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Continuity editing

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Continuity Editing ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Establishing shot ,[object Object],From Spartacus (Stanley Kubrick, 1960 )
Shot / reverse shot ,[object Object],Stills taken from Robert Bresson’s The Trial of Joan of Arc (1962) .
Shot-reverse-shot ,[object Object],[object Object],[object Object],[object Object]
If you’re shooting two characters talking to each other, here’s how to do it. ,[object Object],[object Object],[object Object],[object Object],[object Object]
180 º rule ,[object Object]
Rules for continuity editing 180 degree rule ,[object Object],[object Object],[object Object],[object Object],[object Object]
30º rule ,[object Object],).   ).   Stills taken from A Bout de Souffle (Jean Luc Godard, 1960)
Crosscutting ,[object Object],[object Object],Match on Action Definition: A cut between two shots that places two different framings of the same action next to each other, making it seem to continue uninterrupted. http://www.youtube.com/watch?v=_dgutDMPIMU
Eyeline Match ,[object Object],Stills taken from Ben Hur (William Wyler, 1959,
Re-establishing shot ,[object Object],Re-establishing shot from American Beauty (Sam Mendes, 1999) TASK: CLIP 1: IDENTIFY THE ASPECTS OF CONTINUITY EDITING IN THE SEQUENCE FROM AMERICAN BEAUTY .

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Continuity editing

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