This presentation is by a student from "Acting Up - Using Theater & Technology for Social Change," at DePaul’s School for New Learning’s Distance Education Program - Fall 2010. The instructor is Tom Tresser - see http://tomsclasses.wordpress.com.
Presentatie van Elizabeth Currid bij Creative Cities Amsterdam Area (CCAA). Haar boek The Warhol Economy omvat een onderzoek naar de schijnbaar toevallige samenloop van omstandigheden in de creatieve industrie in New York die tot briljante samenwerking leidde (zoals Stephen Sprouse voor Louis Vuitton).
Looking & Learning - telling stories originally posted in SchoolArts Magazine (November 2011)
Developed by the Kutztown University Looking and Learning Team, with Dr. Marilyn Stewart and graduate students Zoe Dehart, Amanda Deibert, Cassie langan, Ellen Pados, and Rhona Tomel.
Written by Marilyn Stewart, professor of art education, and zoe Dehart, art teacher in two sixthe-grade gateway school - Communication and Technology Gateway and Agriculture, Science & Ecology Gateway - Reading, PA.
Powerpoint by C.Pena-Martinez, Jackson Middle School, San Antonio, TX
Study on security and quality of service implementations in p2 p overlay netw...eSAT Publishing House
IJRET : International Journal of Research in Engineering and Technology is an international peer reviewed, online journal published by eSAT Publishing House for the enhancement of research in various disciplines of Engineering and Technology. The aim and scope of the journal is to provide an academic medium and an important reference for the advancement and dissemination of research results that support high-level learning, teaching and research in the fields of Engineering and Technology. We bring together Scientists, Academician, Field Engineers, Scholars and Students of related fields of Engineering and Technology
This presentation is by a student from "Acting Up - Using Theater & Technology for Social Change," at DePaul’s School for New Learning’s Distance Education Program - Fall 2010. The instructor is Tom Tresser - see http://tomsclasses.wordpress.com.
Presentatie van Elizabeth Currid bij Creative Cities Amsterdam Area (CCAA). Haar boek The Warhol Economy omvat een onderzoek naar de schijnbaar toevallige samenloop van omstandigheden in de creatieve industrie in New York die tot briljante samenwerking leidde (zoals Stephen Sprouse voor Louis Vuitton).
Looking & Learning - telling stories originally posted in SchoolArts Magazine (November 2011)
Developed by the Kutztown University Looking and Learning Team, with Dr. Marilyn Stewart and graduate students Zoe Dehart, Amanda Deibert, Cassie langan, Ellen Pados, and Rhona Tomel.
Written by Marilyn Stewart, professor of art education, and zoe Dehart, art teacher in two sixthe-grade gateway school - Communication and Technology Gateway and Agriculture, Science & Ecology Gateway - Reading, PA.
Powerpoint by C.Pena-Martinez, Jackson Middle School, San Antonio, TX
Study on security and quality of service implementations in p2 p overlay netw...eSAT Publishing House
IJRET : International Journal of Research in Engineering and Technology is an international peer reviewed, online journal published by eSAT Publishing House for the enhancement of research in various disciplines of Engineering and Technology. The aim and scope of the journal is to provide an academic medium and an important reference for the advancement and dissemination of research results that support high-level learning, teaching and research in the fields of Engineering and Technology. We bring together Scientists, Academician, Field Engineers, Scholars and Students of related fields of Engineering and Technology
We welcomes the submission of manuscripts that meet the general criteria of significance and scientific excellence. All submitted articles should report original, previously unpublished research results, experimental or theoretical, and will be peer- reviewed. Articles submitted to the journal should meet these criteria and must not be under consideration for publication elsewhere. Manuscripts should follow the style of the journal and are subject to both review and editing. We hope you find this journal informative and useful. Your comments will help us to improve the quality and content of the journal.
Přednáška Cystická fibróza a trombofilní mutace, kterou jsem přednesl v rámci povinně volitelného předmětu Reprodukční medicína a reprodukční genetika na 2. lékařské fakultě UK v Praze dne 21. dubna 2011.
Slides da disciplina Empreendedorismo e Desenvolvimento Sustentável, ministrada pela prof. ms. Agnes Arruda aos alunos do 4º período de Publicidade e Propaganda da Universidade de Mogi das Cruzes (UMC)
ARH 151 Chapter 21 Guide The New York School • Abstr.docxrobert345678
ARH 151 Chapter 21 Guide
The New York School
• Abstract Expressionism emerged in New York in the mid-20th century.
• The art of the New York School emphasized:
- spontaneity.
- gestural brushstrokes.
- nonobjective imagery.
- fields of intense color.
• Some Abstract Expressionists, like Jackson Pollock, focused on gestural painting methods.
• Other Abstract Expressionists, like Mark Rothko, explored subtle interactions of color.
Jackson Pollock
• Gestural painting method
• “Action painting”
1 - Fig. 21.1 Jackson Pollock at work in his Long Island studio (1950).
2 - Fig. 21.2 Jackson Pollock, One (Number 31, 1950) (1950). Oil and enamel paint on canvas, 8’ 10” x 17’ 5 5/8”.
Joan Mitchell
• Second generation Abstract Expressionist
• Female artist whose gestural painting methods earned her recognition
3 - Fig. 21.5 Joan Mitchell, Cercando un Ago (1957). Oil on canvas, 94 1/8” x 87 5/8”.
4 - Joan Mitchell, Bonjour Julie (1971). Birmingham Museum of Art, Birmingham, AL.
Mark Rothko
• Chromatic painting
• “Floating squares of color”
5 - Fig. 21.6 Mark Rothko, Number 22 (1949). Oil on canvas, 117” x 107 1/8”.
6 - Fig. 21.7 Mark Rothko, Black on Grey (1970). Acrylic on canvas, 80 1/4” x 89”.
Post-Painterly Abstraction
• Color field painting & Amorphous shapes (Fig. 21.8)
• Hard-edge painting & shaped canvases (Fig. 21.14)
7 - Fig. 21.8 Helen Frankenthaler, The Bay (1963). Acrylic on canvas, 80 1/4” x 81 3/4”.
8 - Fig. 21.14 Frank Stella, Mas o Menos (More or Less) (1964). Metallic powder in acrylic emulsion on canvas, 118” x 164 1/2”.
Constructed Sculpture
9 - Fig. 21.9 David Smith, Cubi XVIII (1964). Stainless steel.
• Components of constructed sculpture may include materials such as rods, bars, tubes, planks,
dowels, blocks, fabric, wire, thread, glass, plastic, and machined geometric solids .
• David Smith burnished the surface of this constructed steel sculpture, leaving “gestural” marks
reminiscent of Pollock’s signature painting style.
Pop Art
10 - Fig. 21.17 Richard Hamilton, Just What Is It That Makes Today’s Homes So Different, So Appealing? (1956). Collage, 10 1/4”
x 9 3/4”.
• Pop Art relies on universal images of popular culture, such as movie posters, billboards,
magazine and newspaper photographs, and advertisements.
• Through their selections of commonplace and familiar objects, as seen in Richard Hamilton’s
collage, Pop artists challenged commonplace conceptions about the meaning of art.
Robert Rauschenberg
11 - Fig. 21.18 Robert Rauschenberg, The Bed (1955). Combine painting; oil and pencil on pillow, quilt, and sheet on wood
supports. 75 1/4” x 31 1/2” x 6 1/2”.
• Combine paintings blurred the boundaries between painting and sculpture
• Rauschenberg aimed “to bridge the gap between art and life” in his selection of materials and
subject matter
Jasper Johns
12 - Fig. 21.19 Jasper Joh.
We welcomes the submission of manuscripts that meet the general criteria of significance and scientific excellence. All submitted articles should report original, previously unpublished research results, experimental or theoretical, and will be peer- reviewed. Articles submitted to the journal should meet these criteria and must not be under consideration for publication elsewhere. Manuscripts should follow the style of the journal and are subject to both review and editing. We hope you find this journal informative and useful. Your comments will help us to improve the quality and content of the journal.
Přednáška Cystická fibróza a trombofilní mutace, kterou jsem přednesl v rámci povinně volitelného předmětu Reprodukční medicína a reprodukční genetika na 2. lékařské fakultě UK v Praze dne 21. dubna 2011.
Slides da disciplina Empreendedorismo e Desenvolvimento Sustentável, ministrada pela prof. ms. Agnes Arruda aos alunos do 4º período de Publicidade e Propaganda da Universidade de Mogi das Cruzes (UMC)
ARH 151 Chapter 21 Guide The New York School • Abstr.docxrobert345678
ARH 151 Chapter 21 Guide
The New York School
• Abstract Expressionism emerged in New York in the mid-20th century.
• The art of the New York School emphasized:
- spontaneity.
- gestural brushstrokes.
- nonobjective imagery.
- fields of intense color.
• Some Abstract Expressionists, like Jackson Pollock, focused on gestural painting methods.
• Other Abstract Expressionists, like Mark Rothko, explored subtle interactions of color.
Jackson Pollock
• Gestural painting method
• “Action painting”
1 - Fig. 21.1 Jackson Pollock at work in his Long Island studio (1950).
2 - Fig. 21.2 Jackson Pollock, One (Number 31, 1950) (1950). Oil and enamel paint on canvas, 8’ 10” x 17’ 5 5/8”.
Joan Mitchell
• Second generation Abstract Expressionist
• Female artist whose gestural painting methods earned her recognition
3 - Fig. 21.5 Joan Mitchell, Cercando un Ago (1957). Oil on canvas, 94 1/8” x 87 5/8”.
4 - Joan Mitchell, Bonjour Julie (1971). Birmingham Museum of Art, Birmingham, AL.
Mark Rothko
• Chromatic painting
• “Floating squares of color”
5 - Fig. 21.6 Mark Rothko, Number 22 (1949). Oil on canvas, 117” x 107 1/8”.
6 - Fig. 21.7 Mark Rothko, Black on Grey (1970). Acrylic on canvas, 80 1/4” x 89”.
Post-Painterly Abstraction
• Color field painting & Amorphous shapes (Fig. 21.8)
• Hard-edge painting & shaped canvases (Fig. 21.14)
7 - Fig. 21.8 Helen Frankenthaler, The Bay (1963). Acrylic on canvas, 80 1/4” x 81 3/4”.
8 - Fig. 21.14 Frank Stella, Mas o Menos (More or Less) (1964). Metallic powder in acrylic emulsion on canvas, 118” x 164 1/2”.
Constructed Sculpture
9 - Fig. 21.9 David Smith, Cubi XVIII (1964). Stainless steel.
• Components of constructed sculpture may include materials such as rods, bars, tubes, planks,
dowels, blocks, fabric, wire, thread, glass, plastic, and machined geometric solids .
• David Smith burnished the surface of this constructed steel sculpture, leaving “gestural” marks
reminiscent of Pollock’s signature painting style.
Pop Art
10 - Fig. 21.17 Richard Hamilton, Just What Is It That Makes Today’s Homes So Different, So Appealing? (1956). Collage, 10 1/4”
x 9 3/4”.
• Pop Art relies on universal images of popular culture, such as movie posters, billboards,
magazine and newspaper photographs, and advertisements.
• Through their selections of commonplace and familiar objects, as seen in Richard Hamilton’s
collage, Pop artists challenged commonplace conceptions about the meaning of art.
Robert Rauschenberg
11 - Fig. 21.18 Robert Rauschenberg, The Bed (1955). Combine painting; oil and pencil on pillow, quilt, and sheet on wood
supports. 75 1/4” x 31 1/2” x 6 1/2”.
• Combine paintings blurred the boundaries between painting and sculpture
• Rauschenberg aimed “to bridge the gap between art and life” in his selection of materials and
subject matter
Jasper Johns
12 - Fig. 21.19 Jasper Joh.
Teaching the Dream: The Enduring Idea, Art, and the National Civil Rights MuseumJ S-C
This is a presentation I gave at the 2014 Tennessee Art Education Association conference in Memphis, TN. The conference was themed "We Can Dream." The presentation seeks to demonstrate how enduring ideas and essential questions connect classroom concepts to real-world experience to promote higher order thinking. The presentation also shares how my art education training has been essential in shaping the National Civil Rights Museum's educational materials for teachers. Also included are ways to incorporate civil rights history into art lessons.
View the last slide for additional links.
2. L.J. Roberts, the Queer Houses associated with Brooklyn within the 3 Towns regarding Breukelen,
Boswyck,and Midwout during the 41st year in the Stonewall Era, (based on a 2010 drawing by
simply Daniel Rosza Lang/Levitsky using 24 illustrations by Buzz Slutzky upon printed pin-back
buttons), 2011, Poly-fill, acrylic, rayon, Lurex, wool, polyester, cotton lame, sequins, and also
blended fabrics, 138 x 114 x 108 in. Courtesy in the Smithsonian American art Museum, Gift
involving Elaine Reuben. Photo credit: The Actual Smithsonian American Artwork Museum.
Nathan Vincent's crocheted men's locker room -- made in order to scale -- sits near Allyson Mitchell's
discovered afghans adorned with phrases such as "Pride is actually a Pyramid Scheme." And Also
that could forget L.J. Roberts' "The Queer Houses of Brooklyn within the three Towns of Breukelen,
Boswyck along with Midwout throughout the 41st Yr in the Stonewall Era," any wild multi-media
3. installation forged via knitting, embroidery along with quilting? That references both the actual
AIDS Memorial Quilt and also ACT UP, piecing familiar bits of LGBTQ iconography in any single 138
simply by 114 by simply 108 inch blended fabric explosion.
"Using craft to celebrate and critique identity along with community is extremely queer in most
senses associated with the phrase -- unusual, political, and personal,"curator John Chaich explained
in the statement in regards to be able to the exhibition.
Rebecca Levi, two Ladies, 2007, Cotton floss embroidered upon cotton fabric, 20 x twenty in.
Courtesy of the artist. Photo credit: Rebecca Levi.
With the prosperity of past collections such as the Smithsonian's "40 Beneath 40: Craft Futures," it's
no surprise folks similar to Chaich are usually turning an eye to the craft movement. Nevertheless it
seems like that "Queer Threads" is actually seeking in order to prove in which notions of association
4. and representation are infiltrating your "canvases" associated with craft artists quicker compared to
we could whip with each and every other successfully curated exhibitions. Via your United States
Regarding America along with Argentina to become able to Canada along with South Africa, artists
are usually mapping queerness as well as challenging identity using time-honored craft techniques
coming from almost all different demographics. Just as classic quilts might help art historians
understand the role involving feminism in art-making, thus may contemporary craft assist us to
reflect about the ever-changing landscape associated with lesbian, gay, bisexual, transgender along
with queer issues.
5. James Gobel, The Actual Installing No. 1, 2007, Felt, yarn along with acrylic upon canvas, 84 x 72 in.
Collection regarding Costello & Tagliapietra. Photo credit: courtesy regarding Kravits/Wehby.
Scroll through a preview of Leslie-Lohman's upcoming exhibition here as well as let's realize your
thoughts on the display in the comments.
John Thomas Paradiso, Leather Pansy II, 2010, Leather, thread, as well as plastic hoop upon wood
panel, ten x ten x 1.5 in. Courtesy associated with Elisabeth Jacobsen. Photo credit: John Thomas
Paradiso.
6. Aubrey Longley-Cook along with 34 community
participants, RuPaul Cross Stitch Animation
Workshop - Front View, 2013, Animated cross
stitch, frame 17. Courtesy of the Artist. Photo
Credit: Aubrey Longley-Cook.
7. Chiachio & Giannone, Familia GuaranÃ, 2009, Hand embroidery using cotton threads, jewelry
threads and also rayon in fabric, 51 x 48 in. Courtesy of artist. Photo credit: Daniel Kiblisky.
8.
9. Nathan Vincent, Locker room (installation view), 2011, Yarn, 144 x 228 in. Courtesy of the artist.
Photo credit: Stephen Miller.