This document lists several artworks by Bret Gottschall including their medium, size, and status (sold, available, or in a collection). It also includes Gottschall's biography stating that he was born in Nebraska in 1973, received his BFA and MFA, and has shown his work nationally and in collections at Harvard and the Legion of Honor. Finally, it provides details about Gottschall's day job prepping artworks for exhibition at the Nelson-Atkins Museum of Art in Kansas City where he has worked for over 15 years.
This is my working art portfolio with a selected art work over the last 10 years. Includes; Biography, Exhibitions, Media Interviews and Contact information. Currently looking for representation, galleries and residencies.
This is my working art portfolio with a selected art work over the last 10 years. Includes; Biography, Exhibitions, Media Interviews and Contact information. Currently looking for representation, galleries and residencies.
In this class we discuss mechanisms of prestige and who is included and excluded from conventional definitions of the art world. Using the work of Howard Becker and the example of folk art, we work toward a more expansive vision.
Art Cart is an intergenerational arts legacy project that will connect aging professional artists with teams of graduate students to undertake the preparation and documentation of their creative work, offering both groups an educational experience that will help shape the future of our cultural legacy.
The RCAC's recent study, Above Ground: Information on Artists III: Special Focus New York City Aging Artists, revealed that artists are in many respects a model for society, maintaining strong social networks and an astonishing resilience as they age. Yet 61% of professional visual artists age 62+ have made no preparation for their work after their death; 95% have not archived their work; 97% have no estate plan; 3 out of every 4 artists have no will and 1 in 5 have no documentation of their work at all.
The summer arts camp provided a structured space for children to develop their creativity, knowledge, and critical thinking skills through the creation of visual and theatre arts. The multi-arts based curriculum was rooted in a respect for community, collaboration, and cooperation.
Why Is hand painted wall Considered Underrated?muralx
Oxford And artists Pupils Brighten Up Marston Underpass With New Mural
I've been painting murals that are commissioned that are large in and around Bristol. The community mural movement, which began from the late 1960's, generated countless hundreds of large scale wall paintings in less than a decade. Every city had a few, although they were concentrated in major cities. These were sparked by the civil rights movement, labour movements, the Chicano movement, and community development programs. Hispanic muralists like Diego Rivera, Clemente Orozco, David Sequeiros, and Arnold Belkin affected content and the style of those murals. They were influenced by graffiti and from advertising artwork.
Celebrating the arts - A Silent Auction at Grace Episcopal Church, Asheville, NCEllen Brown
This is a catalog of items being offered for sale at a Silent Auction, with final bidding to be held on Sunday evening, February 26th, 2017, at Grace Episcopal Church, in Asheville, NC. Anyone interested in bidding should come by the church and record you bid in person, or call the church 828-254-2242, and let us help you record your bids. We hope to schedule another auction in the summer, and would welcome any items you may have, especially art and antiques! Proceeds from this event will support outreach.
We're having a Silent Auction at Grace Episcopal Church in Asheville, NC. Over thirty-five items have been donated for the auction, including paintings by some of own parishioners, as well as treasures from our attics (i.e. antique clocks, a vintage sewing machine, a Karastan-type rug, and prints and paintings from well-known artists). Photographs of the items will soon be on display in the foyer of the church, and this is a slide show of all the art and antiques. [Correction: Item #16 on page 18 has been removed from the auction.] Please stop by the church and record your bids or you can email your bid to Ellen Brown at inglesferry@gmail.com, or call the church office at 828-254-1086, ext 10. Bidding will close during the Mardi Gras celebration on Sunday, February 26th around 8 p.m. We're looking for help with setting up for the event on Saturday, Feb 25, at about 11 a.m. Contact Ellen with questions, bids, or offers to help. Thanks so much!
In this class we discuss mechanisms of prestige and who is included and excluded from conventional definitions of the art world. Using the work of Howard Becker and the example of folk art, we work toward a more expansive vision.
Art Cart is an intergenerational arts legacy project that will connect aging professional artists with teams of graduate students to undertake the preparation and documentation of their creative work, offering both groups an educational experience that will help shape the future of our cultural legacy.
The RCAC's recent study, Above Ground: Information on Artists III: Special Focus New York City Aging Artists, revealed that artists are in many respects a model for society, maintaining strong social networks and an astonishing resilience as they age. Yet 61% of professional visual artists age 62+ have made no preparation for their work after their death; 95% have not archived their work; 97% have no estate plan; 3 out of every 4 artists have no will and 1 in 5 have no documentation of their work at all.
The summer arts camp provided a structured space for children to develop their creativity, knowledge, and critical thinking skills through the creation of visual and theatre arts. The multi-arts based curriculum was rooted in a respect for community, collaboration, and cooperation.
Why Is hand painted wall Considered Underrated?muralx
Oxford And artists Pupils Brighten Up Marston Underpass With New Mural
I've been painting murals that are commissioned that are large in and around Bristol. The community mural movement, which began from the late 1960's, generated countless hundreds of large scale wall paintings in less than a decade. Every city had a few, although they were concentrated in major cities. These were sparked by the civil rights movement, labour movements, the Chicano movement, and community development programs. Hispanic muralists like Diego Rivera, Clemente Orozco, David Sequeiros, and Arnold Belkin affected content and the style of those murals. They were influenced by graffiti and from advertising artwork.
Celebrating the arts - A Silent Auction at Grace Episcopal Church, Asheville, NCEllen Brown
This is a catalog of items being offered for sale at a Silent Auction, with final bidding to be held on Sunday evening, February 26th, 2017, at Grace Episcopal Church, in Asheville, NC. Anyone interested in bidding should come by the church and record you bid in person, or call the church 828-254-2242, and let us help you record your bids. We hope to schedule another auction in the summer, and would welcome any items you may have, especially art and antiques! Proceeds from this event will support outreach.
We're having a Silent Auction at Grace Episcopal Church in Asheville, NC. Over thirty-five items have been donated for the auction, including paintings by some of own parishioners, as well as treasures from our attics (i.e. antique clocks, a vintage sewing machine, a Karastan-type rug, and prints and paintings from well-known artists). Photographs of the items will soon be on display in the foyer of the church, and this is a slide show of all the art and antiques. [Correction: Item #16 on page 18 has been removed from the auction.] Please stop by the church and record your bids or you can email your bid to Ellen Brown at inglesferry@gmail.com, or call the church office at 828-254-1086, ext 10. Bidding will close during the Mardi Gras celebration on Sunday, February 26th around 8 p.m. We're looking for help with setting up for the event on Saturday, Feb 25, at about 11 a.m. Contact Ellen with questions, bids, or offers to help. Thanks so much!
1. Bret Gottschall . Figure . Beauty . Drawing
Haircut, pastel/acrylic on cardboard, 14x11 sold Seated Girl, pastel, 29x22, available
Bad Date, charcoal, 20x22, sold C Study VI, pastel, 22x18, available
20. Vanity I, pastel on paper, 18 x 23 available
Once a Dunce, latex paint on paper, 30 x 40 available
21. Pulltrain, latex paint on paper, 30 x 40 available
Ali, pastel and varnish on paper, 15x15 available Shrugg, graphite on paper, 11 x 8
22. Bret Gottschall (Artist, Art Handler, Art Educator, Art Enthusiast)
609 W. 74th
St
Kansas City, MO 64114
bret@gotty.com
Biography
Bret Gottschall was born in Fremont Nebraska in 1973. He received his
BFA from the University of Nebraska at Lincoln in 1996. He moved to San
Francisco where he received his MFA from the San Francisco Art Institute in the
spring of 2001. Bret has shown work in several group shows in
Nebraska, including the University of Nebraska Art Gallery, and the
Peru State College Art Gallery. He has shown on the national level at
Northern National Art Competition, Nicolet College, Rhinelander, WI.
, and at the Texas National, Stephen F. Austin State University, Nacogdoches,
Texas. Bret has recently shown work at the Empty Bottle Gallery in Chicago, in
San Francisco at the George Krevsky Gallery of Social Realists, as well as at Mina
Dresden Gallery, SF.; Sesquahanna University, Lore Degenstein Gallery,
Selinsgrove, PA, and Wayfarer’s Gallery in Brooklyn, NY.
Bret’s work is included in the permanent collections of the Fogg Museum at
Harvard University as well as the Auchenach Collection at the Fine Arts Museum of
San Francisco Legion of Honor.
Bret is known for his realist figurative works, and manipulating visual language and
pop culture, which can be viewed at his website: www.gotty.com
Bret continues his search for beauty and his passion for drawing at his home studio
in Kansas City, MO.
Cell: 816-547-1567
Bret’s day job is preparator at the Nelson-Atkins Museum of Art in Kansas
City, MO. As a preparator he is responsible for the care and handling of
artworks to be moved, stored, conserved and shown for exhibition to the
public as well as for scholars. Currently the bulk of Bret’s expertise is in
preparing photography collections for exhibition. This includes all measuring,
matting, framing and installing of photography exhibitions at the museum as
well as preparing works to be crated and shipped to other institutions for
exhibition. Bret has been with the museum since 2005, and has been
working in the art world for 20 years in many different capacities as a
prepartor, framer, teacher, registrar, gallery curator, gallery director, and
image maker.