3,500 - 4,000

33
62
A CHALCEDONY AND DIAMOND NECKLACE,
BY MARGHERITA BURGENER
Composed of thirty-three lavender chalcedony beads, interspersed with
round brilliant-cut diamond rondelles on front, to a similarly-cut diamond
clasp. suspending a three-bead line of similar design, mounted in 18K gold,di-
amonds 1.17cts total,signed Margherita Burgener,maker’s mark,Italian assay mark,
maker’s case,length 45.4cm
€ 3,000 - 4,000
63
A PAIR OF DIAMOND EARRINGS, BY MARGHERITA
BURGENER
Each composed of three interlocking hoops, pavé-set with round brilliant-cut diamonds,
mounted in titanium and 18K gold,diamonds 1.40cts total,signed Margherita Burgener,maker’s
marks,Italian assay marks,maker’s case,length 2.8cm
€ 2,400 - 2,800

34
64
AN IMPORTANT FANCY COLOURED DIAMOND RING
The cushion-shaped diamond, weighing 7.00cts, within a six-claw setting, mounted in 14K gold,ring size D½
€ 50,000 - 80,000
Accompanied by a report from the GIA laboratory in America, stating that the diamond weighing 7.00cts, is
of FancyYellow colour, SI1 clarity. Report number 15124514, dated October 5th 2017
FANCY-COLOURED DIAMONDS
Diamonds that come in colours beyond the normal colour range of D to Z, are known as Fancy-Coloured Diamonds.They
can come in colours such as deep yellows and browns, as well as pinks, oranges, blues and greens.
Tiffany’s famous yellow diamond,‘TheTiffany’ a cushion-shaped CanaryYellow diamond, has firmly planted the desire
for this wonderful yellow hue to grace our fingers or necklines.Yellow diamond engagement rings sported by Hollywood
stars, such as Olivia Palermo, Jennifer Lopez, Heidi Klum and JessicaAlba prove that our adoration of yellow diamonds is
steadfast.
However, this love affair with yellow diamonds is nothing new, there is a long history of extraordinary yellow diamonds
that gained fame, both as exquisite examples of the beautiful nature of diamonds, and because of the famous people who
wore, bought and sold them. Some examples of notable yellow diamonds are The Allnatt (cushion-cut diamond, FancyVivid
Yellow 102.29ct), The Florentine (irregular nine-sided shape, LightYellow, 139ct),The Incomparable (shield- shaped step-cut,
Fancy BrownishYellow, 407.48ct)The Mouna (cushion-cut diamond, IntenseYellow, 112.53ct),The Porges (Asscher-cut,
Yellow, 78.53ct) and The Red Cross (cushion-cut, CanaryYellow, 205.07ct).
Fancy coloured diamonds are far more rare than diamonds in the normal colour range.A diamond, particularly a yellow
one - that shows colour that’s deeper or more intense or vivid than a Z colour stone moves it from the ranks of normal
coloured diamonds to the realm of fancy-coloured diamonds. Rarity has a profound impact on diamond value.

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66
A GOLD BRACELET, CIRCA 1960
The integral finely interlocking rope-twist link bracelet, in 14K gold,
length approximately 18.3cm
€ 500 - 700
67
A CRYSTAL AND GOLD ‘POP’ RING,
BY BACCARAT
The carved orange crystal ring, highlighted with a central 18K gold
string,with French assay mark,signed‘Baccarat’,ring size L
€ 150 - 200
68
A BLUE CHALCEDONY AND GOLD ‘LUNA’ RING,
BY POMELLATO
The cushion-shaped blue chalcedony cabochon, mounted in 18K gold,
signed Pomellato,Italian assay marks,ring size F
€ 800 - 1,000
69
A SET OF THREE GOLD BANGLE BRACELETS
Composed of three 18K gold tri-coloured oblong-shaped gold
bangles, inner diameter 6.4cm,
€ 2,500 - 3,000
70
A PAIR OF AMETHYST AND GOLD ‘NUDO’
EARRINGS, BY POMELLATO
Each earring set with a square faceted‘Rose de France’ amethyst,
to a polished bar surmount, mounted in 18K gold,signed Pomellato,
numbered,Italian assay marks,length 2cm
€ 600 - 800
65
A ROSE GOLD AND DIAMOND NECKLACE
The fine trace-link chain, suspending to the front five collet-set
round brilliant-cut diamonds, mounted in 18K gold,Italian assay marks,
length 40cm
€ 350 - 550
70

38
71
AN OPAL AND DIAMOND RING
The oval-shaped opal cabochon, within a four-claw setting, between baguette-cut diamond shoulders, mounted
in platinum,diamonds approximately 0.90ct total,ring size L
€ 1,500 - 2,000
72
A RUBY AND DIAMOND DRESS RING
The cushion-shaped ruby, within a domed setting, highlighted on each side by a round brilliant-cut diamond,
mounted in 18K gold,French import mark,ring size M½
€ 3,000 - 4,000
Accompanied by a report from Gem & Solid Phase laboratory in France, stating that the ruby is natural, with
no indications of heat treatment. Report number 20190928-2, dated October 1st 2017.

39
73
The round brilliant-cut diamond, weighing 3.07cts, within a six-claw setting, between baguette-cut diamond
shoulders, mounted in platinum,ring size M
€ 24,000 - 26,000
Accompanied by a report from HRD laboratory inAntwerp, stating that the diamond is H colour, SI1 clarity.
Report number 15039886001, dated December 22nd 2015

40

74
The round-shaped diamond, weighing 1.00ct, within round brilliant-cut diamond
shoulders, mounted in 18K gold,remaining diamonds approximately 0.12ct total,ring size K
€ 2,500 - 3,500
Accompanied by a report from IGI laboratory in Belgium, stating that the diamond
is E colour, SI1 clarity. Report number F6F14904, dated June 28th 2013
75
A SAPPHIRE AND DIAMOND RING
The cushion-shaped sapphire, weighing 4.86cts, within a four-claw setting, to a trio
of round brilliant-cut diamond shoulders, mounted in 18K gold,diamonds approximately
0.20ct total,ring size M¾
€ 5,000 - 7,000
Accompanied by a report from GCS laboratory in London, stating that the sapphire
weighing 4.86cts, is of Sri Lankan origin, with no indications of heating. Report
number 77118-29, dated September 4th 2017
76
A DIAMOND ETERNITY RING
Set with a continuous row of round brilliant-cut diamonds, each within a four-claw
setting, mounted in 18K gold,diamonds approximately 1.20cts total,Italian assay marks,
ring size O½
€ 1,400 - 1,800

41

77
A FINE DIAMOND LINE NECKLACE
Designed as a graduating line of round brilliant-cut diamonds, weighing approximately
23.00cts total, mounted in 18K gold,Italian assay mark,length 41.5cm
€ 20,000 - 25,000

42
78
A SINGLE-STONE DIAMOND RING
The round brilliant-cut diamond, weighing 1.00ct, within a six-claw setting, to similarly-cut
diamond shoulders, mounted in platinum,ring size K¼
€ 3,000 - 4,000
Accompanied by a report from GCS laboratory in London stating that the diamond is H
colour,VS1 clarity. Report number 5777-9743, datedApril 7th 2017
79
A SAPPHIRE AND DIAMOND CLUSTER RING
The cushion-shaped sapphire, weighing 6.06cts, within a multi-claw setting, to a brilliant-cut
diamond surround and shoulders, mounted in 18K gold,diamonds approximately 0.70ct total,with
maker’s mark,London assay mark,ring size M
€ 5,500 - 7,500
Accompanied by a report fromThe Gem & Pearl Laboratory in London, stating that the
sapphire weighing 6.06cts, is of Sri Lankan origin, with no indications of heating. Report
number 14827, dated September 22nd 2017
80
Each designed as a flowerhead, set with round brilliant-cut diamonds throughout, mounted in
18K gold,diamonds approximately 0.30ct total,Italian assay marks,length 0.7cm
€ 500 - 700

43
81
A FINE DIAMOND BRACELET
The articulated bracelet composed of a series of trios of baguette-cut diamonds, between borders of similarly-cut
diamonds, mounted in platinum,diamonds 16.28cts total,cased by Weir & Sons,length 17cm
€ 12,000 - 14,000

44
82
A SMOKY QUARTZ COCKTAIL RING
The large rectangular-cut smoky quartz, weighing approximately
70.00cts, within a frame of rope-twist gallery, to a bifurcated hoop,
mounted in 18K gold,ring size O½
€ 500 - 700
83
A GEM-SET AND GOLD CHARM BRACELET
The chain-link bracelet, suspending five charms, including a padlock,
a wheelbarrow, a carriage, a gem-set drum, and a pepper, the charms
and chain in 18K gold,length 19cm
€ 700 - 900
84
A FANCY-LINK GOLD BRACELET
Of flat polished rectangular-shaped links, each interspersed by tex-
tured double tubular bars, within borders of beeded details, 18K gold,
English hallmarks 1966,cased by Harrods,London S.W,length 20.3cm
€ 1,300 - 1,700
85
AN AMETHYST AND DIAMOND FLOWER BROOCH
Designed as a tulip, the pear-shaped amethyst, carved with floral
details on both front and reverse, the thin petals highlighted with
single-cut diamonds, to a trifurcated gold stem, mounted in silver and
gold,length 7.2cm
€ 400 - 700
86
A RUBY AND GOLD BOW BROOCH
The double-loop bow of rope twist design, highlighted with oval-
shaped ruby cabochons, mounted in gold,length 5.8cm
€ 1,200 - 1,400
87
AN RETRO AQUAMARINE DRESS RING, CIRCA 1955
The elongated rectangular-cut aquamarine, weighing approximately
14.00cts, within a four-claw setting, to an openwork gallery and
bifurcated hoop, mounted in 18K gold,ring size J
€ 700 - 900
83
84

46
88
A GENTLEMAN’S GOLD PLATED MANUAL WIND
TANK WRISTWATCH, BY CARTIER, CIRCA 1980
dial,case and movement signed,on maker’s leather strap,maker’s marks,
serial no.6079242,with Cartier case,case width (including crown):2.7cm
€ 800 - 1,000
89
A GOLD MANUAL WIND WATCH, BY ROLEX,
CIRCA 1930
Of manual wind movement, the silver dial with Arabic numerals and
luminous hands and subsidiary seconds at 6 o’clock, in a square-
shaped gold case, dial and movement signed, case mounted in 9K gold,
with Swiss assay mark,on leather strap,case width (including crown) 2.7cm
€ 600 - 800

47
90
A LADY’S GOLD PLATED MANUAL WIND TANK
The 17-jewel manual wind movement, cream dial with Roman
numerals, blued steel sword hands, with blue cabochon crown,
polished rectangular shaped gold plated case, secret signature at 7
o’clock, dial,case and movement signed,original maker’s leather strap,
maker’s marks,serial no.3075760,with Cartier case and original papers,
case width (including crown):2.3cm
€ 600 - 800
91
A GENTLEMAN’S MANUAL WIND WRISTWATCH,
BY ROLEX, CIRCA 1940
The 17-jewel manual wind movement, silvered dial with subsidiary
seconds and 1/4 century club hour markers, polished rectangular 14K
gold, gold case with fluted lugs, snap on back, on leather strap, movement
signed Rolex,numbered 75779,Swiss assay marks,width 2.4cm
€ 1,500 - 2,000
‘Quarter Century Club’ watches were made specifically for theT.Eaton
Co, which was a major Canadian department store, and were awarded
to employees after completing 25 years of service.

48
92
A DIAMOND, LACQUER AND GOLD ‘TRINITY’
BRACELET, BY CARTIER
Designed as three interlocking tri-coloured bands, one band
enhanced with pavé-set diamonds, one band enhanced with black
lacquer panther spots, one polished rose-gold band, mounted in 18K
gold,diamonds approximately 4.50cts total,signed Cartier,numbered,mak-
er’s mark,maker’s box with suede cushion,inner diameter 6.4cm
€ 7,000 - 9,000
93
A DIAMOND AND GOLD RING, BY CARTIER
The polished yellow gold hoop, set with 8 rows of round bril-
liant-cut diamonds, mounted in 18K gold,signed Cartier,maker’s marks,
numbered,ring size R¼ (58)
€ 1,200 - 1,800
94
A PAIR OF DIAMOND-SET GOLD EARHOOPS,
BY CARTIER
Each gold hoop, accented with a brilliant-cut diamond quatrefoil,
mounted in 18K gold,diamonds approximately 0.50ct total,signed Cartier,
numbered,maker’s mark,French assay marks,with Cartier box,length 3cm
€ 1,500 - 2,000
95
A LADY’S 18K GOLD ‘TANK FRANCAISE’
BRACELET WATCH, BY CARTIER
The 4-jewel Cal-57 quartz movement, white dial with black Roman
numerals, secret signature within 10 o’clock, blued steel hands,
water-resistant type rectangular case with reverse secured by four
gold screws, sapphire cabochon crown, on fitted 18K gold Cartier
bracelet with concealed double folding buckle, case,dial and movement
signed,serial no.277517CE,ref.no.2385,with Cartier box
€ 3,500 - 4,500
THE TRINITY BY LOUIS CARTIER
The iconicTrinity ring was designed in 1924 by Louis Cartier, in response to a commission from
artist and writer Jean Cocteau.The sleek and simple design of three interlocking rings of different
colour gold quickly became a Cartier classic and inspired a whole collection of intertwined jewels.
The rose gold band represents love, the yellow gold band fidelity, and the white gold band friend-
ship, and in combination are a lasting symbol of relationships.TheTrinity models are also a technical
accomplishment with the three bands sliding smoothly over the skin.

50
96
A DIAMOND CLUSTER RING
The four central transitional round-cut diamonds, within a similar-
ly-cut diamond frame, to an openwork gallery, mounted in 18K gold,
diamonds approximately 1.00cts total,ring size M
€ 800 - 1,000
97
AN EARLY 20TH CENTURY DIAMOND SINGLE-
STONE RING, CIRCA 1910
The central collet-set old brilliant-cut diamond, to a millegrain-set
with rose-cut diamond throughout, mounted in platinum,ring size L
€ 500 - 700

51
99
A PAIR OF DIAMOND CLUSTER EARSTUDS
Each old brilliant-cut diamond, weighing approximately 1.90cts,
within a similarly-cut diamond surround, mounted in gold,remaining
diamonds approxiamtely 1.30cts total,length 1.5cm
€ 6,000 - 8,000
98
The central transitional brilliant-cut diamond, weighing approx-
imately 3.50cts, between millegrain-set tapering shoulders of
single-cut diamonds, mounted in platinum,ring size J
€ 7,000 - 9,000

52
100
A RUBY AND GOLD BRACELET,
BY TIFFANY & CO., CIRCA 1960
Composed of three rope-twist bands, each link highlighted by circu-
lar-cut rubies, mounted in 18K gold,signedTiffany & Co.,length 18.8cm
€ 4,000 - 5,000
101
A RUBY AND DIAMOND PENDANT ON CHAIN
The pendant of openwork design, set with an oval-shaped ruby
cabochon, within a frame of old brilliant-cut diamonds, to a further
surround of similarly-cut diamonds, suspending from a trace-link
chain, mounted in 18K gold,diamonds approximately 2.60cts total,French
assay marks,pendant width 3.4cm,length 2.3cm,necklace length 43cm
€ 1,800 - 2,200
102
A RUBELLITE TOURMALINE AND DIAMOND
RING
Set with a cushion-shaped rubellite tourmaline, within a double four-
claw setting, between pavé-set diamond shoulders, mounted in 18K
gold,diamonds approximately 0.40ct total,ring size I
€ 700 - 900
103
A SAPPHIRE AND RUBY RING
Of crossover design, each shoulder set with a pear-shaped ruby
and sapphire, each highlighted by calibré-cut sapphires and rubies,
mounted in 18K gold,ring size N
€ 350 - 450
104
The continuous line of collet-set round brilliant-cut diamonds,
mounted in 18K gold,diamonds approximately 1.10cts total,length 16cm
€ 700 - 900
105
The oval-shaped sapphire, weighing 2.98ct, within a surround of
round brilliant-cut diamonds, to further similarly-cut diamonds
shoulders, mounted in 18K gold,diamonds approximately 0.30ct total,
ring size M
€ 2,000 - 3,000
Accompanied by a report fromThe Gem & Pearl Laboratory in
London, stating that the sapphire weighing 2.98cts, is of either Sri
Lanka or Madagascan origin, with no indications of heating. Report
number 14305, dated June 9th 2017
100

54
106
A GEM-SET AND DIAMOND ‘SPIDER WEB’
PENDANT NECKLACE, BY CHAUMET
Whimsically designed as a spider web set with brilliant-cut diamonds, suspending an insect
set with an oval-shaped amethyst cabochon and a similarly-cut diamond, linked by a circu-
lar-cut pink sapphire, to a double trace-link chain, mounted in 18K gold,diamonds approxi-
mately 0.80ct total,chain and pendant signed Chaumet Paris,numbered,French assay marks,pendant
length 7.5cm,necklace length 42.5cm
€ 3,000 - 5,000
* Please note that the suspending insect is detachable
107
A GEM-SET AND DIAMOND BROOCH, BY CHAUMET
Designed as stylised insect, set with polished mother-of-pearl wings, circular-cut rubies
and sapphires, accented with similarly-cut diamond eyes, mounted in 18K gold,signed‘Chau-
met Paris’maker’s mark,French assay mark,length 4cm
€ 1,500 - 2,000
Chaumet was founded in 1780 by Marie-Etienne Nitot, with an establishment at the heart of placeVendôme. His creativity and quality of
workmanship, led him to become one of the most sought-after jewellers in Europe and thus establish a loyal and prestigious clientele.
The history of Chaumet has been entwined with the History of France, with Nitot and his son, Francois Regnault Nitot becoming the official
jeweller to Napoleon during the Consulate and the Empire. Napoleon’s marriage to Joséphine, then to Marie-Louise of Habsburg-Lorraine,
Queen Marie-Antoinette’s great-niece, resulted in some impressive commissions for Chaumet.
Following the fall of the Empire, Nitot’s successors Jean-Baptiste Fossin and his son, Jules, dedicated themselves to romantic jewellery inspired
by the decorative arts of the Italian Renaissance and of the French 17th-century.
In 1848, Jules Fossin set up a London branch in partnership with J.V., Morel, assisted by his son Prosper. On his return to Paris in 1954,
Prosper Morel joined Jules Fossin whom he succeeded in 1868. Prosper Morel’s daughter married Joseph Chaumet in 1875.With exceptional
creativity and inspired by the re-enchantment of nature, Joseph Chaumet came to be recognised as an undisputed master of the Belle Époque.
In 1889, Chaumet took over the company and gave his name to the House.
In the 1920’s Chaumet’s jewellery styles became more geometric in line, following art deco style, characterised by strong contrasts in colours
and materials, the use of semi-precious stones, black and white, as well as exotic inspirations.The 1930’s saw Chaumet becoming more femi-
nine, continuing its style while exploring a certain modernity that echoed fine Parisian taste, ever in search of novelty and the avant-garde. In
1970, gold jewellery, sometimes set with hardstone, bronze or mother-of-pearl, was on offer in a new boutique concept.
Chaumet’s legacy of bucolic beauty is a deep well of inspiration that bridges past and present designs.Today, the bees share Chaumet’s gar-
den-inspired Jardin’s Collection with the spider, weaving its perilous web, playing their game of amorous hide-and-seek.The‘Hortensia’ col-
lections invite us into a delicate garden filled with vibrant colour, the‘Bee my love’ collection, including the diamond bee and the honeycomb
motif, celebrate an imperial pledge of love and the‘Attrape Moi’ collection once again highlights the bee.
For more than 230 years Chaumet’s excellence in high Jewellery has been passed down through generations of jewellers. Diamonds and
precious stones, carefully selected for their exceptional clarity and brilliance, are sculpted into round, cushion, oval, emerald or the House’s
signature pear-shaped cut, and then the jewellers, stone setters, polishers and engravers give life to the jewels, exhibited in magnificent pieces
of jewellery.

55
108
The cushion-shaped diamond, weighing 2.08cts, within a four-claw setting, between round brilliant-cut diamond
shoulders, mounted in 18K gold,remaining diamonds 0.12ct total,ring size L¾
€ 15,000 - 17,000
Accompanied by a report from GIA laboratory inAmerica, stating that the diamond is G colour,VS1 clarity.
Report number 16435796, dated December 24th 2007

56
109
A TRINITY TRI-COLOUR ALARM DESK CLOCK,
BY CARTIER
The silver dial with applied Roman numerals, inner minute track &
secret signature at X o’clock, quartz movement, rose, yellow and
white gold plated rings surrounding the clock case, signed Cartier,
quartz movement signed,with maker’s box and papers,the outer diameter
approximately 73mm
€ 500 - 800
110
A LADY’S STAINLESS STEEL AND GOLD ‘OYSTER
PERPETUAL DATEJUST’ BRACELET WRISTWATCH,
BY ROLEX
The 29-jewel Cal 2135 automatic self-winding movement, circular
white dial with Roman numerals accented by luminous dots, luminous
baton hands and centre seconds, date aperture under magnifying lens
at 3 o’clock, steel case with fluted gold bezel, screw down back and
oyster crown, on fitted steel and gold Rolex bracelet with folding
clasp, case,dial and movement signed,serial numberT124482,ref.no.69173,
diameter (including crown) 2.8cm
€ 1,200 - 1,800
111
A STAINLESS AUTOMATIC CALENDAR ‘TANK
FRANCAISE’ BRACELET WATCH, BY CARTIER
The 20-jewel Cal-120 automatic movement, silvered guilloché
engraved dial with black Roman numerals, black inner minute divi-
sions with five minute markers, secret signature at 7 o’clock, blued
steel sword hands, date aperture at 6 o’clock, brushed and polished
rectangular case with back secured by 4 screws, sapphire cabochon
crown, fitted brushed link bracelet with signed double folding clasp,
case, dial and movement signed,serial no.CC807224,ref.no.2302,with
Cartier pouch,case width (including crown) 3.2cm
€ 1,200 - 1,800
112
A LADY’S STAINLESS AND DIAMOND-SET
CONSTELLATION BRACELET WATCH, BY OMEGA
5-jewel Cal. 1376 quartz movement, white mother-of-pearl dial with
diamond-set quarter hour markers, polished baton hands, polished
rectangular case with back secured by 4 screws, diamond-set bezel
with riders at 3 and 9 o’clock, fitted brushed brick link bracelet with
signed folding clasp, case,dial and movement signed,ref.no.1528760,
Serial no.57665548,case width (including crown):2.2cm,with maker’s
pouch and papers
€ 800 - 1,200

113
A LADY’S 18K GOLD MANUAL WIND WATCH,
BY PIAGET
The 18 jewel Cal-9P2 manual wind movement, the round-shaped
blue dial, with baton markers and hands, to a polished case and
sapphire cabochon crown, dial, movement and buckle signed, on
leather Piaget leather strap, in 18K gold,Swiss assay mark,Serial no.
349685,ref.9822 & 119,case width (including crown):2.6cm
€ 500 - 800
114
A STAINLESS STEEL AND GOLD AUTOMATIC
‘SANTOS’ BRACELET WATCH, BY CARTIER
The 17-jewel Cal-2670 automatic movement, white dial with black
Roman numerals, black inner minute track, secret signature at
10 o’clock, blued steel sword hands, centre seconds, brushed and
polished rectangular monococque case, gold bezel with 8 screws
at the back, sapphire cabochon crown, bracelet with fitted brushed
steel link with decorative gold screws, signed folding clasp, case,dial
and movement signed,serial no.090202044,ref.no.AC1430,case width
(including crown):2.7cm
€ 800 - 1,200

58
115
A DIAMOND PENDANT ON CHAIN
The pendant design as a circular row of baguette-cut diamonds,
suspended from a fancy-link chain, mounted in 18K gold,diamonds
approximately 0.90ct total,pendant length 1.6cm,necklace length 43cm
€ 550 - 750
117
A PAIR OF DIAMOND PENDENT EARRINGS
Each marquise-shaped drop set throughout with graduating round
brilliant-cut diamonds within a frame of similarly-cut diamonds,
suspending from a similarly-cut diamond spacer and surmount,
mounted in 18K gold,diamonds approximately 1.50cts total
€ 1,400 - 1,800
118
The round brilliant-cut diamond, weighing approximately 0.95ct,
within a four-claw setting, to a frame of similarly-cut diamonds,
suspending from a flat curb-link chain, mounted in 18K gold,length
40.5cm
€ 1,000 - 1,500
120
A CORAL CLUSTER PENDANT/BROOCH
The central round-shaped coral cabochon set with a gold star motif,
within an openwork double surround of cylindrical-shaped coral
beads, each set with a dome-shaped gold detail, mounted in silver and
gold,length (including bale) 4cm
€ 250 - 350
119
A VICTORIAN DIAMOND FIVE-STONE RING
Of openwork carved half-hoop design, set with a graduated row of
old round brilliant-cut diamonds, with rose-cut diamond accents,
mounted in 18K gold,diamonds approximately 1.30cts total,ring size M
€ 700 - 1,000
116
AN AMETHYST AND DIAMOND NECKLACE WITH
BRACELET SUITE
Set throughout with oval-shaped amethysts, each interspersed by
round brilliant-cut diamond highlights, mounted in 14K gold,
diamonds approximately 1.70cts total;Together with a matching
bracelet of similar design, mounted in 14K gold,diamonds approximate-
ly 0.80ct total,necklace length 43cm,bracelet length 17.8cm
€ 3,500 - 4,500
115

60

121
The continuous line of square-cut diamonds, to a folding clasp with similarly-cut diamonds, mounted in
18K gold,diamonds approximately 10.00cts total,length 17.8cm
€ 10,000 - 13,000

61
122
The princess-cut diamond, within a four-claw setting, weighing approximately 1.10ct, between similarly-cut
diamond shoulders, mounted in 18K gold,remaining diamonds approximately 0.40ct total,ring size Q
€ 2,500 - 3,500
123
A FINE DIAMOND LINE NECKLACE
Designed as a graduating line of round brilliant-cut diamonds, weighing approximately
16.00cts in total, mounted in 18K gold,length 40cm
€ 15,000 - 17,000

62
124
Each round brilliant-cut diamond, in a four-claw setting, between a
double pierced surround of similarly-cut diamonds, mounted in 18K
gold,diamonds approximately 0.70ct total,length 1cm
€ 1,000 - 1,500
125
The two hoops of round brilliant-cut diamonds, linked to a similar-
ly-cut diamond surmount, mounted in 18K gold,diamonds approxiamtely
0.70ct total,Italian assay marks,length 2.3cm
€ 500 - 800
126
The oval-shaped sapphire, weighing approximately 2.30cts, within
a surround of round brilliant-cut diamonds, mounted in 18K gold and
platinum,diamonds approximately 1.00ct total,ring size S½
€ 1,500 - 2,000
127
A DIAMOND HALF-HOOP ETERNITY RING,
BY CARTIER
Set with a row of seven round brilliant-cut diamonds, each within
a four-claw setting, to a plain hoop, mounted in 18K gold,diamonds
approximately 1.26cts total,signed Cartier,1999,maker’s mark,French assay
mark,numbered,ring size J (49)
€ 3,000 - 4,000
128
The oval-shaped diamond weighing 1.50cts, within a four-claw setting, to a plain hoop, mounted in gold,
ring size L
€ 4,000 - 5,000
Accompanied by a report from the GIA laboratory in America, stating that the oval-shaped diamond is
H colour,VS2 clarity. Report number 14494308, dated July 5th 2005

64
130
A DIAMOND THREE-STONE RING
Set with a graduated row of round brilliant-cut diamonds, weighing
2.02cts in total, mounted in 18K gold,ring size P
€ 2,000 - 3,000
Accompanied by reports from IGI laboratory in Belgium stating that:
The central diamond weighing 0.80ct, is F colour,VS2 clarity. Report
number F3E93396, dated December 3rd 2003
The diamond weighing 0.60ct, is F colour,VS1 clarity. Report number
F3E91148, dated November 25th 2003
The diamond weighing 0.62ct, is F colour,VS2 clarity. Report number
F3E91197, dated November 24th 2003
129
A DIAMOND SINGLE-STONE RING, TOGETHER
WITH A HALF-HOOP DIAMOND ETERNITY RING
The collet-set round brilliant-cut diamond, weighing approximately
0.70ct, within a frame of similarly-cut diamonds, to a gallery and
shoulders of further similarly-cut diamonds, mounted in 18K gold,
remaining diamonds approximately 0.80ct total,ring size N;
Together with half-hoop of round brilliant-cut diamonds to further
similarly-cut diamonds on one border, mounted in 18K gold,diamonds
approximately 0.50ct total,engraved‘Conor 29.12.08’,ring size M½
€ 2,000 - 3,000
Accompanied by a report from DPL laboratory in Germany, stating
that the central diamond weighing 0.71ct, is F colour,VS2 clarity.
Report numberTF965, datedAugust 7th 2015

65
131
A GOLD MANUAL WIND WATCH, BY PATEK PHILIPPE,
CIRCA 1959
The 18-jewel manual winder movement, the white dial with applied gilt and applied
baton numerals, subsidiary seconds, the circular case with downturned lugs, snap on
back, dial and movement signed,case 18K white gold,case no.427863,serial no.730372,
with replaced 9K gold bracelet with folding clasp
€ 2,000 - 4,000
133
A LADY’S GOLD AND DIAMOND COCKTAIL
WATCH, BY FAVRE-LEUBA
The manual wind movement with a square blue-tone dial, white metal baton markers
and hands, the bezel set with round brilliant-cut diamonds, to a textured gold bracelet,
dial and movement signed,mounted in 18K gold,diamonds approximately 0.50cts total,serial no.
57687B,ref.no.68,case width (including crown) 1.6cm,length 17.4cm
€ 1,000 - 1,500

132
A GENTLEMAN’S DIAMOND RING
The central channel-set baguette-cut diamonds, to a polished plain hoop, mounted in
platinum,diamonds approximately 0.90ct total,ring sizeY½
€ 600 - 800

66
134
A THREE-STONE DIAMOND RING
Claw-set with three round brilliant-cut diamonds, to a plain hoop,
mounted in platinum,diamonds approximately 0.70ct total,ring size P
€ 700 - 900

135
A PAIR OF SAPPHIRE AND DIAMOND CLUSTER
EARRINGS
Each circular-cut sapphire, within a surround of round brilliant-cut
diamonds, diamonds approximately 0.40ct total,length 9mm
€ 500 - 700
136
A THREE STRAND CULTURED PEARL NECKLACE
WITH RUBY AND DIAMOND CLASP
The three rows of graduated cultured pearls, measuring 8.01mm
- 9.89mm, to a stylised bow clasp set throughout with calibré-cut
rubies and square-cut diamond highlights, mounted in 18K gold,
French import marks,longest strand approximately 47.5cm
€ 2,500 - 3,500

137
The round brilliant-cut diamond, weighing approximately 0.50ct,
within a four-claw setting, suspending from a fancy-link chain,
mounted in 18K gold,length
€ 300 - 500
138
A DIAMOND ETERNITY RING
Composed of continuous row of round brilliant-cut diamonds,
mounted in 18K gold,diamonds approximately 2.00cts total,ring size O½
€ 1,500 - 2,000
139
A PAIR OF DIAMOND HOOP EARRINGS
Each hoop set with a single row of baguette-cut diamonds, mounted
in 18K gold,diamonds approximately 2.00cts total,French import marks,
diameter 5.2cm
€ 1,400 - 1,800
138

68
140
Each collet-set round brilliant-cut diamond, mounted in 18K gold,
diamonds approximately 0.50ct total,length 6mm
€ 450 - 650
141
A DIAMOND-SET CROSS PENDANT ON CHAIN,
BY THEO FENNELL
The cross set with twelve round brilliant-cut diamonds, suspending
from a fine trace-link chain, mounted in 18K gold,diamonds approximately
1.70cts total,with maker’s marks on pendant and on chain,London hallmarks,
with maker’s box,pendant length (including bale) 3.7cm,chain length 46.5cm
€ 1,500 - 2,000
143
A RUBY AND DIAMOND BRACELET
The highly articulated bracelet set with three rows of square-cut
rubies, within a border of round brilliant-cut diamonds, mounted
in 18K gold,rubies approximately 17.00cts total,diamonds approximately
4.50cts total,length 19cm
€ 5,000 - 7,000
142
A PERIDOT DRESS RING, BY SEAMAN SCHEPPS
Of bombé design, set throughout with graduating oval-shaped
cabochon peridots, mounted in 18K gold,with maker’s mark,numbered,
ring size N
€ 1,500 - 2,500
144
A GOLD BRACELET, BY POIRAY
The fancy-link chain interspersed by three heart-shaped links, in
18K gold,signed Poiray numbered,maker’s mark,French assay mark,length
18.2cm
€ 300 - 500
145
A PAIR OF PERIDOTS EARCLIPS, BY SEAMAN
SCHEPPS
Each earclip of bombé design, set throughout with graduating oval-
shaped cabochon peridots, mounted in 18K gold,with maker’s marks,
length 2.2cm
€ 2,000 - 3,000
Poiray was founded in Paris in 1975, with an establishment in PlaceVendôme, and from its inception was recognised for its bold choic-
es. Poiray changed the codes of traditional jewellery with pieces that are refined with a strong character masked by an elegant reserve.
Jackie Kennedy is the iconic inspiration for creative directorAurélie Bidermann’s new collection.
Poiray style is characterised by full and generous shapes and pure lines.The hearts, braids, gems, gadroons, filigree motifs and art-deco
inspiration are strong themes which continue to dominate the collections and show the spirit of Poiray.
Seaman Schepps rose to prominence in the 1930’s with jewellery designs that challenged the status quo, and defined a new style
for theAmerican woman. Schepps’ jewellery embodied style and originality, and was featured on the covers ofVogue, Harper’s Bazaar,
Look and other magazines. It appealed to a myriad of clients from Katherine Hepburn toAndyWarhol to the Duchess ofWindsor, and
greatly influenced his contemporaries.
After Schepps’ death in 1972, Patricia ScheppsVaill continued to make jewellery in her father’s style, often using elements from pieces
he had designed.Vaill developed a new look in jewellery aimed at appealing to a younger clientele.After twenty years at the helm of her
father’s company,Vaill retired and passed the baton to Jay Bauer and Anthony Hopenhajm who have continued to produce jewellery in the
unique Schepps style.
Today’s designs draw on the Schepps archives which contain over 5,000 detailed jewellery renderings, and 650 moulds.The pieces created
in the workshop continue to be made with cutting-edge methods and inventive, unusual materials. Classic pieces are rendered in new
materials and signature materials are used for bold new styles.
The flagship store on Park Avenue at 58th Street continues to attract socialites, movie stars, royalty and trend-setters who are drawn to
Schepps’ innovative use of exotic materials.Today, some 50 years after his death, he continues to inspire modern jewellers.

70
147

A LADY’S 18K GOLD AUTOMATIC ‘OYSTER PERPETUAL DATEJUST’ BRACELET
WATCH, BY ROLEX
The 29-jewel Cal.2135 automatic movement adjusted to temperature and 5 positions, white dial with
applied gilt and Roman numeral hour markers, black outer minute track with luminous dot five minute
markers, gilt baton hands with luminous inserts and centre seconds, magnified date aperture at 3
o’clock, brushed and polished tonneau form case with screw down back, fluted bezel, fitted President
link bracelet with signed folding clasp, case,dial and movement signed,serial no.E258084,ref.no.69178,
together with box and papers,width (including crown) 2.7cm
€ 5,000 - 7,000
146
A GENTLEMAN’S AUTOMATIC ‘OYSTER PERPETUAL SUBMARINER’ STEEL
BRACELET WATCH, BY ROLEX, CIRCA 1967
26-jewels Cal-1520 automatic movement, black dial signed Submariner 200m/660ft, luminous dot hour
markers and baton quarters, white outer minute divisions with five minute markers, polished Mercedes
hands with luminous inserts and centre seconds, brushed and polished tonneau form case with screw
down Oyster back and shouldered screw down crown, inner case back date coded, bi-directional bezel
with black calibrated insert, fitted brushed Oyster link bracelet with signed folding clasp stamped S DE7,
case,case,dial and movement signed,serial no.1665356,ref.no.5513,with maker’s box,case width (including crown)
4.5cm
€ 5,500 - 7,500
The Submariner...
In 1953, the French Navy diver Jacques Costeau sparked worldwide interest in diving and underwater exploration,
through his book‘The SilentWorld’and the subsequent award-winning film.On foot of this curiosity,Rolex created
‘The Submariner’, a classic sports wristwatch, designed for diving and renowned for its resistance to water and
corrosion.The first Submariner was introduced to the public in 1954 at the BaselWatch Fair.
October 1962 saw James Bond, played by Sean Connery, make his cinema debut wearing a Submariner and the
watch was immortalised. The reliable and rugged dive watch, fast embodied suave masculinity and adventure.
Although it is rarity that makes this Rolex particularly special, with the subtly unique ‘exclamation point’ dial,
(6 o’clock position), original aluminium bezel insert and lack of crown guards (all Subs post-5508 feature crown
guards).
Rolex introduced reference 5513 in 1962 and produced the reference until the mid-1980's. It is identifiable by its
lack of date feature, allowing for a well-balanced dial design. Early 5513’s featured a glossy black dial with gilt
text, and in the mid-1960's, Rolex started producing the reference with a matte dial and white printing.These dials
featured the depth rating with meters indicated first "200m=660ft", and towards the end of the 1960's, Rolex be-
gan producing dials with the depth rating that indicated feet first.The matte dial reference 5513 appeals to vintage
Rolex enthusiasts for it's dial symmetry, durability, and place in Rolex history as inspiration for future Submariner
models.

72
149
A MANUAL WIND GOLD WATCH, BY LONGINES,
CIRCA 1965
Of quartz movement, the champagne dial with baton markers, and
black baton hands, to a cushion-shaped case with sapphire cabochon
crown, integral link bracelet with signed folding clasp, case,dial and
movement signed,in 18K gold,width (including crown) 2.8cm
€ 1,000 - 1,500
148
A GENTLEMAN’S AUTOMATIC GOLD
WATCH, BY DOXA, CIRCA 1960
The cal-AS1361 automatic movement, silvered dial with alternate
Arabic numerals and dagger hour markers, sweep centre seconds, 5
minute divisions, luminous sword hands, to a polished round 14K gold
case,Swiss assay mark,serial number 1013817,dial and movement signed,
to a leather strap,width (including crown) 3.7cm
€ 500 - 700

73
151
A LADY’S GOLD PLATED MANUAL WIND TANK
dial,case and movement signed,on leather strap,maker’s marks,serial no.
3121520,with Cartier case and original papers,case width (including
crown):2.3cm
€ 600 - 800
150
A GENTLEMAN’S MANUAL WIND GOLD WATCH,
BY DOXA, CIRCA 1960
The manual anti magnetic wind movement, silvered dial with Arabic
numeral at 12 o’clock and dagger hour markers, sweep centre seconds,
5 minute divisions, gilt hands, to a polished round 14K gold case,Swiss
assay mark,serial number 854715,to a leather strap,width (including crown)
3.7cm
€ 500 - 700

74
153
A ROSE GOLD AND DIAMOND LINE BRACELET
The flexible continuous line of round brilliant-cut diamonds, inter-
spersed by five larger similarly-cut diamonds, to an adjustable clasp with
star motifs, mounted in 18K gold,diamonds approximately 1.20cts total,length
adjustable
€ 1,200 - 1,700

154
A CULTURED PEARL AND DIAMOND DRESS RING
The round-shaped cultured pearl of gold tint, measuring approxi-
mately 14.04mm, within a frame of round brilliant-cut diamonds,
mounted in 18K gold,diamonds approximately 1.90cts total,ring size N½
€ 1,000 - 1,500
155
The oval-shaped diamond, within a four-claw setting, between trillion-cut
diamonds, to a further pavé-set diamond frame, mounted in 18K gold,prin-
cipal diamond approximately 0.50ct,remaining diamonds approximately 0.40ct
total,ring size L
€ 850 - 950
156
The round brilliant-cut diamond, weighing 1.05cts, within a frame
of round brilliant-cut diamonds, to similarly and baguette-cut dia-
mond shoulders, to a diamond pavé-set bifurcated hoop, mounted in
18K gold,remaining diamonds approximately 0.80ct total,ring size M
€ 4,800 - 5,800
Accompanied by a report from HRD laboratory in London,
stating that the diamond is I colour, IF clarity. Report number
16029773003, dated September 26th 2016.
157
A SAPPHIRE AND DIAMOND DRESS RING
The collet-set cushion-shaped sapphire, weighing approximately 5.90cts,
within a bombé mount of round brilliant-cut diamond rays, mounted in
gold,diamonds approximately 0.80ct total,ring size M
€ 3,000 - 5,000
Accompanied by a report from the SSEF laboratory in Switzerland,
stating that the sapphire, weighing approximately 5.90ct, is of Basaltic
deposit, with no indications of heating. Report number 80664, dated June
17th 2015
Accompanied by a report from the GIA laboratory in America, stating
that the sapphire, measuring 9.00 x 8.85 x 6.75mm, is natural, with no
indications of heating. Report number 2125383154, dated July 19th 2010
152
A DIAMOND CHAIN NECKLACE
The necklace composed of 44 collet-set round brilliant-cut dia-
monds weighing approximately 3.10cts, mounted in 18K rose gold,
Italian assay marks,length 64cm
€ 1,700 - 2,300

76
159
The rectangular-cut emerald, weighing approximately 1.20cts,
within a round brilliant-cut diamond surround, to a bifurcated
hoop, mounted in platinum and 18K gold,remaining diamonds approxi-
mately 0.70ct total,French assay marks,ring size K
€ 2,500 - 3,500

160
A DIAMOND CRESCENT BROOCH
Set throughout with graduated round brilliant-cut diamonds, mount-
ed in silver and gold,diamonds approximately 0.80ct total,length 4.8cm
€ 500 - 700
161
A GOLD NECKLACE
The rope-twist chain necklace, mounted in 18K gold,length approxi-
mately 52cm
€ 1,000 - 1,500
162
AN OPAL DRESS RING
The oval-shaped opal cabochon, within a double four-claw settings,
to an openwork gallery, mounted in 18K gold,ring size J½
€ 150 - 250
163
A GOLD AND MOONSTONE NECKLACE WITH
BRACELET EN SUITE
The fancy-link long chain, interspersed by round-shaped moon-
stone cabochons in collet setting, together with matching bracelet,
mounted in 18K gold,necklace length approximately 106cm,bracelet length
18.5cm
€ 1,500 - 2,000
* Please note that the necklace and bracelet can be worn together as
a longer necklace
158
A NATURAL PEARL NECKLACE WITH AN EMERALD
AND DIAMOND CLASP
The string of natural pearls, to an emerald and diamond cluster
clasp, mounted in gold,length 48.5cm
€ 1,500 - 2,000
Accompanied by a report fromThe Gem & Pearl Laboratory in
London, stating that the 79 pearls measuring between 3.4mm to
5.1mm, are natural, saltwater pearls. Report number 09723, dated
April 12th 2014
161

78
165
A CULTURED PEARL AND DIAMOND PENDANT
NECKLACE
The round-shaped cultured pearl of white tint, within a double
frame of round brilliant-cut diamonds, to a fine snake-link necklace,
mounted in 14K gold,diamonds approximately 0.40ct total,length 42.5cm
€ 500 - 700
166
Each round brilliant-cut diamond, within a six-claw setting, to a
scrolling motif mount, mounted in 18K gold,diamonds approximately
1.10cts total,length 0.5cm
€ 1,300 - 1,700
167
WITHDRAWN
168
A RUBY AND DIAMOND RING
The cushion-shaped ruby, within a four-claw setting, between two
brilliant-cut diamond shoulders, mounted in 18K gold,diamonds ap-
proximately 0.40ct total,ring size O½
€ 600 - 800
169
A RUBY AND DIAMOND RING
The collet-set cushion-shaped ruby, weighing 3.70cts, within a
surround of transitional round brilliant-cut diamonds to furthermore
similarly-cut diamond shoulders, mounted in 18K gold,diamonds approx-
imately 1.10cts total,ring size N
€ 6,000 - 8,000
Accompanied by a report from GRS laboratory in Switzerland,
stating that the ruby is natural, with no indications of heating. Report
number 2007-082114, datedAugust 28th 2007
164
A PAIR OF DIAMOND HOOP EARRINGS
Each hoop set with a single row of round brilliant-cut diamonds,
mounted in gold,diamonds approximately 0.70ct total,diameter 3.4cm
€ 1,000 - 1,500

80
170
AN IMPORTANT YELLOW SAPPHIRE AND DIAMOND RING
The cushion-shaped sapphire, weighing 12.29cts, within a double four-claw setting, between round
brilliant-cut diamonds, mounted in platinum,French assay mark,ring size M
€ 10,000 - 12,000
Accompanied by a report from the Gem & Solid Phase laboratory in France, stating that the sapphire
is natural, with an excellent cut and no indications of heating. Report number GSP-00001, dated
January 20th 2017
171
The round brilliant-cut diamond weighing approximately 0.80ct, within a four-claw setting, between
tapered baguette-cut diamonds, mounted in gold,ring size M¾
€ 1,400 - 1,600
172
A DIAMOND FLOWER NECKLACE
The frontispieces of diamond flowerheads, set throughout with round and baguette-cut diamonds,
to an articulated undulating diamond-set link backchain, terminating with a flowerhead diamond-set
clasp, mounted in 18K gold,diamonds 6.34cts total,London hallmarks,maker’s mark,length 41cm
€ 6,500 - 7,500

82
173
A GOLD NECKLACE
Designed as a series of graduated textured gold flame links, in 18K gold,
with maker’s marks,inner diameter approximately 13.5cm
€ 3,500 - 4,000
174
A LADY’S GOLD AND NEPHRITE COCKTAIL
WATCH, BY ALEXIS BARTHELAY
Of manual wind movement, the circular nephrite dial with gilt hands within a
gold frame, to an oval-shaped nephrite polished case, the bracelet designed as
three textured gold chains, interspersed by nephrite baton links,mounted in 18K
gold,dial and case signed,length 16cm
€ 1,200 - 1,600

83
176
A GOLD AND DIAMOND BRACELET, BY ISABELLE FA
The large polished links highlighted with a round brilliant-cut diamond on
clasp, in 18K rose gold, signed Isabelle Fa, maker’s mark, length 22.5cm
€ 3,500 - 4,500
177
A PAIR OF EARRINGS, BY ISABELLE FA
Each earring consisting of three polished petal-shaped sheets of gold, creative-
ly folded together in an geometric design, in 18K gold, Signed Isabelle Fa,
maker’s marks, length 3cm
€ 800 - 1,200
175
A PAIR OF CORAL AND DIAMOND PENDENT EARRINGS
Each designed as a series of graduating gold bombé discs, to a coral cabochon at the bottom,
suspending from a round brilliant-cut diamond, mounted in 18K gold,length 3.2cm
€ 800 - 1,200
* Please note that this lot will be subject to USA Fish andWildlife regulations if it is to be
imported into the USA.
ISABELLE FA
Each piece of Isabelle Fa jewellery is unique, and made in Germany using traditional artisanal techniques with outstanding design and modern
know-how.
Isabelle and Hans-Georg Mössner created the IsabelleFa brand.Their two sonsAlexandre, and Patrick, Mössner will lead the family business into
the next generation, fuelled by their own passion and enthusiasm.
Goldsmiths, designers, diamond setters and fine polishers work hand in hand at IsabelleFa as masters of their crafts.They attentively pursue one
overarching goal - to create jewellery that is elegant and unconventionally luxurious, yet authentic and ideally suited for daily wear.
IsabelleFa complies with ethical guidelines and uses only certified diamonds that come from legitimate, conflict-free mines and sources. IsabelleFa
saves resources by using only recycled gold from a certified precious metal refinery in Germany.The highest manufacturing standards are upheld
and are impressively evident in each and every piece of jewellery.

84
178
A VICTORIAN RUBY AND DIAMOND RING
The round-shaped ruby, weighing approximately 2.50cts, within a
trio of old brilliant-cut diamond shoulders, to an openwork gallery,
mounted in gold,diamonds approximately 0.40ct total,ring size M½
€ 2,500 - 3,500
179
A GEM-SET AND DIAMOND BRACELET
The highly flexible snake-link bracelet, highlighted by circular-cut
diamonds, rubies, sapphires and emeralds, mounted in gold,maker’s mark,
length 18.7cm
€ 2,300 - 2,700
180
The cushion-shaped sapphire, weighing approximately 1.50cts,
within a surround of old brilliant-cut diamonds to further similar-
ly-cut diamond shoulders, mounted in 18K gold,diamonds approximate-
ly 0.60ct total,ring size L
€ 1,500 - 2,000
Accompanied by a report from GCS laboratory in London, stating
that the sapphire is of Basaltic deposit, with no indications of heat-
ing. Report number 5777-9785, datedApril 18th 2017
181
A SAPPHIRE AND DIAMOND BRACELET
Designed as a line of oval-shaped sapphires, alternating with single-cut
diamonds, mounted in 18K gold,length 18.5cm
€ 600 - 800

85
182
A LAPIS LAZULI AND DIAMOND NECKLACE,
LONDON 1972
Of abstract design, the fancy woven-link chain, interspersed by lapis lazuli
links, suspending a pendant of similar design with round brilliant-cut
diamond accents, mounted in 18K gold,London hallmarked 1972,length 45cm,
pendant length 6.2cm
€ 1,500 - 2,000
183
A RUBY AND DIAMOND FLOWER BROOCH,
CIRCA 1965
The trio circular-cut diamond and ruby stamens, each within a border
of petals composed of polished rods, mounted in 18K gold,length 4.5cm
€ 600 - 800

86
184
AN OPAL AND DIAMOND BROOCH
The fancy-shaped cabochon opal, within a frame of single-cut dia-
monds and brushed gold, mounted in 18K gold,diamonds approximately
0.70ct total,length 4.2cm
€ 1,500 - 2,000
185
AN OPAL AND DIAMOND DRESS RING
The oval-shaped opal cabochon, 20.98x15.13mm, within a sin-
gle-cut diamond four-claw setting, to a brushed and polished hoop,
mounted in 18K gold,ring size O½
€ 1,200 - 1,800
186
A DIAMOND DRESS RING
The central collet-set rose-cut diamond, within a surround of round
brilliant-cut diamonds and similarly-cut diamond shoulders, to an
openwork gallery, mounted in 18K gold,diamonds approximately 1.20cts
total,ring size P
€ 1,000 - 1,500
187
A TOPAZ AND DIAMOND RING
The oval mixed-cut blue topaz, within a four-claw setting, between
two round brilliant-cut diamonds, mounted in 18K gold,ring size N½
€ 400 - 600
188
A PAIR OF DIAMOND PENDANT EARRINGS
Each designed as a row of leaves, set with round brilliant-cut
diamonds, terminating with a collet-set rose-cut diamond within a
round brilliant-cut diamond surround, suspended by two collet-set
round brilliant-cut diamonds, mounted in 18K gold,diamonds approxi-
mately 1.80cts total,length 5cm
€ 1,800 - 2,300
189
A DIAMOND PENDANT
Designed as a row of leaves, set with round brilliant-cut diamonds,
terminating with a collet-set rose-cut diamond within a round
brilliant-cut diamond surround, suspended by two collet-set round
brilliant-cut diamonds, mounted in gold,diamonds approximately 1.00ct
total,length 5.2cm
€ 1,000 - 1,500

88
190
A SAPPHIRE AND DIAMOND DRESS RING
Designed as two juxtaposed terminals open to the centre, one with
a collet-set round-shaped sapphire weighing approximately 2.00cts,
the other as a folded loop of round brilliant-cut diamonds, mounted
in 18K gold,diamonds approximately 1.60cts total,French assay mark,ring
size Q½
€ 1,800 - 2,200
191
A PAIR OF DIAMOND EARCLIPS
Each scroll-leaf design highlighted by a cluster of round brilliant-cut
diamonds, mounted in gold,diamonds approximately 0.50ct total,length 2cm
€ 1,000 - 1,400

89
192
A DIAMOND SPRAY BROOCH, CIRCA 1955
Of stylised foliate spray design with wirework mount, with round
brilliant-cut diamond highlights, mounted in 18K gold and platinum,
diamonds approximately 0.90ct total,French assay marks,length 5.2cm
€ 1,200 - 1,400
193
A DIAMOND DRESS RING, CIRCA 1955
Of bombé design, the central square radiant-cut diamond, weigh-
ing approximately 1.60cts, within a surround of round brilliant-cut
diamonds and rope-twist detail, to a trifurcated hoop, mounted in gold,
remaining diamonds approximately 2.00cts total,ring size R
€ 4,000 - 5,000

90
194
A PAIR OF SAPPHIRE AND DIAMOND CLUSTER
EARRINGS
Each designed as a stylised flowerhead, centrally-set with a round
brilliant-cut diamond, within a surround of pear-shaped sapphires
and round brilliant-cut diamond highlights, mounted in 18K gold,
diamonds approximately 0.60ct total,length 1.2cm
€ 1,200 - 1,700
195
A CULTURED PEARL NECKLACE WITH GOLD AND
DIAMOND CLASP
The three-row cultured pearl necklace, to a 14K gold clasp with
single-cut diamond accents,length approximately 38cm
€ 300 - 500
196
Designed as an articulated line of twelve oval-shaped rubies, each
within a round brilliant-cut diamond frame, to similarly-cut diamond
links, mounted in 18K gold, rubies 6.00cts total, diamonds 1.63cts
total, length 18cm
€ 3,000 - 4,000
197
A PAIR OF CORAL AND DIAMOND PENDENT
EARRINGS
Each elongated drop-shaped coral, suspended from a line of round
brilliant-cut diamonds, mounted in silver and gold,length 4.2cm
€ 250 - 450

198
The collet-set square-cut emerald, within a frame of round brilliant-cut diamonds,
between similarly-cut diamond shoulders, mounted in 18K gold and platinum,diamonds
approximately 0.30ct total,ring size N
€ 1,000 - 1,300
196

92
199
A PAIR OF CULTURED PEARL EARCLIPS,
BY TRIANON
Each cultured pearl of baroque shape, mounted in 18K gold,with
maker’s marks forTrianon,numbered,length 2.2cm
€ 1,000 - 1,500
200
A CULTURED PEARL NECKLACE
Composed of a single strand of round-shapedAkoya pearls, each
interspersed by briolette-shaped citrines, to an 18K gold clasp,length
72cm
€ 600 - 800
201
AN EMERALD AND DIAMOND RING
The rectangular emerald, within a four claw setting, between
baguette-cut diamond shoulders, mounted in 18K gold,diamonds
approximately 0.30ct total,Italian assay mark,ring size M
€ 1,000 - 1,500
202
AN EMERALD AND DIAMOND BRACELET
Set throughout with marquise-shaped emeralds, each within a
round brilliant-cut diamond surround, interspersed by a similar-
ly-cut diamond, mounted in 18K gold,diamonds approximately 5.20cts
total,length 19cm
€ 3,000 - 4,000

94
203
A LONG GOLD CHAIN
The double fancy-link chain, in 9K gold,length approximately 153cm,
gross weight approx.129g total
€ 1,400 - 1,800
204
A FANCY-LINK GOLD CHAIN
The fancy-link chain in 18K gold,length 68cm,gross weight 30.65g
€ 600 - 800
205
A DIAMOND TWO-STONE RING
Of crossover design set with round brilliant-cut diamonds, each
collet-set, mounted in gold,with maker’s mark,ring size L½
€ 300 - 400

95
207
A PAIR OF CULTURED PEARL AND SILVER
CUFFLINKS
The button cultured pearl of white tint, measuring 11.48mm and
11.66mm, to a silverT-bar,length 2.4cm
€ 150 - 200
208
The princess-cut diamond, weighing approximately 0.75ct, within a
four-claw setting, to a plain hoop, mounted in 18K gold,ring size K¼
€ 1,000 - 1,500

206
A CULTURED PEARL AND GOLD CHAIN NECKLACE
The fancy-link chain necklace, interspersed with freshwater cultured pearls,
mounted in 18K gold,length 47.5cm
€ 300 - 500

96
209
Composed of a graduated line of circular-cut rubies, each highlight-
ed with round brilliant-cut diamonds, diamonds approximately 0.70ct
total,length 6.8cm
€ 1,200 - 1,800
210
The cut-cornered square-cut emerald within collet-setting, weigh-
ing 10.20cts, within a surround of round brilliant-cut diamonds,
mounted in 14K gold,diamonds 1.50cts total,ring size Q
€ 5,000 - 7,000
211
AN EMERALD AND DIAMOND RING
The rectangular-cut emerald, weighing approximately 3.50cts,
within a surround of round brilliant-cut diamonds, to further simi-
larly-cut diamond shoulders, mounted in 18K gold,diamonds approxi-
mately 0.70ct total,ring size M
€ 2,500 - 3,500
212
The double-row of circular-cut rubies, highlighted by similarly-cut
diamond links, length 18cm
€ 1,200 - 1,800

98
215
AN EMERALD AND DIAMOND BRACELET
Designed as a continuous row of claw-set square-cut emeralds, between a border of collet-set
round brilliant-cut diamonds on each side, mounted in 18K gold,diamonds approximately 2.50cts
total,French import mark,with 18K gold safety chain,length 17.4cm
€ 4,000 - 5,000

213
AN EMERALD AND DIAMOND DRESS RING
The collet-set pear-shaped emerald, within a surround of round brilliant-cut diamonds,
mounted in 18K gold,diamonds approximately 0.50ct total,ring size M½
€ 2,000 - 3,000
214
A WARTHOG TUSK AND GOLD BANGLE
The hinged bangle, designed as a gold lion’s head biting its tail, the body made of warthog
tusk bone, the eyes set with emerald cabochons, to a gold clasp, mounted in gold,French assay
mark,inner diameter 6cm
€ 1,000 - 1,500

100
217
A CULTURED PEARL AND EBONY DRESS RING
The round-shaped South Sea cultured pearl of white tint, measuring approximately
15.39mm, set in an ebony saucer-shaped ring mount of contemporary design, ring size
K½
€ 250 - 350
216
A PAIR OF BONE AND CULTURED PEARL EARCLIPS,
BY TRIANON
Each designed as a double C shape of mammoth tusk, accented by cultured pearls,
mounted in 18K gold,with maker’s marks,numbered,length 2.7cm
€ 1,200 - 1,800
218
A SAPPHIRE, RUBY AND DIAMOND RING
Of contemporary design, three princess cut diamonds channel-set on both terminals,
one terminal set with 2 round-shaped cabochon rubies and the other terminal set with
2 round-shaped cabochon sapphires, to a plain hoop mounted in 18K gold,ring size M
€ 500 - 700
MAMMOTHS
Woolly mammoths are thought to have first appeared on the earth 4.8 million years
ago and finally become extinct at least 3,600 years ago.There may be as many as 150
million dead mammoths frozen beneath the permafrost in Russia and the resulting
melts of global warming is making their retrieval easier.
Mammoth mining is serious business in Siberia, every year 60 M tones of mammoth
ivory is shipped to China, the world’s largest ivory market. Mammoth ivory can
command a much higher price than elephant ivory and sells for as much as £330 per
kilogram
Mammoth ivory is now being seen as an ecological and ethical alternative to elephant
ivory, as mammoths are not illegally poached and are not decreasing the numbers of
a living species.This trade could reduce demand for elephant ivory and thus reduce
poaching of theAfrican Elephant. However, there is a fear that if mammoth ivory
entersAfrica it could provide an easy disguise for poached elephant ivory.

101
220
A STAINLESS STEEL AUTOMATIC ‘CARRERA’ CALENDAR CHRONOGRAPH
BRACELET WATCH, BY HEUER, CIRCA 1970
17-jewel automatic movement signed Heuer, silver dial with applied black baton hour markers , black outer 1/5 second
divisions with five second markers, dial signed Heuer Carrera Automatic Chronograph, orange pointed baton hands with
luminous inserts and orange chronograph hand, date aperture at 6, subsidiary dials at 3 and 10 for running seconds and 30
minute recording, brushed and polished tonneau shaped case with screw down back, signed crown at 9 and fluted chronograph
pushers at 2 and 4,case and movement signed,ref.no.22148 (or 6)0,case width (including crown):4cm
€ 1,500 - 2,500
219
A STAINLESS STEEL MANUAL WIND CHRONOGRAPH BRACELET
WATCH, BY OMEGA
SPEEDMASTER PROFESSIONAL‘FROMTHE MOONTO MARS’
The 18-jewel Cal.1861 manual wind movement, matt black dial with luminous baton hour markers, outer 1/5th second
divisions, white luminous filled baton hands and centre chronograph hand, subsidiary dials at 3, 6 and 9 depicting Mars,
Earth and the Moon for running seconds, 30 minute and 12 hour recording, black bezel with tachymeter scale, brushed
and polished tonneau shaped case with screw down back, fitted Omega bracelet with signed folding clasp,case,dial and movement
signed,Ref.no.35775000,Watch no.77144008,together with fitted Omega box,outer card case width (including crown) 4.4cm
€ 3,000 - 4,000

102
221
A DIAMOND SINGLE-STONE RING, BY CARTIER
The round brilliant-cut diamond, weighing 1.38cts, within a four-claw setting, to a plain hoop, mounted in platinum,signed
Cartier,numbered,maker’s mark,French assay mark,with maker’s case and box,ring size G ¼
€ 5,500 - 7,500
Accompanied by a report from GIA laboratory inAmerica, stating that the diamond weighing 1.38cts is H colour,VS1 clarity.
Report number 17628441, dated November 11th 2008
Accompanied by its Certificate ofAuthenticity along with an insurance valuation from Cartier, dated March 2012, ring valued
£15,500
222
A DIAMOND ETERNITY RING, BY CARTIER
Set with a continuous row of round brilliant-cut diamonds, each within a four-claw setting, mounted in platinum,diamonds
1.49cts total,signed Cartier,numbered,English assay mark,with maker’s case and box,ring size J ½
€ 2,000 - 3,000
Accompanied by its Certificate ofAuthenticity along with its invoice dating March 12th 2012, retail price £6,875
223
A PAIR OF CULTURED PEARL AND DIAMOND PENDENT EARRINGS,
BY CARTIER
Each round brilliant-cut diamond surmount, with similarly set vertical bar accents, the lower
suspending a round cultured pearl measuring approximately 8.80mm, mounted in 18K gold,diamonds
approximately 0.65ct total,signed Cartier,numbered,maker’s mark,with maker’s case and box,length 2.3cm
€ 2,000 - 3,000
Accompanied with a photocopy of the invoice, dated June 6th 2012. Retail value £4,900
221
222

Adams Fine Jewellery & Watches 5th December 2017

Adams Fine Jewellery & Watches 5th December 2017

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Adams Fine Jewellery & Watches 5th December 2017