Value
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The document lists various artists and artworks including Artemesia Gentileschi's "Judith Decapitating Holofernes" from 1620, Giovanni Paolo Pannini's "Scalinata della Trinita dei Mon" from 1756-1758, Agnes Martin's "Wood I" from 1963, Caspar David Friedrich's "Wanderer Above the Sea of Fog" from 1817-1818, Sue Coe's "Pool Hall" from 1985, Vincent Van Gogh's "Tree with Ivy in the Asylum" from 1889, and works by Kathe Kollwitz, Michelangelo, Caravaggio, Rembrandt, Giovanni Domenico
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Value
- 1. Value
- 5. Irving Penn
- 6. Artemesia Gentileschi Judith Decapitating Holofernes c. 1620
- 7. Giovanni Paolo Pannini Scalinata della Trinita dei Mon c. 1756 – 1758
- 10. Caravaggio. Supper at Emmaus. 1601.
- 12. I Wake Up Screaming. 1941.
- 17. Philip Govedare
- 18. Caspar David Wanderer Above the Sea of Mis c. 1817 – 1818
- 21. Mekhala Bahl
- 24. Vincent Van Gogh Tree with Ivy in the Asylum 1889
- 25. Giovanni Domenico Tiepolo St. Ambrose Addressing the Young St. Augustine c. 1747 - 1750
- 26. Kathe Kollwitz Woman with a Dead Child
- 27. Kathe Kollwitz
Editor's Notes
- Value: Light and Dark…relative to a given context
- Achromatic Gray…made with black and white
- Value Contrast: Refers to the relationship between areas of dark and light. -Low-Value Contrast: The contrast between two adjoining areas is slight -Scientists have found that the human eye can perceive up to 40 variations in value
- Low-Value Contrast
- High-Value Contrast
- Value Pattern: The arrangement and the amount of variation in light and dark, independent of the colors used.When value contrast is minimized and all the values are within a limited range with only small variation… HIGH KEY=Composition dominated by lights LOW KEY=Composition dominated by darksHere LOW KEY…dominated by darks, dramatic, theatrical. Works with subject matter…typical of Baroque artists
- HIGH KEY COMPOSITION…few contrasting dark areas
- LOW KEY COMPOSITION…meditative, very calm
- Value Used to suggest volume or spaceChiaroscuro: During the Renaissance, this term was coined to describe the artistic device of using light and dark to imply depth and volume in a painting or drawing. -Combination of the two Italian words “chiaro”, meaning light, and “scuro”, the word for dark. -Characterized by strong contrasts between light and dark, usually bold contrasts affecting a whole composition
- Film Noir…uses subtle light to create dramatic emphasis
- chiaroscuro
- Atmospheric Perspective: Aerial Perspective
- Atmospheric Perspective: Aerial Perspective
- Atmospheric Perspective: Aerial Perspective…warm colors advance, cool colors recede
- Actual depiction of Space with Atmospheric Perspective
- Uses values to create “zones” of light and dark…creates a literal space of the pool hall but also the psychological space of the figures within the painting
- Decorative use of value
- Open Value Composition
- Closed Value Composition