The presentation includes info on a "Univers Typography Book" project such as the book objective, demographics of the project, content details and sample images of the final product.
Anotace přednášky: Písmo není kvantifikovatelné. Písmo není matematika, ale ani není od matematiky oproštěno. Písmo tvoří komplexní systém, kyrtý není snadné hodnotit jej, ani jej prezentovat. Přednáška se zaměří na kritický přístup k písmu ve vztahu k jeho prezentaci ve vzorníku, na webu písmolijen, na samostatných mikrostránkách a v dalších i nestandardních formátech. Obsahem bude též nepokryté promo nově vznikající studentské písmolijny na FI MU. Všechny nabyté poznatky totiž poslouží nejen ku osobnímu prospěchu a obohacení posluchačů, ale i k návrhu webu této písmolijny a prozkoumání požadavků na něj kladeným.
اختبار رياضيات ثانوي
اعداد مجموعة طلاب قسم الرياضيات
اشراف: د. عمر بشارة أحمد بشارة
أستاذ مشارك : جامعة دنقلا
Dr. Omer Boshara Ahmed
University of Dongola
Based on Sebastien Deterding's presentation at Google Tech Talk on Jan 24, 2011.
Video available here: http://www.youtube.com/watch?v=7ZGCPap7GkY&playnext=1&list=PLCFBD78F1957FA7AE&feature=results_video
Anotace přednášky: Písmo není kvantifikovatelné. Písmo není matematika, ale ani není od matematiky oproštěno. Písmo tvoří komplexní systém, kyrtý není snadné hodnotit jej, ani jej prezentovat. Přednáška se zaměří na kritický přístup k písmu ve vztahu k jeho prezentaci ve vzorníku, na webu písmolijen, na samostatných mikrostránkách a v dalších i nestandardních formátech. Obsahem bude též nepokryté promo nově vznikající studentské písmolijny na FI MU. Všechny nabyté poznatky totiž poslouží nejen ku osobnímu prospěchu a obohacení posluchačů, ale i k návrhu webu této písmolijny a prozkoumání požadavků na něj kladeným.
اختبار رياضيات ثانوي
اعداد مجموعة طلاب قسم الرياضيات
اشراف: د. عمر بشارة أحمد بشارة
أستاذ مشارك : جامعة دنقلا
Dr. Omer Boshara Ahmed
University of Dongola
Based on Sebastien Deterding's presentation at Google Tech Talk on Jan 24, 2011.
Video available here: http://www.youtube.com/watch?v=7ZGCPap7GkY&playnext=1&list=PLCFBD78F1957FA7AE&feature=results_video
Presenters: Darryl Palmer and Tracy Bryant – University of Florida Institute of Food and Agricultural Sciences, IFAS Communications
More and more, academic departments and research, education and service units are being asked to justify their existence to budget-conscious state legislators and the public at large. Promotional materials have become a large part of any communications unit’s output. This session will focus on strategies for creating effective promotional materials. An award-winning editorial and graphic arts team discusses how they fashion raw data, success stories and mission statements into promotional packages with the power to win over minds and influence opinion.
Stay Uncomfortable. Change the way you design.J F Grossen
We expected to get “uncomfortable.” We expected to be struck with high tech designs that personify the global innovation of frog design; Intel integrated reality displays and HIV test kits with mobile application for South Africa; projects that bring social impact and change the face of perception in our world were almost commonplace. We might have even assumed we would play leap frog to keep up with the creative flow of J F Grossen, but we didn’t expect our next project: to get to work on our narrative. Yes, narrative. In an image idolist world, we often forget about the story, so Jay reminded us of his.
Long ago in storybook Magnolia, Ohio, Jay fell in love with art; the striking “accidents” of color that paint genius without realizing it themselves… but then a few seconds later, he fell in love with logic too. Trying to marry the two took a journey of test markets, from under layers of Photoshop to the technical applications of NASA. Along the way he found that the true innovators “tell stories about complex technologies through design,” and “to create a compelling story,” one that reaches into not only the client’s, but also the consumer’s mind, is when we can achieve “uncomfortable” with our audience. And at the same time they’ll love being a little nervous; the client and consumer become part of the holistic experience, since after all, “design isn’t about the product, but about the entire ecosystem of the product.” In a warp speed world where as creatives we must now become “generalists” at our craft rather than “specialists,” it’s important to remember to encompass the entire experience for our client as well… then we can be the best storytellers in a giant picture book.
Jay’s story hasn’t ended by any means either… we might even find him (along with fellow frogs) teaching and leading designers onto new platforms in Shanghai very soon. He reminded us before any goodbyes to “make new friends, stop and smell the roses, and to stay uncomfortable”; keep reinventing our own narrative. His final foolproof plan to accomplish this is to “teach someone else” what we’ve gained… and in sharing that story we learn so much more ourselves.
Information Design for Technical Communicators: Scratching the SurfaceLinda Oestreich
Slides to accompany STC Summit presentation on Monday, 22 June, in Columbus, OH. Review Williams' CRAP principles, check out before and after redesigns.
Presented by Ms. Ma. Corazon "Peachy" Yamsuan, from the Archdiocesan Office of Communications
Organizational Seminar on the Parish Social Communication Ministry
San Carlos Seminary
28 May 2011
This presentation is part of the material we created for a workshop on technical writing (with specific focus on writing white papers). Sharing it for the use of broader technical community who is interested in technical writing.
Kennedy para academic careers workshop for humanities postgradsEllieKennedy
Beyond Lecturing: Careers in Higher Education. Workshop for postgraduate students and early career researchers about the variety of careers in HE (originally designed for Women in German Studies conference, November 2013).
A summary of the session I gave on the topic of preparing posters to 'present' at academic research conferences. This is part of a longer development session entitled "The Research Conference Survival Guide" The title is deliberately alliterative and there is probably no such thing as a 'perfect poster'...
Acknowledgements:-
Piero Vitelli www.island41.com
who helped me shape this into something more visually effective
Presenters: Darryl Palmer and Tracy Bryant – University of Florida Institute of Food and Agricultural Sciences, IFAS Communications
More and more, academic departments and research, education and service units are being asked to justify their existence to budget-conscious state legislators and the public at large. Promotional materials have become a large part of any communications unit’s output. This session will focus on strategies for creating effective promotional materials. An award-winning editorial and graphic arts team discusses how they fashion raw data, success stories and mission statements into promotional packages with the power to win over minds and influence opinion.
Stay Uncomfortable. Change the way you design.J F Grossen
We expected to get “uncomfortable.” We expected to be struck with high tech designs that personify the global innovation of frog design; Intel integrated reality displays and HIV test kits with mobile application for South Africa; projects that bring social impact and change the face of perception in our world were almost commonplace. We might have even assumed we would play leap frog to keep up with the creative flow of J F Grossen, but we didn’t expect our next project: to get to work on our narrative. Yes, narrative. In an image idolist world, we often forget about the story, so Jay reminded us of his.
Long ago in storybook Magnolia, Ohio, Jay fell in love with art; the striking “accidents” of color that paint genius without realizing it themselves… but then a few seconds later, he fell in love with logic too. Trying to marry the two took a journey of test markets, from under layers of Photoshop to the technical applications of NASA. Along the way he found that the true innovators “tell stories about complex technologies through design,” and “to create a compelling story,” one that reaches into not only the client’s, but also the consumer’s mind, is when we can achieve “uncomfortable” with our audience. And at the same time they’ll love being a little nervous; the client and consumer become part of the holistic experience, since after all, “design isn’t about the product, but about the entire ecosystem of the product.” In a warp speed world where as creatives we must now become “generalists” at our craft rather than “specialists,” it’s important to remember to encompass the entire experience for our client as well… then we can be the best storytellers in a giant picture book.
Jay’s story hasn’t ended by any means either… we might even find him (along with fellow frogs) teaching and leading designers onto new platforms in Shanghai very soon. He reminded us before any goodbyes to “make new friends, stop and smell the roses, and to stay uncomfortable”; keep reinventing our own narrative. His final foolproof plan to accomplish this is to “teach someone else” what we’ve gained… and in sharing that story we learn so much more ourselves.
Information Design for Technical Communicators: Scratching the SurfaceLinda Oestreich
Slides to accompany STC Summit presentation on Monday, 22 June, in Columbus, OH. Review Williams' CRAP principles, check out before and after redesigns.
Presented by Ms. Ma. Corazon "Peachy" Yamsuan, from the Archdiocesan Office of Communications
Organizational Seminar on the Parish Social Communication Ministry
San Carlos Seminary
28 May 2011
This presentation is part of the material we created for a workshop on technical writing (with specific focus on writing white papers). Sharing it for the use of broader technical community who is interested in technical writing.
Kennedy para academic careers workshop for humanities postgradsEllieKennedy
Beyond Lecturing: Careers in Higher Education. Workshop for postgraduate students and early career researchers about the variety of careers in HE (originally designed for Women in German Studies conference, November 2013).
A summary of the session I gave on the topic of preparing posters to 'present' at academic research conferences. This is part of a longer development session entitled "The Research Conference Survival Guide" The title is deliberately alliterative and there is probably no such thing as a 'perfect poster'...
Acknowledgements:-
Piero Vitelli www.island41.com
who helped me shape this into something more visually effective
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4. Objective
“uncover and highlight
the significance and effectiveness
of the “Univers” typeface for print
and web design services targeted
towards corporate businesses”
5. WHAT IS THERE TO “UNCOVER”?
DID YOU HEAR
ANYONE MENTION
UNIVERS IN THE HELVETICA
DOCUMENTARY?
6. Redefined Target
NUMBERS NEUTRALITY
FINANCE INDUSTRY
UNIVERS
= GLOBAL BUSINESS
OBJECTIVE TYPEFACE
GENDER + ETHNICITY
are less ssignificant factors in the
DESIGN of the book.
7. Design Features
=
TARGET well-organized
modern curious
AUDIENCE busy
hardworking
intelligentprofessional
STYLE
Modern, sophisticated Neutral, objective
Various types of Univers Easy to carry/Size
Reduced to Black/White Lightweight