The document discusses an exhibition of works by Italian artist Alberto Biasi at GR gallery in New York. It describes Biasi as a pioneer of kinetic and programmed art through his founding of the N Group in Italy in the 1960s. Biasi discusses his early kinetic works that required viewer interaction and his later works using motors and light prisms to create constantly changing visual effects. Biasi believes future art will increasingly incorporate electronic media but that art will always allow new perspectives to be seen.
Presentation about street art - video link in the notes download powerpoint.
The variety slide is made to show different varieties but it doesn't show on slide share. Download and open with powerpoint to see
This presentation is about street art, not grafitti. The differences are outlined in the presentation. The slides are more picture based and require some basic knowledge about certain pieces to properly present.
This presentation aims at providing a better understanding of the role, origin and evolution of participation in contemporary art with a specific focus on technology and participation. It will also provide an overview of participative art models developed in the last decade and the trend they created.
Presentation about street art - video link in the notes download powerpoint.
The variety slide is made to show different varieties but it doesn't show on slide share. Download and open with powerpoint to see
This presentation is about street art, not grafitti. The differences are outlined in the presentation. The slides are more picture based and require some basic knowledge about certain pieces to properly present.
This presentation aims at providing a better understanding of the role, origin and evolution of participation in contemporary art with a specific focus on technology and participation. It will also provide an overview of participative art models developed in the last decade and the trend they created.
Why Is hand painted wall Considered Underrated?muralx
Oxford And artists Pupils Brighten Up Marston Underpass With New Mural
I've been painting murals that are commissioned that are large in and around Bristol. The community mural movement, which began from the late 1960's, generated countless hundreds of large scale wall paintings in less than a decade. Every city had a few, although they were concentrated in major cities. These were sparked by the civil rights movement, labour movements, the Chicano movement, and community development programs. Hispanic muralists like Diego Rivera, Clemente Orozco, David Sequeiros, and Arnold Belkin affected content and the style of those murals. They were influenced by graffiti and from advertising artwork.
boris dubrov, dan, dan groover, dennis bacchus, ed grossman, eduard grossman, gendelman, groover, groover dan, illustration, israeli art, jewish artists, jewish gallery, jewish painters, jewish painting, josephus flavius, Joshua Neustein, Judaic Art, judaica art, judaica art michael rozenvain, michael rozenvain, michael rozenvein, noach lubin, noah lubin, religion, theology, travel
Why Is hand painted wall Considered Underrated?muralx
Oxford And artists Pupils Brighten Up Marston Underpass With New Mural
I've been painting murals that are commissioned that are large in and around Bristol. The community mural movement, which began from the late 1960's, generated countless hundreds of large scale wall paintings in less than a decade. Every city had a few, although they were concentrated in major cities. These were sparked by the civil rights movement, labour movements, the Chicano movement, and community development programs. Hispanic muralists like Diego Rivera, Clemente Orozco, David Sequeiros, and Arnold Belkin affected content and the style of those murals. They were influenced by graffiti and from advertising artwork.
boris dubrov, dan, dan groover, dennis bacchus, ed grossman, eduard grossman, gendelman, groover, groover dan, illustration, israeli art, jewish artists, jewish gallery, jewish painters, jewish painting, josephus flavius, Joshua Neustein, Judaic Art, judaica art, judaica art michael rozenvain, michael rozenvain, michael rozenvein, noach lubin, noah lubin, religion, theology, travel
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The latest contemporary artists' catalogue - Studio Abba Yearbook 2014Studio Abba
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In her early life Olga Marciano (Italian, 1962) was a lawyer, university assistant, writer, and later an entrepreneur, and was born with an explosive passion for art. She bravely decides to break all the rules of a common logic and abandons her work to work with art at 360 degrees. An artist of international scope, he lives and works in Salerno. President of SALERNO IN ARTE. A long career with many experiences abroad and in Italy and participation in biennials such as that of Florence, Genoa and Venice. Her works was on display at the Italian pavilion of the Art Expo in New York in 2018. Her paintings – they say – … have a soul, they possess and transmit to anyone who observes them, the breath of those who conceived them, allowing even the “non-experts” to instinctively perceive strong and deep sensations. The colors are striking, vivid and sharp, even in the nuances;
PLEASE SEE ALSO:
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Conscious by Angelica Bergamini at Ivy Brown GalleryIvy Brown
Meat Packing District, NYC- Ivy Brown is pleased to present Angelica Bergamini’s first
solo New York exhibition. Angelica, born in Italy and now based in New York, has participated in numerous group shows in Italy, France, England, Germany, China and the United States. She has a permanent installation at the Hyatt Union Square, Come As You Are.
This exhibit will feature three bodies of her vibrant, mixed media work: Know Thyself, Memento and Freedom.
Know thyself is sourced in the words of Krishnamurti, “The beginning of freedom is self-knowledge”. This atmospheric body of works on paper using acrylic, ink, pigment inkjet print, represents the journey of self-discovery, visiting the unconscious while glimpsing the process of becoming ourselves. Like pages of a journal, one story visually unfolds and leads you to the next. We are honored to premiere three videos in this series that bring Know thyself to another level.
Memento is the root of her odyssey, it is both a pilgrimage and its migration. These mixed media pieces vividly reflect on what is both past and present.
The tactile and nature-infused Freedom series extends into the world with densely cut paper compositions. They embody the flow of self-knowledge, and explore the feminine, harmony and groundeness as crucial elements of our humanity.
Angelica’s multi-layered works are informed by her ongoing efforts to create a less reactive and more responsive presence in the world. They act as the muse to meditations on the many facets of surrender, empowerment, reverence, and love that exist in ourselves, and in our relation to a greater whole.
The show will run from September 21st to October 31st 2016
WHERE: Ivy Brown Gallery 675 Hudson St 4th fl
When: Tuesday, September 20th, 6pm-8pm
EXHIBITION DATE: September 20th-October 31st
WM | whitehot magazine of contemporaryARTIST OF THE INVISIBLE at GR gallery
1. MAY 2016 - "THE BEST ART IN THE WORLD"
ALBERTO BIASI: THE ARTIST OF THE INVISIBLE at GR gallery
Alberto Biasi, "Dinamica Circolare" (1965 1991), PVC relief and acrylic on panel, 24.2 in. (All photos by Larissa De Jesús)
Alberto Biasi: The Artist of the Invisible
By EVA ZANARDI, MAY 2016
When I met with Alberto Biasi in New York at GR gallery to promote his upcoming exhibition, I also
rekindled an old friendship. Mr. Biasi and his family were my neighbors in Padua (Italy) in the ‘80s and
we use to share a beautiful garden with bountiful persimmon trees. I hadn’t seen the Master in
2. over 20 years but, at 79, Alberto Biasi is as lively and friendly as I remember him. Best known as being the
founder and leading spokesperson of Gruppo N, we talked about his relationship to Kinetic Art and “A
Dynamic Meditation,” his first retrospective in New York, which spans 40 years' worth of work.
Eva Zanardi – Let’s start from the beginning, from N Group. How did it start?
Alberto Biasi – It started in Padua (Italy). At the beginning there were two N Groups: the first one was called
Gruppo Ennea (from the Greek numeral 9); an association of 9 young artists, among which the internationally
renown architect and designer Gaetano Pesce, all attending the architecture faculty of the Univeristy of Venice.
After the disbandment of Ennea Group, a second group, the one founded by Manfredo Massironi and myself,
was created: the N Group (N because in math N it’s “open” number). Other members of N Group were: Ennio
Chiggio, Toni Costa, and Edoardo Landi. N Group was invited by the prestigious Apollinaire Gallery to show
in Milan. Once in Milan we came into contact with Azimuth Gallery and T Group (our competition at the
time). They were claiming to be the first programmed and kinetic art group, but it wasn’t true. We were the
first one in Italy and it didn’t take long for art history books to take notice.
"Come un Gambero" (2006), acrylic and nails on canvas on panel, 70.8 in. x 52.2 in.
3. E.Z. – Tell me more about kinetics and your programmatic art…
A.B. – My art is not really kinetic, I prefer to define it as dynamic. Kinetic art is actually art that physically
moves, powered by a motor. My art is
“dynamic.” My only kinetic artworks were early ones that actually needed to be moved by hand, by the viewer.
I feeI like a musical instrument manufacturer, the viewer is the musician and the artwork is cocreated by the
artist and viewer. But, because I like variety, I also enjoy using motors to create moving artwork. As I did with
my ‘Light Prisms’ (1962), in which the protagonists are multicolored rays of light, constantly changing from
red to blue, yellow, green, and then purple. In high school I studied some physics and I learned that a white ray
of light can be broken down into colors by a prism. A white ray of light is composed by the seven colors of the
spectrum. I decided to exploit this knowledge by creating a white surface floor in a darkened room with
mirrored walls. I then shone a white ray of light through a prism which broke it down into the whole 7 colors
spectrum which was then picked up by several blocks of plexiglas, placed on the white floor at specific
intervals, and thus the rainbow was multiplied a myriad times and reflected onto itself by the mirrors! Truly
psychedelic! Those were the years of psychedelia and my artwork was very much appreciated…This whole
labour intense procedure to create art is why I also call my artwork ‘programmatic art’. By “programming art”
one can obtain infinite amounts of images, always different, always in mutation, according to a program that I
calculate using different velocities, different rotations, creating different angles, it’s so much fun!
Dinamica Rettangolare (1998), PVC relief and acrylic on panel, 70.8 in. x 47.2 in.
4. E.Z. – As far as the “light prisms” where did our inspiration come from?
A.B. – I got inspired in a very peculiar way. When I started getting really passionate about programmatic art
and about the breaking down of the light spectrum, I remembered the huge spotlights that illuminated the night
sky during the Second World War. I was a very young child then but I still clearly remember these lights so
powerful that they could locate the bomber planes that flew over the Italian skies in those years. In my eyes,
despite their tragic connotation, these spotlights were undoubtedly fascinating and spectacular and I think that
in some way, they inspired my studies on light its composition.
Left to right: Instabile (2008), acrylic and anils on canvas on panel, 23.6 in. x 24.4 in; Trittico (2012), acrylic and nails on
canvas on panel, 23.6 in. x 38.2 in.
E.Z. – What do you foresee in future for kinetic art?
A.B. – Art movements always fluctuate. In 1950’s there technology was introduced to art and that was big
news! Since then, in my view, there hasn’t been a significant new "movement." The electronic art age will
eventually take over. Whether there will be progress or a regression as a result, we will never know. But
remember, the meaning of ‘art’ is hard to define. "Art is anything that people call art" said Dino Formaggio
(Italian philosopher and art critic). I would add that art is essential to the human souls because it makes you
see things that you had never seen before, it gives you different perspectives. Just think of cubism,
impressionism the way Caravaggio knew how to play with perspective and recreate light in a way that no one
else had been able to do before. To open windows into the unknown, unseen, is the magic and allure
of art be it kinetic, dynamic or in its every form. WM
Alberto Biasi's “A Dynamic Meditation” runs through May 22nd, at GR gallery.
For more information, check http://www.grgallery.com/exhibitions/albertobiasiadynamicmeditation/
5. EVA ZANARDI
Eva Zanardi is GR gallery director of Communications and Art Advisor.
She curates a blog specialized in Kinetic Art and Op art,
theresponsivei.com
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