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1. Essay about Zaha M. Hadid
Zaha M. Hadid
"Gravity–defying", "fragmentary" and "revolutionary" are a few of the words used to describe Zaha
Hadid's architectural designs. The Iraqi–born, London–based architect has stirred up continual
controversy with her designs that defy a label in the Modern vs. Post–Modern architectural debate.
In the past 15 years, she has gone from unknown student to "architecture's new diva" as the title of
the January 1996 Architectural DigestUs profile suggested. Her work has been accepted as a
significant contribution to architecture and her style is one that other architects now emulate.
These characteristics might serve to qualify her under Howard Gardner's definition of creativity.
"The creative individual is a person who ... Show more content on Helpwriting.net ...
HadidUs childhood experiences encouraged a belief in open communication between different
groups of people, but also a strong conviction in Iraqi independence.
EDUCATION
Hadid's elementary education in England and Switzerland exposed her to many different cultures.
She attended a nunUs school with Christian, Jewish, Muslim, and Islamic girls. This is the first
indication of marginality in her life. She felt distanced from her Muslim heritage at the school
because of its Christian educational style.
"I never had a traditional education as a Muslim. In the Arab world, Islamic culture and Arab culture
are the same. It's a cultural situation, not a religious situation." (Hadid 1995)
This dissension between Arab and Western influences reoccurred as she developed her architectural
style. Hadid first became interested in architecture at age eleven, although she pursued other
interests before attending architecture school. A friend of the family was designing a home for
Hadid's aunt and would bring the models by and show Zaha. Her mother and father increased her
interest by taking her to architectural exhibitions. Before pursuing higher education in architecture,
Hadid studied mathematics at the American University in Beirut in 1968. The field of modern
mathematics and the relationship between philosophy, physics and math interested her briefly before
studied
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2. Zaha Hadid : Architect With Curves As Strong As Steel
Zaha Hadid – Architect with Curves as Strong as Steel Architecture is among the few careers that
are usually considered male dominated sectors. This is because there are very few if any, ladies that
have taken the trouble to dare venturing into this well rewarding but involving discipline. Zaha
Hadid is the pioneer woman architect who rose to challenge the chauvinistic attitude regarding the
gender affiliation to certain careers. The Iraqi–Briton lady, born in Baghdad in 1950 was until her
death known for her sweeping curves and ravages that were exorbitant among other architectural
works. Although her initial years were really tough as she had to work extra hard even to have her
first design built, she relentlessly fought to put her unique designs on the map across the globe in the
early 1990s. Zaha Hadid left a rich legacy, which will take eons to break as she was the pioneer
female architect to be awarded the protuberant Pritzker Prize. This was after she had showcased her
splendid artwork meant for the construction of the famous Opera House found in Guangzhou, China
together with the Aquatics Center, which was used for the first time in the London Olympics in
2012. This research paper delves in her life history as an architect with curves as strong as steel, her
accomplishments as well as her disappointments. Zaha Hadid's determination and talent Zaha Hadid
was brought up as any other normal child despite the fact that her dad was among the high ranking
officials in the
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3. Georgia O Keeffe's Art Analysis
Georgia O'Keeffe is considered the mother of American Modernism, known for her New Mexico
landscapes, New York buildings, and abstract flowers portrayed with precise line and form. She was
the first American artist to paint in unadulterated abstraction, painting flowers with exquisitely
portrayed details, making them looks as if they had been magnified.
One of these paintings is the Red Canna, which she painted in 1924. O'Keeffe's flowers look like
they were viewed through a camera's macro lens. The focus of O'Keeffe's flower paintings were
simplified lines, shape, and color. The focal point is the small petals in center of the flower, which
almost look like a small flame, that spreads out into an inferno of color. My eyes were drawn to the
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Towers, cubes and ramps were designed for exhibits, with functionality and lighting in mind. White
plaster was used for the exterior and titanium–zinc alloy for the roofs. Vitra Design Museum has
curved ribbon–like areas that break up the more angular style of the building. Gehry's design
embodies the relationship of art and architecture to create a unique style.
Weisman Art Museum completed in 1993, University of Minnesota, MN incorporates the original
brick and sandstone buildings into the design, creating a futuristic feel with the stainless steel used
to create a sail like effect, making for an intriguing facade. Gehry drew inspiration for the building's
shapes from the cliffs, where the University of Minnesota overlooks the Mississippi river. Gehry's
ability to blend existing structures and deconstructionism, for a new dynamic style, is achieved by
the Weisman Art Museum.
Frank Gehry's deconstructivism evolution is showcased by the use of non–traditional materials,
conscientious detail to the building's intended use which elevates his architecture into
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4. Essay on Zaha Hadid: Making Utopia a Reality in Architecture
"Utopia: n .an impractical idealistic scheme for social and political reform" – The American
Heritage Dictionary of the English Language, Fourth Edition
For over twenty years the Iraqi–born, English educated architect Zaha Hadid has symbolized the
vanguard of contemporary architecture. She has pushed back the boundaries of built form to forge a
highly individualist architectonic language that is at once thrillingly dynamic and intensely
thoughtful, and as a result now has an enormous following of students, practitioners and builders.
Most people recognize her hand through the striking drawings and paintings that represent her work,
but the beauty of her illustrations tend to obscure the fact that she is an architect who builds, due to
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In her designs she tries to break away from the vitruvian prepositions that govern the normal,
conventional architecture that is being used today.
Fortunately for her she has been able to showcase some of these ideas as can be seen in her first
built project which is the Vitra Fire Station in Weil am Rhein, Germany. The project began as a
commission to build a fire station in the northeast section of the vast Vitra furniture factory complex
as well as design boundary walls, a bicycle shed and other small elements. In this relatively small
structure she used unusual shapes and angles that architectural critics had admired in her conceptual
work throughout the 1980s. Since the site already contained large–scale factory buildings, she
decided to concentrate on the site as a zone within the industrial landscape so as to place the
elements of the building in such a way that they would not get lost between the enormous factory
sheds. As can be expected the inside of the building is as interesting as the exterior with multiple
optical tricks being played on the viewer. The design's primary feature is a series of layered
screening walls, between which spaces are created according to the station's functions. Her interplay
of angles and colors makes the interior as visually interesting as the exterior without making it look
too busy. One of the most noticeable features of this building is how glimpses of the large red fire
engines can be
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5. Qualities Of Modern Architecture
Modern architecture was produced during a period of transformation broadly categorized as
modernity. Modernity should not be equipped with the social, political, economic, and technological
transformation which began in the seventeenth century and continued well into the twentieth
century. Rather, it must be understood at the attitudes towards whose changes. Modernity has been
variously described as: a slow transformation and re–evaluation of our relationship with the past; a
complete break from the past; a celebration of the chaos brought about by technological changes in
industry, transportation and communication; a loss of tradition and home; a project of modernization
and progress towards a better world; and a permanent state of transformation and change. Modern
architecture is defined as a term used to describe simplified and unornamented building styles of the
late 19th and 20th century, as a reaction towards the design of excesses to the design excesses of the
Victorian and Edwardian period. Qualities of this style consist of being inspired by the machine
aesthetics. In other words letting the materials and structuring help determine the form and define
the building according to its functional requirements and materials to be used. Clean and simplified
forms were preferred and all unnecessary details were banished. An example of modern architecture
can be explained and seen by Zaha Hadid's Vitra Fire Station built in 1990. Constructed as a closure
at the end of a
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6. The Is The Trojan Horse
In the book Horror in Architecture, horror is defined in various ways, from horror being the truth
about abstraction to horror reorienting the notion that what exists is not necessarily all that might be.
Eight different typologies of horror are identified which includes Doubles and Clones, Exquisite
Corpse, Partially and Mostly Dead, Reiteration and Reflexivity, Incontinent Object, Trojan Horse,
Homunculism and Gigantism, Solidity, Mass, Stereotomy, Distortion, and Disproportion. The
typology I'll be basing my argument on is the Trojan Horse which has been defined by Joshua
Comaroff and Ong Ker–Shing as a less obvious but equally disconcerting form of duality. It can also
be perceived as a lack of indication about what is going on within. This paper intends to discuss the
Trojan Horse typology of horror through the works of the architect Zaha Hadid who has produced a
number of projects that fit into the Trojan Horse typology of horror. Projects which include the Vitra
Fire station in Weil am Rhein, the MAXXI museum in Rome and the 1st floor interior design she
did for the Hotel Puerta America in Madrid, Spain illustrate the Trojan Horse typology because they
have unpredictable interior spaces which subjects the exterior to some kind of random or stylistic
treatment.
Hadid was given full leeway to design the 1st floor of Hotel Puerta America. The interior life of this
project can be seen as the creation of an internal environment that shuns the exterior expression.
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7. Analysis Of The Book ' Horror Of Horror '
In the book "Horror in Architecture" horror is defined in various ways, from horror being the truth
about abstraction, to horror reorienting the notion that what exists is not necessarily all that might
be. Eight different typologies of horror are identified which includes Doubles and Clones, Exquisite
Corpse, Partially and Mostly Dead, Reiteration and Reflexivity, Incontinent Object, Trojan Horse,
Homunculism and Gigantism, Solidity, Mass, Stereotomy, Distortion and Disproportion. THESIS:
The architect Zaha Hadid has produced a number of works that fit into the Trojan Horse typology of
horror which includes the Vitra Fire station in Weil am Rhein, the MAXXI museum in Rome and
the 1st floor interior design she did for the Hotel Puerta America.
THINKING OF USING THIS WHOLE PARAGRAPH FOR THE CONCLUSION: Zaha Hadid's
three projects in the aforementioned have various characteristics that place her designs under the
Trojan Horse typology. Joshua Comaroff and Ong Ker–Shing define the Trojan Horse as a less
obvious but equally disconcerting form of duality. It can also be perceived as a lack of indication
about what is going on within.
The interior life of her project on the 1st floor of Hotel Puerta America can be seen as the creation of
an internal environment that aggressively erased the world beyond. Zaha Hadid was among a team
of 19 internationally recognized architects and designers to work on the 12 floors of the hotel.
Though not designed by her, "the entrances to
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8. Physical Activity Is Important For The Population 's Health
Physical activity is important for the population's health, emotional well being and achieving a
healthy weight. It has become increasingly clear that a person's health and well–being are improved
by physical activity, as well as by a well–balanced diet (Centres for Disease Control and Prevention
& National Centre for Chronic Disease and Health Promotion, 1996). Physical activity and diet are
related in order for the human body to be able to cope with the stresses of exercise a well balanced
diet with the correct nutrients must be consumed (Coyle, 2000). However, exercise alongside a
balanced diet is said to improve weight loss (Kirkwood et al., 2007; Shaw et al., 2006), where as the
relationship between different types of diet and performance or between muscle hypertrophy and fat
loss is still controversial (Manninen, 2006; Pitsiladis & Maughan, 1999; Wolfe, 2000).
In order to achieve optimal performance levels consuming the correct nutrients before a competition
is vital. It is well evidenced that carbohydrate rich intake before and during exercise can improve
endurance performance by delaying the onset of fatigue (Kotsioulou and Vleck, 2002; Febbraio et
al., 2000; Jeukendrup, 2004). This ergogenic effect is mainly caused by the increased accessibility
of blood glucose for the delivery of energy to the active muscles (Coggan and Coyle, 1991).
Therefore, fasting before high intensity training is not recommended because it rapidly depletes
liver and muscle glycogen (Kang,
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9. Pablo Picasso And Zaha Hadid
Ever wonder what opposition to cultural trends can lead someone? Ever question what kind of
success can erupt from dislocating and distorting one's work into a brand unique to no one but
yourself? Pablo Picasso and Zaha Hadid were two of the most successful artists within the
modernist movement. Both Picasso and Hadid laid the foundation to their success with a strong
educational background. While each artist knew that their sheer talent and works would not
contribute to their succession alone. Picasso and Hadid sought the importance of defining one's
brand on a global scale. Building a connection between a consumer and their product, both Picasso
and Hadid knew that their talent and business practices would allow them to convey ... Show more
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With this ability, Picasso seized this opportunity of adaptation, and thus expanded his clientele. By
tailoring his works to the customer's wants and needs, Picasso experimented with new styles of art
to satisfy such needs of dealers and collectors. This came to fruition when Picasso gained one of his
earliest patrons and close friend, Gertrude Stein. Picasso's relationship with Stein developed when
Stein moved to Paris with her brother where she hoped to pursue and art career. With the acquisition
of a Matisse and Picasso's own Young Girl with a Basket of Flowers. This contribution to her
collection of Cubism, may not have been the largest towards Picasso, this greatly increased Picasso's
ability to network as well as brand himself. Picasso understood the importance of branding and
marketing. The connection between consumer and brand, the importance of the media, and the
publicity that surrounded one's story, was the key to laying the foundation of Pablo's success. By
selling his works at the epicenter of Impressionism or Post–Impressionism of art, dealers sought
potential investment opportunities in Paris. It was not until roughly 1914 that Picasso gained notable
recognition. By presenting his artwork at the International Exhibition of Modern Art (The Armory
Show) was Picasso able to capture the attention of La Peau de l'Ours (Skin of the Bear) led by
Andre Level. The organization focused a large portion of their
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