The document discusses the evolution of pagode music in Brazil, highlighting key figures and developments since the late 20th century. It emphasizes the impact of artists like Zeca Pagodinho and the shift of the term 'pagode' to become synonymous with samba. Additionally, it mentions the emergence of university-style pagode and the influential group, Black Race.

1. Renowned Teams:
At present you will find a huge selection of pagoda teams which have been profitable in and type nationwide lands.
Nevertheless, one can not disregard the point that the pioneers from the art of pagodear in musical variety, as from the situation
on the set of Base of Quintal that burst in achievement of profits in the albums throughout the last decade of eighty and ninety of
century XX together with the management of Arlindo Cross and Umbrella.
Among the main icons of the pagoda one can not disregard the existence of the will work composed by Zeca Pagodinho who
lived straight on each sides in the authentic musical style within an reliable way, including the common high-pagoda pagoda as
well as intimate pagoda. Inside the late nineties from the twentieth century also appeared the pagoda in the university style. The
group Black Race is made of reference in the musical genre.
After some time, the time period "pagode" started to be applied as synonymous with samba, as a consequence of sambistas
who used this name for their get-togethers, or, their pagodas