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Mise en scene -- Editing -- Camerawork --
Sound
FADE IN:
1 EXT. MARSHES, KENT - DUSK 1
A BOY runs across the dark, flat wilderness
of the North
Kent marshes. A bitterly cold December
evening, the misty
light is fading and the boy races as if trying
to outrun
the darkness.
This is PHILLIP PIRRIP - ‘PIP’. He is eight
years-old.
2 EXT. CHURCH, MARSHES - DUSK 2
A small, squat church sinks on the boggy
ground. A yew
tree - PIP snaps off a twig and adds it to the
forlorn
bunch of wintery sticks he carries.
A modest tombstone bears the inscription;
Here lies PHILLIP PIRRIP late of this
Parish. Also
GEORGIANA, wife of the above. Also
ALEXANDER, BARTHOLOMEW,
TOBIAS, ABRAHAM, ROGER.
Transition
Scene Heading
Action
Characters first
appearance
Five tiny lozenge-shaped graves mark the
childrens’ final
resting place.
PIP lays his modest tribute and sets about
brushing away
the weeds and dead-leaves that clutter the
grave -
- as an IMMENSE FIGURE looms behind
him and snatches him
up. PIP goes to cry out, but a filthy hand is
clamped
across his mouth as he is hoisted, weeping
and struggling,
into the air.
THE CONVICT
Hold your noise! Hold your noise, you
little devil, or I’ll cut your throat!
The convict is a formidable figure, immense
and
terrifying, his head and face brutally shaven
and scarred.
His name is MAGWITCH, though we won’t
hear this spoken
aloud for some time.
MAGWITCH
Tell us your, name! Quick!
Parenthetical
Parenthetical
Character
Dialogue
Parenthetical
Characters first
appearance
Dialogue
PIP
Pip!
MAGWITCH
Once more! Give it mouth!
PIP
Pip! Pip, sir!
Then PIP is flipped upside down, held by his
ankles,
shaken.
MAGWITCH
Got wittles on you, boy? Tell me!
PIP
No, sir!
- then upright again, he’s seated on a
tombstone, his
tiny face held in massive, manacled hands.
MAGWITCH
What fat cheeks you ha’got. Darn me if I
couldn’t eat em. Where’s your mother?
PIP
There, sir!
(MAGWITCH flinches -)
Dialogue
Dialogue
Dialogue
Dialogue
Dialogue
Parenthetical
Dialogue
Dialogue
‘Also Georgiana’, with my father. ‘late
of this parish’. My brothers too.
MAGWITCH
An orphan, eh? Who d’you live with?
That’s supposin’ I let you live.
PIP
My sister, sir - Mrs Joe Gargery, wife of
Joe Gargery, the blacksmith, sir...
MAGWITCH
Blacksmith, eh?
(a moment)
You know what a file is?
PIP
Yes, sir.
MAGWITCH
And you know what wittles is?
PIP
Yes, sir, food, sir.
MAGWITCH
(breath hot on PIP’s face)
Now I ain’t alone, as you may think I am.
There’s a young man hid with me in
comparison with which I am an angel, has
Dialogue
Dialogue
Dialogue
Dialogue
Dialogue
Dialogue
Dialogue
Dialogue
Extension
Dialogue
a secret way of getting at a boy, and at
his heart, and at his liver, so that they
may be roasted and ate. It is in vain for
a boy to hide from that young man. A boy
may lock his door, may tuck himself up,
may draw the clothes over his head, and
that young man will softly creep and
creep his way to him and tear him open...
GREAT EXPECTATIONS (PAGES 10/12)
2.
(MORE)
(whispers in the ear of the
terrified boy)
You bring me tomorrow morning early, at
yonder battery, that file and them
wittles - never daring to say a word -
and I will do what I can to keep that
young man out of your insides.
Understand?
(PIP nods)
Speak it out!
PIP
Yes, sir!
Page number
Mores
Dialogue
Dialogue

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Script Annotation - KanaiyaL

  • 1. Mise en scene -- Editing -- Camerawork -- Sound FADE IN: 1 EXT. MARSHES, KENT - DUSK 1 A BOY runs across the dark, flat wilderness of the North Kent marshes. A bitterly cold December evening, the misty light is fading and the boy races as if trying to outrun the darkness. This is PHILLIP PIRRIP - ‘PIP’. He is eight years-old. 2 EXT. CHURCH, MARSHES - DUSK 2 A small, squat church sinks on the boggy ground. A yew tree - PIP snaps off a twig and adds it to the forlorn bunch of wintery sticks he carries. A modest tombstone bears the inscription; Here lies PHILLIP PIRRIP late of this Parish. Also GEORGIANA, wife of the above. Also ALEXANDER, BARTHOLOMEW, TOBIAS, ABRAHAM, ROGER. Transition Scene Heading Action Characters first appearance
  • 2. Five tiny lozenge-shaped graves mark the childrens’ final resting place. PIP lays his modest tribute and sets about brushing away the weeds and dead-leaves that clutter the grave - - as an IMMENSE FIGURE looms behind him and snatches him up. PIP goes to cry out, but a filthy hand is clamped across his mouth as he is hoisted, weeping and struggling, into the air. THE CONVICT Hold your noise! Hold your noise, you little devil, or I’ll cut your throat! The convict is a formidable figure, immense and terrifying, his head and face brutally shaven and scarred. His name is MAGWITCH, though we won’t hear this spoken aloud for some time. MAGWITCH Tell us your, name! Quick! Parenthetical Parenthetical Character Dialogue Parenthetical Characters first appearance Dialogue PIP
  • 3. Pip! MAGWITCH Once more! Give it mouth! PIP Pip! Pip, sir! Then PIP is flipped upside down, held by his ankles, shaken. MAGWITCH Got wittles on you, boy? Tell me! PIP No, sir! - then upright again, he’s seated on a tombstone, his tiny face held in massive, manacled hands. MAGWITCH What fat cheeks you ha’got. Darn me if I couldn’t eat em. Where’s your mother? PIP There, sir! (MAGWITCH flinches -) Dialogue Dialogue Dialogue Dialogue Dialogue Parenthetical Dialogue Dialogue ‘Also Georgiana’, with my father. ‘late of this parish’. My brothers too. MAGWITCH
  • 4. An orphan, eh? Who d’you live with? That’s supposin’ I let you live. PIP My sister, sir - Mrs Joe Gargery, wife of Joe Gargery, the blacksmith, sir... MAGWITCH Blacksmith, eh? (a moment) You know what a file is? PIP Yes, sir. MAGWITCH And you know what wittles is? PIP Yes, sir, food, sir. MAGWITCH (breath hot on PIP’s face) Now I ain’t alone, as you may think I am. There’s a young man hid with me in comparison with which I am an angel, has Dialogue Dialogue Dialogue Dialogue Dialogue Dialogue Dialogue Dialogue Extension Dialogue a secret way of getting at a boy, and at his heart, and at his liver, so that they may be roasted and ate. It is in vain for a boy to hide from that young man. A boy
  • 5. may lock his door, may tuck himself up, may draw the clothes over his head, and that young man will softly creep and creep his way to him and tear him open... GREAT EXPECTATIONS (PAGES 10/12) 2. (MORE) (whispers in the ear of the terrified boy) You bring me tomorrow morning early, at yonder battery, that file and them wittles - never daring to say a word - and I will do what I can to keep that young man out of your insides. Understand? (PIP nods) Speak it out! PIP Yes, sir! Page number Mores Dialogue Dialogue