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MODERN
ART
1
WHAT MAKES MODERN ART
MODERN?
TECHNOLOGICAL
BREAKTROUGH
SOCIAL, POLITICAL, AND
ENVIRONMENTAL CHANGES.
EFFECTS ON THE WORD OF
ART
2
IMPRESSIONISM: ORIGINS OF
THE MOVEMENT
Impressionism was an art
movement that emerged in the
second half of the 19th century
among a group of Paris-based
artists.
3
The name impressionism was
coined from the title of a work by
French painter Claude Monet,
Impression, soleil levant (in
English, Impression, Sunrise).
4
Sunrise
5
The term precisely captured what this
group of artists sought to represent in their
works: the viewer’s momentary “impression”
of an image. It was not intended to be clear
or precise, but more like a fleeting fragment
of reality caught on canvas, sometimes in
mid-motion, at other times awkwardly
positioned—just as it would be in real life.
6
THE INFLUENCE OF
DELACROIX
One major influence was the work of
French painter Eugène Delacroix.
Delacroix was greatly admired and
emulated by the early impressionists—
specifically for his use of expressive
brushstrokes, his emphasis on movement
rather than on clarity of form, and most of
all his study of the optical effects of color.
7
THE BARQUE OF DANTE
8
IMPRESSIONISM: A BREAK FROM PAST
PAINTING TRADITIONS.
 COLOR AND LIGHT
“ EVERYDAY” SUBJECTS
PAINTING OUTDOORS
OPEN COMPOSITION
9
IMPRESSIONISM: WORKS OF MANET,
MONET, AND RENOIR
1. EDOUARD MANET(1832-1883)
One of the first 19th century
artists to depict modern-life subjects.
He was a key figure in the transition
from realism to impressionism, with a
number of his works considered as
marking the birth of
modern art.
10
Argenteuil 1874
11
Rue Mosnier Decked With Flags (1878)
12
The Bar at the Folies-Bergere(1882)
13
2. CLAUDE MONET
One of the founder of the
Impressionist movement along
with his friends.
Considered as one of the most
influential in this movement.
Best known for his landcaping,
particularly beloved flower gardens
and water lily ponds.
14
LA PROMENADE (1875)
15
A BRIDGE OVER THE POND OF WATER
LILIES (1899)
16
Irises in Monet’s Garden
17
3. AUGUSTE RENOIR (1841-1919)
His early works are snap
shots of real life, full of
sparkling color and light.
18
Dancer(1874)
19
A Girl with a Watering Can(1876)
20
Mlle Irene Cahen d’Anvers(1880)
21
POST IMPRESSIONISM:
Works of Cezanne and Van Gogh
The European artists who were at the
forefront of this movement continued
using the basic qualities of the
impressionists before them—the vivid
colors, heavy brush strokes, and true-to-
life subjects. However, they expanded
and experimented with these in bold new
ways, like using a geometric approach,
fragmenting objects and distorting
people’s faces and body parts, and
applying colors that were not necessarily
realistic or natural.
22
PAUL CEZANNE (1839–1906)
 A French artist and post-
impressionist painter. His work
exemplified the transition from late
19th-century impressionism to a
new and radically different world of
art in the 20th century—paving the
way for the next revolutionary art
movement known expressionism
23
Hortense Fiquet in a Striped Skirt(1878)
24
Boy in a Red Vest(1890)
25
Harlequin(1889-1890)
26
VINCENT VAN GOGH (1853-1890)
Was a post-impressionist
painter from The Netherlands.
His works were remarkable for
their strong, heavy brush
strokes, intense emotions, and
colors that appeared to almost
pulsate with energy.
27
Sheaves of Wheat in a Field (1885)
28
Starry Night(1889)
29
Wheat Field with Cypresses(1889)
30
Expressionism: A Bold New Movement
. Expressionist artists created works
with more emotional force, rather
than with realistic or natural images.
To achieve this, they distorted
outlines, applied strong colors, and
exaggerated forms. They worked
more with their imagination and
feelings, rather than with what their
eyes saw in the physical world.
31
1. Neoprimitivism
An art style that incorporated elements
from the native arts of the South Sea
Islanders and the wood carvings of
African tribes which suddenly became
popular at that time. Among the
Western artists who adapted these
elements wasAmedeoModigliani, who
used the oval faces and elongated
shapes ofAfrican art in both his
sculptures and paintings.
32
Head (1913)
33
Yellow Sweater (1919)
34
Fauvism
35
Blue window (1911)
36
Woman with Hat (1911)
37
Dadaism
A style characterized by
dream fantasies, memory
images, and visual .tricks and
surprises.
38
Melancholy and Mystery of a Street(1914)
39
I and the Village (1911)
40
3. Surrealism
A style that depicted an illogical,
subconscious dream world beyond the
logical, conscious, physical one. Its
name came from the term “super
realism, ”with its artworks clearly
expressing a departure from reality—as
though the artists were dreaming,
seeing illusions, or experiencing an
altered mental state.
41
Persistence of Memory (1911)
42
Personage with Star (1933)
43
4. Social Realism
Expressed the artist’s role in social
reform.
44
Miner Wives (1948)
45
Guernica(1937)
46
5. Abstractionism
Movement arose from the intellectual
points of view in the 20thcentury. In the
world of science, physicists were
formulating a new view of the universe,
which resulted in the concepts of space-
time and relativity. This intellectualism was
reflected even in art. While expressionism
was emotional, abstractionism was logical
and rational. It involved analyzing,
detaching, selecting, and simsplifying.
47
Oval Still Life (Le Violon) 1914
48
49
50
Grouped under abstractionism are the
following art styles:
 cubism
 futurism
 mechanical style
 nonobjectivism
51
1. Cubism
The cubist style derived its name
from the cube, a three dimensional
geometric figure composed of
strictly measured
lines, planes, and angles. Cubist
artworks were, therefore, a play
of planes and angles on a flat
surface.
52
Three Musicians(1921)
53
Girl Before a Mirror(1932)
54
Futurism
The movement known as
futurism began in Italy in the
early 1900s. As the name
implies, the futurists created art
for a fast-paced, machine-
propelled age. They admired
the motion, force, speed, and
strength
of mechanical forms
55
Armored Train (1915)
56
Mechanical Style
As a result of the futurist movement,
what became known as the
mechanical style emerged. In this
style, basic forms such as planes,
cones, spheres, and cylinders all fit
together precisely and neatly in their
appointed places.
57
The City (1919)
58
Nonobjectivism
The logical geometrical conclusion of
abstractionism came in the style known
as nonobjectivism. From the very term
“non-object,” works in this style did not
make use of figures or even
representations of figures. They did not
refer to recognizable objects or forms in
the outside world.
59
New York City(1942) Piet Mondrian
60
WHAT TO KNOW
A. Expressionism
1. Describe how the different elements and principles
were used by expressionist artists to convey their
individual style. Discuss three examples from works in
these Learner’s Materials.
2. What qualities make an artwork expressionistic?
3. Where did neoprimitivismget its influences?
4. Who is the French artist famous for his fauvist style?
5. What are the characteristics of fauvism?
6. Why was the child’s term “dada” fitting for the art
movement known as dadaism?
7. What style of painting is Salvador Dali known for?
8. What art movement expressed the artists’ social role?
61

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MODERN ART 10.pptx

  • 2. WHAT MAKES MODERN ART MODERN? TECHNOLOGICAL BREAKTROUGH SOCIAL, POLITICAL, AND ENVIRONMENTAL CHANGES. EFFECTS ON THE WORD OF ART 2
  • 3. IMPRESSIONISM: ORIGINS OF THE MOVEMENT Impressionism was an art movement that emerged in the second half of the 19th century among a group of Paris-based artists. 3
  • 4. The name impressionism was coined from the title of a work by French painter Claude Monet, Impression, soleil levant (in English, Impression, Sunrise). 4
  • 6. The term precisely captured what this group of artists sought to represent in their works: the viewer’s momentary “impression” of an image. It was not intended to be clear or precise, but more like a fleeting fragment of reality caught on canvas, sometimes in mid-motion, at other times awkwardly positioned—just as it would be in real life. 6
  • 7. THE INFLUENCE OF DELACROIX One major influence was the work of French painter Eugène Delacroix. Delacroix was greatly admired and emulated by the early impressionists— specifically for his use of expressive brushstrokes, his emphasis on movement rather than on clarity of form, and most of all his study of the optical effects of color. 7
  • 8. THE BARQUE OF DANTE 8
  • 9. IMPRESSIONISM: A BREAK FROM PAST PAINTING TRADITIONS.  COLOR AND LIGHT “ EVERYDAY” SUBJECTS PAINTING OUTDOORS OPEN COMPOSITION 9
  • 10. IMPRESSIONISM: WORKS OF MANET, MONET, AND RENOIR 1. EDOUARD MANET(1832-1883) One of the first 19th century artists to depict modern-life subjects. He was a key figure in the transition from realism to impressionism, with a number of his works considered as marking the birth of modern art. 10
  • 12. Rue Mosnier Decked With Flags (1878) 12
  • 13. The Bar at the Folies-Bergere(1882) 13
  • 14. 2. CLAUDE MONET One of the founder of the Impressionist movement along with his friends. Considered as one of the most influential in this movement. Best known for his landcaping, particularly beloved flower gardens and water lily ponds. 14
  • 16. A BRIDGE OVER THE POND OF WATER LILIES (1899) 16
  • 17. Irises in Monet’s Garden 17
  • 18. 3. AUGUSTE RENOIR (1841-1919) His early works are snap shots of real life, full of sparkling color and light. 18
  • 20. A Girl with a Watering Can(1876) 20
  • 21. Mlle Irene Cahen d’Anvers(1880) 21
  • 22. POST IMPRESSIONISM: Works of Cezanne and Van Gogh The European artists who were at the forefront of this movement continued using the basic qualities of the impressionists before them—the vivid colors, heavy brush strokes, and true-to- life subjects. However, they expanded and experimented with these in bold new ways, like using a geometric approach, fragmenting objects and distorting people’s faces and body parts, and applying colors that were not necessarily realistic or natural. 22
  • 23. PAUL CEZANNE (1839–1906)  A French artist and post- impressionist painter. His work exemplified the transition from late 19th-century impressionism to a new and radically different world of art in the 20th century—paving the way for the next revolutionary art movement known expressionism 23
  • 24. Hortense Fiquet in a Striped Skirt(1878) 24
  • 25. Boy in a Red Vest(1890) 25
  • 27. VINCENT VAN GOGH (1853-1890) Was a post-impressionist painter from The Netherlands. His works were remarkable for their strong, heavy brush strokes, intense emotions, and colors that appeared to almost pulsate with energy. 27
  • 28. Sheaves of Wheat in a Field (1885) 28
  • 30. Wheat Field with Cypresses(1889) 30
  • 31. Expressionism: A Bold New Movement . Expressionist artists created works with more emotional force, rather than with realistic or natural images. To achieve this, they distorted outlines, applied strong colors, and exaggerated forms. They worked more with their imagination and feelings, rather than with what their eyes saw in the physical world. 31
  • 32. 1. Neoprimitivism An art style that incorporated elements from the native arts of the South Sea Islanders and the wood carvings of African tribes which suddenly became popular at that time. Among the Western artists who adapted these elements wasAmedeoModigliani, who used the oval faces and elongated shapes ofAfrican art in both his sculptures and paintings. 32
  • 37. Woman with Hat (1911) 37
  • 38. Dadaism A style characterized by dream fantasies, memory images, and visual .tricks and surprises. 38
  • 39. Melancholy and Mystery of a Street(1914) 39
  • 40. I and the Village (1911) 40
  • 41. 3. Surrealism A style that depicted an illogical, subconscious dream world beyond the logical, conscious, physical one. Its name came from the term “super realism, ”with its artworks clearly expressing a departure from reality—as though the artists were dreaming, seeing illusions, or experiencing an altered mental state. 41
  • 43. Personage with Star (1933) 43
  • 44. 4. Social Realism Expressed the artist’s role in social reform. 44
  • 47. 5. Abstractionism Movement arose from the intellectual points of view in the 20thcentury. In the world of science, physicists were formulating a new view of the universe, which resulted in the concepts of space- time and relativity. This intellectualism was reflected even in art. While expressionism was emotional, abstractionism was logical and rational. It involved analyzing, detaching, selecting, and simsplifying. 47
  • 48. Oval Still Life (Le Violon) 1914 48
  • 49. 49
  • 50. 50
  • 51. Grouped under abstractionism are the following art styles:  cubism  futurism  mechanical style  nonobjectivism 51
  • 52. 1. Cubism The cubist style derived its name from the cube, a three dimensional geometric figure composed of strictly measured lines, planes, and angles. Cubist artworks were, therefore, a play of planes and angles on a flat surface. 52
  • 54. Girl Before a Mirror(1932) 54
  • 55. Futurism The movement known as futurism began in Italy in the early 1900s. As the name implies, the futurists created art for a fast-paced, machine- propelled age. They admired the motion, force, speed, and strength of mechanical forms 55
  • 57. Mechanical Style As a result of the futurist movement, what became known as the mechanical style emerged. In this style, basic forms such as planes, cones, spheres, and cylinders all fit together precisely and neatly in their appointed places. 57
  • 59. Nonobjectivism The logical geometrical conclusion of abstractionism came in the style known as nonobjectivism. From the very term “non-object,” works in this style did not make use of figures or even representations of figures. They did not refer to recognizable objects or forms in the outside world. 59
  • 60. New York City(1942) Piet Mondrian 60
  • 61. WHAT TO KNOW A. Expressionism 1. Describe how the different elements and principles were used by expressionist artists to convey their individual style. Discuss three examples from works in these Learner’s Materials. 2. What qualities make an artwork expressionistic? 3. Where did neoprimitivismget its influences? 4. Who is the French artist famous for his fauvist style? 5. What are the characteristics of fauvism? 6. Why was the child’s term “dada” fitting for the art movement known as dadaism? 7. What style of painting is Salvador Dali known for? 8. What art movement expressed the artists’ social role? 61

Editor's Notes

  1. The cubist style derived its name from the cube, a threedimensional geometric figure composed of strictly measured lines, planes, and angles. Cubist artworks were, therefore, a play of planes and angles on a flat surface.