This document discusses how meaning is constructed through different senses in film. It examines how viewers interpret the interplay between visual and auditory modalities. The document argues that film viewing involves synesthesia, where the senses interact and blend together. It proposes analyzing films using "Segmented Film Discourse Representation Structures" to understand how logical forms of discourse are constructed and related through different relations. An example from the film Amélie is provided. The document suggests future work could explore how neuroscience research relates to how sensory data, narrative patterns and symbolic meanings are integrated during film viewing.