Unraveling Bolero Song Analysis

Unraveling Bolero Song Analysis
The "Unraveling Bolero" podcast was about Anne Adams who was once a cell biologist in cancer research, and Maurice Ravel a composer. Born 65
years apart, Adams and Ravel were affected by the same disease, Frontotemporal Dementia (Abumrad). Frontotemporal dementia involves
"progressive nerve cell loss" (Frontotemporal Dementia). After Anne Adams son was in a serious car accident, she decided to stay home and help
him recover. Once he was healed and walking again, she decided to quite cancer research, and pick up painting. She had not painted since high school,
and now she was suddenly a full–time artist. She would paint houses and buildings, then strawberries, and many things in a repetitious way. She
would paint the same theme for a while, and then change. She became obsessed with painting, and sold her art. Then, she heard "Bolero," she could
not stop listening to it. She painted it, every note was a color, and the size of each note's colored rectangle depended on the volume of the note. She
called it "Unraveling Bolero." Six years after this painting, everything changed. Adams started losing memory, and the ability to speak. She was
diagnosed with Frontotemporal Dementia, and participated in a study on the disease and the University of California– San Francisco. Adams
eventually became paralyzed... Show more content on Helpwriting.net ...
One day he walked outside and a melody came to him. When he sat down to finish the composition, he decided to repeat the melody over and over
again; 330 bars of the same melody only varying in volume. What seemed like a creative choice at the time, turned into a disease six years later. He
began to forget things, as his memory was depleting. By 1935, he could not write or speak. Ravel tried to relearn the alphabet to no success. When he
passed away, an autopsy revealed the left side of his brain had sunken in, leading to the conclusion of him having Frontotemporal Dementia
... Get more on HelpWriting.net ...

Dante And The Road Of Humanism
Dante and the Road to Humanism During the Renaissance, the ideology of humanism became extremely popular. After the black plague people
presumed that God had abandoned them. As a result, they began to search for their own answers through observation and experimentation; this method
was called empiricism. Through this, man began to place himself at the center of the universe instead of God. Individuals began to embrace their own
talents and spend less time worrying about the next life and more living in the current one. Humanism was also developed from a desire to re–live the
Classical time period, or the golden age; therefore, the humanistic education consisted of studies of Greek, Latin, art, music and philosophy. This
contemporary way of thinking inspired many philosophers and writers. Throughout Dante's work he emphasizes the concept of humanism, and it is this
work that influenced many other philosophers including Petrarch and Boccaccio. Dante Alighieri was born in 1265 in Florence, Italy. Dante was an
Italian poet, prose writer, literary theorist, moral philosopher, and political thinker. In the thirteenth century, groups called the Guelfs and the
Ghibellines arose. The Guelfs supported the pope, and around 1290 they divided into two groups, the White and Black Guelfs. Dante was closer to
the White party which was composed of merchants and traders; the Black group consisted of banking families. In 1301 Dante left Florence on a
mission to gain more

Wolfgang Amadeus Mozart 's Overture
Wolfgang Amadeus Mozart's overture to The Marriage of Figaro brings together all the components and styles of the classical period. With it being
an overture, it sets the mood and allows people to get ready for the opera they are about to watch. Mozart was one of the greatest composers to ever
resonate from the classical period and his music is still studied and played worldwide today. Wolfgang Amadeus Mozartwas born in 1756 in Salzburg.
(Kem) Recognized for his works at an extremely young age, Mozart was playing the harpsicord by the age of four and had written his first opera by the
age of eight. (Wright) He was highly educated and exceedingly well known throughout Europe. The early parts of his career were spent waiting at
the beck and call of people in high political power until 1781. In 1781, Mozart moved to Vienna, Austria to become a freelance composer, teacher,
and pianist. (Kem) Most composers in the Classical era worked for the aristocracy. Mozart being a freelance composer left him in serious finical
trouble by the end of his career. (Kem) Although he lived a short life, dying at the age of thirty–five, but his time in this world was not wasted. During
his lifespan, he wrote over six hundred pieces of work ranging from operas, piano concertos, symphonies, and serenades. (Kem) One of his opera
buffas that stood out in his career was The Marriage of Figaro. The French writer Pierre–Augustin Caron de Beaumarchais wrote the play.
Beaumarchais and Mozart wrote a

The Decameron by Giovanni Boccaccio
"You are to look upon this grim opening as travelers on foot confront a steep, rugged mountain: beyond it lies a most enchanting plain which they
appreciate all the more for having toiled up and down the mountain first," (Boccaccio, pg. 7). The Decameron, by Giovanni Boccaccio embodies this
verse. Until this time period, religion guided society like an invisible hand pushing everyone along. Throughout many generation religion evolved.
From polytheism to monotheism, form idols to churches, people leaned on the virtues that religion presented, and led their lives accordingly. Everyone
learned to submit themselves to the Church as they were too scared to pave their own virtuous way. Instead of using the Church as a guide they
surrendered... Show more content on Helpwriting.net ...
In a short tale that Elissa shares, she depicts how corruption spreads through the Church. The short story begins with only one nun, Francesca,
committing an act of lust. The appearance of a nun is the icon that represents the church's endeavor to rid themselves of physical pleasure and
embed themselves with holistic piety. Nonetheless in the midst of their convents lie nuns fulfilling all their desires. As the story progresses, the
reader becomes educated that the abbess, Usimbalda, "who was held by the nuns and indeed by all her acquaintances to be a good and holy
woman," (Pg. 561) was falling into her physical inclinations as well. Usimbalda led the convent and was supposed to be a role model for all the
nuns to be inspired by, yet she could not do what she preached. While these individuals did not represent what they stood for, the pinnacle is the
abbess's reaction to Francesca's indulgence. As the Usimbalda chases down the hall to catch Francesca red handed, she asks in a resolute tone
"where is this miscreant?" (pg. 561). Satirically the abbess had just left the arms of her priest before yelling out those words and in place of a veil
wore the Priests pants on her head. The irony continues as the abbess addresses Francesca saying that her "scandalous conduct would defile the good
name, the holiness, and honor of the convent..." (pg 562). This image almost mimics what was going on in the larger scheme of

Don Giovanni Character Analysis
Don Giovanni is an operatic character that plays a womanizer during the 17th century. This was a play first performed in 1789, a successful creation of
Mozart and DaPonte. During the play, Don Giovanni represents a sociopath that is lead by his incredible weakness for women. This weakness leads
him into darkness, complete with seduction, and murder. Since the beginning, many people have seen Don Giovanni as a hero but many others have
considered him a villain. The actions of Don Giovanni are not completely heroic neither are they totally villainous. But is noticeable that throughout the
play he is more a hero than a villain.
In the first act, Don Giovanni is rushing out from Donna Anna's room. She pursues him and calls for help to arrest the man she says raped her.
When she is calling for help her father, the Commendatore, comes out and challenges Don Giovanni to a duel to revenge his daughter's honor. Don
Giovanni won the duel and now Donna Ana's father is dead. This particular scene is controversial in the play because depicts Don Giovanni as a
rapist and as a murder. But this is not clearly convincible. In the first place, the woman is chasing him after he leaves the room which is odd since no
woman would chase the man that just raped her. Then the Commendatore was killed in a duel in which he was the challenger. A duel is the fighting
between two persons to fix their differences and usually, this kind of battles was legal during the 17th century. Don Giovanni did not

Giovanni Boccaccio Research Paper
Giovanni Boccaccio "Heaven would indeed be heaven if lovers were there permitted as much enjoyment as they had experienced on earth" is a quote
stated by the respected author, Giovanni Boccaccio. This quote must be representing his strong emotions for his young love. Giovanni Boccaccio is an
Italian poet and scholar, known from early tales and works written with his friend, Petrarch. Giovanni Boccaccio's writings were influenced greatly by
the black death, his personal life in Naples and the historical events that occurred in Florence. Shortly after Giovanni Boccaccio began writing, the
black plague ravaged through Florence and affected 25% to 50% of the population. Due to his experiences during the Black Death, he wrote "The
Decameron," ... Show more content on Helpwriting.net ...
Giovanni fell in love with a woman named Fiammetta, which encouraged him to write another famous writing named, "Filocolo." This was a
romance inspired by her that retells the story of two noble lovers. Another work that is said to be his way of preceding his love for her is the
"Caccia di Diana." This is about beasts being hunted by the fairest ladies, they invoke the goddess Venus who transforms the beasts into young,
faithful men. At the end, the narrator is added in and is offered to the fairest lady. This is Boccaccio's way of displaying his feelings to Fiammetta.
Then, his father soon got appointed to the head of the Neapolitan branch. The Neapolitan branch was a high rank in his bank. Boccaccio was sooner
introduced to the society of the court at Naples. He met a variety of people, such as scientists, theologians and the men of letters. He studied many
different cultures and topics. He learned the environment of Naples that inspired him to write. He studied mythology, astronomy, the Greek language
and it's culture. His visitor, the Calabrian monk Leonzio, was the one who induced him to translate homeric epics and taught him the culture and
language of greek. This knowledge then incorporated into his

The Positive Effects Of The Black Death
Everything gets worse before it gets better. A bruise turns into a gaudy green pigment before it fully heals; a rainstorm sends hail falling from the sky,
impaling anything it sees, right before a beautiful rainbow appears; the red fleshed pimple on one's face continues to grow bigger and bigger until it
spontaneously disappears. A catastrophe can lead to success and hope, much like theBlack Death leads to the Renaissance. The Black Death was one of
the most devastating pandemics that resulted in one–third of europe's population to die. Despite all the death and evil the Black Death brought, it has a
good outcome – The Renaissance. The Black Death was the catalyst of the European Renaissance because of the effects it had on the European
economy, artistic expression, and technological advances. The Black Death affected the European economy in a positive way. The biggest
change, good for peasants, was the end of Feudalism. Feudalism is a social triangle that decided who obeyed who and many other unfair standards
for all Serfs, the base of the pyramid. Due to the huge population deficit, Serfs were scarce and "Barons were now willing to pay higher wages and
offer extra benefits. All their life they had lived off the serfs' hard work, and were willing to pay them to stay on the manor to continue slaving for
them" (Vunguyen). This gave the Serfs more power to ask for higher wages and the freedom to find more work if they do not get what they want.
Serfs, or peasants, "began

The Black Death
If asked to perform a task or to accept a belief as the truth despite the asker's justification contradicting the obvious, most people would laugh at the
foolishness of such a request. After all, how can one be expected to wholeheartedly believe an argument when all evidence is pointing the other way?
When told that a brown, oval–shaped object with white lace is a basketball, would one blindly submit to this new definition of a football without
demanding evidence for the person's claim? A similar situation occurred during the 14th century, as society began to fall into disarray. Not only did the
Church, the most important societal establishment, begin to lose its supreme influence, but millions of people became ill and died as a result of... Show
more content on Helpwriting.net ...
Through Griselda's unwavering patience with, and devotion to, the marquis, Chaucer urges religious doubters to maintain their beliefs despite living in
a volatile and chaotic society. To begin, Chaucer emphasizes Griselda's devotion to the marquis in situations involving death to encourage religious
doubters to cling to their religion in the face of death. After the birth of his daughter, the marquis informs Griselda that he plans to kill the child in order
to ease the public outcry about the low–class ancestry of the child. Chaucer writes, "Apparently unmoved as she received what he had said, no change
in her expression or tone of voice, Griselda unaggrieved replied, 'My child and I are your possession and at your pleasure; on my heart's profession we
are all yours and you may spare or kill what is your own. Do therefore as you will'" (Chaucer, 335). The description of Griselda and her daughter as the
"possession" of the marquis is used to explain the power dynamic between husband and wife–one in which the wife is owned by the husband. Because
ownership implies unwavering supreme power over a subject, as with slaves prior to the Civil War in the United States, the marquis is always
all–powerful over Griselda. If the marquis is a symbol for God, while Griselda is a symbol for human beings, Chaucer argues that God is always
all–powerful over human beings.

The Character Of Don Giovanni
Don Giovanni is the protagonist of one of the most famous Mozart's operas. Mozart's protagonist is based of the Spanish tale's character named Don
Juan, a famous womanizer. According to Cambridge Dictionary, a hero is defined as "a person admire for bravery, great achievements, or good
qualities,"[1] it can be said that Don Giovanni is brave, at his standards has some great achievements, and has some good qualities such as
fearlessness, courage, and firm to his beliefs. One of the main reasons why some people label Don Giovanni as a villain is because at the beginning of
the opera Donna Anna claims that Giovanni has raped her and then calls him a murder when he kills her father. When taken a closer look at those
specific scenes, such claims are less credible. Instead of being afraid like a usual rape victim, she seems furious. The claim of rape gets even more
questionable when Donna Anna's first recrimination is 'betrayer,' instead of rapist. It gives the impression that she appears to be angry at the fact
that he is leaving her. Describing Don Giovanni as a murder also seems to be inaccurate. It has to be clarified that killing someone in a duel is not
a murder. Donna's father was the one who challenged Don Giovanni. He clearly knew that the only outcome was for one of them to die, and that
there was a chance that it could be him. It is also important to take into account that Giovanni repeatedly refused to fight. Music helps to describe
the characters, "Every character stands out in the musical picture."[3] It can be an indication of how he is portrayed as a hero. Mozart shows Don
Giovanni as courageous, strong and confident. When analyzing music, it can notice that Giovanni gets great music. "Mozart provides Don
Giovanni with an aria that explicitly embraces his philosophy of enjoying life: the famous champagne aria, "Finch' han dal vino.""[2] This music
is presented as full of life and celebration which means that Don is shown as the force of life. It can be also be deduced who Don is by contrasting his
character with other's. "Mozart also tells us who Don Giovanni is by telling us who he is not."[3] Leporello is depicted as a character who is a whiner,
coward, and a follower. In one of the final

Themes Of Violence In Dante In Love, Dante Alighieri
Introduction
According to English writer, A. N. Wilson, in 'Dante in Love', Dante Alighieri,
A.N. Wilson's perspective of Dante Alighieri as a poet, as well as a madman
According to (Wilson 2011), Dante Alighieri, author of the Divine Comedy, is a man whom resembled both a poet and a madman. Wilson briefly
emphasises in, 'Dante in Love', the two contrasting depictions from Leonardo Bruni and Giovanni Boccaccio, of whom Dante was with regards to the
role that he played within the Florentine society and how it influenced him as a poet in his work. (Sayers 1949), asserts that the 'Divine Comedy' is an
allegorical poem, influenced by, "Dante's theological, political and personal background".
(Wilson 2011), asserts fifteenth century writer,... Show more content on Helpwriting.net ...
The circle is broken up further into three separate sections of whom these acts of violence can be imposed on. These sins of violence is taken on
three different forms being: performing harm on other people, harm on oneself or harm on God, as explain by Vigil in the eleventh canto of the
'Divine Comedy' (Sayers, Dante The Divine Comedy 1: Hell 1949).
The relationship between violence and Dante as a poet
The violence portrayed in the poem
The relationship between violence and madness
In accordance with the scenes of violence found in Dante's Inferno, a link can be found in Wilson's argument that violent scenes within the poem can
justify the possibility of Dante being both a poet, as well as a madman. Dante's Inferno, as emphasised by A. N. Wilson, is a popular and exciting
read not only from the unpredictability of order of events (Dante wrote Inferno without have a clear vision of how the poem will end), but for the
poem's, "sheer brilliance and beauty of its words, its music", as well as for its, "unforgettable characterization" (Wilson 2011).
Significance: What is not violence? (Limbo)

The Black Death Plaques Florence
The Black Death Plaques Florence:
Decameron of Giovanni Boccaccio Analysis The notorious Black Death in the fourteenth century is often described as the "great mortality" for its fatal
infestation into Asia and Europe. The true impacts it had on the western civilization in one mere day is best described in the first excerpt "Day the
First" in the historical text, The Decameron of Giovanni Boccaccio by Giovanni Boccaccio. Boccaccio greatly emphasizes the resulting civil disorder as
an entire civilization crashed in one day, plagued by infamous Black Death. Not only did the plaque cause an unprecedented amount of deaths, it also
caused a total shift in religious, social, and cultural frameworks present in the city of Florence Italy. The descriptive nature of the text in "Day the
First" elaborates on the bewilderment the plaque brought with it. The "pestilence" as Boccaccio calls it, was known about in the eastern regions.
There was a form of action taken to preserve the health of Florence Italy, as described by Boccaccio in the direct quote,
And there against no wisdom availing nor human foresight (whereby the city was purged of many impurities by officers deputed to that end and it was
forbidden unto any sick person to enter therein and many were the counsels given for the preservation of health) nor yet humble supplications, not once
but many times both in ordered processions––(Margol and Heineman, Boccaccio Describes The Plaque In Florence 1348, Ch. 11.3).
However, with bewilderment to the people, the plaque still rampaged the west. As hinted at in the text, many believed the pestilence was a result of
humanities iniquitous dealings and God's wrath. Upon analyzing the text, the little known about the plaque in the east, was very different compared to
the one that manifested in Florence. Due to the religious influence at the time, this was once again viewed as a punishment from the heavenly bodies
above. As evident from the text, physicians had no cure and it became clear that the contagion was not limited to man, but also animal. As a result, a
great deal of pressure was put on the church for redemption. But to no avail, more people fell ill. This caused city–wide panic as everyone began to
behave

The Decameron by Giovanni Boccaccio
In the book, The Decameron, by Giovanni Boccaccio, there is many tales but I am only going to speak of two.The first tale, Fabricio Goes to
Naples, was told by Fiammetta. Fiammetta's story differs from the rest of the stories by, his has many dangers that occur in one night rather than
over a period of years. The second tale, Bernardo di Rossini and His Wife, was told by Dioneo. This story was different than the others by, it was a
comedy story, showing to laugh over bad things than over virtuous deeds.
In, Fabricio Goes to Naples, a man from Perugia, by the name of Fabricio, sold horses. When Fabricio heard that Naples sold horses at a cheap
price, he set out with a purse full of money and some merchants, hoping to receive a good deal. Sadly, he couldn't find a good deal. Even to show he
meant business, he foolishly opened his purse to display all of his money. A sicilian lady saw how much money he had and thought, "Who would make
better use of that money than me?"
The sicilian lady was with an older sicilian woman, whom knew Fabricio. When the older woman saw Fabricio she greeted him affectionately.
Fabricio recognized the woman for she had lived with Fabricio's father. When the two ladies got back home, the younger lady carefully questioned
the older one about Fabricio, in order to find a way to get all of his money. By the time the lady felt she was informed well enough, she knew nearly
everything about him, including his family. The younger lady then started to play

Comparing the Personalities of the Writers, Dante and Chaucer
Even though Dante and Chaucer never met, Dante having died 19 years before Chaucer was born, Dante inadvertently became Chaucer's life long
mentor. Dante's severe spirit turned out to be far more harsh than Chaucer's nature, however Dante's protГ©gГ©, Boccaccio, became one of Chaucer's
greatest inspirations. Looking back at both Dante and Chaucer's works, experts now see striking similarities in their writing. Whether Chaucer ever
meant to use Dante's materials or not, he is now closely compared with his contrary counter part. The original purpose of this paper was to tell how
closely related Chaucer's writing was to Dante's, however, a closer look at the man, the better the picture is that shows the blatant contrasts between
these two... Show more content on Helpwriting.net ...
These experiences made Dante quickly realize that this world is corrupt to the core. "Greed for material things is the main fault, greed which is
allowed to dictate the actions of men. Only a cessation of strife, the establishment of universal peace can ensure the happiness of mankind and allow
men to pursue the ultimate aim for which God has destined them on earth, that of exercising constantly and to the full their distinctive quality, the
'Virtus Intellective' (virtuous intellect)" (Limentani,117). He believed that life on this earth was for a purpose and had meaning to it this can be
seen in the Inferno because Dante is working to make his journey purposeful. He travels so far and tries so hard to work his way up to heaven.
Chaucer stands in contrast to Dante's almost dogmatic piety and looks to other things as purposeful in his life. Chaucer's views of life come from a
very political point of view. He was introduced to court life while still in his teens, becoming a page to one of the kings daughter–in–laws. From there
he rose in status until he was promoted to the rank of esquire. Though he was exposed to political plots and war Chaucer exhibit's a lust and
compassion for life that completely eludes Dante's works. While he was easy going and generally sympathetic to others Chaucer was nothing of a
typical idealist. While Dante searched for ways to better the world by destroying chaotic war and hate, Chaucer was content to let the world

The Characteristics Of Don Giovanni
There was a man of greatness, a figure of admiration and respect to the entire neighborhood.
He referred to himself as, Don Giovanni, a man among men... and to him men were the superior lot.
People flocked to him; men, women, children, seeking his presence and a mere gesture of attention.
His was a life to envy. The "Don's" appearance was as powerful as his presence.
Hair as dark as night and naturally groomed with minimal effort,
He swaggered through the streets radiating confidence.
Step by step he left his mark, helping those less fortunate than he.
Eyes so distinctive, and actions so sweet, he needed no introduction.
Broad shouldered and strong, he was dressed in the finest garments from the best tailors around. As he carried on doing business throughout the day, his
diffident wife continued her domestic duties.
Chores he determined no man should be bothered to complete.
Especially not one as great as Don Giovanni. "I am meant for man's work," he would say. "Not the soft labor of a soft species."
For men were meant for power and authority, for strength greater than that of the women men were destined to protect. He continually preached the
right way to live.
"Always be true to your word; forever remain ethical and virtuous," was his motto.
He was a man of religion and faith, never swaying from his moral obligation.
No one challenged his goodness...until one day his false persona would alter his dream life.
...
She was a force to be reckoned with, a woman so

Don Giovanni: the Characters and Their Music Essay
Don Giovanni: The Characters and Their Music
Giving Character's character is one of the most interesting challenges in operatic composition; another is composing for all the specific characters. A
composer has to distinguish between characters through his music. Jan can't sound like Fran, and Dan can't sound like Stan. Each character must have
his/her own traits. Mozart's opera, Don Giovanni, provides us with many different characters to compare and contrast.
One scene in particular lends itself to the comparison of Don Giovanni, Leporello, and The Commendator. Scene fifteen of Act two, places all three
characters in close interaction with each other, making it easy to compare and find out how Mozart and his Librettist Lorenzo da Ponte ... Show more
content on Helpwriting.net ...
Mozart really makes his nervousness obvious by giving him notes no longer in value than a quarter note. Mozart uses dotted eights to sixteenth notes
to make his part especially disjointed. This creates the effect of someone shaking from fear as they are trying to speak. Mozart also uses a continuous
triple pattern, which begins at measure 470, to create a rambling effect. Leporello seems to have lost his sanity from fright of the statue, and is now
babbling incoherently.
Don Giovanni and the Commendator have very different rhythmic vocal parts then Leporello. They are much more bold and brave then Leporello, so
Mozart gives them a more solid rhythm. The Commendator has the most stable part out of all of them. He has many whole and half notes. The stability
of the rhythm adds to the confidence and power of his character. The only time his rhythm becomes quicker is when he is yelling at Don Giovanni to
repent. Don Giovanni shares many similar rhythmic traits as the Commendator, although it has a little more diversity.
Don Giovanni shifts from being comfortable to uncomfortable throughout the dinner scene. In this situation, Mozart appropriately varies the speed of
Don Giovanni's rhythm. An example of this occurs at measure 522. Previous to this measure, Don Giovanni has a stable rhythm with most words
occurring on the strong beats. It abruptly

Don Giovanni Essay
Produced by Wolfgang Amadeus Mozart in 1787, Don Giovanni is regarded as one the best operas ever made. The piece is based on the legend of
Don Juan, an illusory libertine and seducer of women (Kerns, 2010). At first, Mozart's opera seems more like a story of the romantic adventures of a
dissolute nobleman and his disgrace. However, there is much more to Don Giovanni than just a series of events and serious laughs, just as the
protagonist is much more than a notorious, single–minded, and unprincipled seducer. Closer examination of the piece reveals its core themes of social
classes and divisions as depicted by Leporello's complaints about his servitude to his employer in the first scene (Mozart, Fisher, & Ponte, 2007). The
play also touches on vital human traits and principles, including loyalty, faithfulness, and sincerity. More importantly, Don Giovanni centers on the
ambiguity intrinsic to human relations, the intricate connection between life and death, and the interminable tension between love and the risk of its
extermination.
Don Giovanni can be characterized as a comic opera due to its indulgence with tragic themes, such as crime and murder, in an astoundingly funny
manner. By definition, an opera is an art form in which the composers combine dramatic works with musical scores and libretto or text in theatrical
settings. The singing may be either melodic or recitative. Traditionally, operas incorporate most of the typical elements of spoken theatre, including

1. How Does The Form Of A Madrigal Relate To The Text?
Homework #09
1.What is the form of a madrigal, and how does the form of a madrigal relate to the text?
First of all, it is important to note that there are two different types of madrigals, and both
forms of it are truly quite different in style. Originally, the madrigal was a type of 14th century
Italian secular song that implemented two or three voices, "setting poems comprising three–lines
stanzas with a melismatic upper part and a concluding ritornello." On the other hand, the second
type of madrigal is a part song for four or more male and female voices, and is usually sung in an
a cappella manner. That type of madrigal was primarily performed in domestic settings in
England and Italy during the 16th and 17th centuries, and was written in a free setting "dictated
by the text and was sometimes set to elaborate counterpoint."
Although the form of the original madrigal was strophic and in AAB form, this new, and
totally reinvented second madrigal was "continuous with music changing to reflect the meaning
of the text." How the form of a madrigal relates to the text, is that the writings in the text reflect
how the music will sound. For example, if there were lyrics around the sun rising, all of the

voices might sing warm and full ascending notes to give us an effect of the sun rising. A real
example of this style is evident in "As Vesta was from Latmos hill descending" by Thomas
Weelkes. When all of the voices sings "descending" in the

Decameron By Giovanni Boccaccio: The Massacre Of The Black...
"It was the common practice of most of the neighbors, moved no less by fear of contamination by the putrefying bodies than by charity towards the
deceased, to drag the corpses out of the houses with their own hands, aided, perhaps, by a porter, if a porter was to be had, and to lay them in front of
the doors, where any one who made the round might have seen, especially in the morning, more of them than he could count." This is just one of many
passages, which detail the massacre of the Black Death, that Giovanni Boccaccio wrote in the Decameron. The Black Death has hit many continents,
including Africa, Asia, but I will be focusing on the Europeans during 1347–1351(Thompson). Yersinia Pestis, the Black Death, what maybe on of the
most significant ... Show more content on Helpwriting.net ...
The first factor for the Black Death spread was population. Since the warm climate and societies exponential growth, an extremely contagious plague
like the Black Death would be perfect. It also helped the European society was growing technologically, and more and more big cities were popping
up. This made everyone closer and more connected, rather than the people of the countryside who were more separated(Britannica). The growth in
population also caused the lower class to grow. With too many people, there wasn't enough food for everyone, which made good health an
exception(Thompson)With national health on the downfall, the disease was able to spread with less chance of people resisting the

The Impact Of Religious Culture In Giovanni Boccaccio's...
Religious culture in Italy grew and developed in several ways over its' span of existence. It was also a time of recording information and countless
people wrote during this time about the different aspects of their country. Religion was an important part of the people's daily life, seeing that it
determined their afterlife. There are several stories and beliefs available about this time period that are used for current references on how exactly the
religious culture worked. In particular, Giovanni Boccaccio's Decameron, which he wrote as a series of short stories about the religious culture during
the 1350's, which was not long after the Black Death. His series of fictional short stories gave people a different side of the story and how people truly
regarded religion during this time. Currently, people who read these excerpts can compose inferences on how religious culture was back then and it
gives a different thought process, seeing that while it is not particularly true, it shows a different side of the religious culture. Specifically, the story he
tells us in this excerpt shows us a great deal about the religious culture of Italy during that time and how seriously they regarded God and his
forgiveness, so much that one man lived a horrid life and still managed to gain forgiveness of the church and be buried there. Religious culture over the
years has changed in hundreds of ways, with copious different aspects to deal with and different statements about what should be

A Comparison Of The Movie Don Giovanni
The play Don Giovanni directed by Peter Sellers shares many parallels to Moliere's comedy Don Juan. Additionally, Don Juan is an aristocratic rebel
against God, religion, and morality. Don Juan is a masterful manipulator of men and women. Although Don Juan is a comedy, it is grounded in realistic
dramatic also relational scenarios that happen today. However, in the playDon Giovanni, the character is darker and more sinister. Moreover, the
setting is far from the aristocracy. The cityscape began as in inner city dark and murky project. There is graffiti, signs of death, and stillness all
around. Don Giovanni is packed full of immorality as the story unfolds. Don Giovanni's his heart is hardened beyond humanity thus implicates his
soul belongs to Satan. Moreover, Don Giovanni similar to Don Juan's character is unfaithful to the one he declares his love as he has a thirst for lust
and conquest for women. In play Don Giovanni's assistant who grudgingly witlessness Don Giovanni's evil actions. His assistant accounts the number
of women he has betrayed. Furthermore, Don Giovanni's assistant shares he stalks any woman no matter the origin. Also, Don Giovanni's assistant
says Don Giovanni has had 640 Italians, 231 Germans, 100 French, 91 Turks, and 1003 Spanish girls. Interestingly in the play, I wondered if the intent
of the director to expose Giovanni's assistant as the alter ego of himself.
However, Don Giovanni, unlike Don Juan, is a criminal he is a rapist and murder too. In

The Role Of Women In The Deccameron By Giovanni Boccaccio
Giovanni Boccaccio sets The Decameron in a time period when women are regarded as holding lower social position than men in a community. In
the Biblical text, the roles of women are almost always severely restricted. Women are not allowed to hold power or have a significant position in a
society, but to maintain in the positions of wives and mothers, who only care about family. In The Decameron, Boccaccio reveals that women could
hold an upper hand role in the relationship of male and female. Boccaccio exceeds the roles of women, contrary to church teaching, by emphasizing
their humanity as a mean of increasing acceptance to women's dignity.
Women in The Decameron are portrayed as being more long–suffering and more independent than men. Although ... Show more content on
Helpwriting.net ...
In Day 3 Story 1, Masetto, who believes he has more sexual desire than women, pretends to be a deaf to work in a convent with young nuns. He
underestimates that he can gratify all nuns' carnal appetite. He soon realizes that it is beyond his ability to respond to whole desire. He states, "'I've
reached the point where I can't do just about anything anymore.'" (Decameron, 210), which expresses his unsuspected tiredness. Masetto ends up
begging the abbess to leave. Boccaccio challenges the readers to rethink about the stereotypes people and the Bible have over women with an

How Did Giovanni Boccaccio Decameron
The Decameron
BOCCACCIO, GIOVANNI
Born in 1313, Giovanni Boccaccio is one of the greatest figures in Italian Literature. He was born in Paris, France by a French woman who remains
unknown, but on many occasion he speaks very highly of her. His father is an Italian; they are part of the middle class. As for their professional status,
they were Merchants / Bankers. Although, Bocaccio was born out of wedlock, his father legitimized him and took him to his house, provided him with
a family and a good education.
In 1340 Boccaccio moved to Florence where he meets Petrarch in 1350, his mentor. He began study Greek and Roman Classics. During 1339 to 1351
he writes The Decameron one of the most noted and readable book in all ... Show more content on Helpwriting.net ...
They are merchants of grain with hired help who take their social power very seriously. Lorenzo, one of their lead workers who takes care of their
business is the handsome young man that Ellisabetta falls heads over heels for. She and Lorenzo share the same compassion and love for one another
and they ignore the social acceptance of their relationship.
Unfortunately, Ellisabetta's brothers are not in agreement with this love affair and are furious about the disgrace to their family. They are so
disturbed about this relationship that they kill Lorenzo. This misfortune, in turn, creates a major change in their sister's behavior causing her to be
unhappy at all times and without any desire to do anything other than cry. Furthermore, one night Ellisabetta has a dream where Lorenzo appears
and tells her that her brothers killed him and where they buried him. Ellisabetta, being so blindly in love, went out the next morning to confirm her
dream. To her surprise she found Lorenzo's dead body. Her first reaction was to take him along with her. Since, he was too heavy, she decided to
take his head. This behavior reflects a girl's first and only love that keeps her from forgetting that life goes on. Ellisabetta demonstrates without
Lorenzo there is no meaning in life. She could only keep living with a part of him by putting his head in a pot. Ellisabetta buries it with dirt and
plants basil over it. This plant becomes her savior or peace that keeps her alive. Her

Women And Women In Giovanni Boccaccio And Francesco Barbaro
Giovanni Boccaccio and Francesco Barbaro provides for not only the men, but women in Italian society their conventional opinion on the perfect
example of how a wife should act and behave in order to keep the domestic life at peace and whole. Through their story and most gracious outlook on
a woman's life, we can see what a marriage was life during this time. Based upon reading Boccaccio's Decameron X, the story of the Count of Panago,
Gualtieri and his peasant–born wife, Griselda, as well as Barbaro's On Wifely Duties, one may conclude that Barbaro would have considered Griselda a
good wife. In the story, Griselda endured the severe and unheard–of trials that Gualtieri imposed upon her and remained not only tearless but a happy
face. From the presuming murder of their own children to telling Griselda she will no longer be his wife, and be sent back to her poor, little house
from where she came, Griselda concealed her misery and unhappiness, with silence and no tears. Many ways in her behavior indicates Griselda was
the perfect wife during the Renaissance, according to Barbaro; firstly, her obedience. Barbaro wrote that obedience to the husband was the most
important component in a marriage. In order that a wife does her duty and brings peace and harmony to her household, she must agree to the first
principle that she does not disagree with her husband on any point. Barbaro implies stealthily that if a wife does not do her duty in agreeing and
obeying her husband, she

The Black Death
In a time when God was everything, death came among the rich, poor, sinners, and religious people in western Europe. Could this be retribution for
the people's sins and God has a plan, or would this be the fatal disease that would lead people to question their faith in God? Giovanni Boccaccio saw
first hand what the Black Death did to his country, how disease flooded throughout and death was inevitable. Everything was changing, people were
losing faith, the preservation of food, and simple customs like burial rituals started to disappear. Health and Religion were the key factors in the
changing and modernization of early western Europe, these reflect on the poor hygiene, social order, decline in old customs and faith issues that
occurred in the late Medieval world. The Black Death had made its way to the west, people knew by the many signs of sickness that they would
only have a couple of days left to live. The main symptom of the pestilence was a large tumor that would turn into black or gray spots around the
body, which was "an infallible token of approaching death". Western Europe was scrambling to find answers as to what was happening to their people,
doctors were unable to provide medicine or cures for the diseased people. More people becoming ill, it became difficult to keep towns clean, the smell
of dead bodies filled the air, and people began to leave the city with no hope for a cure. Boccaccio recounts a time when he witnessed "The rags of a
poor man who died of

Black Death Of The 14th Century Analysis
The Black Death of the fourteenth century was an extremely deadly pandemic that killed off around half of Europe's population. It acted quickly,
killing the people who contracted it within three days once they displayed any symptoms. It's no surprise that the people who were affected reacted the
way they did. In terms of the responses, those of the Black Death and those of Zika, Ebola, and HIV–AIDS were actually very similar in how the fear
the outbreaks produced overwhelmed the masses into being overprotective and paranoid for their own wellbeing.
According to Giovanni Boccaccio's The Decameron, hundreds of Florentine citizens would die daily, and those who have not met that fate yet would
have to walk along the streets inhaling putrid scents ... Show more content on Helpwriting.net ...
HIV–AIDS was a sexually transmitted disease that preyed on the gay community in many areas of the world. No one had an idea of what it was and
how it worked; everyone simply relied on the fact that once you had it, you were as good as dead. On top of sex being somewhat of a taboo topic in
American society, there was also a significant amount of discrimination towards the gay communities, and once it was known that it was common
because of members having several partners, HIV became more of a stereotype. Gay members were shunned and isolated even more than they already
were, with people not wanting to even be near them. Fear was not the only factor that affected society and fostered hostility towards others; the
pre–existent stigma against gay people always played a

Phantom of the Opera Review
Phantom of the Opera is the longest running musical to date and has become one of the most beloved and well known musicals on Broadway. The
musical was inspired and loosely based on the characters and the story of the book Phantom of the Opera by Gaston Leroux. This CD is the original
London cast which means that this recording is with the first cast that ever preformed the musical with the actors that created the parts. The musical
was written and composed by Andrew Lloyd Webberwho is one of the most famous musical composers and has composed some of the most well
loved musicals of the last fifty years. Webber created incredible and emotional music for Phantom of theOpera that set this musical apart from all the
others. One thing that makes Phantom of the Opera a unique musical experience is because it does not try to fit into one genre and does not try to be
too modern. This makes it unique because most of today's musicals are trying to be more pop culture. The Phantom of the Opera manages to stay in
the time period where the story takes place but weaves in modern comedy and rock music. The most obvious way that this is done is with the main
theme of the musical. The pounding of the organ is one of the most well–known themes in musical theatre and it is reminiscent of rock music with the
guitar but it is different than rock because it is an organ not a guitar. There are many other contrasts between old and new in the musical. One contrast
is of musical and opera. The

Summary : ' Mozart '
Johannes Chrysostomus Wolfgangus Theophilus Mozart
Lydia Molina
Mr. Dresser
General Music
27 May, 2015
Mozart
Johannes Chrysostomus Wolfgangus Theophilus Mozart, known for his string of operas, concertos, symphonies and sonatas, he helped shape classical
music as it is today. "Born on January 27, 1756, in Salzburg, Austria,Wolfgang Amadeus Mozartwas a musician capable of playing many instruments
at age six. Over the years, Mozart aligned himself with a variety of European venues, composing hundreds of musical pieces including sonatas,
symphonies, masses, concertos and operas" (Great Composers 2015). These works of art are known to be filled with much emotion to touch his
audience.
"In the years 1763 – 1766, Mozart, along with his father Leopold, a composer and musician, and sister Nannerl, also a musically talented child, toured
London, Paris, and other parts of Europe, giving many concerts and performing before royalty. The Mozart family returned to Salzburg in November
1766. The following year young Wolfgang composed his firstopera, Apollo et Hyacinthus, https://youtu.be/Lj3V1MsbS84. Apollo et Hyacinthus is
an opera written in 1767 by Mozart, who was 11 years old at the time. It is in three acts. The opera is based upon Greek Mythology as told by Roman
Poet Ovid in his masterwork Metamorphoses. Rufinus Widl wrote the opera in Latin. In Salzburg 17, Mozart produced a series of church works,
including the Coronation Mass,

The Shawshank Redemption And The Marriage Of Figaro
What does one imagine when viewing a comic opera? A ornamented opera house? Patrons dressed in black tie apparel? However, would one imagine
a comic opera playing in a maximum–security prison? Would uneducated prisoners appreciate the music? In The Shawshank Redemption both of these
events occurred. In The Shawshank Redemption, Andy Dufresne plays an duet from Mozart's comic opera, The Marriage to Figaro, as its Enlightened
ideals represent Andy's prison experience and its Classical characteristics evoke a sense of hope in the repressed prison. Wolfgang Amadeus Mozart's
The Marriage of Figaro reflects the social and musical influence of the Classical period. Socially, The Marriage of Figaro reflects the ideals of the
Enlightenment. The Enlightenment was "was a period that saw the institutions of Europe–religious, political, social, educational, industrial, financial
and artistic–slowly but inexorably lower their focus from the ruling aristocratic and clerical classes to a new class of people. For want of a better term,
we call this new and rising class of people the middle class" (Greenberg "Opera Buffa"). The Enlightenment placed an emphasis on the "'natural man'"
or the common man, not just the aristocratic class (Kerman and Tomlinson Listen 153). Consequently, Mozart focused his comic operas on lower to
middle class protagonists like the servants Figaro and Susanna whose marital bliss is delayed by nobles ("Synopsis: Le Nozze di Figaro" The
Metropolitan Opera). Another

Annotation: The Curious Republic Of Gondour '
Annotation: The Bell Tower This story was one that had a specific theme, in my opinion– do not overlook "minor" errors. Bannadonna was an
incredibly determined and ambitious engineer of sorts who was charged with building a bell tower in a certain town in Italy. He made a grand bell
tower, but that wasn't enough for him. He also decided to build a type of automaton that would ring the bell for the people on the hour. In the end,
the automaton wound up killing Bannadonna because of its loyalty to the job it was created to do. Though it was an interesting story, it was hard to
follow at times because of the language that Melville used. It was such expressive, descriptive writing that the reader may at times get lost. It may also
be true that the theme of the story is to not be so careless, or to not keep secrets from others, as Bannadonna did when trying to keep the automaton a
secret from the others who came inside the bell tower before its completion. Annotation: The Curious Republic of Gondour From this story, I gathered
that... Show more content on Helpwriting.net ...
He remembers back when he was in school and used to take a young girl's lunch from her because his parents never sent him with one. He would
make the girl think that she had already eaten her meal, but eventually he winds up killing her. This murder then sends him to prison and he again
uses his hypnosis, this time on one of the wardens. He convinces the warden that he is actually an ostrich and he then dies while attempting to eat a
door knob. After thinking about his past and the fact that his parents did not send him to school with a lunch, John becomes angry and uses his
hypnosis on his parents. He makes them believe that they are horses and they kill each other. Once again, John is caught and for 15 years is left trying
to get out of it. I think that the moral of this particular story is not to try to control others and/or their emotions. Nothing good can come from

Giovanni Boccaccio And William Shakespeare's Effect On...
The plague had many effects on the world, but one of the main effects it had was on literature; writers would incorporate deaths from the plague,
songs and poems were written about the tragedy, and the plague opened up a darker side to literature. It's insane to think that a virus could affect
something such as literature, among many other things. The plague didn't just affect literature, but writers as well during this time. This topic is
widely covered as many writers such as Giovanni Boccaccio incorporated the plague into their stories and writings. In order to really understand,
there's a structure to follow. The first thing to know is what writers were affected by the plague and how they were affected. Then it's important to
know an example of one of the writer's work, to really get that dark sense of humor from the coping of the plague. The final thing there is to know is
in literature, what was affected.
Giovanni Boccaccio is the author of many famous books such as Federigo's Falcon. Giovanni "survived the Black Death when it struck Florence, Italy,
in 1348" (Themes Across Culture pdf). His "writing at the end of the Medieval period, Giovanni Boccaccio helped set a new direction for literature"
(Themes Across Culture pdf).
William Shakespeare also survived the Plague. To be quite frank, he "was terrified of the Bubonic Plague" (Bubonic Plague and Shakespeare).
Shakespeare, when the Plague struck, "lost his sisters Joan, Margaret (just babies) and Anne (aged 7) to the deadly Plague" (Bubonic Plague and
Shakespeare). The thing that probably changed William Shakespeare's outlook the most was his greatest loss: "his only son, Hamnet, who died when
he was just eleven years old" (Bubonic Plague and Shakespeare).
The Plague had many effects on the world, but one of the main effects it had was on literature. Writers would incorporate deaths from the plague,
writers such as the two mentioned above. Songs and poems were written about the tragedy that struck, the most famous one being Ring Around The
Rosey. Another example is how the plague opened up a darker side to literature itself.
Federigo's Falcon was written with context of The Plague. Federigo's Falcon was written with context of The

How Does Don Giovanni Contribute To The Enlightenment
Don Giovanni is a one–of–a–kind character, yet so predictable living a certain lifestyle, almost to the point of being mysterious. It is the enlightenment
era however, where a lot of impossibilities were being explored, and presented to the public in different forms, including this opera, Don Giovanni.
Although Don Giovanni seems like a total embodiment of immorality, he nevertheless carries some admirable principles, sparkling the enlightenment
idea through the story of Don Giovanni.
As we all know, the Enlightenment is known as the era of reasoning. Many had started to realize the power of rational and logical thinking. Don
Giovanni is a great example for this type of thinking. Although more probably accuse him rather than praise him of seducing so many women,
Giovanni has his own reasoning to it. "(How can it be fair if I just marry one woman)"? This is in fact capable of bearing careful thoughts. It would
not be fair for Giovanni to stay with one single woman, for thus not only would it be unfair to all the other women, but Giovanni would ... Show more
In Lord Byron's Don Juan, "Pleasure's a sin, and sometimes sin's a pleasure" (Canto the first). It was not uncommon to consider pleasure as something
sinful, but to think the reverse such that sin brings pleasure is a brand–new idea. Just as the Don Giovanni in Mozart's work, the main characters
pursue in their own favor the goal of their lives. "Few mortals know what end they would be at, tut whether glory, power, or love, or treasure, the
path is through perplexing ways, and when the goal is gain'd, we die..." (Canto the first) In such a shirt a life that one lives, Don Giovanni and Don
Juan both seize the meaning of their lives and bravely pursue their love. This level of liberty cannot be ignored from the enlightenment idea of

Don Juan The Trickster Of Seville
Don Juan, the Trickster of Seville, his name says it all. Don Juan is a charming, seductive, ladies man who thrives off of seducing women and will
do anything and everything to do so. His love for romance and women and his lack of moral obligations make him a guy that parents warn their
daughters about. Don Juan is the ultimate bad boy when it comes to love and getting what he wants. Not only is he a womanizer, but a true
representation of the wages of sin. Don Juan lives his life as if he is untouchable and true definition of a risk taker when it comes to sin. Don Juan
doesn't just give us a glimpse of his way of life he lights the fire to an unrighteous path of life for us to see. In the very beginning of the play we learn
Don Juan... Show more content on Helpwriting.net ...
While sharing stories with Don Juan, Marquis foolishly lets Don Juan know about his interest and love for a Dona Ana. Don Juan then sets his
plan into motion to trick Dona Ana by pretending to be Marquis and using his cape as a disguise to carry out his seductive trick. Often like the
devil who disguises himself to trick and mislead us to sin. Again, we see the dark to describe Don Juan's sinful heart and ways. Don Juan refers to
himself and states "In Seville I'm called the Trickster; and my greatest pleasure is to trick women, leaving them dishonored" (II, 269). Don Juan
truly has no remorse, shame, empathy, or conscience for his wicked ways and will do anything even to his own friend for his sexual desires. If he
wants something, he will make sure that he gets what he wants by using whatever means he needs to. He doesn't think about how his actions make
you feel, or others loss and we see that here with Marquis. All Don Juan thinks are achieving his own needs and no one is immune from being drawn
into Don Juan's games not even his friend, Marquis who he plays one of his most scandalous tricks

Biography Of Giovanni Boccaccio 's Magnum Opus ' The...
"There made its appearance that deadly pestilence, which, whether disseminated by the influences of the celestial bodies, or sent upon us mortals by
God in His just wrath by way of retribution for our iniquities, had its origin some years before in the East, whence, after destroying an innumerable
multitude of living beings, it had propagated itself without respite from place to place, and so, calamitously, had spread abroad into the West".
These are the lines from Giovanni Boccaccio 's magnum opus 'The Decameron ', which consists of various tales narrated by seven young women and
three young men seeking refuge in a secluded villa outside Florence to escape from one of the greatest catastrophies in human history. The 'Black Death
'.
Miniature of the Decameron by Taddeo Crivelli from Ferrara (1467)
INTRODUCTION:
The most memorable example of what has been advanced, is afforded by agreat peatilence of fourteenth century, which desolated Asia, Europe and
Africa and of which the people yet preserve the remembrance in gloomy traditions. It was an oriental plague marked by inflamatory boils and tumors
of glands such as break out in no other febrile disease. On account of these inflammatory boils and from black spots, indicator of a putrid
decomposition, which appeared upon the skin, it was called in Germany and northern kingdoms of Europe, the Black Death and in Italy, 'la Mortelaga
Grande ', the Great Mortality.
The Black Death was one of the most devastating

The Ambiguity Of The Iconic
This essay will explore the ambiguity of the Iconic, what does it stand for in the modern world of architecture and how does it originate. The
obsession of architecture with this term is slowly taking over; architects strive towards creating Iconic buildings as a way to gain fame. How does one
design an Iconic building and what does it imply when placed within a particular context? We will explore this through a particular architectural project
of the church of San Giovanni Battista under Florence, an icon which never really succeeded in achieving its purpose and yet contains some of the
very fundamental and curcial ideas about the Iconic which I want to express in this essay. Why does one building (such as theEiffel tower or London
Gherkin)become symbolic for a city while other attempt to replicate this phenomenon fail? And most importantly what role does the context (as a city
morphology or natural habitat) play ... Show more content on Helpwriting.net ...
Which can be seen protruding right underneath the tilted buttress. It is a set of concrete blocks that suspend the bells of the church.This decision defies
the original meaning of church bells. The element seizes to act as a highlight point of a tower, that used to be the case in many churches including
Russian orthodox and Italian Catholic architecture, where the bell tower always stoodabove the rest of the structure and the surrounding.Thus bearing
symbolic and practical value. In the church of the highway however, the bells are beneath the weight of architecture, hidden by the concrete slabs.
This furthermore reinforces Michelucci's idea of creating an icon of speed: architecture that is not meant to become a centre of a town or unifying
element of society, but rather a glimpse of a flash. The bells are no more needed to spread the sound over long distance, which was the case in a city,
and therefore lose their original significance. Instead the bells transform into a purely technical

Nikki Giovanni's Kidnap Poem Imagery
Kidnap" by Nikki Giovanni is a short poem about referring to her lover whom she has great desires to be with. Giovanni wants her lover to return to
her or to continue staying with her and shows her devotion for her lover through this poem. With Nikki Giovanni's use of repetition, imagery, and
metaphor, the purpose of this poem is to captive the reader's mind through her words. Giovanni's use of imagery in this poem appeals to the readers'
senses and shows readers that poetry can take them to different places. This poem expresses a tone of emotion and love. Giovanni tries to draw in the
readers using mixed and conflicting emotions.
First off, diction, structure, and genre are the foundations to any poem. Giovanni speaks in first person and second person using words such as "I"
and "you". In the first few lines she states "If I were a poet / I'd kidnap you", the "I" person is referring to Nikki Giovanni and the "you" ... Show more
What does "ever been kidnapped / by a poet,""if I were a poet / I'd kidnap you," and "Yeah if I were a poet I'd kid / nap you have in common" all
share? Each of these lines are metaphors. In each line the poet explains how things in life can capture people's attention. The word "kidnap" is
constantly repeated and is used as a metaphor to steal the lover's heart and grab their attention. Giovanni uses imagery in the form of sight,
hearing, and touch. "You to Jones Beach" is a example of sight, "Play the lyre for you" is a example of hearing, and "Dash you into the rain" is a
example of touch. From seeing different places, to hearing the lyre or love songs, and from the feeling of dry to wet. These types of imagery takes
the reader's mind and places them in the poem. The theme of this poem is the declaration of love. The theme emphasizes on how strong love can truly
be. It gives a message on how love is something special and how it can be

Historical, Physical, Sociocultural And Phycological
This exhibition is inspired by the theme Memory focusing on Art as Navigation– A Matter of Time and Place and is taking place in Perc Tucker
Reginal Gallery. Navigation is the process or activity of accurately ascertaining one 's position and planning and following a route. Navigation can be
viewed in several contexts; Historical, Physical, Sociocultural and Phycological. In this exhibition, the context of Art as Navigation will be focusing
more on the phycological element of navigation. The way Art as Navigation is viewed is through a cognitive development of achievement and
understanding of knowledge, formation of beliefs and attitudes, and decision making and problem solving. It is the journey one takes either with going
back to the... Show more content on Helpwriting.net ...
The Decameron was named after one of Songsong's favorite books written by Giovanni Boccaccio in the mid–14th century that consisted of a
collection of 100 stories told by 10 different characters over 10 days. The significances of this stories are that they all surround the similar theme.
Songsong used Boccaccio's concept and applied to his work by interpreting an outsourced public photo of the 2004 National People's Congress.
Songsong enlarged the NPC 2004 photo and cut it into 10 sections and painted each section individually. When placed together the original photo could
be seen at a larger scale. Songsong's second piece is Cuban Sugar which is a representation of an image of when China went through a domestic sugar
cane production. Its titled the Cuban Sugar as a representation of this event reflecting the political conflict of interest through fractured independent
sections of the full piece of work. Completing Songsong's painting are individual sections within the painting with different texture and color,
suggesting a layered and disjoint between China and Cuba and their historical interpretation.
The second artist featured in this exhibition with amazing art pieces inspired by his childhood memories and materials is, Mark Bradford. Bradford
was born in Southern California in what is considered the 'hood' of California. Bradford has received both Bachelor and Master in Fine Arts from the
California Institute of the Arts in Valencia.

Analysis Of Don Juan
According to study.com instructor Ellie Green originally Lord Byron began writing Don Juan at in the fall of 1818, at age 30 when he lived in
Venice. Lord Byron's story Don Juan has actually been a retelling of his life living in exile as a result of scandalous affairs with women and men.
He spent the majority of life on writing Don Juan up until his death, leaving the story unfinished (Green). Nonetheless The story Don Juan written
in the 1600's by Moliere remains a comical controversial drama typical of Moliere's plays. The author of Don Juan is as interesting as the story
itself. Although Don Juan lived criticized for "free thought and atheism . . . And an unbeliever overturning the foundation of religion" the play has
performed for over 200 years now recognized as one of Moliere's masterpieces. (91 Moliere). Don Juan's is a historical womanizer who rebels against
God and morality. So, it appears a womanizer exists every generation. Ordinarily, the character Don Juan mocks relationships also the sanctity of
marriage. Additionally, Don Juan enjoys breaking up relationships for conquest and sport. Thus, Don Juan remains unconcerned his valet Sganarelle
served him as a silent accomplice against his will. However, Sganarelle does express Don Juan's behavior with Gusman squire to Elvira. Furthermore,
Sganarelle says "A wedding doesn't mean a thing to him. It's the only sort of trap he sets for ensnaring women: he weds them left, right, and centre . . .
I'd rather serve

Don Giovanni The Sextet
Don Giovanni is an opera performed by Mozart where the main character Don Giovanni murders a man, seduces women, and in the end receives his
awaiting fate. The sextet, which is when the remaining of the characters sing, takes place at the finale of the opera. "Everybody else runs onstage...and
there is a quick lively finale, where each character announces what he or she will do next–find a new master, join a convent, get married. That, they
sing, is the end for those who do evil." (Pg. 199). This finale was a major part of the Don Giovanni play before directors during the nineteenth century
began to cut that performance out. The sextet served as an epilogue for the audience. The audience is able to get a glimpse of what the remaining
characters life might look like ... Show more content on Helpwriting.net ...
With this finale the audience does not leave the play feeling completely dismal as a result of Don Giovanni's punishment. In addition, the message
behind the opera is still clear as it would have been without the sextet. But the seriousness of the message is not conveyed as well at could be. The
opera is supposed to have moments of comedy and moments of seriousness, especially regarding the anticipated fate of Don Giovanni. However,
because of the sextet the significance of the intended message could lose its meaning.
Since the nineteenth century decided to remove the sextet the finale of the opera becomes more dramatic. The opera ends on the scene of Don
Giovanni being engulfed by the flames of hell without the sextet. The meaning, sinners are going to be punished, is clear to the audience and is not
taken lightly. The audience will most likely remember the finale of the play more than anything else. Allowing the opera to not only be remembered
for its humor but its ability to blend a dramatic storyline with hints of comedy. But the impression the opera leaves on its audience might be too

Wolfgang Amadeus Mozart's The Marriage Of Figaro
Wolfgang Amadeus Mozart composed The Marriage of Figaro in 1786. For this assignment, the focus was mainly on the first act of The Marriage of
Figaro. The excerpt given was divided into two main sections. First, I would like to expand on the opera as a whole. Next, I will discuss the first
section given. Then, I will discuss the second.
The entire opera is known as an opera buffa, which is a comedic opera. This was a very common opera genre in the classical era. The Marriage of Figaro
is a perfect example of an opera buffa in a variety of ways. For instance, an opera buffa has believable characters as individuals. The characters we
see have titles such as a page boy, a music master, a count, and a fiancГ©e. These are all very common jobs or titles. There is no mention of mythical
creatures or other unheard of species. This makes the opera very relatable to the audiences. The opera also deals with everyday subject ... Show more
Instruments such as the violin, cello, and clarinet are being used. The accompaniment thickens greatly as well. You can hear the drastic difference. The
instruments have more lines of music, and on top of that the instruments are listed in full detail, and each has their own line of music. In addition to the
change of accompaniment, Mozart did a fabulous job of representing the characters through the music. When the count sings alone, the sound is very
regal. This, of course, is due to his position. When Susanna sings, the accompaniment is higher, and also more rushed. This would be because of the
stress this character is experiencing, and also her gender. In addition, when Susanna, the count, and the music master sing together, you can hear
multiple melodies being played. The action on stage also stops. In the first section, Susanna was constantly moving. The count and the page boy both
hide and caused great movement on

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