Introduction To Social Media & FundraisingTechSoup
You can view the recording by clicking on the link to the right. You'll also see a link to the PowerPoint presentation and audio file. Please post additional questions to the Emerging Technology Forum.
Introduction To Social Media & FundraisingTechSoup
You can view the recording by clicking on the link to the right. You'll also see a link to the PowerPoint presentation and audio file. Please post additional questions to the Emerging Technology Forum.
In this class we discuss mechanisms of prestige and who is included and excluded from conventional definitions of the art world. Using the work of Howard Becker and the example of folk art, we work toward a more expansive vision.
In this class we discuss mechanisms of prestige and who is included and excluded from conventional definitions of the art world. Using the work of Howard Becker and the example of folk art, we work toward a more expansive vision.
Thierry Geoffroy Colonel: A Propulsive Retrospective.Book Format Art | Awaren...Emergency Art
This 608 pages book Thierry Geoffroy Colonel: A Propulsive Retrospective took 4 years hard work to accomplished and has been printed yesterday day-night more details here https://lnkd.in/eHpiYuX2 .
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Format Art | Awareness Muscle | Emergency Art | Ultracontemporary | Biennalist | Moving Exhibitions | Critical Run | Delay Museum | Apathy Lab | Extracteur
Michael Buhrs (Editor) and Christian Ganzenberg (Editor) for Museum Villa Stuck, Munich
Publication Date: April 2024
Publisher: Snoeck Publishing Company
ISBN: 9783864423956
608 pp., ca. 1.000 color illustrations
Format: 24.5 x 31cm
This monography presents 22 Art Formats, including the Emergency Room, Critical Run and Biennalist, which have been realized in institutions across the globe. Geoffroy defines Format Art as his artistic response to globalization, providing individuals with a replicable format for expressing themselves, thereby enabling them to respond to emergencies and real-world issues in the now.
Art historians and long-term collaborators of the artist offer in-depth analyses of Geoffroy’s artistic praxis: its mobility, flexibility and its constant quest to be “in advance” of accidents and his time. Accompanied by over 1.000 images.. A comprehensive chronology of Geoffroy’s oeuvre, detailing his many exhibitions and interventions at countless institutions and events, reveals the breadth and scope of the artist’s long-term efforts to awaken individuals to their true potential to act in the face of crises.
Geoffroy’s prolific output, so driven by a sense of urgency, has nevertheless persistently sought to inspire conviviality, generosity, and above all a sense of harmony. His work is strategic, frontal, poetic, humoristic, self- and institutionally-critical, but also deeply personal. His irrepressible energy has fueled an art movement centered around “Emergency Art,” which questions the state of delay which characterizes contemporary art and the world around it.
The subtitle of this monograph, “A Propulsive Retrospective,” refers to the “forward-looking” nature of this publication, condensing and analyzing the past, and thus advances his work in its mission of fighting apathy. The publication of the monograph will be accompanied by a series of international presentations and seminars intended to foster, explore and deepen the propositions, which can be found in Geoffroy’s oeuvre.
ABOUT THE AUTHORS
With texts by Sebastian Baden , Michael Buhrs, Jonatan Habib Engqvist, Carsten Friberg, Morten Friis, Christian Ganzenberg, Elena Hansen, Séamus Kealy, Tijana Mišković, Susana Puente Matos, Marie-France Rafael, Johanne Schrøder, Inka Schube.
Further contributions by Mikkel Bogh, Raphael Chikukwa, Julia Draganović, Mascha Faurschou, Richard Julin, Åsmund Boye Kverneland, Christopher Lew, Madeleine Park , Holger Reenberg.
Welcome Film Festival. New festival concept .Copenhagen DenmarkEmergency Art
About the Welcome Film Festival
The Welcome Film Festival was founded by French-Danish conceptual artist Thierry Geoffroy, and will have its first edition from November 01-20, 2024. The festival is a new emergency format, with the emergency being the need to express oneself on important matters - political or private - as well as to connect and exchange ideas with friends and strangers alike.
During the duration of the film festival, a number of "foreigners"- artists with migrant backgrounds, residing in Denmark - will invite guests into the intimate settings of their homes to screen their own films. Questions will be raised, such as, what are the new experimental movements in film today? What is a film festival? This avant-garde event will allow audiences to familarize themselves not only with a different kind of film, but with topics that concern artists with diverse backgrounds. Along with these insights, guests will be able to experience different cultural forms of hospitality and conviviality as they travel from one private setting to the next. The festival is, therefore, as much about enjoying film as a medium, as it is about exploring the many different contexts provided by its multi-cultural hosts.
Welcome to the Welcome Film Festival!
Keep an eye out for updates on specific screening dates, and please be in touch if you are interested in joining either as a filmmaker or as a volunteer.
As a volunteer, you will have the opportunity to meet culturally diverse participants, spread the word about the film festival, work on press and documentation, help organize the festival program, social media outreach, conduct interviews with the filmmakers, as well as participate in film screenings and important discussions that might arise from them.
"THE CURATOR LIFTING RUNNING COMPETITION". Venice Biennale 2003 .pdfEmergency Art
Danish/French artist Colonel’s video from the Venice Biennale 2003 will be shown at Nikolaj’s Cinema. It presents the staging of a competition in which artists raced each other while carrying a curator on their backs. The prize was an admission ticket to the most prestigious party of the Biennale. During a major art event as the Venice Biennale, both artists and curators are subject to hidden rules and mechanisms which must be adhered to in order to obtain a good position in the hierarchy of the art world. With his energetic and humorous video Colonel focusses on these mechanisms and unveils a lobbyistic game which is not merely about creating exhibitions but also about preserving certain privileges.
On the plane:
It begins on the plane from Denmark where the art industry clique has booked the same flight. Colonel hands out flyers, already well underway with his campaign to recruit contestants for the competition.
New film concept:
Colonel uses people who simply happen to be there to film the situations which arise. In so doing they become both witnesses to and participants in the processes of uncovering the hidden mechanisms of the cultural event.
The press:
In Venice Colonel intensifies his endeavours and now involves the journalists so that they may help him spread the word about the upcoming event.
Participants for the competition:
In Venice Colonel goes on to invite artists as well as curators to be a part of the great race.
The party:
Colonel chases invitations to the most coveted parties in order to use them as the first prize of the curator lifting running competition.
The competititon:
During the competition the artist both symbolically and literally becomes the curator’s arms and legs.
For more information on this project, please visit www.colonel.dk or https://en.wikipedia.org/wiki/Thierry_Geoffroy ,http://www.emergencyrooms.org/formats.html
Ultracontemporary artformats like Biennalist EmergencyRoom Critical Run Aware...Emergency Art
Thierry Geoffroy, 1961
Thierry Geoffroy/COLONEL (FR/DK) develops art formats such as EMERGENCY ROOM, Biennalist and Critical Run.
Geoffroy has exhibited at P.S. 1/ MOMA, New York, ZKM Museum Karlsruhe, Moderna Museet in Stockholm and Plazzo Delle Arti Napoli. He has also participated in biennales such as Venice Biennale (the Maldives Pavilion), Liverpool Biennale, Manifesta Biennale in Murcia and Cairo Biennale. Thierry Geoffroy is Chevalier de l’Ordre des Arts et des Lettres. His work is presented in museums such as the HEART Museum of Contemporary Art, the Sprengel Museum, the National Museum of Photography and the Museum of Contemporary Art in Denmark.
Thierry Geoffroy Colonel overvieuw : Artformat,Biennalist;Emergencyroom,Artw...Emergency Art
Thierry Geoffroy/Colonel (FR/DK) is an artist that works since 1988 in the Now, and through his art works, he reflects upon urgencies.He creates what he calls “Emergency Art Formats“ , and “Emergency Art Works”.
For example, Emergency Room is a special designed space that has been activated in museums and art institutions where artists can express every day about what they consider to be the most important emergencies. It has been activated in 10 countries, the longest period was at the MoMA / PS1 with an everyday changing exhibition.
Sometimes,Thierry Geoffroy does expression on tents in public space or in dialogue with museum collections.
Thierry Geoffroy has exhibited at MoMA / PS1, New York /ZKM Museum, Karlsruhe / Moderna Museet, Stockholm / Palazzo Delle Arti, Napoli / Kunsthalle Mannheim / Sprengel Museum, Hannover, and Vejle Kunst Museum.
He has also participated in biennales such as Venice Biennale,, Liverpool Biennale, Manifesta Biennale in Murcia, Cairo Biennale, and Casablanca Biennale.
Thierry Geoffroy is Chevalier de l’Ordre des Arts et des Lettres. His art works are part of museums such as the HEART Museum of Contemporary Art, the Sprengel Museum, the National Museum of Photography ,the Museum of Contemporary Art Roskilde, and Mannheim Kunsthalle.
www.emergencyrooms.org/formats.html
Documenta Kassel / Revieuw by Mette Sandbye for weekendavisen ( Kassel and Ve...Emergency Art
About artist Thierry Geoffroy/Colonel:
https://en.wikipedia.org/wiki/Thierry_Geoffroy
https://en.wikipedia.org/wiki/Emergency_Room_(art)
http://www.emergencyrooms.org/formats.html
http://www.colonel.dk/
Format art by By Johanne Schrøder 07.02.2021Emergency Art
Towards a Definition of Format Art.
On the artistic process as catalyst for movement and change in Thierry Geoffroy’s art formats.
By Johanne Schrøder MA in Art History
http://www.emergencyrooms.org/formats.html
Towards a Definition of Format Art. On the social, political and critical eff...Emergency Art
Towards a Definition of Format Art.
On the social, political and critical effects of Thierry Geoffroy’s art formats.
Text By Johanne Schrøder
More about art formats :
http://www.emergencyrooms.org/formats.html
2137ad - Characters that live in Merindol and are at the center of main storiesluforfor
Kurgan is a russian expatriate that is secretly in love with Sonia Contado. Henry is a british soldier that took refuge in Merindol Colony in 2137ad. He is the lover of Sonia Contado.
2137ad Merindol Colony Interiors where refugee try to build a seemengly norm...luforfor
This are the interiors of the Merindol Colony in 2137ad after the Climate Change Collapse and the Apocalipse Wars. Merindol is a small Colony in the Italian Alps where there are around 4000 humans. The Colony values mainly around meritocracy and selection by effort.
Explore the multifaceted world of Muntadher Saleh, an Iraqi polymath renowned for his expertise in visual art, writing, design, and pharmacy. This SlideShare delves into his innovative contributions across various disciplines, showcasing his unique ability to blend traditional themes with modern aesthetics. Learn about his impactful artworks, thought-provoking literary pieces, and his vision as a Neo-Pop artist dedicated to raising awareness about Iraq's cultural heritage. Discover why Muntadher Saleh is celebrated as "The Last Polymath" and how his multidisciplinary talents continue to inspire and influence.
Hadj Ounis's most notable work is his sculpture titled "Metamorphosis." This piece showcases Ounis's mastery of form and texture, as he seamlessly combines metal and wood to create a dynamic and visually striking composition. The juxtaposition of the two materials creates a sense of tension and harmony, inviting viewers to contemplate the relationship between nature and industry.
2. This book presents ultracontemporary artworks produced by
Thierry Geoffroy /COLONEL in connection with his exhibition
at Galeria Emma Thomas in São Paulo – Brazil from 11/1 –
27/1 2016.All the artworks were created the same day as
they were exhibited, and most of them expressed about
emergencies.
The daily changing exhibition is an art format, whose essence
has already been formulated in Thierry Geoffroy /COLONEL’s
manifesto for moving exhibitions published in 1989. Since
then, the format has been realized as numerous exhibitions
and actions around the world as well as a spatial construction
EMERGENCY ROOM built in museums and art institutions
such as MOMA PS1.
The ultracontemporary way of working is a comment on con-
temporary not being sufficiently in time.There are a couple
of artworks illustrating this critique in the book. For example
CONTEMPORARY,ART STILL LIKES TO QUESTION THE CANVAS.
It is a toilet chair with one missing wheel on a white canvas.
The canvas and the painting are used as symbols for con-
temporary art not reflecting about the now but continuing
to question the canvas, the pigment, and the frame.We can
also see these reflections in works such as TOO LATE,WAW!
WORLD’S RICHEST PEOPLE NOW HAVE MORE WEALTH THAN
THE POOREST 3,6 BILLION COMBINED. IT IS UNFAIR, CAN
PAINT BE A PREVENTION OF DENGUE and IN ADVANCE OF
THE BROKEN ARM 28/1 2016.
Even though the production of artworks is being done fast,
Thierry Geoffroy /COLONEL’s work includes a great deal of
3. observation and investigation. He researches as much on the
streets as on Internet. His sources of information and inspi-
ration can be anything from articles in local newspapers over
information found on social media to opinions he extracts
from local people or experts.
Thierry Geoffroy /COLONEL’s artwork production is like
streaming expressions taking shape in different forms and
media. Some of the artworks are produced from objects
found, collected or purchased in São Paulo, while others are
made with materials already established in his repertoire,
such as white cotton fabric, cartons, and tents.
Thierry Geoffroy/ COLONEL has been using tents since 1991.
Tents can be both looked at as paintings and as sculptures.
The artist uses the sides of a tent as a canvas for painted
statements.After, each tent becomes a mobile sculptural
object. Some of Thierry Geoffroy/COLONEL’s previous tent
artworks have been exhibited in The Maldives Pavilion,
Venice Biennale, IT; The ZkM Museum, Karlsruhe, DE; Marta
Herford - Museum für moderne Kunst, Herford, DE; Kunsthal-
le Osnabrück, Osnabrück, DE. (among other places) The tents
are also in the collection of Museum of Contemporary Art,
Danmark as well as private collections in Paris, Copenhagen,
and São Paulo.
Cartons are a diary-like artworks consisting of drawing, text
and occasionally glued paper cutouts.They play a vital role
in Thierry Geoffroy /COLONEL’s creative process because they
capture the raw, unpolished artistic thought. Depending on
the moment, the state of mind of the artist and the surroun-
ding, the statements on the cartons can range from direct
and sharp to personal and doubtful, also including the con-
tradiction as part of authentic and honest communication.
Similar to the cartons and the tents, the banner-like artworks
with text on pieces of fabric are expressing artist’s statements
in the given circumstances, conditions and situations of the
moment. Often they are exhibited on the spot at interna-
tional events such as Manifesta, Cartagena/Murcia, ES or
Documenta, Kassel, DE.
Some of the important topics being commented during the
exhibition at Galeria Emma Thomas in São Paulo were: Zika
virus outbreak in Brazil, anti-refugee movements and laws
in Europe, demonstrations and police violence in São Paulo,
water problems in Brazil, chemical explosion in the industrial
port of Santos, Lava Jato operation in Brazil connected to
money laundering and corruption in the country, gentrificati-
on and real estate speculations in the time of crises in Brazil,
toxic mud from Brazilian dam disaster,The World Economic
Forum in in Davos and global climate change problems.
A selection of artworks in this book also includes poetic
reflections on the artistic process and subjects like the role of
the artist in the society, the notion of time, the routine versus
the ritual and the syntheses.
This exhibition was realized in collaboration with Juliana
Freire, Flaviana Bernardo and Daniel Marchezini from Galeria
Emma Thomas and developed thanks to Décio Hernandez Di
Giorgi.
Tijana Mišković, curator
5. CONTEMPORARYART STILL LIKES TO QUESTION THE CANVAS
18/1 2016, 90 x 60 x 95 cm, toilet chair with one missing wheel on a white canvas
IN ADVANCE OF THE BROKEN ARM 28/1 2016
28/1 2016, 60 x 50 cm, black marker text and electric mosquito racket on canvas
6. CAN PAINT BE A PREVENTION OF DENGUE
8/1 2016, 12 x 23 cm, color paper print, dry paint and plastic roller tray
7. GET RID OF ZIKA
21/1 2016, 7 X 12 X 4 cm, cotton fabric on pavé stone
IN ADVANCE OF THE BROKEN ARM 21/1 2016
21/1 2016, 44 x 20 cm, black marker text and news paper cutout on carton
9. THE MUD IS COMING
11/1 2016, 60 x 40 cm, black marker on a painting
Private collection, Brazil
ABROLHOS MARINE PARK/ THE MUD IS COMING! RUN AWAY! /
DAVID BOWIE IS DEAD
11/1 2016, 60 x 40 cm, red marker on a painting
10. NEVER GREEN AGAIN
15/ 12016, 24 x 36,5 cm, red marker on color print and carton
WE FIND BEAUTY IN THE WORLD WE DESTROY
15/1 2016, 20 x 20 cm, black marker on a color print and carton
Private collection, Brazil
11. FEMININO
15/1 2016, 15 x 20 cm, paper print on sign
WATER AND GAZ ON EVERY FLOOR
12/1 2016, 2 x 1,40 m 2,2 kg, red and white spray paint on tent
12. MYYOGA IS NOT GOING TO PROTECT US FROM TOXIC GAZ
16/1 2016, 180 x 50 cm, white spray paint on yoga mat
13. MYYOGA IS NOT GOING TO PROTECT US FROM POLICE
REPRESSIONS
14/1 2016, 180 x 50 cm, white spray paint on yoga mat
BOMBAS DE EFEICTO MORAL
12/1 2016, 160 x 107 cm, black and red spray paint on white cotton fabric
14. IN BRAZIL CARTONS ARE USED AS PROTECTION
12/1 2016, 45 x 22 cm, red marker and color print on carton
Private collection, Brazil
BOMBS EDUCATIVE
12/1 2016, 31 x 26 cm, black marker text with newspaper clipping on carton
Private collection, Brazil
15. EXTERMINADORAS
15/1 2016, 37 x 51 cm, red marker on paper cutout, white paper and carton
CHANGE IN THE STRATEGY /CRIMES
7 x 9 cm, 14/1 2016, black marker on a color print and carton
16. BOTOX FOR COPS
15/1 2016, 34 x 21,5 cm black marker on newspaper cutouts and carton
NÃO AVIOLÊNCIA GRATUITA
14/1 2016, 11 x 11 x 5,5 cm, cotton fabric on pavé stone
Private collection, Brazil
17. WELCOME CHEAP WORKERS
14/1 2016, 160 x 110 cm, red and green spray paint on white cotton fabric
BOTOX FOR CHOQUE
15/1 2016, 127 x 67 cm, black spray paint on white cotton fabric
18. POLICE BOTOX
8 x 8 cm, 18/1 2016, black marker text on color print and carton
ONLY REFUGEES WITH BELONGINGS THAT CAN BE CONFISCATED
BYTHE POLICE WILL RECEIVE DANISH FOOD
12/1 2016, 25 x 30 cm, color print and ring on carton
19. WHAT IS XENOPHOBIA
19/1 2016, 18 x 24 cm, black marker text on color print
WHAT IS XENOPHOBIA
13 x 7 cm, 17/1 2016, newspaper cutout on carton
21. THE FASCISTS ARE FASTER TO DO EXHIBITIONS THAN THE ANTI
FASCISTARTISTS
12/1 2016, 36 x 15 cm, black marker on newspaper cutout and carton
WHAT IS XENOPHOBIA
9 x 9 cm, 19/1 2016, black marker on color print and carton
22. THIS DAY IS GOING TO BE REMEMBERED IN DANISH HISTORY
27/1 2016
27/1 2016, 120 x 69 cm, black marker text and emergency blanket on danish
birthday paper tablecloth
HOW CAN WE BE OUTRAGED IN TIME BEFORE THOSE UGLY
LAWS ARE PASSED
27/1 2016, 162 x 124 cm, red and black spray paint on cotton fabric
23. TOO LATE
14/1 2016, 90 x 70 cm, red paint on white canvas
Private collection, Brazil
24. TOO LATE.THERE IS NOTHING UNDER THE DEAD VOLUME
19/1 2016, 68 x 68, black marker text on a traffic sign
IN SAO PAULO, I TOOK A SHOWER OF 5 MINUTES THINKING
ABOUTTHE DEAD VOLUME
11/1 2016, 16 x 14 cm, black marker text and drawing on carton
25. CRIME AMBIENTAL
14/1 2016, 25 x 14 cm, sign with newspaper cutout
VISUAL OPTIMISM
14/1 2016, 26 x 32 cm, black marker text on a newspaper cutout
26. LAVA JATO
20/1 2016, 162 x 98 cm, black and red spray paint on textile banner
THE COLLECTORS ARE IN JAIL
12/1 2016, 86 X 84 cm, red marker on canvas painting
27. OS COLECIONADORES ESTÃO NA PRISAO
12/1 2016, 164 x 134 cm, red spray paint on white cotton fabric
Private collection, Brazil
SANCTIONS
18/1 2016, 27x7 cm, newspaper cutout on carton with transparent film tape
28. THIS IS NOTTHE END
11/1 2016, 22 x 13 cm, newspaper clipping on carton
GENTRIFICATION ARTIST
13/1 2016, 51 x 40 cm, black marker on a wood sign
29. BRANDED PESSIMISM
18/1 2016, 9 x 7 cm, black marker text on newspaper cutout and carton
THE ”CRISIS” IS ATRICKTO MAKE YOU FEEL DEPRESSED AND
CONTROLYOU
11/1 2016, 21 x 21, black marker text and drawing on carton
30. SO MUCH OPINIONS SO LITTLE INVESTIGATION
14/1 2016, 137 x 124 cm, red and black spray paint on white cotton fabric
STARVING FROM WARS
11/1 2016, 13 x 15 cm, black marker text and drawing on carton
31. WAW ! WORLD’S RICHEST PEOPLE NOW HAVE MORE WEALTH
THAN THE POOREST 3,6 BILLION COMBINED. IT IS UNFAIR
18/1 2016, 80 x 80 cm, red marker on painting
IT IS NOT SAFE ANY MORE TO BE A GLOBALTOURIST
16/1 2016, 148 x 55 cm, green, red and yellow spray paint on cotton fabric
32. DAVOS - TODAY IT IS NOT FOR US/ BUTTOMORROW WE WILL
KNOWTHE CONSEQUENCES OF THE SECRETS
20/1 2016, 23 x 22 cm, black marker on color print and carton
ATOMORROW MADE TO ERASE THE PAST
12/1 2016, 20 x 12 cm, black marker on newspaper clipping and carton
Private collection, Brazil
33. IMAGES OR POLITIC
14/1 2016, 22 x 22 cm, black marker on a color print
TO COME HERE AND POINTAT DYSFUNCTIONS I TOOK A PLANE
AND KILLED A PENGUIN
20/1 2016, penguin on cotton fabric with red marker text
34. YOU HAVE THE REMOTE CONTROL
18/1 2016 , 84 x 76, 13x13, one carton with color print and fragment from a poster sign
35. IT IS TOO LATE TO WAKE UP
14/1 2016, 57 x 57 x 95, pillow and mask on cardboard box
APATIA E CONTAGIANTE
14/1 2016, 2,2 kg, 2 x 1,40 m, red spray on tent
36. CAN BEING IN THE NOW BECOME A ROUTINE
26/1 2016, red marker on cotton fabric and wood
WHAT IS THE DIFFERENCE BETWEEN ROUTINE AND RITUAL
13/1 2016, 22,5 x 22,5 cm, red marker on a clock
37.
38. Thierry Geoffroy / COLONEL
Born 1961
www.colonel.dk
Thierry Geoffroy, also known as COLONEL, is a French artist, living in Copenhagen,
Denmark.
He is a format artist developing art formats, most known being
EMERGENCY ROOM, BIENNALIST and CRITICAL RUN.
Thierry Geoffroy / COLONEL has published 6 books and his artworks
are are included in international museum collections.
He is Chevalier de l’ordre des Arts et des Lettres.
SELECTED GROUP AND ONE-MAN SHOWS FROM 2007 - 2015
P.S.1/ MOMA New York, USA; ZKM Museum Karlsruhe, DE; Sprengel Museum,
Hannover, DE; Moderna Museet, the Museum of Modern Art, Stockholm, SE;
HEART- Herning Museum of Contemporary Art Denmark, Herning, DK; Plazzo
Delle Arti Napoli, IT; The Museum of Contemporary Art, Roskilde, DK; Galerie
Asbaek Copenhagen, DK; The Maldives Pavilion,Venice Biennale,Venice, IT;
Liverpool Biennial, Liverpool, UK, Manifesta Biennal, Murcia, ES; National
Museum Rejkavik, FI; Galerie Olaf Stüber, Berlin, DE, IKM Museum, Oslo, NO;
Fries Museum, Leeuwarden, NL; Devron Arts, Huntly,Aberdeenshire, SCO; The
Model, Sligo, IR; Fotografisk Center, Copenhagen, DK; Cairo Biennale, Cairo, EG;
Blackwood Gallery Toronto, CAN; Galerie Ileana Tounta,Athens, GR; Kunsthalle
Osnabrück, Osnabrück, DE.