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6 FRAMES FROM 
TECHNICAL ANALYSIS 
DISCLOSURE 
‘YOU AND 
ME’
FIRST & SECOND FRAME 
The first initial shot which interested 
me from the video, was the couple 
sitting at the table whilst a subtle 
zoom out takes place, as the female 
prepares to throw some food. 
This shot then quickly cuts straight 
to the females hand. These two 
shots take place within half a 
second, which is conventional to the 
dance genre, due to a fast cutting 
rate which we wish to implement.
THIRD FRAME 
The simple moving extreme long 
shot of the French scener y is an 
example of an establ ishing shot 
which we are planning to use. 
However instead of being from the 
perspective of a car, our track wi l l 
take place on a t rain, reveal ing the 
r iver themes.
FOURTH FRAME 
The handi -cam pan is subt le and 
quick however the shot is 
visual ly appeal ing to the viewer, 
the males characters ant ics is 
also something youthful which 
we would want in our product ion 
due to the por t rayal of youth 
cul ture we are aiming to 
represent.
FIFTH FRAME 
The fol lowing shot in the 
sequence reveals a low angle 
of the couple connot ing 
vulnerabi l i ty in the big 
unknown ci ty. The pan which 
accompanies the shot 
suggests a sense of confusion 
and lost . Fur thermore thei r 
facial expressions convey 
wor r y. Therefore this f rame is 
so ef fect ive due to how much 
i t shows f rom something so 
simple.
SIXTH FRAME 
The concluding shots in the 
music video take place wi thin 
a night club. The f rame 
reveals the protagonists 
dancing to the ar t ists of the 
track ( therefore Disclosure 
are subt ly present to the 
audience despi te being a 
nar rat ive based music video) . 
The frames per second is 
slowed down and the l ight ing 
in the shot conforms to the 
genre, as i t is low key and 
features st robes.

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6 frames from technical analysis

  • 1. 6 FRAMES FROM TECHNICAL ANALYSIS DISCLOSURE ‘YOU AND ME’
  • 2. FIRST & SECOND FRAME The first initial shot which interested me from the video, was the couple sitting at the table whilst a subtle zoom out takes place, as the female prepares to throw some food. This shot then quickly cuts straight to the females hand. These two shots take place within half a second, which is conventional to the dance genre, due to a fast cutting rate which we wish to implement.
  • 3. THIRD FRAME The simple moving extreme long shot of the French scener y is an example of an establ ishing shot which we are planning to use. However instead of being from the perspective of a car, our track wi l l take place on a t rain, reveal ing the r iver themes.
  • 4. FOURTH FRAME The handi -cam pan is subt le and quick however the shot is visual ly appeal ing to the viewer, the males characters ant ics is also something youthful which we would want in our product ion due to the por t rayal of youth cul ture we are aiming to represent.
  • 5. FIFTH FRAME The fol lowing shot in the sequence reveals a low angle of the couple connot ing vulnerabi l i ty in the big unknown ci ty. The pan which accompanies the shot suggests a sense of confusion and lost . Fur thermore thei r facial expressions convey wor r y. Therefore this f rame is so ef fect ive due to how much i t shows f rom something so simple.
  • 6. SIXTH FRAME The concluding shots in the music video take place wi thin a night club. The f rame reveals the protagonists dancing to the ar t ists of the track ( therefore Disclosure are subt ly present to the audience despi te being a nar rat ive based music video) . The frames per second is slowed down and the l ight ing in the shot conforms to the genre, as i t is low key and features st robes.