Zentangles
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Zentangles are a type of structured doodling that was created by Rick Roberts and Maria Thomas. Maria described creating her art as feeling timeless, free and engendering a sense of deep well-being, which Rick recognized as a meditative state. Zentangles involve creating repetitive patterns and designs to help clear the mind and induce a meditative state.
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Simplified intro to zentangle
Zentangle is a meditative art form involving repetitive patterns created with markers and pens on paper. It was created by Rick Roberts and Maria Thomas and involves focusing on individual strokes and patterns without concern for the final image, as mistakes can become new patterns. The required materials are fine and ultrafine markers, colored pencils, and paper.
Zentangle-Introduction
The document provides an overview of Zentangle, a meditative art form using repetitive patterns and shapes. It describes how Zentangle involves making conscious, deliberate marks without erasers, even turning perceived "mistakes" into new patterns. Videos are included demonstrating Zentangle techniques like step-by-step instructions, creating mandalas, sample patterns, and doodling seashells, vines, and spikes.
Zentangle
The document provides instructions for creating Zentangle art. Zentangle is a method of drawing structured patterns to create images. It was developed by Maria Thomas and Rick Roberts. To create Zentangles, an artist draws string-like lines to define areas and then fills those areas with repetitive patterns or tangles selected from reference materials. The document guides students through practicing Zentangle techniques with pencil before completing a final project using ink and incorporating a minimum of 12 patterns.
Pen And Ink
While pen and ink drawings cannot technically create tonal values, there are techniques that can create the illusion of value through hatching, crosshatching, and scumbling. Hatching uses parallel lines to fill an area and appear darker from a distance. Crosshatching layers lines at angles to each other. Scumbling uses small, varied scribbles to build texture and value. These techniques allow pen and ink drawings to suggest light and shadow through line work alone.
Art of the Illuminated Letter
An illuminated letter is an embellished letter found in illuminated manuscripts from the Middle Ages that features extensive decoration and color. The Book of Kells from 800 AD is considered the finest surviving example, containing elaborate illustrations and ornamentation incorporated into capital letters at the start of chapters and verses. It was created by Irish monks, stolen by Vikings, and later recovered from a bog where it was preserved by the acidic conditions. Illuminated letters combined imagery from nature and Christian symbolism to beautifully decorate sacred texts.
Celtic Designs & Motifs: Inspirations for patterns, printing and design etc.
This document discusses various Celtic design motifs such as spiral designs, step patterns, key patterns, knotwork designs, and zoomorphic designs that can be used for inspiration. It also provides information on how to create Celtic designs using knots and spirals. The content was scanned from books on Celtic designs for educational purposes.
Negativespace
The document discusses the importance of negative space in drawing. Negative space is the space around and between objects, rather than the objects themselves. Accurately drawing the negative spaces helps capture the form and details of the positive objects. Students are instructed to focus on the negative spaces in order to improve the composition and details of their drawings of a still life subject.
Still life
A still life is a drawing or painting of objects arranged in a composition. Traditionally, the objects depicted had symbolic meanings representing concepts like life, death, beauty, and decay. Still life paintings use techniques like shading, value scales, and layering of foreground, mid-ground and background elements to create a sense of depth, volume and mass. In the 1800s, artists like Manet and Cezanne enhanced the mood and symbolism of still life works through loose brushwork, textures and manipulated light. Their impressionistic styles influenced later artists to portray the world in a more creative, gestural manner.
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Simplified intro to zentangle
Zentangle is a meditative art form involving repetitive patterns created with markers and pens on paper. It was created by Rick Roberts and Maria Thomas and involves focusing on individual strokes and patterns without concern for the final image, as mistakes can become new patterns. The required materials are fine and ultrafine markers, colored pencils, and paper.
Zentangle-Introduction
The document provides an overview of Zentangle, a meditative art form using repetitive patterns and shapes. It describes how Zentangle involves making conscious, deliberate marks without erasers, even turning perceived "mistakes" into new patterns. Videos are included demonstrating Zentangle techniques like step-by-step instructions, creating mandalas, sample patterns, and doodling seashells, vines, and spikes.
Zentangle
The document provides instructions for creating Zentangle art. Zentangle is a method of drawing structured patterns to create images. It was developed by Maria Thomas and Rick Roberts. To create Zentangles, an artist draws string-like lines to define areas and then fills those areas with repetitive patterns or tangles selected from reference materials. The document guides students through practicing Zentangle techniques with pencil before completing a final project using ink and incorporating a minimum of 12 patterns.
Pen And Ink
While pen and ink drawings cannot technically create tonal values, there are techniques that can create the illusion of value through hatching, crosshatching, and scumbling. Hatching uses parallel lines to fill an area and appear darker from a distance. Crosshatching layers lines at angles to each other. Scumbling uses small, varied scribbles to build texture and value. These techniques allow pen and ink drawings to suggest light and shadow through line work alone.
Art of the Illuminated Letter
An illuminated letter is an embellished letter found in illuminated manuscripts from the Middle Ages that features extensive decoration and color. The Book of Kells from 800 AD is considered the finest surviving example, containing elaborate illustrations and ornamentation incorporated into capital letters at the start of chapters and verses. It was created by Irish monks, stolen by Vikings, and later recovered from a bog where it was preserved by the acidic conditions. Illuminated letters combined imagery from nature and Christian symbolism to beautifully decorate sacred texts.
Celtic Designs & Motifs: Inspirations for patterns, printing and design etc.
This document discusses various Celtic design motifs such as spiral designs, step patterns, key patterns, knotwork designs, and zoomorphic designs that can be used for inspiration. It also provides information on how to create Celtic designs using knots and spirals. The content was scanned from books on Celtic designs for educational purposes.
Negativespace
The document discusses the importance of negative space in drawing. Negative space is the space around and between objects, rather than the objects themselves. Accurately drawing the negative spaces helps capture the form and details of the positive objects. Students are instructed to focus on the negative spaces in order to improve the composition and details of their drawings of a still life subject.
Still life
A still life is a drawing or painting of objects arranged in a composition. Traditionally, the objects depicted had symbolic meanings representing concepts like life, death, beauty, and decay. Still life paintings use techniques like shading, value scales, and layering of foreground, mid-ground and background elements to create a sense of depth, volume and mass. In the 1800s, artists like Manet and Cezanne enhanced the mood and symbolism of still life works through loose brushwork, textures and manipulated light. Their impressionistic styles influenced later artists to portray the world in a more creative, gestural manner.
Zentangle Animals
Zentangle is an easy-to-learn method for creating beautiful images through structured patterns, developed by Maria Thomas and Rick Roberts. It involves drawing simple shapes or designs over and over to fill an area, and can increase focus, relax the mind, inspire creativity, build confidence, and change one's outlook. Examples of contour drawings of animals are provided.
Zentangle Portraits
This document provides instructions for creating a Zentangle self portrait using pen shading techniques like stippling, scribbling, hatching and cross hatching. It recommends zooming in or cropping the subject and placing it off center for composition, then isolating one square at a time to apply the different shading techniques to create the portrait. An option is to weave the reference photo first before drawing.
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Collage is a visual art form that combines different materials like paper, photographs, and found objects glued to a backing surface. A collage forms a new whole from disparate parts. Popular collage artists from the early 20th century Dada movement included Kurt Schwitters, Hannah Hoch, and Raoul Hausmann. Later, Henri Matisse and Romare Bearden experimented with paper cutouts and representational collages incorporating social commentary. Today, many contemporary artists continue working in the collage medium.
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This document provides instruction for a series of drawing exercises focused on still life and observational drawing techniques. Students are asked to complete drawings of shoes from different perspectives, as well as contour and tonal drawings of everyday objects. Techniques for creating tone like hatching and cross-hatching are demonstrated. Later exercises involve drawing collections of objects in jars from different viewpoints, and replicating the styles of artists like Lichtenstein, Matisse, and Picasso in still life compositions. The document outlines homework assignments incorporating these techniques over a 13 week period.
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The document discusses different types of rhythm and pattern in art. There are four main types of rhythm: random, regular, flowing, and alternating. Random rhythm repeats motifs in no apparent order, while regular rhythm uses identical motifs in regular spacing. Flowing rhythm uses repeated wavy or curved lines with no breaks. Alternating rhythm changes the motif, its placement, or the space between motifs each time. Progressive rhythm gradually changes the motif with each repetition. Pattern refers to two-dimensional visual repetition, and motifs are the individual repeated units that make up patterns or rhythms.
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Zentangle is a meditative art form using repetitive patterns and shapes. It involves drawing each mark consciously without erasing, so that mistakes become new patterns. Line variety is important, and videos demonstrate techniques like step-by-step instructions, mandalas, patterns, doodling seashells and vines, and spikes.
Still life
A still life is a drawing or painting of inanimate objects arranged by the artist. Setting up an effective still life composition requires choosing a location with good lighting, including architectural elements for direction, and selecting interesting objects to demonstrate value and composition skills. When creating a still life drawing or painting, artists should plan the arrangement of objects, sketch the composition lightly, add value gradually to define shapes rather than using hard lines, and aim for a full range of tones. Proper drawing position and taking time to plan the composition before rendering details are also important tips for developing still life works.
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Negative space refers to the shapes that exist between objects. By observing the negative spaces between a chair's legs, tree branches, or plants, unique silhouettes emerge. Practicing drawing these negative shapes helps one better see and establish the positive foreground shapes when returning to regular drawing. The document encourages tracing negative spaces from contour drawings and filling them with patterns using graphite pencils to discover the world of negative shapes, as illustrated by Henri Matisse's paintings.
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Zentangle is an easy-to-learn method for creating beautiful images through structured patterns, developed by Maria Thomas and Rick Roberts. It involves drawing simple shapes or designs over and over to fill an area, and can increase focus, relax the mind, inspire creativity, build confidence, and change one's outlook. Examples of contour drawings of animals are provided.
Zentangle Portraits
This document provides instructions for creating a Zentangle self portrait using pen shading techniques like stippling, scribbling, hatching and cross hatching. It recommends zooming in or cropping the subject and placing it off center for composition, then isolating one square at a time to apply the different shading techniques to create the portrait. An option is to weave the reference photo first before drawing.
Tema 11 acuarela
La acuarela es una técnica pictórica húmeda que utiliza colores diluidos en agua. Se compone de pigmentos aglutinados con goma arábiga o glicerina. La técnica transparente implica la superposición de lavados finos utilizando la blancura del papel para obtener efectos. Artistas como Durero, Turner y Monet fueron pioneros en el uso de esta técnica, mientras que Cézanne, Kandinsky y Barceló continúan explorando sus posibilidades.
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Collage: An Exploration
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Zentangle is a meditative art form using repetitive patterns and shapes. It involves drawing each mark consciously without erasing, so that mistakes become new patterns. Line variety is important, and videos demonstrate techniques like step-by-step instructions, mandalas, patterns, doodling seashells and vines, and spikes.
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History of self portraiture
Artists began creating self-portraits in the 15th century to depict themselves as subjects or important characters in their work. With more accessible mirrors, many painters, sculptors, and printmakers experimented with self-portraiture. Albrecht Dürer was one of the first to systematically create self-portraits at different ages over his lifetime, establishing self-portraiture as an artistic genre. Since then, many other notable artists like Rembrandt, Van Gogh, Frida Kahlo, and Lucian Freud have also used self-portraiture to represent themselves at various stages of their lives.
Negative Space
Negative space refers to the shapes that exist between objects. By observing the negative spaces between a chair's legs, tree branches, or plants, unique silhouettes emerge. Practicing drawing these negative shapes helps one better see and establish the positive foreground shapes when returning to regular drawing. The document encourages tracing negative spaces from contour drawings and filling them with patterns using graphite pencils to discover the world of negative shapes, as illustrated by Henri Matisse's paintings.
Value: Drawing and the art element of value
The document discusses value and light in drawing. It defines value as the lights and darks in a work of art. Light is described as waves of energy that our eyes perceive as light or color. Shadows result when light is blocked. Key terms like high key, low key, and full value range are introduced. Drawing assignments are outlined that involve creating a value scale, reducing values to black and white, depicting the six categories of light on a sphere, and using additive and reductive techniques with charcoal to represent form, light, and shadow. Modeling, chiaroscuro, atmospheric perspective, and tenebrism are also defined in relation to using value and light in artwork.
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Positive And Negative Space
Positive space refers to the area occupied by an object, while negative space is the space around the object. The document discusses how artists use positive and negative space, giving examples of bottles where the positive space is what the bottles occupy and the negative space is the area around them. Artists can manipulate objects by deliberately leaving certain spaces white or adding patterns to trick the viewer's eyes.
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Este documento describe los criterios de evaluación para una actividad de autorretrato en vinilo adhesivo, incluyendo dimensiones como artística, información, actitud, creación de contenidos, resolución de problemas y aptitud. Se evalúa cada dimensión en una escala de excelente a malo dependiendo del nivel de habilidad y esfuerzo demostrado.
La forma
El documento describe diferentes tipos y características de formas, incluyendo formas en el espacio y en el plano, formas cerradas y abiertas, regulares e irregulares, positivas y negativas, simétricas y asimétricas. También explica conceptos como contorno, dintorno, silueta e interrelación de formas a través de la distancia, el toque, la superposición y otras técnicas. Finalmente, discute cómo componer con formas y lograr diferentes grados de iconicidad como la síntesis.
La composición II
El documento describe diferentes criterios de composición artística como la simetría axial y radial, la ley de la balanza, la ley de compensación de masas, la uniformidad de masas y la sección áurea. Explica que los artistas siguen estas normas para distribuir formas de manera equilibrada y armónica. La sección áurea en particular divide un espacio en partes proporcionales según una fórmula matemática considerada de gran belleza visual.
Tema 1 2º eso percepciön
Este documento explica los conceptos de imagen y realidad, la percepción visual y las teorías sobre la percepción. Indica que una imagen es una representación de la realidad que puede variar en su grado de similitud, y que la percepción depende de factores individuales. Además, resume las leyes de la Gestalt sobre cómo el cerebro interpreta visualmente objetos y escenas.
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