Their Work Not Mine: The Student Centered Studio ClassroomRebecca MissRoberts
A presentation about creating a student centered studio classroom environment given by Rebecca Roberts at the Massachusetts Art Education Association 2015 Conference in North Adams, MA.
Their Work Not Mine: The Student Centered Studio ClassroomRebecca MissRoberts
A presentation about creating a student centered studio classroom environment given by Rebecca Roberts at the Massachusetts Art Education Association 2015 Conference in North Adams, MA.
Their Work, Not Mine: The Student Centered Studio Classroom 2014Rebecca MissRoberts
This is a narrative version of the presentation Their Work, Not Mine, given by Rebecca Roberts, at The 2014 National Art Education Association Convention in San Diego, California.
Lecture: Using the Studio Habits of Mind to Help Students Create Ceramic Works
The teachers of Bruce Guadalupe Community School created a parallel curriculum that used the work of ceramist Luz Angela Crawford as inspiration for students to create various ceramic pieces. During this presentation I will share with you examples of parallel curriculum planning, student work, and student success.
Picture This: Exploring Picture Books Through Art ProgrammingWesterville Library
A continuing education presentation about fostering art and art appreciation in a library setting through the Westerville Public Library's Picture This! programming series.
Presented by Robin Gibson and Rebecca O'Neil for the Northeast and Central/Southeast chapter conferences for the Ohio Library Council (OLC).
A selection of integrated experiential art workshops developed and taught by teaching artist, Sarah Stone, at middle and high schools in the San Fernando and Conejo Valleys, Los Angeles metro area.
The purpose of this lesson plan was to integrate art and language arts. Students were to narrate the story The Legend of the Indian Paintbrush, by displaying a use of symbols on a collage.
Shares concepts, ideas, and resources related to teaching art to young children, PreK-2, many based on articles written by art teachers and published in SchoolArts Magazine.
Their Work, Not Mine: The Student Centered Studio Classroom 2014Rebecca MissRoberts
This is a narrative version of the presentation Their Work, Not Mine, given by Rebecca Roberts, at The 2014 National Art Education Association Convention in San Diego, California.
Lecture: Using the Studio Habits of Mind to Help Students Create Ceramic Works
The teachers of Bruce Guadalupe Community School created a parallel curriculum that used the work of ceramist Luz Angela Crawford as inspiration for students to create various ceramic pieces. During this presentation I will share with you examples of parallel curriculum planning, student work, and student success.
Picture This: Exploring Picture Books Through Art ProgrammingWesterville Library
A continuing education presentation about fostering art and art appreciation in a library setting through the Westerville Public Library's Picture This! programming series.
Presented by Robin Gibson and Rebecca O'Neil for the Northeast and Central/Southeast chapter conferences for the Ohio Library Council (OLC).
A selection of integrated experiential art workshops developed and taught by teaching artist, Sarah Stone, at middle and high schools in the San Fernando and Conejo Valleys, Los Angeles metro area.
The purpose of this lesson plan was to integrate art and language arts. Students were to narrate the story The Legend of the Indian Paintbrush, by displaying a use of symbols on a collage.
Shares concepts, ideas, and resources related to teaching art to young children, PreK-2, many based on articles written by art teachers and published in SchoolArts Magazine.
32 studio art lessons for children PreK-2nd grade compiled from SchoolArts Magazine. Aligned with National Visual Art Standards and the National Association of Young Children Program Standards. Published by Davis Publications, www.davisart.com www.schoolartsmagazine.com
Hadj Ounis's most notable work is his sculpture titled "Metamorphosis." This piece showcases Ounis's mastery of form and texture, as he seamlessly combines metal and wood to create a dynamic and visually striking composition. The juxtaposition of the two materials creates a sense of tension and harmony, inviting viewers to contemplate the relationship between nature and industry.
2137ad Merindol Colony Interiors where refugee try to build a seemengly norm...luforfor
This are the interiors of the Merindol Colony in 2137ad after the Climate Change Collapse and the Apocalipse Wars. Merindol is a small Colony in the Italian Alps where there are around 4000 humans. The Colony values mainly around meritocracy and selection by effort.
2137ad - Characters that live in Merindol and are at the center of main storiesluforfor
Kurgan is a russian expatriate that is secretly in love with Sonia Contado. Henry is a british soldier that took refuge in Merindol Colony in 2137ad. He is the lover of Sonia Contado.
Explore the multifaceted world of Muntadher Saleh, an Iraqi polymath renowned for his expertise in visual art, writing, design, and pharmacy. This SlideShare delves into his innovative contributions across various disciplines, showcasing his unique ability to blend traditional themes with modern aesthetics. Learn about his impactful artworks, thought-provoking literary pieces, and his vision as a Neo-Pop artist dedicated to raising awareness about Iraq's cultural heritage. Discover why Muntadher Saleh is celebrated as "The Last Polymath" and how his multidisciplinary talents continue to inspire and influence.
1. Zines: Making Fanzines to Share.
High School Studio Lesson
Carol Horst
One of the best things about teaching art is that through informal interaction during project time
the classroom can become a community and smaller groups that work closely together daily can
become a kind of family. Some classes bond more closely than others. Given a class that
became especially close and too few days at the end of the year to begin a big project, I had the
perfect opportunity to give this tight-knit group the experience of creating their first “zine,” and
also start their first art collection. After I explained the history of zines (short for magazine or
“fanzine”), we discussed their appeal. They are easily reproducible, inexpensive, extremely
adaptable to almost any idea, and can be shared and collected easily. Examples of zines are
plentiful online.
Students began by folding standard printer paper into a booklet that requires no binding:
2. Then students marked the pages so they could remember which were the front and back
covers, and which way was up on each page. This paper was for practicing; final designs were
re-drawn or traced onto a fresh sheet. Students also had to remember to leave a ¼” border
around the edge, because standard copy machines crop slightly. Drawings in black pen resulted
in the clearest reproductions. This project is wonderfully open-ended: students can include
words, tell a story, express personal interests, work with abstraction, include comics,
appropriate magazine pictures, or explore any kind of theme they choose.
When the drawings were complete, I photocopied a class set of each book so that each artist
could share theirs with every other student in the class. Each student was given the photocopies
of their own zine and spent a period folding, cutting, and assembling their booklets before
sharing their artwork with the class.
Each young artist went home with a meaningful collection: a stack of zines, created by their
friends. These inexpensive little booklets, made in just a few days, turned out to be the perfect
way to celebrate friendship and share art.
Carol Horst is an art teacher at Tehachapi High School in Tehachapi, California.
801 South Dennison Road
Tehachapi, CA 93561
(661) 972-0393
carolhrst@gmail.com