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Background Introduction
The Journey Begins . . . 
Chaucer uses a religious pilgrimage 
to display all segments of medieval 
England. 
The Canterbury Tales begins with a 
Prologue, 
Narrator, presumably Chaucer himself, 
meets 29 other pilgrims at the Tabard 
Inn, located in a suburb of London. 
As the pilgrims prepare for their 
journey, the host of the Inn, Harry 
Bailey, sets a challenge: 
Each pilgrim tell two stories on the way 
to Canterbury and two stories on the 
return trip. The person who tells the 
best tale will be treated to a feast hosted 
by the other pilgrims.
The Journey Begins . . . 
The Canterbury Tales is actually a 
story about stories, twenty-four 
different tales set within the 
overarching tale of the pilgrimage. 
Definition: 
Frame Story – a story within a story 
• The Outer Frame Story is about the pilgrims 
meeting at the Tabard Inn preparing for a 
journey to Canterbury. 
• The Inner Frame Story would be all the 
stories told by the assembled pilgrims along 
their journey to and from Canterbury.
Snapshots of an Era. . . 
In the Prologue, Chaucer sketches a brief 
but vivid portrait of each pilgrim, creating 
a lively sense of medieval life. 
The description may literally describe an 
article of clothing, but figuratively imply 
something about that character. 
Definition: Satire - a literary composition, 
in verse or prose, in which human folly 
and vice are held up to scorn, derision, or 
ridicule. 
Like sarcasm . . . He says one thing, but means 
another. 
Our job is to read and comprehend the literal 
description of each pilgrim, and then, we must 
figuratively interpret what Chaucer is trying to 
imply about that pilgrim’s character.
Snapshots of an Era. . . 
Two types of Satire: 
1. Juvenalian - After the Roman satirist 
Juvenal: Formal satire in which the 
speaker attacks vice and error with 
contempt and indignation Juvenalian satire 
in its realism and its harshness is in strong 
contrast to Horatian satire. 
{Serious – Critical} 
2. Horatian - After the Roman satirist 
Horace: Satire in which the voice is 
indulgent, tolerant, amused, and witty. The 
speaker holds up to gentle ridicule the 
absurdities and follies of human beings, 
aiming at producing in the reader not the 
anger of a Juvenal, but a wry smile. 
{Light – Funny}
Snapshots of an Era. . . 
Satire (continued . . . ): 
Also, so that we might better 
understand his satirical 
characterization, Chaucer creates 
SATIRIC NORMS. 
A SATIRIC NORM is a character that 
represents the perfect ideal. 
We can then see how BAD everyone 
else is by comparing them to this 
Satiric Norm.
Snapshots of an Era. . . 
In the Prologue, Chaucer examines 
three segments of Medieval 
England: 
1. The Old Feudal order – these are all of 
the pilgrims associated with the feudal 
class system. 
• Knight, Squire, Yeoman, Plowman . . . 
2. The Merchant Class – this was the 
rising middle class of the time; towns and 
cities were emerging and therefore 
necessitated the need for skilled services: 
• Merchant, Man of Law, Guildsmen, Cook . . . 
3. The Ecclesiastical (Church) Class – 
these were all of the members of the 
church. Chaucer is most critical of this 
segment of his society. 
• Prioress, Monk, Friar, Pardoner . . .
A Literary Tour. . . 
Chaucer uses the popular genres of 
his time when he creates the inner 
stories of the various pilgrims: 
Romances (tales of chivalry) 
• The Wife of Bath’s Tale 
Fabliaux (short, bawdy, humorous stories) 
• The Miller’s Tale 
The stories of saint’s lives, sermons 
• The Parson’s Tale 
Allegories (narratives in which characters 
represent abstractions such as Pride or Honor). 
• The Pardoner’s Tale 
Chaucer wrote much of the Tales using his 
own form, the heroic couplet, a pair of 
rhyming lines with five stressed syllables 
each.
Literary Analysis 
Characterization 
Direct characterization presents direct 
statements about a character, such as 
Chaucer’s statement that the Knight 
“followed chivalry, / Truth, honor. . . .” 
Indirect characterization uses actions, 
thoughts, and dialogue to reveal a 
character’s personality. By saying “he 
was not gaily dressed,” for instance, 
Chaucer suggests that the Knight is not 
vain and perhaps takes the pilgrimage 
seriously enough to rush to join it straight 
from battle.
Literary Analysis 
Each character in The Canterbury Tales represents a 
different segment of society in Chaucer’s time. By 
noting the virtues and faults of each, Chaucer provides 
social commentary, writing that offers insight into 
society, its values, and its customs. While reading, 
draw conclusions from the characters about Chaucer’s 
views on English society.
Geoffrey Chaucer 
c. 1343-1400 
Considered the father of English poetry 
Wrote in the vernacular – common language of the people 
(English) 
Served as a soldier, government servant, and member of 
Parliament 
Introduced iambic pentameter 
First writer buried in Westminster Abbey

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Canterbury Tales

  • 2. The Journey Begins . . . Chaucer uses a religious pilgrimage to display all segments of medieval England. The Canterbury Tales begins with a Prologue, Narrator, presumably Chaucer himself, meets 29 other pilgrims at the Tabard Inn, located in a suburb of London. As the pilgrims prepare for their journey, the host of the Inn, Harry Bailey, sets a challenge: Each pilgrim tell two stories on the way to Canterbury and two stories on the return trip. The person who tells the best tale will be treated to a feast hosted by the other pilgrims.
  • 3. The Journey Begins . . . The Canterbury Tales is actually a story about stories, twenty-four different tales set within the overarching tale of the pilgrimage. Definition: Frame Story – a story within a story • The Outer Frame Story is about the pilgrims meeting at the Tabard Inn preparing for a journey to Canterbury. • The Inner Frame Story would be all the stories told by the assembled pilgrims along their journey to and from Canterbury.
  • 4. Snapshots of an Era. . . In the Prologue, Chaucer sketches a brief but vivid portrait of each pilgrim, creating a lively sense of medieval life. The description may literally describe an article of clothing, but figuratively imply something about that character. Definition: Satire - a literary composition, in verse or prose, in which human folly and vice are held up to scorn, derision, or ridicule. Like sarcasm . . . He says one thing, but means another. Our job is to read and comprehend the literal description of each pilgrim, and then, we must figuratively interpret what Chaucer is trying to imply about that pilgrim’s character.
  • 5. Snapshots of an Era. . . Two types of Satire: 1. Juvenalian - After the Roman satirist Juvenal: Formal satire in which the speaker attacks vice and error with contempt and indignation Juvenalian satire in its realism and its harshness is in strong contrast to Horatian satire. {Serious – Critical} 2. Horatian - After the Roman satirist Horace: Satire in which the voice is indulgent, tolerant, amused, and witty. The speaker holds up to gentle ridicule the absurdities and follies of human beings, aiming at producing in the reader not the anger of a Juvenal, but a wry smile. {Light – Funny}
  • 6. Snapshots of an Era. . . Satire (continued . . . ): Also, so that we might better understand his satirical characterization, Chaucer creates SATIRIC NORMS. A SATIRIC NORM is a character that represents the perfect ideal. We can then see how BAD everyone else is by comparing them to this Satiric Norm.
  • 7. Snapshots of an Era. . . In the Prologue, Chaucer examines three segments of Medieval England: 1. The Old Feudal order – these are all of the pilgrims associated with the feudal class system. • Knight, Squire, Yeoman, Plowman . . . 2. The Merchant Class – this was the rising middle class of the time; towns and cities were emerging and therefore necessitated the need for skilled services: • Merchant, Man of Law, Guildsmen, Cook . . . 3. The Ecclesiastical (Church) Class – these were all of the members of the church. Chaucer is most critical of this segment of his society. • Prioress, Monk, Friar, Pardoner . . .
  • 8. A Literary Tour. . . Chaucer uses the popular genres of his time when he creates the inner stories of the various pilgrims: Romances (tales of chivalry) • The Wife of Bath’s Tale Fabliaux (short, bawdy, humorous stories) • The Miller’s Tale The stories of saint’s lives, sermons • The Parson’s Tale Allegories (narratives in which characters represent abstractions such as Pride or Honor). • The Pardoner’s Tale Chaucer wrote much of the Tales using his own form, the heroic couplet, a pair of rhyming lines with five stressed syllables each.
  • 9. Literary Analysis Characterization Direct characterization presents direct statements about a character, such as Chaucer’s statement that the Knight “followed chivalry, / Truth, honor. . . .” Indirect characterization uses actions, thoughts, and dialogue to reveal a character’s personality. By saying “he was not gaily dressed,” for instance, Chaucer suggests that the Knight is not vain and perhaps takes the pilgrimage seriously enough to rush to join it straight from battle.
  • 10. Literary Analysis Each character in The Canterbury Tales represents a different segment of society in Chaucer’s time. By noting the virtues and faults of each, Chaucer provides social commentary, writing that offers insight into society, its values, and its customs. While reading, draw conclusions from the characters about Chaucer’s views on English society.
  • 11. Geoffrey Chaucer c. 1343-1400 Considered the father of English poetry Wrote in the vernacular – common language of the people (English) Served as a soldier, government servant, and member of Parliament Introduced iambic pentameter First writer buried in Westminster Abbey