This document provides instructions for choosing a title song for a documentary film version of the book "Drug War Zone: Dispatches from the Streets of El Paso and Juárez". Students are asked to name the song and artist, provide a link to the song, and explain in 3 sentences or less how the song relates to the themes of the book. Responses should show original thought and not choose songs used in similar films or movies.

1. This week I propose a different sort of discussion board.
This week I propose a different sort of discussion board.Imagine you are the music director
for the documentary film version of Professor Campbell’s Drug War Zone: Dispatches from
the Streets of El Paso and Juárez. As music director, you are charged with choosing the title
song for the documentary of the book.What title song would you choose for the
documentary, Drug War Zone?Here are the questions/instructions you need to respond
to:1. The name of the song, and who sings it or who plays on it. Why are they the artist you
have chosen?2. Provide a link to a Youtube video or Vimeo video (or any video or MP3 or
MP4 file that is freely available (in other words, not behind a paywall or firewall)).3. No
more than three sentences (think of it as the length of a Tweet) explaining why you chose
that particular song for the film version of Drug War Zone. The idea is to relate the song to
the book, Drug War Zone. So answers that run in the vein of, “I chose this song because I like
it,” aren’t going to do very well. In fact, I think that may be a good way to fail this test.4.
Engage other students in their choice of music and yours.The other way to fail this test is to
use any song or piece of music that has appeared in any of the seasons of Narcos, or, any of
the music used in Sicario or the sequel to Sicario. The requirement is to be original not
derivative. If you use any of the theme or title music to Jack Nicholson’s The Border, I’ll be
supremely disappointed, too.Beware, too: we aren’t talking about a song which brings to
mind Juárez or El Paso but Juárez and El Paso. This is a very important conceptual point and
is very important in how Professor Campbell structured his book. So… if you think you can
use some banda from Sinaloa and squeak it past me then you are most certainly barking up
the wrong tree. (By the by, I know my narcocultura from Sinaloa. I was a translator for slain
Mexican journalist Javier Valdez Cárdenas — but that’s another story and it’s not really one
that I like to talk about, save to say, I know Sinaloa…)Dig into your prodigious knowledge of
contemporary or classical music, folks.Suprise me!