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MARUTI SUZUKI
NAME REMOVED
CELERIO
THE	MEANING.	
	
Maruti;	a	name	so	quintessentially	Indian	that	it	requires	absolutely	no	introduction.	It	has	stopped	being	
just	a	name,	it	is	in	fact	a	word,	a	part	of	our	vocabulary	that	evokes	a	feeling	of	trust,	familiarity	and	
comfort.	Maruti,	a	leading	name	in	the	automobile	manufacturing	business	has	always	been	the	
benchmark	for	quality	and	great	service.	The	name	Maruti	is	such	an	integral	part	of	India	and	its	ethos	
that	it	has	over	a	period	of	time	come	to	symbolize	the	very	growth	and	evolution	of	the	nation	itself.	
When	Maruti,	the	essence	of	Indian	heritage	married	Suzuki,	the	technological	genius	of	Japan’s	
automobile	industry,	what	you	got	was	a	flash	of	brilliance;	Celerio.	This	marriage	of	different	worlds	
extends	to	our	story	too.	Our	film	talks	of	a	modern	India	that’s	ethnic,	rich	with	traditional	values	but	also	
in	step	with	individualistic	thinking	and	progressive	ideology.
Celerio	inspires	progressive	thinking	–	a	kind	of	
thinking	that	brings	about	change;	for	the	better.	What	
better	analogy	that	an	automobile	that	knows	nothing	
else	but	to	move	forward	in	life,	irrespective	of	the	
time,	terrain	or	situation!	As	the	journey	progresses,	
we	perceive	a	change	of	heart,	situation	and	the	entire	
belief	system.	Important	moments	of	their	lives	unfold	
in	front	of	our	eyes	and	lead	to	a	beautiful,	modernistic	
and	progressive	culmination.		
IT	IS	THE	BEGINNING	OF	A	THOUGHT.	THE	TURNING	WHEEL	OF	EVOLUTION.		
AN	IDEOLOGICAL	REVOLUTION!	
That	is	the	nature	of	all	of	our	wonderful	films.	While	
the	situations	differ,	what	remains	constant	is	its	ability	
to	surprise	with	an	inspired	moment,	an	inspired	
thought,	a	thought	that	can	truly	enlighten,	stimulate	
the	mind,	instigate	you	to	think	and	bring	about	a	
change	in	the	collective	psyche.
INDIA GATE
Celerio	is	interwoven	beautifully	into	these	stories	
and	becomes	the	driving	force	for	change	towards	a	
brighter	tomorrow.		
	
Celerio	stands	as	a	beautiful	symbol	for	progress	
but	also	becomes	the	central	character.	And	this	
would	be	evident	in	the	treatment	of	the	
relationship	between	our	characters	and	the	car.		
	
THEIR	LOVE	FOR	CELERIO	IS	ON	DISPLAY	THROUGHOUT	THE	FILM	
The	life,	soul	and	heartbeat	of	this	film	is	the	
brilliant	thought	and	the	mind	behind	it.	The	
characters	and	their	emotions	breathe	a	soul	into	
these	films.		
	
We	vicariously	experience	these	noble	lives	of	our	
magnanimous	characters	and	derive	immense	
pleasure	from	watching	the	change	that	they	
bring	about	not	just	in	their	lives	but	also	in	the	
lives	of	other	Indians.		
	
CHARACTERS	&	THEIR	EMOTIONAL	JOURNEY.
While	most	of	us	have	compassion	in	our	hearts	and	the	ability	to	empathize,	only	a	few	of	us	consider	it	our	prerogative	to	
take	out	time	from	our	lives	to	do	something,	however	small,	for	someone	else.		
	
Our	husband	and	wife	are	wonderful	people	who	believe	in	doing	a	little	something	for	others,	even	if	it’s	only	a	little	gesture.	
While	the	volume	of	their	compassion	is	the	same,	their	expressions	are	quite	different.	The	wife	is	a	lot	like	you	and	me	who	
would	be	more	than	happy	to	give	some	money	to	the	street	kids	and	move	on	with	her	life	but	the	husband	is	made	of	a	
different	metal.	He	believes	in	experiences,	moments	and	gestures	a	lot	more	than	a	little	penny.		
	
Our	husband	and	wife	are	young,	beau3ful,	newly	married	and	share	a	wonderful	chemistry	that	is	apparent	in	every	li:le	
exchange	between	them	–	whether	it	is	through	gestures,	body	language,	expressions	or	words.	There	is	an	obvious	
chemistry	between	our	couple	and	their	car	where	they	have	had	many	experiences	together	–	before	and	a?er	ge@ng	
married.	
THE	HUSBAND	BELIEVES	THAT	WITH	A	FEW	BEAUTIFUL	MOMENTS	AND	EXPERIENCES,	HE	
COULD	CHANGE	THE	LIVES	OF	THESE	KIDS	AND	GIVE	THEM	HOPE	FOR	THE	FUTURE.
IT	IS	THE	CHILDREN	WHO	ADD	A	SPARKLE	AND	A	GLOW	TO	THIS	WONDERFUL	FILM	
WITH	THEIR	CHARM,	INNOCENCE	AND	SHEER	EXUBERANCE.		
	
There	is	a	charming	childishness	in	everything	they	do	–	when	they	peek	into	the	cars,	they	let	the	glass	squish	their	
faces	until	they	look	like	otters	rather	than	people.	When	they	stand	in	front	of	the	camera	for	a	photo,	they	conjure	up	
the	funniest	possible	faces	and	poses.	When	they	feel	the	breeze	on	their	faces,	they	are	at	peace,	having	forgotten	
every	difficulty	they	ever	faced.	When	they	relish	the	ice	cream,	all	they	know	is	the	sweet	taste	it	offers.	When	they	see	
the	balloon	fly	up	in	the	sky,	lit	by	the	sunrays	behind,	all	they	feel	is	the	visceral	quality	of	that	inspired	moment.		
	
They	are	children.	They	don’t	have	grudges.	They	don’t	question	the	difficulty	of	their	lives.	All	they	know,	feel	and	
experience	is	the	wonder	of	that	little	moment	gifted	to	them	by	one	wonderful	human	being.	The	children	will	be	3-4	
boys	and	girls	who	get	along	beautifully	and	yet	playfully	fight	and	bicker	with	each	other,	teasing	each	other	with	
childish	pokes	and	remarks	like	children	do.
VISUAL	LANGUAGE.	
	
BEAUTIFUL,	EVOCATIVE,	VISCERAL	AND	CELESTIAL!		
This	film	that	is	about	progressive	thought,	magnanimity	of	the	heart	and	pure	goodness	deserves	an	overall	
visual	treatment	that	makes	you	feel	warm	inside.	Each	of	these	films	will	have	interesting	cutaways	that	ring	
true	within	their	independent	setting,	such	that	they	all	seem	different	from	each	other.	The	transitions	will	
be	interesting	and	seamless	so	that	the	film	feels	like	one	flowing	entity	like	the	car	itself.	One	example	is	a	
kid	turning	a	cycle	tyre	with	a	stick	cut	to	the	turning	of	the	Celerio	wheel.		
Imagine	the	progression	of	this	film	from	a	beautiful	golden	evening	blessed	with	a	
clear	blue	sky	to	the	gorgeous	sunset	that	has	painted	the	world	in	a	crimson	light	to	
the	majestic	twilight	when	the	world	has	taken	on	a	pink	hue	and	finally	to	dusk	when	
the	world	is	festooned	in	warm	street	lights	accompanied	with	celebratory	fairy	lights.
As	the	evening	sets	in,	the	slanting	orange	rays	from	a	glowing	pink	and	purple	sky	create	magic.	Flares	cut	through	the	
frames	as	Celerio	glides	down	the	roads	of	the	historical	city.	We	intercut	between	the	wide	&	aerial	shots	of	the	car	
against	the	marvelous	structures,	roads,	bridges	and	monuments	and	the	Close	Ups	&	macro	shots	of	different	features	of	
the	car	keeping	in	mind	its	true	personality.	These	features	would	reveal	the	true	nature	of	the	car	–	its	gorgeous	
appearance,	its	excellent	performance,	its	evocative	appeal	and	its	adherence	to	family	values.	Maruti	Suzuki	Celerio	is	
perfect	for	a	journey	through	the	heart	of	India	for	the	comfort	it	provides	and	the	emotions	it	is	able	to	evoke	in	its	
passengers.	The	car	would	be	explored	from	different	angles	–	top,	low	angle,	aerial	–	to	lend	scale	to	the	film	and	
character	to	the	car.	
	
IT	IS	IMPORTANT	TO	UNDERSTAND	THAT	THE	CAR	THAT	ENABLES	THIS	ONCE	IN	A	LIFETIME	
JOURNEY	IS	THE	REAL	HERO	OF	THE	FILM.		
	
The	car	would	be	showcased	in	all	its	glory	with	the	reflection	of	the	world	around,	the	reflection	of	the	lights	on	the	body	
of	the	car,	the	characters	reflected	through	the	rearview	mirrors	and	the	reflection	of	the	world	that	it	leaves	behind	for	
what	awaits	in	the	future.	It	is	also	of	utmost	importance	that	the	car	becomes	a	character	in	the	film.	It	is	as	much	the	
car’s	journey	as	it	is	the	children’s.	It	is	the	car’s	prerogative	that	the	children	be	blessed	with	a	moment	they	would	
cherish	for	the	rest	of	their	lives.
A 	 C I T Y	
WRAPPED	 IN	
THE	 MAGIC	 OF	
THAT	MOMENT	
WHEN	THE	DAY	
BEGINS	TO	SET	
&	 THE	 NIGHT	
B E G I N S	 T O	
DAWN
T H E 	 L I T T L E	
ELEMENTS	 THAT	
EMBELLISH	 THIS	
B E A U T I F U L	
EVENING
THE	 PROFUNDITY	 OF	
THE	 INTROSPECTIVE	
JOURNEY
THE	 STYLISH	 CELERIO	 SEEN	 THROUGH	 DIFFERENT	
LENSES,	 OBSERVED	 FROM	 DIFFERENT	 ANGLES	 &	
PERUSED	IN	DIFFERENT	LIGHTS
The	variety	of	the	visuals	that	capture	the	
roads,	the	houses,	the	city,	the	gestures	
and	expressions	of	our	characters	and	the	
interactions	and	relationship	between	the	
car	and	the	passengers	demand	a	piece	of	
music	that	is	equally	rich	in	range.	Imagine	
the	tempo	dropping	to	a	soothing	chord	or	
a	guitar	string	as	the	high	speed	visuals	
caress	the	car.	Imagine	the	fast	paced	
rhythm	as	the	car	glides	down	the	wide	
roads.	Imagine	the	twang	of	a	traditional	
instrument	as	our	character	enjoys	the	
beauty	of	the	moment	he	is	blessed	with.	
This	film,	while	evocative,	visceral	and	
absolutely	heartfelt	is	also	about	
exuberance,	fun	and	sheer	passion	for	life	
and	its	many	moments.		
For	a	film	such	as	this,	the	music	should	
be	touching	and	yet	peppy.	The	
unforgettable	‘Chakke	mein	Chakka’	
sung	by	the	legendary	Rafi	which	is	full	of	
youthfulness,	exhilaration	and	gay	
abandon	lends	itself	beautifully	to	this	
film	–	all	it	needs	is	a	touch	of	
contemporariness.	Accompanied	with	
western	sounds,	modern	rhythm	and	
perhaps	even	stylization	through	a	new	
voice	in	the	vein	of	‘Tel	Maalish’	from	
‘Road:	The	Movie’	would	take	the	song	
and	the	film	to	a	whole	new	level	–	
becoming	a	perfect	representative	of	a	
film	that	is	about	traditional	values	
reinterpreted	to	bring	them	in	step	with	
the	modern	world’s	progressive	thinking.	
THE	MUSIC	WILL	BE	JUST	AS	LIVELY	&	DYNAMIC	AS	THE	VISUALS.
NEW BABY
The	grandmother’s	feelings	are	two-folded,	she	is	
thrilled	with	the	new	addition	to	the	family	and	to	
her	home	while	she	also	feels	that	she	has	been	a	
great	success	as	a	mother	for	having	instilled	the	
right	values	in	her	son.	Since	she	has	come	alone,	
there	is	a	sense	that	she	is	his	only	parent	and	has	
perhaps	raised	him	all	on	her	own.	The	tears	
glittering	in	her	eyes	talk	of	her	independence,	her	
strength,	her	devotion,	her	sacrifices	and	this	newly	
acquired	knowledge	that	everything	she	did	has	at	
last	reaped	a	wonderful	and	compassionate	son.	
	
A	baby	gives	birth	to	a	mother	–	what	can	be	
truer	than	that	profound	thought.	To	buckle	
down	the	concept	of	motherhood	in	its	
constrained	and	conservative	definition	takes	
away	from	the	beauty	of	its	very	meaning.	When	
our	beautiful	young	lady	of	around	25	years	in	age	
holds	the	baby	in	her	inexperienced	arms,	
confident	and	yet	afraid,	she	becomes	a	mother.	
She	accepts	the	baby	as	her	own	and	declares	it	a	
part	of	her	family	when	she	introduces	it	to	the	
‘dadi’	who	is	teary	eyed	with	pride	at	having	
raised	such	beautiful,	compassionate	and	large-
hearted	children.		
CHARACTERS.	THEIR	BEGINNINGS,	JOURNEYS	&	DESTINATIONS.
Our	guy,	25-27	years	old	is	the	one	who	drives	this	wonderful	
story	forward.	He	is	the	‘sutradhaar’	of	the	story	and	he	
knows	how	much	to	reveal	and	how	much	to	hide	in	order	to	
tell	an	impactful	story.	He	is	endearing,	he	has	a	
mischievous	streak,	he	is	undoubtedly	generous	and	
magnanimous,	he	is	confident	in	his	decision	and	knows	
that	his	mother	will	only	be	proud	because	he	knows	his	
mother	more	than	anyone	else.	
Together	they	make	a	wonderful	family	and	the	warmth	and	closeness	they	share	with	each	other	
foretells	a	bright	and	shining	future	for	the	new	baby.
THE	VISUAL	DRAMA.	
	
Their	faces	are	resplendent	from	the	reflection	of	the	
crimson	sky	overhead.	As	the	car	rolls	down	the	
highway,	the	dark	tar	roads	shimmer	in	the	sunlight.	
The	houses,	trees	and	wilderness	in	the	distance	lend	
a	range	of	colours	to	the	frame.	We	will	use	different	
angles	and	lenses	to	capture	both	the	grandness	of	
the	setting	and	the	magnificent	beauty	of	the	car.	
Small	features	of	the	car	will	be	shot	in	macro	and	
close	up.	Shallow	focus	will	create	bokehs	that	will	
dance	around	in	the	backdrop	to	add	a	layer	of	
wonder	to	the	film.	
The	setting	is	grand	and	dramatic.	Planes	are	landing	
and	taking	off	in	the	backdrop	against	the	rising	Sun.	
A	new	day	has	just	dawned	–	a	perfect	analogy	for	a	
story	about	a	new	adopted	baby.	Beautiful	golden	
sunlight	rains	down	generously	upon	the	world	
creating	splendid	flares	and	lending	a	quality	of	
warmth	and	goodness	to	our	characters.		
THE	DRAMA	OF	THE	AIRPORT,	GOLDEN	DAWN,	THE	EMPTY	HIGHWAY	&	THE	BLISSFUL	
DESTINATION.
The	orphanage	displays	the	vapidity	of	a	government	institution	but	in	the	midst	of	the	quaintness	
of	history	that	still	dwells	there,	it	appears	welcoming	and	warm.	Modernity	interjected	with	
antique	furniture	and	fans,	large	windows	and	doors	with	intricate	carvings	and	little	statuettes	
lend	the	place	a	great	deal	of	charm.	
	
The	light	is	drifting	in	through	the	large	windows,	some	of	them	with	stained	glass	painting	which	
add	a	tinge	of	colour	to	the	contours	of	our	characters.		
	
The	golden	sunlight	fills	up	the	space	and	creates	a	beautiful	light	and	shadow	play	that	lends	
depth	and	dimension	to	the	beautiful	setting	with	splendid	wooden	benches,	endless	corridors	and	
wide	staircases	that	add	a	wonderful	timeless	quality	to	the	film.
T H E	
V I S U A L	
DRAMA	 OF	
T H E	
NATURAL	
LIGHT	AND	
T H E	
GEOMETRI
C A L	
PATTERNS	
O F	 M A N	
M A D E	
DESIGNS
QUAINT	 AND	 CHARMING	 WITH	
HIGH	 CONTRAST	 LIGHTING,	
INTERESTING	 FRAMING	 AND	
WONDERFUL	PATTERNS
MUSIC.	
	
This	film	is	a	wonderful	amalgamation	of	the	traditional	Indian	setting	and	modern	progressive	thinking.	It	is	only	natural	
that	the	music	fit	the	theme	perfectly.	Perhaps	we	could	create	a	tune	in	the	vein	of	an	old	Bollywood	song	but	with	a	new	
punch	to	it.		
	
	
THIS	STYLE	OF	MUSIC	WOULD	ALSO	ENSURE	A	COMMON	THEME	ACROSS	ALL	OF	THE	FILMS.		
	
The	music	that	starts	with	an	old	tune	and	melody	begins	to	change	as	the	car	enters	the	orphanage	and	the	progressive	
nature	of	thought	seeps	in	to	the	film.	Imagine	a	beautiful	old	song	in	the	voice	of	Hemant	Kumar	playing	along	the	drive	
with	a	western	percussion	accentuating	the	beauty	of	the	car’s	movement.	As	the	car	enters	the	orphanage	premises,	the	
modernistic	groove	takes	over	and	slowly	the	old	song	recedes	into	the	backdrop.	The	strings	and	the	chords	add	
evocativeness	and	sentimentality	to	the	beautifully	themed	film	and	all	in	all	create	a	piece	of	music	that	is	beautiful	and	
memorable.	
	
We	could	make	this	style	of	music	–	amalgamation	of	old	Bollywood	and	new	sounds	–	a	common	thread	to	unite	all	of	the	
films.
NAME CHANGE
CHARACTERS	&	THEIR	JOURNEY	TOGETHER	
	
Even	in	this	modern	world,	gender	equality	as	a	phenomenon	is	still	in	its	infantile	stage.	It	requires	
constant	thinking	and	rethinking.	A	lot	of	ideas,	notions	and	practices	that	are	taken	for	granted	even	in	
the	educated	and	progressive	families	need	to	be	questioned	and	rethought.	Retaining	your	maiden	name	
while	adding	your	husband’s	name	may	be	a	step	further	from	entirely	changing	your	name	and	with	that,	
your	identity,	the	treatment	clearly	is	unequal	because	such	a	thing	is	never	even	expected	from	a	man	or	
the	children	the	couple	would	have	in	future.	It	is	wonderful	when	you	see	characters	on	screen	make	you	
question	your	beliefs	and	lifestyles	and	for	that	reason,	this	film	is	path-breaking.	
	
	
OUR	CHARACTERS,	WHILE	IDEALISTIC,	RING	TRUE.
The	husband	is	truly	modernistic,	progressive	and	a	thinker.	He	is	not	the	one	to	accept	societal	notions	that	have	been	practiced	for	ages	
simply	because	he	knows	that	sometimes	change	is	necessary	and	questioning	existing	practices	even	more	so	–	because	if	one	didn’t	
question,	Sati	could	never	have	been	abolished.	He	loves	his	wife	more	than	anything	else	and	the	cause	of	her	perturbation	is	absolutely	
understandable	to	him.	He	believes	that	the	gesture	of	adding	her	name	to	his	is	a	nobler	thought	than	urging	her	to	not	change	the	name	at	
all.	This	would	lead	to	more	questions	from	society	and	family	members	and	he	would	have	the	opportunity	to	explain	to	them	the	injustice	
and	inequality	that	they	have	accepted	in	their	lives	with	closed	eyes.	He	is	truly	remarkable	in	his	ability	to	think	out	of	the	box	and	to	ensure	
that	his	wife	would	never	have	to	face	the	injustice	that	many	women	do	just	because	they	are	women.	This	fantastic	mind	and	heart	that	he	
possesses	reflects	on	his	face,	expressions,	body	language	and	a	general	calmness	he	emanates	in	everything	he	does.	There	is	a	subtle	glow	
on	his	face,	a	quiet	solemnity	in	his	eyes,	a	gentleness	in	his	body	language	and	the	way	he	moves	or	drives	his	car,	he	exudes	a	charming	
confidence.
The	wife	is	like	any	other	woman	and	yet	different	because	she	is	not	the	kind	who	would	take	injustice	lying	down.	She	
clearly	loves	and	respects	her	husband	but	it	upsets	her	to	think	that	someone	who	loves	her	dearly	would	willingly	put	her	
through	a	situation	that’s	clearly	disturbing	to	her	mind.	She	is	young,	modern	and	beautiful.	While	she	accepts	the	new	life	
and	the	change	it	entails,	she	expects	her	husband	to	understand	her	grievances	and	when	eventually	he	does	and	also	acts	
upon	it,	she	falls	even	more	deeply	in	love	with	him.	Their	comfort	throughout	the	film	with	each	other	and	the	car	is	evident	
which	also	suggests	that	they	have	known	each	other	for	a	while	and	have	entered	this	institution	of	marriage	after	having	
been	in	love	with	each	other	for	a	while.
A	BUDDING	LOVE	STORY	IN	A	CHARMING	SMALL	TOWN	ENVELOPED	IN	BRIGHT	
SUNLIGHT	
This	film	takes	place	on	a	beautiful	bright	day	as	Celerio	rolls	down	with	ease	and	comfort	even	through	the	
narrow	lanes	of	a	small	town	adorned	with	bright	colours	of	saris,	jutis,	carpets	and	spices	being	sold	by	loud	
shopkeepers.	We	can	set	this	film	perhaps	in	a	tourist	place	like	Jaipur,	Jodhpur,	Jaisalmer	or	Amritsar	and	
capture	a	different	essence	of	India.	The	idea	is	to	show	different	Indias	in	each	of	the	films	and	capture	the	
diversity	that	enriches	our	nation.	This	also	gives	us	the	opportunity	to	perceive	Celerio’s	performance	in	
different	terrains,	be	it	speed	on	a	highway,	maneuverability	through	narrow	lanes	or	heavy	traffic	in	big	cities	
like	Delhi	or	Mumbai.
The	sun	is	bright	and	generously	
raining	down	upon	our	characters	
as	they	make	their	way	towards	the	
government	office.	The	mirror	work	
on	the	clothes	being	sold	around	
throws	a	patterned	light	onto	our	
characters	lending	visual	drama	to	
the	film	as	our	characters	undergo	
diverse	emotions.		
	
The	government	office	is	a	typical	
government	office	with	plain	walls,	
chairs	and	tables	from	a	time	
bygone,	table	fans	that	whirr	and	
creak,	files	covered	in	cobwebs	and	
dust	and	half	doors	that	swing	open	
and	shut	as	people	enter	and	leave.	
Even	though	a	bit	grungy,	there	is	a	
charm	and	a	sense	of	vintage	
quaintness	to	this	place.	With	a	
somewhat	high	contrast	lighting,	
we	can	add	emotional	drama	to	the	
visuals,	story	and	the	overall	film.
SUDDEN PREGNANCY
CHARACTERS	WITH	INDEPENDENT	GOALS	BUT	
ONE	SHARED	FUTURE	
Once	again,	this	thoughtful	film	is	blessed	with	
characters	who	believe	in	change	for	the	better,	a	
change	that	leads	to	an	era	of	enlightenment.	The	
wife	is	clearly	a	modern	woman	who	has	a	bright	
career	ahead	of	her	and	when	she	learns	of	an	
unexpected	pregnancy,	she	cannot	bring	herself	to	
digest	the	idea	that	she	might	have	to	sacrifice	her	
career	for	something	that	was	entirely	unplanned.	
While	she	would	like	to	balance	both	the	lives,	she	is	
unwilling	to	give	up	her	career	she	has	carefully	and	
passionately	built.	
Her	husband	is	a	young	businessman	who	has	been	
raised	with	the	right	values	and	quality	education.	
He	understands	the	emotion	his	wife	feels	and	while	
thrilled	by	the	idea	of	becoming	a	father,	he	is	not	
willing	to	sacrifice	his	wife’s	happiness.	He	
understands	that	his	work	is	a	lot	more	flexible	than	
his	wife’s	who	perhaps	works	in	a	conservative	office	
environment	while	he	has	his	own	start	up	business.		
	
With	that	realization,	he	is	more	than	happy	to	
make	small	compromises	that	would	result	in	their	
happiness	as	a	family.	He	wants	this	new	beginning	
but	not	at	the	cost	of	his	wife’s	success	and	
happiness.
FROM	 SAD	
TO	 PENSIVE	
TO	 ECSTATIC	
– 	 T H E	
C O U P L E ’ S	
EMOTIONAL	
JOURNEY
A	BRIGHT	DAY	THAT	FORETELLS	A	BRIGHT	FUTURE	
	
Once	again,	this	film	takes	place	on	a	beautiful	day	when	the	skies	are	clear	and	the	sunlight	is	generously	raining	down	upon	
the	world	making	the	world	look	warm	and	bright.	The	exterior	of	the	maternity	clinic	where	the	film	begins	is	embellished	
with	a	beautiful	garden	full	of	lush	green	plants	and	trees	and	blossoming	flowers	of	every	colour	and	kind.	The	garden	that	
has	been	just	watered	is	glittering	in	the	sunlight	and	this	dew	is	creating	beautiful	bokeh	effect		in	the	out	of	focus	depth	as	
the	car	glides	away.		
	
Celerio	then	traverses	the	main	city	roads	to	finally	arrive	at	a	beautiful	avenue	lined	by	colourful	trees	that	provide	shade	to	
the	roads	on	hot	days.	It’s	a	residential	area	with	bungalows	and	tenements	standing	behind	the	trees	that	form	this	avenue.	
The	houses	are	beautiful	and	up	market.	Our	Celerio	enters	the	garage	of	one	of	these	houses	where	the	husband	now	intends	
to	start	his	business.		
	
As	the	car	moves	down	this	shaded	road,	the	light	and	shadow	play	is	gorgeous	with	shafts	of	light	seeping	in	through	the	
gaps	in	the	leaves	and	branches	to	create	gorgeous	visual	drama.
GORGEOUS	TREES	OF	ALL	COLOURS	AND	
KINDS,	 SUNLIGHT	 FINDS	 ITS	 WAY	
THROUGH	 LEAVES	 &	 BRANCHES	 &	
PATTERNED	REFLECTION	ON	FACES
DIGITAL FILM 1 ‘LOVE ON APP’
CHARACTERS	&	CHEMISTRIES	
	
This	film	would	resonate	with	youth	the	most.	It	
is	the	most	contemporary	of	all	–	in	a	day	and	
age	when	we	are	all	busy	getting	higher	
education	or	making	careers,	we	rarely	get	time	
for	love.	But	when	the	onus	is	on	us	to	find	
partners	for	ourselves,	we	use	dating	apps	to	
make	friends	or	find	life	partners.	While	it	is	a	
great	window	into	the	new	world,	it	is	also	safe	
to	be	cautious	and	ensure	that	the	person	you	
are	interested	in	is	honest	and	the	right	person	
for	you.	In	a	world	where	certain	specific	roles	
have	been	allocated	to	men	and	women,	it	is	
refreshing	to	see	these	gender	stereotypes	
being	shattered	by	a	few	brave	and	rule-bending	
people.	Our	girl	is	one	of	those.		
	
BEAUTIFUL.	VIVACIOUS.	
EFFERVESCENT	&	FULL	OF	LIFE.	SHE	
BELIEVES	IN	SEIZING	THE	MOMENT.	
	She	doesn’t	believe	is	being	passive.	She	is	the	
kind	who	would	determine	her	own	future.	
	
	
She	is	the	kind	who	would	hold	the	reins	of	her	
life	and	ensure	that	she	stays	on	the	right	track.	
She	is	interested	in	a	man	she	has	met	on	a	
dating	app	but	she	refuses	to	be	taken	for	a	ride.	
She	needs	to	meet	this	guy	and	ensure	that	he	is	
what	he	says	he	is,	that	he	is	honest	and	true	to	
his	word.	While	her	friend	is	concerned	for	her	
safety,	she	is	also	trying	to	mould	her	into	a	
person	society	expects	her	to	be.	Her	strong	
ideals,	confidence	in	herself	and	her	
determination	to	live	life	by	her	own	standards	
reflect	in	her	appearance,	dressing	and	hair.		
	
SHE	IS	CAREFREE,	CASUALLY	
DRESSED	AND	WEARS	WIND-SWEPT	
SHORT	HAIR/UNTAMED	CURLS	
EVEN	ON	HER	FIRST	DATE.		
	
This	frivolity	and	carefreeness	would	make	this	
character	extremely	compelling,	appealing	and	
endearing.
The	guy	is	a	simple	character	who	appreciates	that	the	girl	he	likes	has	taken	the	first	bold	step	of	meeting	him.	It	is	now	
up	to	him	to	make	her	feel	welcomed	and	comfortable.	He	does	that	charmingly	well	by	being	casual	and	warm.	He	is	
clearly	honest	as	has	been	proven	by	his	words	and	actions.	As	they	walk	down	the	country	path	in	the	moonlight,	one	
can	see	the	chemistry	developing.	Their	body	language	becomes	casual	and	they	laugh	as	they	talk	to	each	other.	It	gives	
them	great	joy	that	their	dogs	are	also	getting	along	well	with	each	other.
THE	BEAUTY	OF	THE	NATURE,	THE	RUSTIC,	THE	UNDULATING	
PATHWAYS	&	THE	CLEAR	AIR	
	
The	air	is	refreshing,	the	traffic	is	sparse	and	the	street	leading	to	the	hill	station	is	beautifully	lit.	Our	Celerio	worms	and	
winds	up	the	hill	steeped	in	troves	of	natural	riches	past	trees	and	wilderness,	past	the	villages	yonder	that	sleep,	along	
the	twisting	and	turning	roads	taking	you	on	an	evocative	journey	that	makes	you	experience	the	rustic	life	like	you	
never	have.	
	
For	a	film	that	is	so	novel	in	its	perspective,	we	need	a	visual	treatment	that	brings	the	reality	of	the	moment	at	your	
doorstep.	It	would	have	to	be	a	film	that	makes	the	walls	around	you	disintegrate	and	takes	you	on	a	journey	through	
this	natural	splendour.		
	
Since	the	film	takes	place	in	the	night,	we	would	travel	through	locations	that	are	well	lit	in	beautiful	moonlight	
accentuated	by	warm	streetlights.	Since	the	winter	air	is	foggy,	the	effect	would	be	nothing	less	than	celestial.	We	would	
see	Celerio	from	all	angles	–	close	ups	of	its	features	in	shallow	focus	with	bokeh	effect	lending	beauty	and	drama	to	the	
frame,	aerial	shots	to	capture	the	entire	moon	draped	beauty	of	the	landscape,	tracking	shots	to	capture	the	gliding	
nature	of	the	car’s	movement,	follow	shots	for	speed	and	performance	interspersed	with	the	interior	of	the	car	and	the	
emotions	surrounding	it;	whether	it	is	the	girl’s	anticipation	of	a	beautiful	future	or	the	dog’s	genuine	pleasure	of	that	
very	moment.
MUSIC.	
	
Music	is	a	crucial	element	in	any	film.	But	when	a	film	is	riding	high	on	emotion,	it	cannot	be	
complete	without	evocative	music.	Music	heightens	the	emotional	value	of	a	scene	and	the	
film.	Music	lends	it	life.	Music	makes	it	a	journey	worth	undertaking.		
		
Since	this	film	is	all	about	love	–	love	between	Celerio	and	its	rider,	love	between	the	girl	
and	her	future	partner,	love	between	the	dog	and	the	owner,	love	between	two	dogs	and	
love	between	the	dog	and	the	car	that	takes	it	on	an	unforgettable	adventure	–	it	requires	a	
track	that	talks	about	the	various	nuances	of	love,	hope	and	freedom.	Tune	and	melody	
that	talk	of	the	duality	that	this	film	partakes	in	–	adventure	and	a	stable	future	hand	in	
hand.
DIGITAL FILM 2 – ‘SINGLE MOM’
CHARACTERS	&	THEIR	EXPLORATION	OF	THE	TRUE	MEANING	OF	
LOVE	
	
This	is	a	truly	heart	warming	film	about	two	people	who	value	change	for	the	better	more	than	most	people.	
Our	man	loves	and	respects	his	partner	who	is	a	single	mother	who	has	raised	her	beautiful	4	year	old	child	all	
on	her	own.	He	admires	the	chemistry	between	the	mother	and	the	daughter.	The	daughter	has	allowed	the	
mother	to	be	innocent	and	childlike	despite	the	hardships	at	such	a	young	age	and	the	mother	has	raised	a	girl	
so	young	and	yet	so	caring	and	loving	even	at	that	age.	They	are	a	wonderful	pair	and	they	are	extremely	lucky	
to	have	each	other.
The	only	thing	missing	in	their	lives	was	a	man	who	can	be	a	wonderful	father	and	a	great	husband.	Now	
that	they	have	someone	who	loves	them	equally,	their	lives	are	complete.	It	is	not	as	if	their	worlds	were	
incomplete	or	devoid	of	a	male	presence,	it	is	just	that	the	more	the	people,	the	more	the	love	and	joy.	The	
man	understands	the	anguish	of	a	woman	who	naturally	needs	a	partner	like	any	other	person	does	but	
must	also	take	care	of	a	child	and	may	even	be	required	to	keep	the	lives	separate.	But	he	understands	that	
such	a	dynamic	can	take	a	toll	on	all	three.		
	
The	man	wants	to	ensure	that	he	enjoys	a	beautiful	relationship	not	just	with	the	mother	but	also	her	little	
girl.	He	would	rather	have	a	life	where	they	are	all	together	and	make	each	other	happy	and	complete.	He	
loves	the	little	girl	as	much	as	her	mother.
He	stops	once	again	and	this	
time	easily	parks	by	the	side	
of	the	road	outside	a	house.		
Beautiful	Sonam	steps	out	of	the	house	while	still	pulling	
up	one	of	her	shoes.	This	makes	her	cute	and	endearing.	
Prabhjot	is	quick	to	notice	it	and	laughs	at	her	childlike	
mannerisms.
THE	MAJESTY	OF	THE	NIGHT.	
	
Perhaps	it	is	Sunday	evening	and	our	couple	is	getting	ready	to	go	out	for	a	movie	beating	the	
evening	traffic.	The	night	is	aglow	in	the	warm	street	lights	that	cast	its	warmth	and	envelopes	the	
entire	setting	in	its	divine	lighting.	The	warm	light	occasionally	caresses	the	gleaming	car	and	our	
guy	inside.		
	
	
	
	
	
	
	
	
The	warmth	of	the	street	lights,	the	glow	of	the	moonlight,	the	contour	defining	coloured	lights	of	
the	neon	street	signs	and	advertising	boards	create	a	sense	of	drama	as	Celerio	drives	past	bustling	
traffic	to	a	rather	peaceful	and	calm	residential	area	that	is	lit	beautifully	with	fairy	lights	and	
Chinese	lanterns	hung	from	the	trees.
He	stops	once	again	and	this	
time	easily	parks	by	the	side	
of	the	road	outside	a	house.		
A	 T R I A D	 O F	 G L O R I O U S	
MOONLIGHT,	 WARM	 STREET	
LIGHTS	 &	 THE	 NEON	 LIGHT	
FROM	 THE	 SIGNAGES	 &	 THE	
TRAFFIC
When	a	brand	that	denotes	quality,	reliability	and	beauty	is	married	to	a	thematic	that	is	progressive	and	
inclusive,	what	you	get	in	your	palms	is	this	set	of	wonderful	and	unforgettable	films.		I	would	consider	it	
my	honour	and	privilege	to	be	associated	with	something	that	has	its	heart	in	the	right	place,	that	
believes	in	equality	and	progressive	thinking,	that	values	compassion	and	empathy,	especially	in	a	world	
that	thrives	on	mediocrity	both	in	thought	and	quality.	If	I	am	given	the	opportunity	of	making	these	
inspired	films,	I	would	want	to	ensure	that	I	add	to	the	wonderful	scripts	and	concepts	through	a	
treatment	that	is	contemporary,	modern	and	world	class.	I	would	ensure	that	the	films	look	sleek	and	
beautiful	even	as	the	characters,	their	relationships	to	each	other	and	the	car	create	moments	that	are	
evocative,	visceral	and	such	that	they	pluck	at	your	heartstrings.	This	film	is	as	much	about	beauty	as	it	is	
about	emotions	and	it	is	the	marriage	of	these	two	elements	that	would	make	these	films	shine	for	many	
years	to	come.		
I	look	forward	to	working	with	you	on	these	films	that	would	make	
the	makers	as	well	as	the	audiences	proud!	Let	these	films	pave	the	
way	for	future	films	to	come.	Let	these	films	pave	the	way	for	those	
who	believe	in	brotherhood,	oneness,	inclusion,	equality	and	
respect	for	one	another.		
	
THANK	YOU!

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