Arnold Schoenberg 3

Arnold Schoenberg 3
Arnold Schoenberg was one of the greatest musical influences of the mid 20th Century. He was born on September 13, 1874, to a Jewish family in
Vienna, Austria (Schoenberg 1). Schoenberg was a young Jewish man during World War I (WWI) living in Berlin. He was directly affected by the
invasion of the Nazis. In 1933, he had to leave Berlin and desert his faith for Lutheranism later on taking on the faith of Judaism. At the early age of
eight, he began violin lessons and almost immediately started composing music (Schoenberg 1). He was self–taught until the age of 10 when he began
formal training (Schoenberg 1). He earned a living by orchestrating operettas, directing a cabaret orchestra, and teaching. Schoenberg influenced the
music and... Show more content on Helpwriting.net ...
This variety of talent allowed him to construct a larger audience. As a musician he only reached those who loved music. With his other talents he was
able to attract art lovers and readers. This allows various vehicles of passing on his tradition and culture. He expressed himself in many ways through
his self –portrait paintings, postcards, impressions and fantasies. He started writing and composing in a beautiful twelve–tone musical language unlike
any other. The twelve–tone is where all 12 pitches on a scale are utilized however, they are all treated equally (Schoenberg 1). No note is more
important than any other. Schoenberg output demonstrates constant change and growth in musical style and technique. Schoenberg loved paintings
and music. When Schoenberg painted he expressed himself with the Expressionist styles of paintings. The Expressionist style is where the artist
focuses on personal subjective feelings (Norton 1). His music was freely blended with a variety of musical tones. His paintings were reflections of
things that were happening in his life. For instance, the tragic death of his painting teacher may have encouraged his works to be lifeless. Schoenberg
admitted that he only looks one in the eye so further detail is not noted therefore, his paintings become worse and worse (Journal IX1). His
self–portraits begin as pictures but end up like sketches for this reason. The War and the havoc of the Nazi
... Get more on HelpWriting.net ...

Music And Painting From 20th Century Western Music History
Yaojun Song
Mus114
Sam
Music and Painting
During the study of 20th–century Western music history in this class, I found out there are may same movements of art and music. I took 20th century
Art history as well so there is always the comparison of them in my mind. Music and art appear to be two different art forms. Music is both auditory
art, but also an art of time and movement. Music express musicians' feelings through sound, it will create images in the mind of the viewer for them to
have a variety of feelings, and to elicit in the viewer emotional resonance. Painting is a visual art, space art. It is static. Painters use lines, shades and
other forms to sketched out some figurative or abstract pattern. It provide visually to the viewer a strong impression and cause them reflect a variety of
emotions, resulting in aesthetic stimulation. Music and painting each is done through a different medium with different means of artistic expression.
They both convey people the author's expression of the content and emotion. Many artists themselves are both musicians and painters, such as
Kandinsky, Schoenberg, Leonardo da Vinci and extra. One of the great examples is Wassily Kandinsky. He is one of the representatives of Russian
expressionism painter. He also was a man versed in music. He is a friend of expressionist music composer, Schoenberg. By listening to Schoenberg 's
works, he felt "like a recklessly in front of the same lines in countless dance." Since Kandinsky

Serialism Essay
Definition:
Serialism is a rigorous system of composing music in which various elements of the piece are ordered according to a pre–determined ordered set or
sets, and variations on them. The elements thus controlled may be the pitch of the notes, their length, their dynamics, their accents, or virtually any
other musical quantity, which, in serial terms is called a parameter. More generally, serialism is any music which uses any ordered sets applied to any
musical element.
Whilst researching serialism I came across a quote which I find very relevant to our studies at the moment. The quote reads: "Serial music is like
spinach. People grow up hearing others complain about how terrible it is. Some people eventually try it and agree that ... Show more content on
Helpwriting.net ...
*Listen Boulez – Structures pour deux pianos
When a tone row is turned backwards, its rhythmic pattern is also reversed. For example, a minum followed by a quaver followed by a semi–quaver
becomes a semi–quaver followed by a quaver followed by a minum. It is in this way that every conceivable musical element is manipulated.
Although this music is very organized it is often, ironically, perceived to be very chaotic to the listener.
*Listen Stockhausen – Gesang der Junglinge
Serialism was greatly influential in post–War music. Serialism was "revolutionary" and declared itself as a "new tonality". Serialism created an
environment where experimentation with sound was at the forefront of composition, which led to increased use of electronics as well as other
applications of mathematical notation to composition.
Joseph Matthias Hauer ( 1883– 1959)
Background
Joseph Hauer was an Austrian composer and theorist. He was an active organist, choral conductor and cellist since his teenage years. At about the age

of 23 (1908) he started composing. His first published works are Op 1 –18 (1912 – 1919) and he described these works as "the first onset of [his]
12–tone works". These pieces range from songs and piano miniatures to the dramatic "Apokalyptische Phantasie" op. 5(1913), which is scored for
chamber orchestra and is his most significant early

Are Electro-Acoustics and the Vernacular the Largets...
EAMMONMSETFIContextual studies (MU314) Convenor: Tim Howle Essay 1
Denis Smalley has suggested that the two most important musical developments in the 20th Century are the domains of the 'electro–acoustic' and the
'vernacular'. To what extent is his assumption correct?
This piece will demonstrate an understanding of the developments in 20th century music, with a detailed view on the path and expansion of
electro–acoustic technology and of the vernacular. This will also be highlighting the theoretical ideas that made these large developments possible and
the technological innovations that created the foundations for both these areas.
Total serialism
After composers, Wagner and Brahms, who stretched the ... Show more content on Helpwriting.net ...
Herbert Eimert stated in his classification of notes, "the pure tone (sine–wave tone), free of overtones, which never appears in traditional music (or
nature). It issues from the electronic production of sound. The sinusoidal tone system must therefore simply be a system of virtual relationship, from
which a composer can create structures in the form of series, relationships, rows and other forms of organization" (P.122 Karl H. Worner, 1973).
Stockhausen's first electronic compositions, Studie 1 (1953) being the first piece to be composed primarily with sinusoidal waves, utilizing an
sine–wave generator he was able to construct complex timbres in mathematical series (the influence of integral serialism can be seen most here). This
early experiment of what we now know as, additive synthesis was extremely influential to electronic and synthesized music. Studie 2 (1954) was very
similar but the spectra of pure tones were radiated into a resonance chamber and re–recorded. The original sine waves were distorted to generate a
similarity to noise occurrences. The piece Gesang der junglinge (1955) was the first piece to combine music concrete with electronic music.
Stockhausen practised in this what we now would consider, subtractive synthesis. With the use of noise generators a full frequency spectrum can be
achieved, for example white noise. The frequency bands can be filtered to produce a single band of frequency or even a

Where Shoenberg Went Wrong Essay
Where Schoenberg Went Wrong (or Right!) Arnold Schoenberg believed that the developing harmonic language of the late nineteenth century had led
to a musical crisis. He felt that tonality had been stretched to its absolute limits, and that what was to be said within its confines, was already best
done by the great composers before him. Schoenberg believed that he existed within a lineage of composers, and therefore, was the successor to
deliver the next big innovation in music. This idea of pushing music forward is not a novel one though; we have long observed similar acts of musical
righteousness. Simply consider the first chorus in a symphony as in Beethoven's Ninth, or a requiem text that is not in Latin as in Brahms' Ein
deutsches Requiem.... Show more content on Helpwriting.net ...
The traditional compositional forms–sonata, rondo, minuet and trio, etc.– depended upon the establishment of a key and a modulation to another key to
mark important structural events. Music contemporary with and following Wagner tended to change key far more often. In fact, keys morphed so
quickly that it was hard to say whether a tonic had ever been established. Tonic and dominant relationships were lost, structural boundaries were blurred,
and listeners were losing themselves in an aural swamp. Schoenberg's solution was to find a means of organization other than tonality. In his quest, he
pursued methods dictated by free atonality, by text (Sprechstimme) and ultimately by the twelve–tone method. By removing tonality, Schoenberg
emphasized the independence of each musical line by the importance of a set of intervals. It was a radically new way of creating and perceiving music,
but one cannot emphasize enough that this idea–the idea that the norm is insufficient–is not new with Schoenberg. Beethoven felt that an orchestra
alone was insufficient to deliver the message he envisioned for his Ninth Symphony. Brahms felt that a Latin requiem text was inferior to what would
be a largely German–speaking audience. And Schoenberg felt that continuing with the commonplace traditions of tonality would suffocate the ideas he
wished to communicate. So we return to our

Gatsby's American Dream Essay
In The Great Gatsby, Fitzgerald describes essential traits of human life: romantic love, genuine friendship, the importance of money, the significance of
trustworthiness, and the worth of social classes through Nick Carraway's views. As he portrays them, each main character's goals are illustrated, and
they each carry out different amounts of significance and a symbolism throughout the novel. This novel is mainly about Gatsby's attempt at an
unattainable goal, winning Daisy's love back through power and money. In contrast to every main character, Gatsby has clear and well thought out
dreams. Gatsby's American dream, his desire to be wealthy and win Daisy back, is desperately ruined by Daisy. Gatsby's goal that he tries to obtain by...
Show more content on Helpwriting.net ...
Nick describes how James Gatz became Jay Gatsby from what he observed and proved throughout the novel. After he dropped out of college, he
started fishing for living. Gatsby's past about Dan Cody, Gatsby's drug stores, and a special business bond with Meyer Wolfshiem are revealed this
way. "for when I asked him what business he was in he answered, "That's my affair," before he realized that it wasn't the appropriate reply. "Oh, I've
been in several things," he corrected himself. "I was in the drug business and then I was in the oil business. But I'm not in either one now." This
conversation in chapter 5 is one of the hints that Gatsby gives out that he has been lying. He does not make the conversation about how he got rich
smooth enough, that it turned out to be a nonsense.
It is true that Gatsby's dream is never going to come true not only because
Gatsby met Daisy in while Gatsby was stationed in Louisville, where Daisy enjoyed her life as an eighteen–year–old girl with her financially set
family. He was astonished by her every little traits, and her social status and level made him feel embarrassed to a point where he lied about his just
to be on that same level as her. . In chapter 8, Gatsby explains to Nick how he had lied about his status and class just so that he will not lose a chance
that he might have with Daisy while Gatsby attempts to describe his love by saying in chapter 8, "I can't describe to you how

Pierrot Lunaire Research Paper
"Pierrot lunaire" Expressionism was a development of early 20th century music that had been marked by the use of complex, unconventional rhythm,
melody, and form. The intention of expressionism in music was to express the composer's psychological and their emotional life, within their
compositions. Expressionism is known as a modernist movement, and it initially was originated in Germany at the beginning of the 20th century. Some
popular characteristics of expressionism in music are clashing dissonances, abrupt musical language, episodic, fragmentary form and structure, and
great emotional intensity. Three central figures come to mind when thinking about expressionism in music, which are Arnold Schoenberg, Anton
Webern, and Alban Berg. A composition that was worked on by all three of the central figures that showcased this movement, isPierrot lunaire by
Arnold Schoenberg. ... Show more content on Helpwriting.net ...
Schoenberg had moved from the post–romantic German chromatic idiom, into music that had increased rhythmic and harmonic complexity,
counterpoints and also fragmentation of melodic line. Within the period, Schoenberg liked to focus on the instruments as solos, even with a full
orchestra, which is why he had swift alternations between the instruments. One of Schoenbergs most famous piece for expressionism, is Pierrot
lunaire. This piece was known as a "free atonal" composition, avoids traditional diatonic harmony. Pierrot lunaire is a melodrama, which according to
dictionary is a literary work in which the plot is typically sensational and is designed to appeal strongly to emotions, takes precedence over detailed
characterization. The characters in a melodrama are typically stereotyped. In Pierrot lunaire, the melodrama consisted of a poetry spoken with an
instrumental background. The title of the piece actually is described as "three times seven poems by Albert

Criteria for Evaluating Media Violence Essay
No Universal Criteria for Evaluating Media Violence
In a famous speech in 1995, Bob Dole, in an effort to gain more conservative support for his impending Republican Presidential Nomination, unleashed
a damning indictment of the movie industry, seemingly unprovoked and somewhat puzzling. (Lacayo) Dole's speech and especially the rebuttals to it
raise many questions central to the debate over violence in film: is violence destructive to impressionable viewers, is violence critical to the success of
the industry, does violence have aesthetic value, who decides what is violent, and if something is found to be violent, should it be banned? By going
beyond Dole's speech to carefully examine these questions, it is found that ... Show more content on Helpwriting.net ...
Taking this into account, it is no coincidence that Dole selected The Lion King, Forrest Gump, and True Lies, all huge money earners, as his films
that represent exemplary "family" films. (Lacayo) Viewed purely as an industry, violent content is vital to the success of current feature films; tobacco
and alcohol companies produce and sell products that are proven to have negative effects, yet are allowed to continue selling. There is no concrete
evidence regarding the effects of violent content in film, so how could an entire industry be penalized for speculation. However, to view this situation
in terms of money only would seem cold–hearted, so other variables must be taken into account.
One such variable would be the question of whether film violence has actual aesthetic value, specifically if it has artistic worth. One would be hard
pressed to argue that violence is not entertainment, the high grosses and popularity these films generate disprove that theory at it's core, at least from
the standpoint of the public. Why do people watch scenes of extreme violence if not to be entertained? Perhaps people watch violence for it's cathartic
value, releasing emotion in a healthy manner by allowing the characters onscreen to act out their personal, as well as the audience's emotions. Or
possibly, people watch for the stimuli they receive by watching such hyper–kinetic action. Maybe people watch to admire the stunts and special effects

Cultural And Cultural Diversity In Hey Arnold
As a kid, watching television was one of my favorite things to do. It seemed as if when the TV was on, the world stopped moving for an hour or two.
There were many shows from my childhood that helped shape me into the person I am today, but the one that stood out amongst the rest was Hey
Arnold. The hit 90's show Hey Arnold enculturated children through illustrating social acceptance, self–confidence, and displaying resilience through
hardships.
As a young child growing up in the late 90s/early 00s, Hey Arnold helped me become a more culturally and socially accepting individual through the
consistent exposure of different ethnicities and family structures. For example, Arnold's grandparents housed two immigrants Mr. Hyunh from
Vietnam and Oskar Kokoshka from Czechoslovakia. These two men from two entirely different cultural backgrounds were able to share a home, as
well as guide Arnold through several issues he faced growing up. Arnold showed a full capacity of love and acceptance for these men's diverse race
and backgrounds. Another example of the ethnic diversity in Hey Arnold is Arnold's friends. His best friend Gerald, a young sporty African American
boy, Phoebe a young Japanese–American girl, and his Jewish friend Harold are prime examples of the cultural and racial diversity the show displayed.
None of these characters were treated poorly or persecuted based on race or culture. In the episode "Harold's Bar Mitzvah", Harold is forced to
abandon his friends'

Arnold Schoenberg 's Drei Klavierstucke
Arnold Schoenberg's Drei KlavierstГјcke, Opus 11 (Three Piano Pieces) represent his first fully atonal work, which would become the basis for
moving forward in his later atonal and serial works. Schoenberg believed that music history naturally pushed forward and that tonality could not contain
music forever. He believed atonality was the next step and Schoenberg admitted, "The most decisive steps forward occurred in the Two Songs, Op.
14, and in the Three Piano Pieces, Op. 11." However, small traces oftonality and Romanticism remain, as the small thematic units of the work have
shown connections to that of Brahms and Liszt, especially in the opening of the first piece. Numerous theorists have tried to place these three short
pieces into various tonal centers for analysis, trying to argue that it is not atonal. Attempts have been made to analyze the pieces in E major and
minor, as well as phyrygian mode, with no luck on forming an agreement to place this work into the world of tonality. The first two pieces of Drei
KlavierstГјcke were composed in February 1909 in Vienna, while the third came later in August and a revision in 1924. Schoenberg published the
work with the Universal Edition in Vienna in 1910, revised in 1925. A typical performance lasts roughly 14 minutes. The world premiere of the work
was given by Etta Werndorff in Vienna's Ehrbar
–Saal on January 14th, 1910. Schoenberg wrote these pieces in his new outburst of expressionist music
in 1909, along

Essay on Arnold Schoenberg's Musical Influence
Arnold Schoenberg's Musical Influence
Arnold Schoenberg was one of the greatest musical influences of the mid 20th Century. He was born on September 13, 1874, to a Jewish family in
Vienna, Austria (Schoenberg 1). Schoenberg was a young Jewish man during World War I (WWI) living in Berlin. He was directly affected by the
invasion of the Nazis. In 1933, he had to leave Berlin and desert his faith for Lutheranism later on taking on the faith of Judaism. At the early age of
eight, he began violin lessons and almost immediately started composing music (Schoenberg 1). He was self–taught until the age of 10 when he began
formal training (Schoenberg 1). He earned a living by orchestrating operettas, directing a cabaret orchestra, and teaching. ... Show more content on
Helpwriting.net ...
In 1920, Schoenberg formulated his twelve–tone technique which can be heard in his one–movement Piano Concerto. One of the warmest and richest
harmonies Schoenberg created was The Chamber Symphony No. 2 (1939) which had late Romanticism harmonies with neo–classic spirit (Schoenberg
1). Through Schoenberg and his students, the twelve–tone method became a dominating force in the mid 20th century composition and strongly
influenced the course of western music. Schoenberg made a radical break in music with his un–orthodox pitch combinations and his unique rhythms.
Schoenberg stated: "Whether one calls oneself conservative or revolutionary, whether one composes in a conventional or progressive manner, whether
one tries to imitate old styles or is destined to express new ideas–one must be convinced of the infallibility of one's own fantasy and one must believe
in one's own inspiration. The desire for a conscious control of the new means and forms will arise in every artist's mind; and he will wish to follow
consciously the laws and rules that govern the forms he has conceived "as in a dream (Norton 1)."
Schoenberg was not only a musician but also a writer and painter. This variety of talent allowed him to construct a larger audience. As a musician he
only reached those who loved music. With his other talents he was able to attract art lovers and readers. This allows various vehicles of passing on

The Music Of John Cage
John Cage lived a very interesting, non–traditional life that allowed him to form his outside of the box philosophy on music that questions the very
definition of music. After exploring many different careers in the art world, he decided to compose music and through a winding, tumultuous road, he
rose to the top of the classical music world. His life greatly influenced his music. His study of Buddhism and working with the choreographies of
Merce Cunningham allowed Cage to discover the other side of music, silence. Cage and his philosophies not only changed music for the better but also
changed the path that all types of art for the good; without Cage's philosophy on silence, musicians and composers would be doing their jobs differently.
... Show more content on Helpwriting.net ...
Cage says that Schoenberg has had the biggest influence on his work. With Cage being very young, he had trouble paying for the lessons from
Schoenberg, so Schoenberg cut a deal with Cage. He would tutor him for free as long as Cage promised to devote his life to music. This is why
even forty years later, Cage was still drafting compositions, he was so grateful for Schoenberg's generosity that he did not want to break the promise.
After studying under Schoenberg for 2 years, Cage met Xenia Kashevaroff and married her. She was a dancer and they moved to Hollywood where
Cage choreographed music for his wife's dance routines. During this time, Cage began using irregular instruments. After teaching at UCLA and other
colleges, Cage left to go to Seattle, Washington, and become a composer.
In the 1940s, Cage and Xenia moved to New York and stayed with good friends, but after a falling out, Cage was left homeless without any money,
even after he just had his most successful concert yet. After the rough patch in the 40s, Cage's life started to come together after a few of Cage's
compositions became very successful in the 1950s. In 1952, Cage composed what is perceived as his most famous work 4'33", a composition that lasts
four minutes and thirty–three seconds where the musicians do not play their instruments, but the sound comes from the audience. For example, if an
audience

John Cage
John Cage – Music in Silence When the word music is heard, generally the first thing that comes to mind is how one would be able to relate to the
piece. John Cage, a contemporary composer, expanded the normality of music by sounds with no meaning or emotional connection and silence. The
propinquity between mind and music is difficult to sever, and to have music without an emotional connection is unfathomable. John Milton Cage Jr. is
an American contemporary composer born September 05, 1912 in Los Angeles, California. (cite) Cage attended Pomona College in Claremont,
California momentarily before returning back to Los Angeles. (cite) His return was due to following his mentor, a classical composer by the name of
Arnold Schoenberg. (cite) Due to Cage not paying for his lessons, it is difficult to say what classes he attended. (Hicks 128) Between 1935 and
1936, Schoenberg taught at both the University of Southern California and the University of California. (Hicks 128) The classes consisted of
composition, harmony, analysis and counterpoint. (Hicks 128) Many of Cage's earlier compositions are based on the teachings of Schoenberg. The
compositions of Solo Obbligato Accompaniment of Two Voices in Canon, and Six Short Inventions on the Subjects of the Solo (1934) and
Composition for Three Voices (1934), are both similar pieces to music of that time. Each voice in the piece is limited to a range of two octaves. Cage
tried to space the repetitions of the tones as far as

The Great Gatsby Research Paper
During the Roaring twenties, social class was an important aspect of society. All different classes were for the most part separated by where people
lived. In other words, by no means would anyone from a lower class be caught in an uptown setting. There are a variety of characters in the novel that
come from different economic backgrounds. In the novel, The Great Gatsby, F. Scott Fitzgerald successfully uses location to differentiate social status
amongst his characters while the weather and seasons of those locations help guide them. Each character helps represent and support the differences of
social class and the four main locations, The East Egg, the West Egg, the Valley of Ashes, and New York City. In The Great Gatsby
... Show more
content on Helpwriting.net ...
In addition Gatsby has also made his fortune through criminal activity, as he is willing to do anything to gain the social position he thinks necessary
to win Daisy. The Valley of Ashes represents the socially unaccepted. The characters in the Valley of Ashes represent poverty. "This is the Valley of
Dry Bones, the Waste Land, The dusty replica of modern society, where ash–grey men are crumbling, like Eliot's hollow men" (Bicknell 98). Myrtle
and George Wilson both live in a run down garage in the Valley of Ashes. Myrtle Wilson tries desperately to improve her life and get out of the
Valley of Ashes. The Valley of Ashes also represents doom and death. Myrtle is found as the victim of a hit and run caused by Daisy and Gatsby. The
Valley of Ashes represents the death and dreams forJay Gatsby, Myrtle Wilson, and George Wilson. These characters die in the novel due to
misconception and anger. The characters go through the Valley of Ashes to get to New York City. New York City represents glitz and immorality.
While in New York City Tom Buchanan has an affair with Myrtle Wilson. Myrtle Wilson doesn't care about anyone except those who will direct her
on the correct path to improve her life. This is one of the reasons why she has an affair with Tom. Tom Buchanan has no moral doubts about his own
extramarital affair with Myrtle but when it comes to other people such as Daisy and Gatsby he becomes outraged and forces a

The Great Gatsby By F. Scott Fitzgerald
The Great Gatsby, by F. Scott Fitzgerald, has been celebrated as one of the greatest, if not the greatest American novel. Yet this is sudden for the
overall population, which has so hailed the book, is unequivocally that which is rebuffed all through it. Politically, the American dream was a
foundation of guidelines and trusts for any and every American single individual. Especially, one of the convictions was an American dream free of
class refinement; that every individual has the opportunity to be whomever they might want to be. In a sort of Cinderella–like style, it is in a broad
sense an immaculate of social versatility and adaptability. The social reality, of course, is far crueler. Because of the coldblooded truth of social
... Show
more content on Helpwriting.net ...
Utilizing her sexuality and disgusting demeanor, she gets to be false for surrendering and rejecting her own particular social establishment, and
like Nick, we as perusers are shocked by her twisted methodology to entering the rich class. At one point, and hilariously to the knowing passerby,
Myrtle grumbles around an administration accomplished for her that was expensive to the point that "when she gave Myrtle the bill you 'd of
thought she had her a appendicitis out". Clearly abusing her wording, it is amusing simply because she is making a decent attempt to fit into the
highbrow privileged persona, and fizzling pitiably. Her rudeness becomes more apparent when she "rejected the compliment about her dress by
raising her eyebrow in disdain". She is so false in her manner that Nick observes that she "had changed her costume...and was now attired in an
elaborate afternoon dress". This understandable portrayal of Myrtle catches her fakeness. She was not being herself, however practically faking it to
execute as a privileged woman. It is an abominable, eager strategy to pursue social prevalence. An alternate strategy is her issue with Tom Buchanan,
who speaks to the rich high society. This issue and relationship with Tom addresses the falseness and decay in class capability. Outside the domain of
importance, Myrtle 's political

Summary Of ' Schonberg 's Exile '
SchГ¶nberg in Exile
Arnold Franz Walter SchГ¶nberg was an influential Jewish composer faced with choosing whether to stay in the hostile environment of Nazi–occupied
Europe or flee to unknown safety, leaving behind family, culture, and tradition.[i] With his development of the twelve–tone method, Arnold SchГ¶nberg
believed that he had created a technique that would position Germany as a musical leader in the world.[ii] Although Schonberg's music brought
acclaim to Europe, with the rise of the Nazi party in 1933, he was seen as a Jew first and foremost, before his contributions as a composer and a
teacher were considered. It seemed that although he had forsaken his Judaism and converted to Catholicism in his early years, his Jewish ... Show more
content on Helpwriting.net ...
In order to survive as artists, exiles had to reach out to American audiences, which meant adapting to American culture.[ix] The adjustments to the new
environment, culture, and language may have caused a temporary hiatus in his creative activity, but as a resident of California, Schoenberg contributed
to modernism through the interaction of cultures and the talents and skills that he was taught.[x] Schoenberg was a modernist composer and painter,
and became a driving force for modernism in the Southern California region where he was one of the first composers to apply the twelve–tone
method.[xi] "During his eighteen years in America, Schoenberg completed fifteen original compositions, in addition to many canons and six
arrangements of his own and other composers' works. He also started but left unfinished numerous pieces, most notably his opera Moses and

Three Most Important Composers of the Twentieth Centruy
Music underwent a plethora of changes throughout the twentieth century, including a complete transformation from the large symphonic works of the
late 1800s to the short, electronic ditties of the late 1900s. With all that change, choosing only three composers to represent the entire twentieth century
would be impossible. For example, the innovation of electronic music added an entirely new genre to the world of classical music; however, the three
composers discussed here did not write in that style and instead influenced other aspects of the music world. Arnold Schoenberg, Aaron Copland, and
Igor Stravinsky each greatly impacted the musical world around them. Schoenberg's journey away from tonality to serialism changed the way that
composers wrote for the rest of the century, while Copland's music emancipated American sound from the European styles. Stravinsky brought many
musical styles to the height of what could be accomplished in each one, and his excellence influenced many composers during and after his time.
Schoenberg, Copland, and Stravinsky represent three of the most important composers of the twentieth century. The founder of the "second Viennese
School," Arnold Schoenberg, was known as a prominent composer and a comprehensive theorist who addressed both aesthetic and philosophical
issues. Schoenberg's early works served to sum up Romantic ideas. Written in 1903 and orchestrated in 1910, Gurrelieder was a pinnacle of the
Romantic style. Schoenberg composed

Who Is Arnold Schoenberg's Life Or False Music?
Arash Hajihosseini
European history
Peyman farzinpour
Arnold Schoenberg
Arnold Schoenberg was born on 13th September 1874 in Vienna. He started taking violin lessons at the age of 8. One year later he started composing
music. He also took some counterpoint lessons but for the most part he was self–thought. He lost his father at the age of 15 so he had to provide for his
family. He left school and got a job at a bank. At that time Vienna's infrastructure was modernizing. Vienna became an industrial city and cultural life
improved. Schoenberg could not afford the cultural venues because he was poor. He went to concerts and stood behind the fence so he could hear the
music for free. Later he left the bank and started conducting and orchestrating ... Show more content on Helpwriting.net ...
When you play a note you can only play it again once you played all the other 11 notes. This is called a tone row. For Example, In opus 23 all 12 tone
are presented in this order: C#, A, B, G, Ab, F#, Bb, D, E, Eb, C, F as you can see no note repeats until all the other 11 notes are played. The tone
rows in a way function as scales in tonal music. The first time that he tried using all the notes in the chromatic scale was in Piano opus 9. In that piece
we can still hear a little bit tonality though. It starts with a melody that outlines a b major triad but accompaniment makes causes the whole thing to
sound ambiguous. Using tone rows is not the only rule in 12 tone music. There are other rules in this type of music as well. For example, the notes
that are in top and bottom voices have to be shorter in duration. This is a very important rule because it helping keeping every notes importance the
same. Otherwise the outer sound more important than the others because their placement. These rules aren't rigid. In fact Schoenberg broke them often
and he suggest you should break them as well if necessary. In The Unanswered Question 5 Leonard Bernstein says" There is no such a thing as atonal.
Schoenberg used the same 12 notes that Bach used. He just destroyed the hierarchy. Schoenberg even denied the possibility ofatonality. The 12 tones of
the chromatic scale have a tonal relationship to each other. If true atonality is to be achieved some uniquely different basis for it is needed. Maybe a
different division of the octave." In the 12 tone system you can take one row and use some of it's notes as melody and others as chords. Some of the
phrases in 12–tone music spell out certain chords but because it is following the tone row principles it sounds ambiguous and atonal. We see this kind
of harmonic implication happening with augmented triads in opus 23. Also Opus 30 starts with a repeated 4 bar phrases that

Comparing Daisy Buchanan of The Great Gatsby and Brett of...
Daisy Buchanan of The Great Gatsby and Brett Ashley of The Sun Also Rises
Written right after the publication of Fitzgerald's The Great Gatsby, Hemingway's The Sun Also Rises is apparently influenced in many ways. The
most obvious of Fitzgerald's influence is manifested in Hemingway's portrayal of his heroine, Brett Ashley. Numerous critics have noted and discussed
the similarities between Brett and Daisy Buchanan, and rightly so; but the two women also have fundamental differences. Compared to Daisy, Brett is a
more rounded, complex character, and Hemingway has treated her with more sympathy than Fitzgerald has with Daisy. Some similarities between Brett
Ashley and Daisy Buchanan include their physical beauty, their ... Show more content on Helpwriting.net ...
Gatsby sinks into it, allowing his imagination to exaggerate until finally,
The colossal vitality of his illusion ... had gone beyond her, beyond everything. He had thrown himself into it with a creative passion, adding to it all
the time, decking it out with every bright feather that drifted his way. No amount of fire or freshness can challenge what a man will store up in his
ghostly heart (101).
That dream is also empty because Daisy is empty. Fitzgerald depicts her as an empty, useless and dependent female who ultimately lacks definition.
Whereas Gatsby works to pursue Daisy, Nick has a regular job, and even Jordan has her tournaments; Daisy does not have a purpose, a profession, or
even a talent for anything. Her purposelessness is apparent in this scene with Jordan Baker:
"We ought to plan something," yawned Miss Baker, sitting down at the table as if she were getting into bed.
"All right," said Daisy. "What'll we plan?" She turned to me helplessly. "What do people plan?" (16)
More literally, Daisy ruins Gatsby by killing Myrtle Wilson and letting him take the blame for it, thus ultimately causing his death. Of course, one may
argue that Gatsby himself is willing to take the blame for her:
"Was Daisy driving?"
"Yes," he said after a moment, "but of course I'll say I was." (151)

But Gatsby is willing to take the responsibility because

White Man's Muscles Essay
The White Man's Muscles
In today's society, the naked white male body is found everywhere. It can be seen in print ads, including clothing catalogues, TV commercials, and
especially in movies, yet the prevalence of the naked white male body is something that has only been embraced since the 1980s. Prior to the 1980s,
half naked white males were hardly ever seen in popular film because of the negative effects it would have on male self–esteem and masculinity.
People in our generation remember watching films such as Rocky, Rambo, and The Terminator, which showed incredibly built and tan white males in
some type of extreme action role. However, people would be hard pressed to find a film in which a half naked white male was ... Show more content on
Helpwriting.net ...
The obvious differences between these men and other men off the street plays into the ideals of masculinity. Only toned bodies, bodies that simulate the
ideals of perfection can truly avoid any of the horrors that are associated with coming into contact with femininity and non–whiteness. Men like to see
these toned men as opposed to regular guys because they do not need to fear their shortcomings. Only few people can live up to the idea of the perfect
man and so seeing them on film is a form of escapism. If real men were depicted, all of their fears associated with being normal would be realized.
The use of bodybuilders in film instead of standard males was a mask to cover up the inadequacies of white men. Using these perfect beings has
negative effects even today but it is constantly being reinforced in our society. The ideal of the perfect man being as muscular as Arnold
Schwarzenegger or Sylvester Stallone has fallen by the wayside however a new ideal of perfection has risen to take its place.
White males are now commonly seen shirtless in films and in some instances completely naked. This is a result of a major change in the ideas about
what society thinks is acceptable. Bodybuilders are no longer considered the best representation for masculinity because of the

The Great Gossip Girl By F. Scott Fitzgerald
Abbi Kopf
1.7.16
The Great Gossip Girl
A young man desperately battling society, wealth, and rich obnoxious friends in order to win the heart of the perfect girl...is this the story of The Great
Gatsby, or the CW's Gossip Girl? Both, actually: the hit TV show mirrors Fitzgerald's most famous work through parallel themes and characters.
Cynical subjects such as doomed love and corruption of the upper class play a major part in both works, as well as the story of fight to surmount class
and poverty. This story actually played out a couple of times over the course of Gossip Girl's intensely dramatic six seasons, but most notably between
Dan Humphrey and Serena Van Der Woodsen. Dan Humphrey was the James Gatz of Gossip Girl, still struggling to becomeJay Gatsby. He had a nice
life with his father and sister in Brooklyn, but always dreamed about something greater. When Nick finally told the reader Gatsby's true origin
story, he said, "he invented just the sort of Jay Gatsby that a seventeen year old boy would be likely to invent, and to this conception he was
faithful to the end" (p.104). Dan and Gatsby both had an idealized, or Platonic, view of themselves and the way their lives would turn out, and they
would stop at nothing to get it. Dan created and used Gossip Girl as a way to get into Serena's world just Gatsby used Nick to get Daisy back. Both
men saw their dream girl as all the money and glamour and fame that they wanted distilled into one person, a person whose "voice

Affairs, Nick, and Gatsby in Fitzgerald's The Great Gatsby
Nick is the narrative reader in The Great Gatsby. Gatz was a poor person that changes his name to Gatsby. Tom was a cheater and was unfaithful to
Daisy. Daisy was a flirt and rich. Myrtle is a poor women that lived over her and her husband's garage shop. Myrtle would let Tom push her around
because he was a rich man that would let Myrtle forget that she was poor.
"She never loved you, do you hear he cried. She only married you because I was poor and she was tired of waiting for me (Fitzgerald 139)". Tom is
married to Daisy (Lisca). Even though daisy is marring Tom, Daisy has feeling for Gatsby (Lisca). Tom and Daisy relationship is wrong because they
are married. People may say that Tom and Daisy does not love each other. When it was... Show more content on Helpwriting.net ...
Nick does not think Tom and Myrtle really loves each other (Hays, "Fitzgerald"). Everyone knew about Tom's affair with Myrtle expect Myrtle's
husband. Nick left Tom and Myrtle at his house when he went to the store. Nick buys some cigarettes and finds Tom and Myrtle in his bedroom (Hays,
"Fitzgerald").
Daisy accidently ran Myrtle over in Gatsby's car, and Myrtle died (Hays, "Oxymoron"). Wilson walks to Gatsby's estate, kills him and then kills
himself ("Great"... Fitzgerald). Daisy was the one that took Gatsby's car without knowing and was Myrtle and Daisy hit and kills Myrtle at the
scene of the crime. ("Great"... Fitzgerald). When Myrtle died, Gatsby saying how he feels about Daisy (Farrant). The reason why Gatsby paid for
the mansion is that she would be across the water (Fitzgerald 85). Gatsby continued getting closer to Daisy (Fitzgerald 84). Gatsby had asked
Daisy for a Dance at a party (Fitzgerald 113). When Tom left the room Daisy, took a chance and walked over to Gatsby was pulled closer to Daisy so
she could kiss him on the mouth (Fitzgerald 123). Daisy wants to go in town with Gatsby but Tom over heard and he said he wanted to go
(Fitzgerald 127). When Tom walked over to Daisy and Gatsby were staring at each other (Fitzgerald 127).
James Gatz was Jay Gatsby legal name when James lived North Dakota (Fitzgerald 104). James lived in a boathouse instead of a regular house
(Fitzgerald 104) James is a poor man that changes his name

The Differences Of Franz Liszt's Flight Of The Bumblebee?
Niccolo Paganini was an violinist, violist, guitarist, and composer in nineteenth–century. He had a rare congenital disorder that meant he had freakishly
flexible fingers, and this is one of the reason why he can do some great violin virtuosi. Paganini's genius, however, wasn't limited to performance and
traditional violinist skills. He also helped popularize certain techniques common today, including bouncing the bow on the strings as well as plucking
the strings with his left hand.(1) Meanwhile, Franz Liszt was a colossal pianist, the most awesome virtuoso of his era in nineteenth–century century, who
in his playing and his compositions for piano pushed the boundaries of technique, texture and sound.(2) Generally considered to be the greatest pianist
who ever lived, Liszt redefined virtuosity in ways that are still felt today. Liszt pushed the boundaries of what was technically possible on the piano at
the very moment when the instrument was evolving into its modern form. He created new sonorities and dazzling effects with virtuoso passages that,
while considered by many musicians and ... Show more content on Helpwriting.net ...
"Flight of the Bumblebee" is recognizable for its frantic pace when played up to tempo, with nearly uninterrupted runs of chromatic sixteenth notes. It
is not so much the pitch or range of the notes that are played that challenges the musician, but simply the musician's ability to move to them quickly
enough. Because of this and its complexity, it requires a great deal of skill to perform. Lang Lang perform this song with not only piano but also an
orange. During the performance, his right hand are pressing the key at a tremendous speed which never stop even for a millisecond. At the same time,
he also made other different body and facial expressions, which worked in concert with other performers on the

Harmonielehre Analysis
Jonathan Milke
The continued relevance of the Symphonic genera through Musical Synthesis In John Adams' Harmonielehre
In todays' society a musician must grapple with many different artistic realities. The current musical landscape includes many different styles from
music in pop culture to music existing predominantly in the academic field. In this vast sea of musical styles the compositional career of John Adams
was born. In this ever–changing era of musical styles John Adams has created a style for himself titled Post–Minimalism. The Post Minimalistic music
of John Adams was derived through many cultural and musical influences of the 1900's and early 2000's, specifically as a reaction to Schoenberg's
Viennese school. John Adams' orchestral work Harmonielehre shows a conscious reaction to Schoenberg's serial music and a synthesis of many styles
of music while including serial elements from the Viennese school. This connection makes the work of Adams different from other minimalistic
composers at the same time ushering an era of New or Post Minimalism, creating an accessibility in both the symphonic orchestra and minimalism
repetoire that did not exist. As with many composers the experiences in Adams' past shaped much of his music, specifically his development of Post
Minimalism style along with his synthesis of several musical styles. John Adams was born and raised in New England and partook in marching band
and community orchestra in his early years. He then

The Great Gatsby By F. Scott Fitzgerald
The Great Gatsby – RRS
Title: The Great Gatsby
Author: Frances Scott Key Fitzgerald
Publication Date: 1925
Nationality: American
Author's Birth/Death Date: September 24, 1896 – December 21, 1940
Distinguishing Traits of Author: Francis Scott Key Fitzgerald was a popular author in the United States whose fame was at its peak in the 1920s,
during the "Jazz Age." He was born in St Paul, Minnesota to an affluent family. His social status led him to write novels associated with fame and
fortune, such as The Great Gatsby. However, his fame began to dwindle in the 1930s, and became an alcoholic. His downfall also led to financial
problems and disrupted his personal life. Unfortunately, he died of a heart attack in 1940 before finishing his last novel. Ironically, he became famous
once again after his death, and many still are intrigued by his legacy today.
Setting: The story takes place in Long Island, New York in the 1920s. The story is narrated by Nick Carraway, a young man who recently moved to
New York and resides in the affluent neighborhood of West Egg. Many mansions with big lots surround the community. Carraway's neighbor, Mr.
Gatsby, is a mysterious figure what lives in a grandiose mansion compared to Carraway's house, which he thought "was an eyesore" to the community
(5). Carraway notices that Gatsby always has lavish parties, but never invites him or sees him. Across the water from West Egg is the community of
East Egg, which is also an affluent

Musical Modernism with Claude Debussy, Igor Stravinsky...
Musical modernism can be seen as the time where music emerges its liberty from Romantic era style –that started in the late nineteen century to end of
the Second World War– and gains new ideas and freedom. With the political turmoil and chaos that took over the European countries, –that lured
countries into the First World War– composers and artists started to find, create more and new ways to express themselves. They eagerly began to
discover the art of Eastern countries with the hope of finding new ways of expression. The changes in tonality, irregular rhythms, tone clusters,
distressed and antagonistic melodies, the expressionist, abstract, unusual ideas over powers the music, the traditional structures recreated or composed
with ... Show more content on Helpwriting.net ...
With his first piano lessons, his teachers discovered his unusual talent of 'playing out of the boundaries.' After his dream, becoming a piano virtuoso
sink, he leaned more on to his composing skills.
At 1889, he attended the Paris International Exposition, where he discovered the wondrous colours of Asian music that picked up his interest. He was
also fascinated by the pieces composed by the Russian composers Modest Petrovich Mussorgsky,Nikolai Rimsky–Korsakov and Alexander Borodin,
therefore he was lured in to the folk music of Russia soon after.
In later years following his graduation, after composing his 'Suite Bergamasque' for piano, he found himself in the impressionist art movement with
fellow composers –like Maurice Ravel– because of the link French music had with the paintings of Claude Monet, Edgar Degas, Van Gogh and other
modern, like–minded artists, even though he stated that he never felt connected to the movement with the words,
"I'm trying to write 'something else' – realities, in a manner of speaking – what imbeciles call 'impressionism', a term employed with the utmost
accuracy, especially by art critics who use it as a label to stick on Turner, the finest creator of mystery in the whole of art!"Claude Debussy
Against his wishes his compositions are often described as

Baz Luhrmann 's Film Adaptation Of F. Scott Fitzgerald 's...
Baz Luhrmann's 2013 film adaptation of F. Scott Fitzgerald novel, The Great Gatsby is exceptional in my point of view. The novel is about a young
man named Jay Gatsby who had fallen in love with a woman named Daisy but at the first time they met, they were unable to stay together because of
World War 1. Around the 1920's, they were reunited through the assistance of Nick Carraway who was Daisy's cousin, Gatsby's neighbour, and the
narrator and Gatsby tried everything in his power to make Daisy fall back in love with him by earning his wealth through bootlegging of liquor as well
as, hosting extravagant parties even though he knew she was married to Tom Buchannan. Despite of Luhrmann's editing of the novel as the way he
captured it, he was still able to grasp the entertaining scenes and also the moral of the novel through characterization, settings, symbolism, music and
costuming.
Jay Gatsby (played by Leonardo DiCaprio) is the best actor throughout the entire film in my opinion because he played out his character impeccably.
The actual introduction of Jay Gatsby along with stunning fireworks in the background and the climax of the orchestra as he smile majestically, made
him seem even more extravagant. Leonardo flawlessly played the passionate role of Gatsby and portrayed the determination of achieving wealth and
power to win back his love, Daisy Buchanan. The great acting made the audience believe as if there was a real love connection between the two actors
especially at

Schoenberg and Pierrot Essay
Arnold Schoenberg's celebrated monodrama of 1912, Pierrot lunaire, op. 21, offers a compellingly personal perspective on Pierrot's allegorical
relationship to the artists of fin–di–siГ©cle Europe. So too, in his fusion of music and poetry, does Schoenberg provide what may be the most
powerfully illustrative example of the character Pierrot's appeal to artists of the era. Schoenberg's libretto is drawn from Otto Hartleben's German
translation of the Belgian poet Albert Giraud's Pierrot lunaire. In its original form, the work consists of fifty rondels (an antiquated poetic form
structurally reliant on textural repetition) describing various commedia scenes and happenings. The poems vary widely in content, some depicting
country idylls, ... Show more content on Helpwriting.net ...
He retained those that dealt directly with Pierrot, poems which described Pierrot's manifold interactions with the moon and its light, and those that dealt
with poetry itself as a "mystical, quasi–religious experience." Having isolated those poems that dealt with his particular themes, Schoenberg further
modified them by their arrangement in a sort of three–part narrative of seven poems each, from poetic inspiration and awakening to nightmarish horror
to an ambiguous sort of conciliation with self and culture. It is with closer inspection of these three parts that the more generalized and abstract
component of Schoenberg's relationship to the Pierrot character can be surmised, in which Pierrot is viewed as the archetype of the creative
individual in society. In the first part, Pierrot is presented as "a poet whose muse is the moon." Having immediately established the moon as the
sower of artistic inspiration in "Moondrunk," Schoenberg goes on to present various scenes in which the poet's fancy is enacted. In "Colombine" he
wishes to woo his beloved with poetry, while in "The Dandy" he preens before his mirror, illuminated by moonlight and subsuming himself in it. The
image of the poet (a clear stand–in for any artistic creator) as a being both inspired and apart is clear. With "Night," the eighth poem and first of the
second section, darkness descends, bringing with it a series of scenes horrifying and pathetic.

Where Schoenberg Went Wrong ( Or Right ! )
Where Schoenberg Went Wrong (or Right!) Arnold Schoenberg believed that the developing harmonic language of the late nineteenth century had
led to a musical crisis. He felt that tonality had been stretched to its absolute limits, and that what was to be said within its confines, was already
best done by the great composers before him. Schoenberg believed he existed within a lineage of composers, and therefore, was the successor to
deliver the next big innovation in music. This idea of pushing music forward is not a novel one though; we have long observed similar acts of musical
righteousness. Simply consider the first chorus in a symphony as in Beethoven's Ninth, or a requiem text that is not in Latin as in Brahms' Ein
deutsches Requiem. Our concern here, however, is not with the number of times in which the musical world has been overturned. Rather, it is whether
or not Schoenberg is a credible addition to that tradition of innovative composers. Arnold Franz Walter Schoenberg was born in Vienna on September
13th, 1874. Neither of his parents were particularly musical. The musicians were his brother, Heinrich Schoenberg, and his cousin, Hans Nachod. It
was Nachod that would go on to premier the role of Waldemar in Schoenberg's Gurre–Lieder in 1913. Schoenberg was a largely self–taught composer;
before the age of nine, he had composed a number of pieces for two violins which he would play with his teacher. A short time later, he connected with
a classmate who played viola

Comparing The Death Of A Salesman And The Great Gatsby By...
English Essay: Compare and contrast After reading "The Death of a Salesman" by Arthur Miller and "The Great Gatsby" by F. Scott Fitzgerald, it is
clear that there are associations that can be made between the two novels. There are many ways in which the life of Willy Loman compares or
contrasts with the life of Jay Gatsby. The most obvious and simplest comparison is their pursuit of the American Dream which leads to their
ultimate downfall. Although, Willy and Gatsby contrast in the way they pursue the American dream, their stories are very similar because they
show us that following this dream one 's entire life will eventually lead to one 's downfall. One thing that continues to come up in "A Death of a
Salesman" is the fact that Willy has this huge desire to be "well liked." This is more important to him than being accomplished or having a good
job. He constantly tells Linda and his kids that it is more important to be "well liked" than to be successful at work or in school. He lies to his kids
about the fact that he is "well liked" which eventually leads to his two kids growing up as failures. Seeing how his lies have hurt, not only himself,
but his children too, Willy decides to do what in his mind, is the only thing he can do to save help his family. He decides to kill himself and then
maybe he will have a lot of people show up to his funeral which would mean that he is well liked. Of course no one shows up to the funeral but Willy 's

Music That Subverts The Standard Form Of Arranging Sounds...
Serialism is style of music that subverts the standard form of arranging sounds produced by musical instruments and approaches the composition from
an almost mathematical standpoint. It can be described as a compositional strategy in which the composer arranges notes in a particular order based
on the characteristics of a sound such as pitch, duration, amplitude or even timbre, but giving no preference to each individual characteristic; all
aspects of a sound are equal. Once the notes are arranged the composer uses a pre–determined set of rules to arrange them in to a composition. It could
be argued that it originated as a response to composers in the late 19th and early 20th century struggling to stretch the limits of their capability... Show
more content on Helpwriting.net ...
This order could be based on properties such as symmetry or pre–determined intervals, or even just instinctive ideas of the way in which notes could
relate to one another. This order of notes is called a tone row; this tone row was then re–arranged through a set of rules to form variations known as set
forms or row forms. The basic forms of these rules are retrograde and inversion, arranging the notes in reverse order (for example B–C–G becomes
G–C–B) or upside down (for example B–C–G becomes B–Bb–Eb) respectively. Combining these rules is known as retrograde inversion. These new
arrangements could be transposed to provide a larger range of varying row forms with which to form a composition. Row forms are represented
through a system of numbers and letters. The letter indicates the form of the tone row, P indicating the original or "prime" form, R indicating the
retrograde form and I indicating inversion, with RI representing retrograde inversion. The number indicates the pitch class in which the first note of
prime and inverted forms of the row is to be played, or the last note of retrograde and retrograde inverted forms. So for example I2 is an inverted form
of P0 that has been transposed two semi–tones up. Through these rules it is possible to see the fundamental idea of serialism, composition that moves
away from the traditional tonal relationships of notes, while creating new relationships through pitch, order, numbers and intervals. While

Protest In 1908, By Philip Glass: Music Analysis
Reality comes from creating an imagined thought – whether that thought stemmed from something that someone has seen to what someone has heard,
or even felt. The first composer that will be discussed throughout this essay composed Protest in 1908, this composer is none other but Philip Glass.
Glass was always looking to present his music in a very bizarre, but different and in a unique way since the 80's. In contrast, the second composer who
will be discussed is Arnold Schoenberg, he was a composer who told a story through the pieces he had composed; for example Schoenberg composed
Gebet an Pierrot No. 9 in 1912 which is expressed in a distinct and narrative way. Both Glass and Schoenberg contributed a great deal of music that till
this day ... Show more content on Helpwriting.net ...
Philip Glass composed his music throughout Postmodernism and Minimalism (Maycock, 2002). Postmodernism was a marked departure from
modernism and developed in the mid to late twentieth century across the arts, philosophy, criticism and architecture. Artists of the time would question
the viability of the modernist movement. The movement lasted from 1900 to the mid–1960s (Yudkin, 2016). The meaning of art was no longer certain,
during the century people had become alienated from modern classical music. From the mid–1960s through today the movement of postmodernism
took hold in music and other arts. The style juxtaposes many varied elements, it attracted new audiences and stirred up quite the controversy (Yudkin,
2016). In painting, it was known that artists returned to representation and figuration, after many years of

Neoclassicism Vs. Modernism Essay
Igor Stravinsky makes for a first–class example of differences and similarities between neoclassicism and modernism. Modernism is defined as "A
term used in music to denote a multi–faceted but distinct and continuous tradition within 20th–century composition"1, while neoclassicism may be
defined as "A movement of style in the works of certain 20th–century composers, who, particularly during the period between the two world wars,
revived the balanced forms and clearly perceptible thematic processes of earlier styles to replace what were, to them, the increasingly exaggerated
gestures and formlessness of late Romanticism"2 By not only comparing his works to others but within his own body of work the two movements can
be better... Show more content on Helpwriting.net ...
In addition to asymmetrical rhythms the use of polytonality is vibrant throughout the piece especially in the introduction which begins with different
clarinets playing polytonal. Stravinsky structured The Rite very differently, melody was not the only dominant feature of the piece, other features such
as the fore mentioned polytonality and asymmetrical rhythms were also at the dominant features of the piece. By breaking from many common
practices of his own and of the time, Stravinsky created a piece slated in modernism's history. While The Rite was a piece of modernist material,
Stravinsky later moved on to neoclassicism, Pulcinella greatly represents a small portion of Stravinsky's neoclassical repertoire. Like Stravinsky his
contemporary in another art form was Pablo Picasso, interestingly enough he played a huge part in the design of the visuals in Pulcinella. Both
emphasize or accentuate certain features within their works. Where Stravinsky may accentuate his neoclassical works with features from his
predecessors, Picasso accentuates his art with his perceptions, such as his Stravinsky portrait that cast's Stravinsky with a very large body, a small
head but a rather large nose. Both emphasized certain themes within their works of art. Pulcinella, is also often compared to Schoenberg's Pierrot
lunaire, an earlier piece set to seven poems and performed in sprechstimme. While Pulcinella was a ballet performed in a

Stravinsky And Bartok 's Influence On The Modern Period
Stravinsky and Bartok's Influence in the Modern Period Moving out of the Classical (1750–1820) and Romantic (1820–1890) period came to be the
Modern period, which took place from 1890 – 1950. This period allowed for upcoming artists in this era to collaborate different styles from the
Classical and Romantic period, as seen in the patterns of the composers' pieces. The Modern Period has many influential artists that have been
respected through history. Taking a close analysis atIgor Stravinsky, 1882 – 1971 (Yudkin, 202), and Bela Bartok, 1881– 1945 (Yudkin, 215), by
assessing their life and music gives a deeper meaning of what it meant to live through the Modern time frame. During the life of both of these
composers the world went ... Show more content on Helpwriting.net ...
At the age of nine, Stravinsky started practicing Piano (Siohan, 13). Igor began being introduced to the music scene around the age nine; he was finally
allowed to attend his parents music parties (Siohan 13). When his father starred in Glinka's Ruslan and Ludmila, young Igor visits the set behind stage
(Siohan, 14). Igor is in awe of Glinka's light transparent orchestration which is vivid through the texture of his sound (Siohan 14). Stravinsky went
through studying law, not letting it get in the way of his main focus music; he graduated in 1905 then married his cousin Catherine Nossenko (Siohan,
20). Igor, "enjoyed wrestling with mysterious of counterpoint" (Siohoan 15), which explains why he created such a bond with his teacher
Rimsky–Korsakov. He later established many other compositions with and without Rimsky–korsakov such as The Rite of Spring and Symphony B flat
minor (opus I), 1907 (Siohan, 20). Bela Bartok was born in 1881, in Hungary (Yudkin, 215). Bartok growing up in the same time period as
Stravinsky took a very similar approach to his compositions. "His work grew out of the nationalist movement of the second half of the 19th century"
(Yudkin 215), this is visible in Bartok's work. His work is mixed with a flow of contemporary styles. Bela Bartok had three careers, the first two
support the third heavily and give the shapely manor to his

Breaking The Limitations Of Music
Jordan Stock 1321201
December 15th 2015
Dr. Andrew Mitchell
Music History 2B03
Breaking The Limitations In Music
Music has always been seen as a way of entertainment. Throughout many eras musicians have kept their ways to their traditions. From instrumentation
to the composition itself. Throughout the ages, music has mostly been a set in stone factor. But since the 20th century things have begun to change.
Musicians are breaking away from the traditions of the past and reaching new areas of music. Technology is developing to creating new sounds and
instruments can change how to be played and used. That musical styles have been developed and the compositions have altered with devices that can
record and playback music in your own home ... Show more content on Helpwriting.net ...
With his developments, the music world has heard a new sound. One of his major creations in music is in fact a wire recorder. This machine may not
seem like much but it has been able record then playback music in your own home without the instruments themselves. This has truly become a great
breakthrough instead of needing a musician in the household to keep smaller gatherings entertained. Now they can be entertained with only
themselves. As said by brindle: "(One of the first electronic music compositions – John Cage's Imaginary Landscape No. 1 (1939) – had oscillator
frequencies recorded on two 78 r.p.m. gramophone records, but normally such a system was too expensive and inflexible to be practicable.) It took a
world war to produce what was almost the right instrument – the wire recorder – which was later replaced by the tape recorder, so manipulated, made
permanent, or discarded, with incredible ease and at negligible cost. Once the tape recorder was perfected (about 1950), and its potentialities fully
realized, other electronic sound equipment (either already existing or suitably modified) could be assembled to form the first electronic music
studio" (99, Brindle). This development of the Wire recorder has lead to such great historical developments. From the wire recorder lead to the tape
recorder and soon music was able to be taken anywhere anyone wished it to be. The development of the wire recorder was originally made by John
Cage

Battle of Yorktown Analysis
Battle of Yorktown
During the American Revolution, the Americans and French (Franco–American coalition) fought the British at the Battle of Yorktown also known as
"The Siege of Yorktown". The Americans and the French fielded a combined force of roughly 16,000 soldiers to defeat the British force estimated at
7,000 soldiers. American General George Washingtonand French Lieutenant General de Rochambeau led the American and French soldiers. The
British commanding officer was Major General Lord Cornwallis. The battle occurred from September 28 thru October 19, 1781. Cornwallis lost his
dominance in the Carolinas and decided to march his army north to Virginia and seize Yorktown and Gloucester along the York River.
What led to the Battle ... Show more content on Helpwriting.net ...
Throughout the week, the bombardments were continuous between the Franco–American forces and the British. On one occasion, Cornwallis tried to
attempt to disable allied guns. On October 16, he was successful in disabling four guns because they pretended to be an American detachment. While
trying to push forward the British troops were able to disable two more guns before forced back by a French covering party. Those guns, however,
were again operational within 6 hours. By this time, Cornwallis was running out of options. He tried to retreat through Gloucester but was unable to
because of lack of transportation, weather and the continued indirect fire his troops were receiving.
The observation and fields of fire favored the Franco–American forces. They were prepared to conduct reconnaissance on the British to gather
intelligence that was useful in their attacks. They were able to destroy, neutralize, and suppress the enemy with effective artillery bombardments. The
Franco–American troops were also able to occupy the abandoned redoubts, which helped establish fire superiority. The British were able to fire artillery
in retaliation but fell short in accomplishing large amounts of damages. As the British crossed the river into Gloucester, they suffered a high number of
casualties at the hands of the cannon batteries. At this point in the battle, Cornwallis did not have enough ammunition or supplies and

The Mystery That Was Jay Gatsby
The Mystery that was Jay Gatsby
"I carry on a little business on the side, a sort of sideline, you understand" (Fitzgerald 87). In The Great Gatsby by F. Scott Fitzgerald, this is the
closest Jay Gatsby comes to revealing how he actually made his fortune. And even here, he doesn't reveal much, but Nick Carraway assumes it's
something illegal when Gatsby goes on to say, "It happens to be a rather confidential sort of thing" (Fitzgerald 88). Gatsby is a mysterious man.
Because he is evasive and even untruthful about his life and wealth, everyone around Gatsby makes up their own stories about him. Gatsby's
background is so unfathomable, it is speculated that he acquired his money by playing a part in illegal activities including fixing the 1919 World Series
and Prohibition.
Jay Gatsby's is a rags–to–riches story that on the surface appears to be the fulfillment of the American Dream. Born James Gatz, he comes from the
Midwest, specifically North Dakota. His parents were unsuccessful farmers. He was determined to be leave poverty behind. He first became the
personal assistant of Dan Cody, who he happened to meet on Lake Superior. Cody gave him his first taste of wealth, and he liked it. They traveled
around the world three times and stayed together for five years. After Cody died, Gatsby went into the military. It was during that time that he met
Daisy Buchanan, a rich socialite. He fell in love with her, but because he was not wealthy, Daisy's family did not approve of their

Modernism In Music
Throughout the early twentieth century, music began to take on a new role as society started to progress and change. In society, music is an important
part of culture and the forming of culture, where people can assert and preserve their histories and experiences when facing a change in social
conditions. Modernism is defying convention to an extreme degree, disregarding boundaries completely in rhythm and tonality, opening up doors that
would eventually redefine the notion of what constitutes music. America and Europe, pre and post WWI, both experienced drastic social changes and
technological advances which all contributed to the progression of modernism in music. From segregation and the Great Immigration in America to the
deconstruction of traditional culture in Europe, and even the shared rise popularity in folk music in both countries, modernism announces itself as a
prevalent and powerful voice in music which is seen through composers such as Schoenberg, Stravinsky, Copland, and Bartok. In Europe, modernism
in music is vastly seen in Schoenberg, Stravinsky, and Bartok. At the end of the 19th century, traditional compositional rules and techniques were
proving to be more of a strain in conveying extreme shades of emotion and meaning. While some composers decided to continue along the path of more
traditional and accepted compositions, others decided that they needed to branch off in different directions. In London, 1902, Debussy introduced the
concept of

The Secret Life Of Jay Gatsby
The Secret Life of Jay Gatsby
The Great Gatsby by F. Scott Fitzgerald is meticulously written to portray characters as soul sucking, money thriving, moral lacking individuals
who are thrashed by his language, and scrupulous descriptions. Gatsby is depicted as a suave, cordial, and prosperous gentleman who is trying to
raise himself in the ranks of riches, and approval. At first glance, it is hard to tell if there is a clear hero, or someone with qualities thereof; at least
in the traditional sense. We have Gatsby as a tragic hero, or as close as you could come to one. I will analyze his background, fatal flaw, and the tragic
fall to defeat.
James Gatz, a man of youth at the time, came to the realization that he no longer wanted to be the offspring of homesteaders, or poverty–stricken. He
was a common man of the time, one of no recognition throughout society. That is, until Dan Cody plucked him out of his old–self, which was a skin he
was already starting to shed, and rapidly sets him into his new persona: Jay Gatsby. Nick shares "the truth was that Jay Gatsby of West Egg, Long
Island, sprang from his Platonic conception of himself." (105) A young man from North Dakota was on his way to becoming the strong, well known
man, who set sail on the Tuolomee destined for greatness that day. Little did he know, every person has their Achilles' heel.
Gatsby has standards that set the bar to an almost unattainable height. He wants the money, eye candy, popularity, and a status

Arnold Schoenberg 3

Recommended

Recommended

More Related Content

Similar to Arnold Schoenberg 3

Similar to Arnold Schoenberg 3 (6)

More from Tonya Carter

More from Tonya Carter (14)

Recently uploaded

Recently uploaded (20)

Arnold Schoenberg 3