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T H E U LT I M A T E G U I D E
T I P S & T R I C K S
FONT PAIRING
LIKE A PRO
L E T T H E R E B E T Y P E
If you’re not a professional designer, we’ve added a little
glossary to help with the design lingo.
Some words you might not know
L U S C I O U S L I N E S
Applying a bold font can compliment a short word nicely,
used in the centre it will also anchor your design.
Julius Sans One & Roboto Condensed Bold
C R I S P C O N T R A S T
You don’t have to use different fonts to get a dramatic effect,
use light and bold versions of the same family for versatility.
Archivo Narrow & Raleway Regular/Bold
L U X E L E G I B I L I T Y
Using an italic pronounces a word or subhead without having to
change font-families. Libre Baskerville offers a variation of styles.
Libre Baskerville Regular & Italic
T W I S T O N T R A D I T I O N
Finding fonts that look similar for your header, sub and body
is a clever way to create nuance within your text.
Coustard & Arvo
W H I C H C O M B O A R E
T I P S & T R I C K S
YOU EXCITED
TO TRY?

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The Ultimate Guide to Font Pairing

  • 1. T H E U LT I M A T E G U I D E T I P S & T R I C K S FONT PAIRING LIKE A PRO
  • 2. L E T T H E R E B E T Y P E If you’re not a professional designer, we’ve added a little glossary to help with the design lingo. Some words you might not know
  • 3. L U S C I O U S L I N E S Applying a bold font can compliment a short word nicely, used in the centre it will also anchor your design. Julius Sans One & Roboto Condensed Bold
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  • 6. T W I S T O N T R A D I T I O N Finding fonts that look similar for your header, sub and body is a clever way to create nuance within your text. Coustard & Arvo
  • 7. W H I C H C O M B O A R E T I P S & T R I C K S YOU EXCITED TO TRY?