The document provides an overview of various art movements under modern art, including Impressionism, Expressionism, Abstractionism, and their sub-movements. It discusses key characteristics and historical contexts of these movements, as well as their notable artists and contributions to the art world. Additionally, it highlights the evolution towards contemporary art forms such as installation and performance art.

1. ARTS 10

2. ART MOVEMENT UNDER MODERN ART
LESSON 1

4. 1. IMPRESSIONISM
• Impressionism describes a style of painting developed in France
during the mid-to-late 19th century; characterizations of the style
include small, visible brushstrokes that offer the bare impression of
form, unblended color and an emphasis on the accurate depiction of
natural light.
• Impressionists rebelled against classical subject matter and
embraced modernity, desiring to create works that reflected the
world in which they lived.
• Why is it called impressionism? The thing is, impressionist artists
were not trying to paint a reflection of real life, but an
'impression' of what the person, light, atmosphere, object or
landscape looked like to them.

5. 1. IMPRESSIONISM
• Impressionism can be defined as having three main elements that distinguish it
from other types of art. These are its depiction of light, its brush strokes, and
its open composition

6. 1. IMPRESSIONISM

7. Post-Impressionism
• represented both an extension of impressionism and a
rejection of that styles’ inherent limitations.
• The European artists who were the forefront of this movement
continued using the basic qualities of the impressionism such as
the vivid colors, heavy brush strokes, and true-to-life subjects.

8. Starry Night
Vincent van
Gogh, 1889
Oil on canvas

11. 2. EXPRESSIONISM
• Focused on capturing emotions and feelings, rather than what
the subject actually looks like.
• Expressionism, artistic style in which the artist seeks to depict not
objective reality but rather the subjective emotions and
responses that objects and events arouse within a person.

12. 2. EXPRESSIONISM

13. Edvard Munch,
The Scream.
Painting
reproduced in
“Expressionism”
by Ashley Bassie

14. SUB-MOVEMENTS OF EXPRESSIONISM
A. NEOPRIMITIVISM
B. FAUVISM
C. DADAISM
D. SURREALISM
E. SOCIAL REALISM

15. NEOPRIMITIVISM
• was an art style that incorporated
elements from the native arts of the
South Sea Islanders and the wood
carvings of African tribes which
suddenly became popular at that
time.

16. FAUVISM
• was a style that used bold, vibrant
colors and visual distortions. Its
name was derived from les fauves
(“wild beasts”), referring to the
group of French expressionist
painters who painted in this style.
• Perhaps the most known among
them was Henri Matisse.

17. DADAISM
• was a style characterized by dream
fantasies, memory images, and
visual tricks and surprises—as in
the paintings of Marc Chagall and
Giorgio de Chirico below.
• Anti-art, anti-war, had political
affinities with the radical left and
was also anti-bourgeois (capitalist).

18. SURREALISM
• was a style that depicted an illogical,
subconscious dream world beyond
the logical, conscious, physical one.
• Its name came from the term “super
realism,” with its artworks clearly
expressing a departure from reality—
as though the artists were dreaming,
seeing illusions, or experiencing an
altered mental state.

19. SOCIAL REALISM
• expressed the artist’s role in social reform. Here, artists used
their works to protest against the injustices, inequalities,
immorality, and ugliness of the human condition.
• In different periods of history, social realists have addressed
different issues: war, poverty, corruption, industrial and
environmental hazards, and more—in the hope of raising
people’s awareness and pushing society to seek reforms.
• Draw attention to the everyday conditions of the working
classes and the poor, and who are critical of the social
structures that maintain these conditions

20. • The theme of the painting appears to
be waiting for news of their husbands',
miners, fates.
• Originating from a commercial assignment,
Miners' Wives is one of four paintings and
nearly one hundred drawings Shahn
created in response to a 1947 mining
disaster in Centralia, Illinois, in which
111 miners died in an explosion.

21. 3. ABSTRACTIONISM
• Also called non-objective art or non-representational art,
painting, sculpture, or graphic art in which the portrayal of
things from the visible world plays no part.
• All arts consist largely of elements that can be called abstract
—elements of form, color, line, tone, and texture.
• Prior to the 20th century, these abstract elements were
employed by artists to describe, illustrate, or reproduce the
world of nature and of human civilization—and exposition
dominated over expressive function.

22. 3. ABSTRACTIONISM
• Abstract art is art that does not attempt to represent an accurate
depiction of a visual reality but instead use shapes, colours, forms
and gestural marks to achieve its effect.
The main characteristics of abstractionism are:
•Opposition to the Renaissance Model and Figurative Art;
•Non-Representational Art;
•Subjective art;
•Absence of Recognizable Objects;
•Valuation of Shapes, Colors, Lines and Textures.

23. 3. ABSTRACTIONISM

24. SUB-MOVEMENTS OF ABSTRACTIONISM
A. CUBISM
B. FUTURISM
C. MECHANICAL STYLE
D. NONOBJECTIVISM

25. A. CUBISM
• highly influential visual arts style of the 20th century that was
created principally by the artists Pablo Picasso and Georges
Braque in Paris between 1907 and 1914.
• They brought different views of subjects (usually objects or
figures) together in the same picture, resulting in paintings
that appear fragmented and abstracted.
• show the whole structure of objects in their paintings
without using techniques such as perspective or graded
shading to make them look realistic.

26. • The three figures in Three Musicians
are Harlequin and Pierrot from
Commedia Dell'Arte, and a monk.
Harlequin represents Picasso, Pierrot
represents Guillaume Apollinaire, and the
monk represents Max Jacob.

27. FUTURISM
• Italian Futurismo, Russian Futurism, early 20th-century
artistic movement centred in Italy that emphasized the
dynamism, speed, energy, and power of the machine and
the vitality, change, and restlessness of modern life.
• During the second decade of the 20th century, the
movement’s influence radiated outward across most of
Europe, most significantly to the Russian avant-garde.
• The most-significant results of the movement were in the
visual arts and poetry.

28. • most famous of the Futurist war paintings,
The Armored Train (1915), incorporates an
unusual aerial perspective in its depiction of
a train filled with armed soldiers.

29. MECHANICAL STYLE
• the result of futurist
movement.
• In this style, basic forms
such as planes, cones,
spheres and cylinders all
fit together perfectly and
precisely with neatness in
their appointed places.

30. NONOBJECTIVISM
• The logical geometrical conclusion of abstractionism came in the
style known as nonobjectivism.
• From the very term “non-object,” works in this style did not make
use of figures or even representations of figures. They did not
refer to recognizable objects or forms in the outside world.
• Lines, shapes, and colors were used in a cool, impersonal
approach that aimed for balance, unity, and stability.
• Colors were mainly black, white, and the primaries (red, yellow,
and blue).Foremost among the nonobjectivists was Dutch
painter Piet Mondrian.

32. 4. ABSTRACT EXPRESSIONISM
• They often use degrees of abstraction; i.e., they depict forms
unrealistically or, at the extreme end, forms not drawn from
the visible world (non-objective).
• They emphasize free, spontaneous, and personal emotional
expression and they exercise considerable freedom of
technique and execution

33. 4. ABSTRACT EXPRESSIONISM
• Abstract Expressionism is an artistic movement of the mid-20th
century comprising diverse styles and techniques and emphasizing
especially an artist's liberty to convey attitudes and emotions
through nontraditional and usually nonrepresentational means.

35. SUB-MOVEMENTS OF ABSTRACT EXPRESSIONISM
A. POP ART
B. OPTIACAL (OP) ART

39. 5. CONTEMPORARY ART FORM
A. INSTALLATION ART
B. PERFORMANCE ART

40. INSTALLATION ART
• has joined the larger sculptural repertoire, and outdoor
settings—both in open natural spaces and in urban
environments— attracted much interest.
• installation artworks are three-dimensional works of
art, existing of one or more objects in a space.

42. INSTALLATION ART
• “Pasyon at Rebolusyon,”
an altar gathering
symbols and sacred
items of folk
Christianity–witnesses to
how the peasant
movements of the 19th
century subverted the
narrative of Christ’s
passion to develop their
own myth of salvation.

43. PERFORMANCE ART
• is a form of modern art in which the actions of an individual
or a group at a particular place and in a particular time
constitute the work.
• The performance venue may range from an art gallery or
museum to a theatre, café, bar, or street corner.

45. 1.An art movement that started among 1907 by Pablo Picasso.
A. Impressionism B. Expressionism
C. Cubism D. Fauvism
2.This movement was concerned on capturing the impression of
light and objects and scenery and was made famous by Claude
Monet.
A.Abstractionism B. Expressionism
C. Impressionism D.Abstract
Expressionism
3.A broad description on different artworks whose themes spew
biting commentaries on socio-political issues of the country.
A. Social Realism B. Surrealism
C. Figurative Art D. Cubism

46. 4. What particular movement of art doesVincentVan Gogh
and Paul Cezanne has taken?
A. Impressionism B. Post-Impressionism
C. Expressionism D.Abstract Expressionism
5.What does “OP” stand for in “OP” Art style?
A. Optimistic B. Open
C. Optional D. Optical