The document discusses the evolution of the pagoda music genre, highlighting its roots and the significance of influential artists like Zeca Pagodinho and Arlindo Cruz during the 1980s and 1990s. It also notes the emergence of college pagoda in the late 1990s and how the term 'pagode' became synonymous with samba. Overall, it emphasizes the cultural impact and popularity of pagoda music in Brazil.

1. Famed Groups:
Presently there are many pagoda teams which have been effective in and sort national lands. Nevertheless, you can not ignore
the fact that the pioneers on the artwork of pagodear in musical sort, as within the circumstance in the established of Base of
Quintal that burst in success of product sales from the albums in the course of the decade of eighty and ninety of century XX
with all the management of Arlindo Cross and Umbrella.
Among the many key icons from the pagoda you can not overlook the presence of your operates composed by Zeca Pagodinho
who lived immediately on equally sides of the first musical genre within an reliable way, such as the typical high-pagoda pagoda
along with the romantic pagoda. Within the late nineties on the twentieth century also appeared the pagoda in the college type.
The group Black Race includes reference in the musical style.
After some time, the expression "pagode" started to be employed as synonymous with samba, thanks to sambistas who used
this title for their events, or, their pagodas