French Presidency - 1 march 2022

Mobilier National | |Hélène Cavalié | France | CC BY-NC-ND
Welcome and
introduction of the day
By Prasanna Oommen

Programme
● Welcome
○ Welcome Mobilier National
○ Setting the scene: the leading visions
○ Welcome by Minister of Culture Roselyne Bachelot
● Keynote by and an interview with Yvo Volman
● Session 1- A moderated roundtable discussion with
○ Rehana Schwinninger-Ladak
○ Marie Veronique Leroi
○ Marco Rendina
○ Roberto Di Giulio
● Lunch

Hélène Cavalié
Deputy Director, Mobilier national collections

Setting the scene:
the leading visions
Harry Verwayen, General Director Europeana
Foundation
Marie-Veronique Leroi, Ministry of Culture of
France

EUROPE’S DIGITAL DECADE
EUROPE’S DATA STRATEGY

DIGITAL EUROPE PROGRAMME
DATA SPACES
WORK PROGRAMME 2021-2023

COMMON DATA SPACE FOR
CULTURAL HERITAGE
RECOMMENDATIONS
On a ‘Common Data Space
for Cultural Heritage’

“Digitise in 3D all monuments and sites (at risk) and
50% of all monuments and sites that are most
visited”
“Member States should …support and
raise awareness of Europeana among
the general public and particularly in the
education sector and schools”
“All public funding for future digitisation
…should be made conditional upon
making digitised content available in
Europeana and the data space”

Europeana Network Association
EUROPEANA
NETWORK
ASSOCIATION
(3,300)

Europeana Aggregators forum
EUROPEANA
AGGREGATORS
FORUM (EAF)

How do we align the Commission’s vision with the
state of play in the Member States and the needs
and expectations of the sector and citizens?
What is the role of aggregators, and how
can they be better supported to deliver
change at scale?
Surface and articulate some of key
challenges and issues with regard to
aggregation and data space
How do we develop partnerships with other
actors that strengthen the data space?

Roselyne Bachelot -
Narquin
French Minister of Culture

Yvo Volman
Director, DG CONNECT

Creating the European
Data Space for Cultural
Heritage
By Prasanna Oommen

Exploring the building blocks
of the European Data Space
for Cultural Heritage and how
they are interconnected
Speakers
● Rehana Schwinninger-Ladak, DG CONNECT
● Marie Veronique Leroi - Ministry of Culture,
France
● Marco Rendina - European Fashion Heritage
Association
● Roberto Di Giulio - University of Ferrara, The
4CH Project

3D DIGITISATION & EUROPEAN DATA SPACE FOR CULTURAL HERITAGE
Roberto Di Giulio
4CH is a Horizon 2020 project funded by the European
Commission under Grant Agreement n.101004468 – 4CH.

Thierry Breton
How digital will help us preserve our cultural
heritage
Statement, 10 Novembre 2021
GodefroyParis | (CC) Creative Commons Attribution-Share Alike 4.0
(…)
Our cultural heritage is an intrinsic part of our shared European values and
cultural diversity which are the foundation of our European identity.
This is why we need to preserve it. And in order to preserve it, we need to
help ensure that our European heritage is fully embedded in the Digital
Decade.
Less than 20% of the collections at our museums, galleries or libraries are
digitised.
The situation is even more dramatic for sites and monuments.
At the same time, these treasures are increasingly exposed to natural and
man-made risks: from the fire of the cathedral of Notre-Dame in Paris, to the
regular flooding of Venice, or vandalism in the Modern Theatre in Sofia.
(…)
By 2030, we want all monuments and sites at risk, and at least 50% of the
most visited ones, to be digitised in 3D.
(…)
I want a digital twin of Notre Dame, for preserving it, for re-using it. In
video-games, in education, in research, in tourism.

3D DIGITISATION OF CULTURAL HERITAGE
THE BIG CHALLENGES LAUNCHED BY THE
COMMISSION RECOMMENDATION OF 10.11.2021
To be digitised in 3D by 2030:
- all monuments and sites at risk and
- 50% of the most physically visited monuments, buildings and sites
A huge number of Cultural Heritage Assets to be digitised in 3D
2,400,000 by 2025
16,000,000 by 2030
The creation of a common European data space to host and make
findable, accessible, interoperable and reusable the 3D Digital Assets
(the FAIR principle)
Semantic interoperability of format and standards for 3D Digital
Assets and metadata
Defining a strategy to address this challenge raises some questions

QUESTIONS RAISED
Are those targets achievable?
Time and cost of 3D digitization should be considered
Are the targets correctly sized for each Member State?
Various factors such as size, characteristics, risk exposure
require appropriate strategies for each Country
Should a level of quality be established?
How to fix the level of quality?
Which parameter?
FAIR principles?
How to assess the FAIR principles satisfaction?
For whom, for what purpose and in which way the 3D
digitised assets have to be: Findable / Accessible /
Interoperable / Reusable

A MULTISCALE APPROACH
A VARIETY OF FEDERATED 3D DIGITISED ASSETS AT DIFFERENT LEVELS
OF RESOLUTION AND COMPLEXITY
The different levels depend firstly on the scope the 3D digitised assets
will be used for.
A multiscale approach fosters an inclusive strategy in the collection,
implementation and upload of 3D digitised assets into the data space.
It allows to:
- reuse existing ones by addressing them for appropriate purposes
- improve and standardize those one in progress
- optimize the new ones
A Semantic Platform based on common ontologies and supported by
an adequate technical infrastructure can improve the interconnections
within the data space and can make the 3D assets Findable –
Accessible – Interoperable - Reusable
These principles are the basis of:
- the development of the semantic platform for interoperable 3D
HBIM based model implemented in the H2020 Project Inception
- the ongoing work of the H2020 Projet 4CH to establish the
European Competence Centre for preservation and conservation
of Monuments and Sites

AN INTERCONNECTED DATA SPACE
THE H2020 INCEPTION PROJECT AND ITS SPIN-OFF HAVE ALREADY
TESTED HOW THE INTERCONNECTIVITY CAN WORK
The H2020 Project Inception implemented a semantic platform where the 3D Models can be navigated and every single piece of a model can be
selected to retrieve its metadata or to be enriched with documents.
Here is the example of the integration of the Europeana Collections: exploiting developed APIs, we can search into Europeana directly from the
INCEPTION platform and create an interconnection between the two worlds.

AN INTERCONNECTED DATA SPACE
THE H2020 INCEPTION PROJECT AND ITS SPIN-OFF HAVE ALREADY
TESTED HOW THE INTERCONNECTIVITY CAN WORK
Once the semantic correlation has been established, then you can decide how to access the content.
From the 3D models to its preview into the INCEPTION platform itself or to the Europeana Collections page.
In this way, the picture remains where it was since the beginning but we create new ways of navigating and therefore understanding the content.

The H2020 4CH project is working on the establishment of a European
Competence Centre for preservation and conservation of Monuments
and Sites
THE 4CH Project
ROLE AND CONTRIBUTE OF THE EUROPEAN COMPETENCE CENTRE
The implementation of the
Compentence Centre’s
Semantic Platform for the 3D
Digitised Assets is an
important strategic objective
of 4CH

Fields of activities of the
Competence Centre | ICTs and 3D Technology Dept
o Definition of standards and basis that the multiscale levels for
the 3D digitised assets should be based on
o Implementation of common ontologies for semantic based
interoperability and interconnections
o Networking of Member States' digital infrastructures
In order to address the challenges and achieve the objectives
recommended by the European Commission, a common
strategy of the Member States and a strong and broad
cooperation in these fields will be required.
THE 4CH Project
ROLE AND CONTRIBUTE OF THE EUROPEAN COMPETENCE CENTRE

3D DIGITISATION & EUROPEAN DATA SPACE FOR CULTURAL HERITAGE
Roberto Di Giulio
4CH is a Horizon 2020 project funded by the European
Commission under Grant Agreement n.101004468 – 4CH.
www.4ch-project.eu
www.inceptionspinoff.com

Graphic Design
Jeroen Meijer, Atelier Kompas

Welcome Back
By Prasanna Oommen

Programme
Session 2 - Getting inspired with
○ Vincent Detalle
○ Julia Noordegraaf
○ Fiona Mowat
Session 3 - A Moderated panel with
○ Valentine Charles
○ Kerstin Herlt
○ Thomas Sagory
○ Frederik Truyen
Session 4 - More inspirations with
○ Meta Knol
○ Eirini Kaldeli
○ Hélène Cavalié
○ Gael Chenard
○ Amandine Contet
Wrap up and closing

Getting Inspired

Vincent Detalle
‘ESPADON, a digital project dedicated to
heritage science’
Research engineer, C2RMF

ESPADON, a digital project dedicated to heritage science
Funding body:
Fondation des Sciences du Patrimoine
(Heritage Science Foundation)
Scientific Coordinator:
Vincent Detalle
Scientific Deputies:
Romain Thomas, Emmanuel Poirault 40

In France:
1989: AGLAE accelerator (Ministry of culture)
2004: 14
C ARTEMIS accelerator (CNRS-CEA)
2006: NanoSIMS (Muséum national d’histoire naturelle)
2011: X-ray tomograph AST-RX (0.9 M€)
2011: PATRIMA (Labex 7.6 M€)
PATRIMEX (Equipex 6.5 M€)
New AGLAE (Equipex 1.45 M€)
2013: IPANEMA (CPER 6 M€, MESR / Île-de-France)
2013: Fondation des sciences du patrimoine
2017: DIM Matériaux anciens & Patrimoniaux (Île-de-France 10 M€)
2019: PUMA beamline at the SOLEIL synchrotron (CPER 3 M€)
WHAT BRINGS US TO ESPADON?
41
In Europe
1999–2002:ICN Labs-Tech Network
2004–2009: EU-Artech and SYNTHESIS projects
2009–2014: CHARISMA Project
2013–2015: ARIADNE Project
2015–2019: IPERION CH Project
2016: E-RIHS in the ESFRI Roadmap
2017–2020: E-RIHS PP Project
2018: European Open Science Cloud
2020: E-RIHS DIGILAB Working Group
2020 - 2023: IPERION HS project

Who is ESPADON ?
13 institutions signataires
31 unités partenaires
Plus de 1 000 PM en apport

Strategic objectives of
• Addressing instrumental issues
• 2D/3D Spatialization,
Multidimensional (multi-scale,
multi-temporal)
• Multimodal
• Responding to the challenge of massive
data management.
• Storage
• Processing and treatment
• Data exchange
• Managing the digital transition
• Federating and training the
scientific and professional
communities in France
• Integrating new practices ("best
practices")
43
•Enriching the possibilities of
access to artworks
• Access to researchers and the
cultural world
• Socio-economic opening
• Dissemination to civil society
and public actors
•Proactive participation to
E-RIHS / DIGILAB

The project
Co-construction and implementation of the Augmented Heritage Object Model
- by the reinforcement of 3 interconnected networks:
• a network of SHS specialists and actors from the world of conservation/restoration
• a network of specialists in physico-chemical analysis and multi-scale 2D and 3D
imaging
• a network of specialists in digital sciences
- by the synergy of new tools and digital methods for the study at all scales and in
time, and for the production of metadata including the reflections resulting from
multi- and interdisciplinary research paradata
44

Establishment of
models
Heritage Sciences
Surrounding
Object/ Heritage
Object
Documented object
Object questioned
Augmented
object
Studied
object
Interdisciplinary research
Multi-scales
Multidimensional
Multi-temporal
Study methodologies
Archives,
Documentation,
Databases
Collection,
evaluation of
information
and its gaps
Definition of a study and
analysis protocol and a
data management plan
Museum, site,
collection
3D Spatialization,
Semantization,
Interoperability
Link with infrastructure
and partner initiatives,
e.g. E-RIHS, INHA,
Humanum,
Biblissima+
Comparison, classification,
automatic learning
New knowledge
Beneficiation
to the general
public
Reuse of data and
models,
development of new
models
Economic
developments
Shapes,
Materials,
Phenomena,
Behaviors
Structural,
elemental,
molecular,
isotopic, …
Formation
Documentation
Beneficiation
in the
scientific
community
Beneficiation to
cultural
heritage
professionals
Mediation,
education
Digital services
platform
Members of ESPADON
Data management, enrichment and analysis
Augmented Heritage Object 45

Who is ESPADON ?
31 Research institutions
(academic/heritage)
More than 1 000 PM in kind
47

THE EXAMPLE OF MANUSCRIPTS
Non Linear Optical Microscopy
OCT
correlation of the 2 techniques
Hyperspectral Imaging
UV-VIS-NIR
X-ray Tomography
Full field elemental
analysis (PIXE, XRF)
Morphological information at macro and micro scale
Chemical information and degradation state
Structure and manufacturing techniques
Conservation state monitoring
Decision on restauration/conservation treatments
Recover illegible or underlying writings
Materials identification (inks, coloring materials)
Knowledge on scriptorium practices
→ Provenance, datation, attribution
Cu Zn
Materials
analysis
Multiscale / Interdisciplinary Multitemporal/Dynamic
History, codicology and materials data
Structuration and standardisation
Storage, sharing and data searchability
2D
Imaging
3D
Imaging
Development of dedicated data treatments
Information correlation
Data
Biblissima+ / Huma Num

49
The example of Built Heritage
LIBS-Raman-Drone +
3D photogrammetry VIS-IR
SIRT highspeed +
3D imaging systems
TeraHertz ToF
Photoacoustic
platform
Continuum of morphological and structural information
from macroscale to microscale
Identification and surface/internal location
of original/restoration materials
Conservation state monitoring, decision on restauration/conservation treatments, structure and manufacturing
Track and identify the degradation causes in their first steps
before the start of an irreversible degradation process
Porosity study of the first surface layers and in depth
In field
materials
analysis
Dynamic analysis, multiscale and multitemporal data
History and materials data
Multi-mapping, multimodal, structuration
Storage, sharing and data searchability
3D Imaging
of
(sub)-surface
3D ortho-imaging
Development of dedicated data treatments
Semantic annotation, propagation of
annotations, information correlation
Data
Aïoli, Huma Num

Axe 3: Analyse collaborative de données spatialisées
Enjeux
• Spatialisation de données
• Numérisation et reconstructions géométriques 3D
• Données instrumentales
• Sources documentaires
• Aborder la spatialisation de données par la prise en compte de
• dimensions des représentations (2D, 2,5D, 3D, 4D),
• échelles (problèmes d’emboitement)
• nature des données (géométrie d’acquisition des capteurs, typologie des sources
documentaires, etc… ) et des annotations (localisations ponctuelles, régions surfaciques,
patterns, volumes, … ).
• Analyse collaborative et exploration du corpus
• Gérer des multiples systèmes de visualisation (et possiblement via des technologies accessibles
à tou.te.s)
• Permettre l’accès, l’analyse interactive et l’exploration de données interconnectées au sein
d’environnements numériques collaboratifs

WP0
WP4
Pastaga
WP2
PixXL
WP1
X
WP3
Lumière
WP5
SSH
WP6
Climate
Missions thématiques
Valorisation,
Communication, and
Institutional Partnerships
Data Interoperability and
Accessibility within the
Information System
AHO and its users:
scholars and
professionals
Instrumental
Interoperability, Analytical
Strategy and Research
Platform
Data lifecycle
WP7
DATA
WP8
Training

Regroupement Domaine des sciences du
patrimoine
Coordinateurs Organismes représentatifs et experts
1 Restaurateurs Dominique Martos, Cécile
Aufaure et al.
FFCR, ARAAFU, restaurateurs fonctionnaires
2 Régie, conservation préventive, … Juliette Rémy et al. AprévU, AFROA (régisseurs d’œuvres d’art), FFCR
3 Conservateurs Isabelle Pallot Frossard et al. AGCCPF, FEMS, AAF, OCIM,…
4 Documentalistes Olivier Malavergne et al. Sociétés des ingénieurs et scientifiques de France
5 Scientifiques de la conservation et
Archéomètres
Vincent Detalle et al. CaiRN, C2RMF, CRC, LRMH, CICRP…
6 Professionnels de la médiation,
scénographes…
Marie-Claire Le Bourdellès et al. Association professionnelle des muséographes,
association nationale des guides conférenciers +
experts EDL
7 Architectes + conservateurs MH +
historiens de l’architecture
Stéphanie Celle et al. Architectes du patrimoine, Collège des monuments
historiques, ANABF
8 Anthropologues, sociologues,
juristes… Question des recherches
en provenance
Monica Heintz (à definir) OCBC, ISP Saclay, ICOM France, SMF, SDMHEP
9 Historiens de l’art Romain Thomas et al. APAHAU, CFHA
10 Archéologues (universitaires, …) +
philosophes
Ph Jockey et al. INRAP, APAHAU, MSH Mondes, conservateurs
régionaux de l’archéologie, SDA, Anne LEHOERFF
(CNRA)
11 Historiens Pauline Lemaigre (à definir)
Valérie Toureille (à definir)
AHMUF, SHMESP + contemporanéistes
Etats généraux des données du patrimoine

Strategic
Orientation
Committee
Scientiﬁc Executive
Committee
1 representative per WP
1 representative per Mission
Coordination Bureau
Scient Coord. + 2 Deputies.
2 FSP VP
COS Chair
GB
Governance
Meets every 6 weeks
2 ESPADON plenary meetings/ year
Interoperability and information
Scientific oversight
Biannual reports
Meets every 6 weeks
2 ESPADON plenary meetings/ year
Validates the budget and the hiring
processes
Writes Financial and Scientific reports for
the ANR
2 meetings
+ possible thematic meetings
Guidance and oversight
National and international collaboration
WPs and Missions
Validates

‘Time machine’
Julia Noordegraaf
Professor of Digital Heritage in the departmen
Media Studies, University of Amsterdam

Time Machine
Big Data of the Past for a
Shared Future
3 March 2022
Julia Noordegraaf
University of Amsterdam & Time Machine Organisation

Since 2016, more than 600 partners
from science, industry, cultural
heritage and civil society have joined
an unprecedented alliance under the
umbrella of the Time Machine.

With Time Machine, Europe will build
the first 5D mirror world, connecting
each place with the depth of its past
and giving direct access to unique
assets for studying, learning, deciding,
creating and inventing a shared
future.

Local Time Machines
• 67 Local Time Machines
• 19 countries
• > 5,000 years of history
• Project registry:
https://www.timemachine.eu/ltms/
Amsterdam
1550-2000

TimeMachine.eu
Amsterdam
Time Machine

Picture Weixuan Li, Virtual Interiors Project
(Huygens ING/UvA)

Artist house and shop at Warmoesstraat 138 in 1580
Wouter van Elburg & Madelon Simons, University of Amsterdam

TimeMachine.eu
Time Machine for
European Data Space

TimeMachine.eu
Time Machine for Society

Virtual Interiors as Interfaces for Big Historical Data
Spatial analysis of cultural
production and consumption

“In the social sciences and humanities,
scholars returned to urban history and
environmental studies with a renewed
interest in the microcosms of everyday life
and the macrocosms of global flows.”
Jo Guldi, ‘What is the Spatial Turn?’ Spatial Humanities: A Project of the Institute for Enabling
Geospatial Scholarship. University of Virginia Library Scholar’s Lab,
http://spatial.scholarslab.org/spatial-turn/what-is-the-spatial-turn/

Citizens contribute their own
knowledge and objects
Time Machine enriches cultural heritage collections
The model: Europeana WWI
roadshows

Time Machine for Education and Social Cohesion
Give historical data new relevance

Virtual reconstruction of Bergen-Belsen by
the Future Memory Foundation
http://www.belsen-project.specs-lab.com/2012-reconstruction/

http://www.belsen-project.specs-lab.com/2012-reconstruction/

Time Machine for Tourism
Virtual Escape Room Amsterdam

Provide a longitudinal perspective
to present-day problems
Time Machine for Smart Cities

Time Machine for Present-day Urban Challenges
Maintaining the Historic City

Follow Time Machine
@TimeMachineEU
@TimeMachineEU
TimeMachine.eu
github.com/time-machine-project/

Fiona Mowat and inDICEs partners
‘Visualising the impact of the digital
transformation of the cultural heritage sector’
Data Analyst, Europeana Foundation

Observing the Europeana Data Space - Data Statistics Dashboard

● Records for Europeana Collections
● Data from Cultural Heritage Institutions
● Targeted advice
● Interaction with target audiences

"Aggregation in the
European common
data space"
Valentine Charles , Europeana Foundation
Kerstin Herlt , DFF - Deutsches Filminstitut &
Filmmuseum
Thomas Sagory, Musée d'Archéologie
Fredrik Truyen, KU Leuven, InDICEs

Valentine Charles
Europeana Foundation, the
operator of Europeana DSI

EUROPEANA CORE PLATFORM
51 millions of high
quality content in
38 languages
Available on
Europeana .eu
and APIs
Events and training
for cultural heritage
professionals
Data quality
standards and
frameworks

Kerstin Herlt
Europeana Aggregators Forum

22.0 IBM Diverse maskiner, Telemuseet, Norway, CC BY-SA
EAF - WHO WE ARE & WHAT WE DO
● We work with 40 domain, thematic & national
aggregators
● We oﬀer advice and support in digitisation,
content description, licensing & copyright,
media formats accessibility, multilingualism,
and in domain and subject vocabularies
● We promote open standards and encourage
the free ﬂow of data across borders for re-use
in applications for education, research,
creative industries and the general public

Thomas Sagory
Musée d'Archéologie

Le Musée d’Archéologie nationale (MAN)
et le projet Europeana Archaeology
Plusieurs millions d’objets du Paléolithique
au Moyen Âge
⇒ base des collections en développement
⇒ base de données archives (Atom)
•Objectif : renforcer le rayonnement du
musée et de ses collections en diffusant
des données ouvertes de qualité
•Calendrier : 2019 – 2020
•Résultats : 1205 images - 37 modèles 3D

Frederik Truyen
InDICEs

BREAK
14:35 - 14:50
Video: Sparnatural, a graphical editor for semantic queries,
Thomas Francart, Sparna.

Meta Knol
Leiden European City of Science
2022

WHO KNOWS?
Connecting Science and Society for a Sustainable Future
Leiden European City of Science 2022
& New European Bauhaus
What, why, how?
Learnings…
Meta Knol, director Leiden2022
@ KnolMeta
linkedin.com/in/meta-knol

Leiden is the first European city to host a 365 day Science Festival

What is Leiden European City of Science?
• a 365 days-science-festival…
• connecting science with society…
• exploring human knowledge: science & knowledge
& arts, culture, crafts & know-how, expertise
• on local, national and international scales
• …for anyone with a curious mind!

Who Knows…
• “I don’t think science knows, actually”
• deep fake - filter bubbles - post-truth
• repositioning relationships between science and
society, seeking new models for integrating &
embedding knowledge systems within our societies
• overarching narrative Leiden2022: WHO KNOWS

platform: Year of Events
hyperlocal: Knowledge throughout Neigborhoods
international highlights: Euro Science Open Forum 2022 (13 -16 July)
young talent: EU Contest for Young Scientists 2022 (12 -18 September)
future: New European Bauhaus
and much more…
European Commission: “Leiden2022 provides a generic model for building
sustainable relationships between scientists and citizens.”
Programme components

THE WALL: co-created between Jan-July 2021
365 curiosity sparking topics related to health, wellbeing, biodiversity,
technology, culture, society, history, the future ...

Tear-off calendar: 365 days curious

Local distribution at markets, in libraries etc

Example #1: February 14 > DADA

Example #2: February 21 > Mother Tongue

Example #3: February 25 > Bruises

Daily Science & Society Radio Show

bottom-up / participatory / non-usual suspects
generous
adventurous
empathic
curious

For example… https://www.nieuwlicht.tv/

Public Engagement with Science

PLATFORM: Leiden as a local case-study

NETWORK: Ministery of the Future

PRODUCER: climate & GLAM workshop

PRODUCER: Young Talent & EUCYS 2022

Learning no. 1: “the messy stuff wins”
• let go of control, build on trust
• allow spontaneous, original ideas to win from fixed
formats - every step along the way!
• don’t let the rational get in the way of the intuitive
• foster and stimulate *real* bottom-up ownership

Learning no. 2: “be generous”
• bottom-up inclusivity only works IF…
• you are performing continuous bias checks
• you keep on reaching beyond your own
networks
• you follow the pathway from public awareness
to public engagement to public participation

Learning no. 3: “it’s all about curiosity”
• curiosity is just so very…
• open boxes, take corners, tempt people to open up their
brains and senses
• the power of curiosity reaches far beyond classical target
groups and/or pre-fixed media strategies
• ignite, surprise and delight: enlight!

Eirini Kaldeli, National
Technical University of Athens
Hélène Cavalié,
Mobilier national

CRAFTED
Enrich and promote traditional
and contemporary crafts
National Technical University of Athens
Eirini Kaldeli
Senior Researcher at NTUA
Hélène Cavalier
Deputy Director of Mobilier National
Mobilier National

CRAFTED project overview
● Europeana Generic Services project (Sep 2021 - Jul 2023)
● 14 partners: museums, aggregators, technical partners, EF
● Focus on
○ Fashion and textile
○ Traditional crafts and their re-appropriation by
contemporary creators
○ Analogue media production

New content
● More than 15 CHIs contributing new high quality content to Europeana
● Images, videos, and 3D content
● More than 186,000 new records (some of which to be digitised)
● Enrich and upgrade existing records to open licenses

Enhance interest in European crafts and craft practices
Raise awareness about the
historic, cultural, and
artistic value of crafts and
inspire amateurs and
professional creators to
reuse crafts heritage in
contemporary practices.
● Multiple exhibitions, galleries, and
blog series on Europeana
● Behind-the-scenes videos with
craftsmen and artists
● Edit-a-thons to enrich Wikipedia
pages
● Crafts challenges on social media
● Online webinars for educators
Read our editorials on the Making Culture page on Europeana
https://europeana.eu/making-culture

Human-in-the-loop methodology
Combine the power of
state-of-the-art Artiﬁcial
Intelligence tools with experts’
and crowd human intelligence
for improving the automatic
enrichment of CH metadata

Content analysis
● Image tagging/object detection
● Color extraction
● Speech to Text
● Optical Character Recognition

Semantic Analysis
➢ Thesaurus Annotators: Lemmatisation and smart
string matching to link text to domain-speciﬁc
vocabularies.
➢ Named Entity Recognition and Disambiguation:
Identify persons, places, and organisations
considering contextual information.
➢ SPARQL Annotators: RegEx to link with external
knowledge bases such as WikiData and Geonames.
❖ Deal with diﬀerent languages

Role of human contributions
● Feedback pointing to certain errors
● Fine-tune the AI algorithms so that they
consider the characteristics of the
speciﬁc domain
● Produce training data
● Feedback used to deduce “acceptable”
automatic conﬁdence levels
CrowdHeritage.eu

What do we gain?
● Scale up enrichment of CH-related metadata in a cost-eﬀective way
● Improve the accuracy of existing AI tools by gaining useful in-domain data
and insights
● Generalise and systematise experience
gained from previous attempts into a
reusable and comprehensive methodology
● Proposed approach and toolset can be
uptaken by Europeana for more eﬃcient
metadata quality improvement at scale

Une collection spéciﬁque
A speciﬁc collection
72 500 biens culturels en ligne (principalement XVIIe
-XXIe
century)
72 500 furnitures online (mainly 17th
-21th century)
https://collection.mobiliernational.culture.gouv.fr/
Used in the State’s buildings
26 000 sieges - chairs
20 000 mobiliers de bois - wood furnitures
14 000 luminaires et bronzes - light fixture
3 600 tapisseries - tapestries
3 200 carpets
collection de dentelles, etc. - lace
Réalisés pour beaucoup dans des manufactures ou
entreprises françaises / Made for lots of them by
French manufactures or worshops

Une institution spéciﬁque
A speciﬁc institution
14 ateliers créant et restaurant le mobilier (250 artisans pour une institution de 350
agents)
14 workshops creating and fixing / restoring the furniture (250 craftsmen)
- 7 ateliers de création : manufactures de tapis de la Savonnerie (à Paris
et Lodève), de tapisseries de Beauvais (à Paris et Beauvais), de
tapisseries de haute lice des Gobelins, de dentelles du Puy et
d’Alençon + atelier de teinture, atelier de recherche et de création
(ARC)
- 7 ateliers de restauration : lustrerie-bronzes, ébénisterie, menuiserie
en sièges, restauration de tapisseries (Paris et Aubusson), de tapis,
tapisserie d’ameublement, tapisserie décor.
- 7 creation worshops for : carpets (Savonnerie), tapestries
(Beauvais, Gobelins), lace (Alençon, Le Puy), dying, and Funiture
(Atelier de recherche et de création said ARC)
- 7 Restoration workshops for : metal, wood chairs, wood furniture,
carpets, tapestries, sewing, chairs ornaments (Paris and Aubusson).

- Enrichir de données
- augmenter l’informatisation ;
- augmenter la couverture photo ;
- documenter les biens et les savoir-faire ;
- Promouvoir les savoir-faire traditionnels et
contemporains
- Préparation de contenus sur les métiers, outils,
gestes
- Prépararer et agréger au portail
- Profiter d’Europeana pour permettre un accès
multilingue et d’autres moyens de navigation
The project
- Enrich the datas
- Promote traditional
and contemporary
crafts
- Aggregate the datas
with european
partners
- Allow multilingual
discoveries

1. Création d’une plateforme pour documenter
et donner acces aux technniques et
“secrets” de fabrication dans les ateliers
Creation of a plateform to give an access to the
techniques and secrets of the workshops (stories,
recipes, etc.).
2. Rejoindre la communauté
d’Europeana grâce au projet Crafted
Make the collection accessible with
the Europeana – Crafted programme
https://collection.mobiliernational.culture.gouv.fr/
Coming soon…

Mobilier Nationale | |Hélène Cavalié | France | CC BY-NC-ND
Gael Chenard, French
Departmental archives
Amandine Contet, French
Archive

BREAK
15:35 - 15:50
Video: Mint & Sage

Wrap up
By Prasanna Oommen

Graphic Design
Jeroen Meijer, Atelier Kompas

How do we align the Commission’s vision with the
state of play in the Member States and the needs
and expectations of the sector and citizens?
What is the role of aggregators, and how
can they be better supported to deliver
change at scale?
Surface and articulate some of key
challenges and issues with regard to
aggregation and data space
How do we develop partnerships with
other actors that strengthen the data
space?

PEOPLE AT THE CENTER!
(LES CURIEUX ET LES AMOUREUX…)
AUDIENCE

WE WILL NEED TO CONNECT WITH
SMES (CREATIVES, SMALL
ENTERPRISES)
AUDIENCE

CONTENT OR METADATA?
QUANTITY VS QUALITY
‘Tier 4 of today is the Tier 0 of tomorrow’
DATA
CHECK OUT THE DATA DASHBOARD!
https://metis-statistics.europeana.eu/
CHECK OUT INDICES survey in May!

RESOURCING
IS AN
ISSUE: RFF &
MULTI-COUNTRY INITIATIVES
RESOURCING & GOVERNANCE

Closing
Harry Verwayen, General Director Europeana
Foundation
Marie-Veronique Leroi, Ministry of Culture and
Communication France

French Presidency - 1 march 2022

Recommended

Recommended

More Related Content

Similar to French Presidency - 1 march 2022

Similar to French Presidency - 1 march 2022 (20)

More from Europeana

More from Europeana (20)

Recently uploaded

Recently uploaded (20)

French Presidency - 1 march 2022