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Candice//Tangent Trailer 
SCENE BY SCENE/ /TREATMENT
Scene 1 & 2 
 Scene 1: Chris stands on/in a rural type area looking 
rather scruffy and dishevelled, the audience will assume 
this is him at his lowest. Shots used: Close Up, Long 
Shot, Mid Shot. This part of the trailer depicts the end of 
the narrative. 
 Scene 2: Chris, now less scruffy but still dishevelled, sits 
in his flat holding a picture of his girlfriend (perhaps on 
his phone) looking very upset, the audience will think the 
girlfriend has recently died and the non diagetic sound of 
police sirens will give the audience the idea that she was 
involved in a crime/accident. Shots Used: C.U of face. 
C.U of picture. M.Shot. This may quickly establish the 
disequilibrium (theory by Todorov) that will feature 
throughout the trailer’s entirety.
Scene 3 & 4 
 Scene 3: Chris talks to a member of family or friend 
about his now fairly distant grief and how he is coping. 
This would be to connect the audience to Chris and relate 
to his grief, only to be brought out by Candice who will 
appear soon. His family will hint at him moving on. 
Shots used: M.S 
 Scene 4: Chris becomes angry in front of his mirror, 
something that may be repeated later in the trailer to 
emphasise the difference in his look. Shots Used: 
M.Shot 
 Scene 4 Sound: Chris plays a voicemail his girlfriend left 
him before her death. This could tie in with scene 2 and 
could exist only as sound that would play over scene 4&5
Scene 5 & 6 
 Scene 5: Chris patrols the streets and comes across Candice, 
who looks exactly like his late girlfriend and a close up will 
make it evident (to the audience) that the likeness will 
contribute to the main narrative. Shots Used: C.U, M.S, 2.S 
 Scene 6: Candice and Chris sit in a room thought to be a 
brothel bedroom having a conversation about Candice’s job 
and how she remains professional around her customers and 
Chris remains completely interested throughout. This scene 
will show the audience that Chris has a keen interest in 
Candice and his infatuation will be shown on his face 
predominantly through this scene. Shots Used: M.S, C.U. 
When Candice continues to speak about her professional life, 
Chris’ face will be seen (her voice will be in the background) 
and the audience will see his obsession starting.
Scene 7 & 8 
 Scene 7: Chris begins to check his bank balance in 
anticipation that he can afford to continue his affairs 
with Candice. Shots Used: C.U of bank statement 
and M.S of Chris. 
 Scene 8: Chris talks to the same friend/family 
member about how things are improving and he’s 
ready to move on. Shots Used: M.S, 2.S
Scene 9 & 10 
 Scene 9: His obsession continues. He begins stalking 
Candice during the moments he can’t be with her 
and seems to get agitated at the thought of her with 
other customers. Shots Used: L.S, M.S, C.U 
 Scene 10: Candice becomes aware of someone 
following her at weird times. This will be shown on 
her face. Shots Used: C.U, L.S, M.S
Scene 11 & 12 
 Scene 11: Chris meets up with Candice again. 
Candice is a bit flustered and frantic but it becomes 
evident that she seeks comfort in Chris, something 
he is eager to give. Shots Used: C.U, M.S. No 
Speech 
 Scene 12: In a bedsit/hostel, Chris and Candice sit 
there, most likely post-sex. Candice becomes 
reluctant to Chris’ serious advances and starts 
resisting. Chris gets violent and appears as if he will 
rape her. Shots Used: 
 The trailer cuts to black and features the end titles.

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Treatment

  • 1. Candice//Tangent Trailer SCENE BY SCENE/ /TREATMENT
  • 2. Scene 1 & 2  Scene 1: Chris stands on/in a rural type area looking rather scruffy and dishevelled, the audience will assume this is him at his lowest. Shots used: Close Up, Long Shot, Mid Shot. This part of the trailer depicts the end of the narrative.  Scene 2: Chris, now less scruffy but still dishevelled, sits in his flat holding a picture of his girlfriend (perhaps on his phone) looking very upset, the audience will think the girlfriend has recently died and the non diagetic sound of police sirens will give the audience the idea that she was involved in a crime/accident. Shots Used: C.U of face. C.U of picture. M.Shot. This may quickly establish the disequilibrium (theory by Todorov) that will feature throughout the trailer’s entirety.
  • 3. Scene 3 & 4  Scene 3: Chris talks to a member of family or friend about his now fairly distant grief and how he is coping. This would be to connect the audience to Chris and relate to his grief, only to be brought out by Candice who will appear soon. His family will hint at him moving on. Shots used: M.S  Scene 4: Chris becomes angry in front of his mirror, something that may be repeated later in the trailer to emphasise the difference in his look. Shots Used: M.Shot  Scene 4 Sound: Chris plays a voicemail his girlfriend left him before her death. This could tie in with scene 2 and could exist only as sound that would play over scene 4&5
  • 4. Scene 5 & 6  Scene 5: Chris patrols the streets and comes across Candice, who looks exactly like his late girlfriend and a close up will make it evident (to the audience) that the likeness will contribute to the main narrative. Shots Used: C.U, M.S, 2.S  Scene 6: Candice and Chris sit in a room thought to be a brothel bedroom having a conversation about Candice’s job and how she remains professional around her customers and Chris remains completely interested throughout. This scene will show the audience that Chris has a keen interest in Candice and his infatuation will be shown on his face predominantly through this scene. Shots Used: M.S, C.U. When Candice continues to speak about her professional life, Chris’ face will be seen (her voice will be in the background) and the audience will see his obsession starting.
  • 5. Scene 7 & 8  Scene 7: Chris begins to check his bank balance in anticipation that he can afford to continue his affairs with Candice. Shots Used: C.U of bank statement and M.S of Chris.  Scene 8: Chris talks to the same friend/family member about how things are improving and he’s ready to move on. Shots Used: M.S, 2.S
  • 6. Scene 9 & 10  Scene 9: His obsession continues. He begins stalking Candice during the moments he can’t be with her and seems to get agitated at the thought of her with other customers. Shots Used: L.S, M.S, C.U  Scene 10: Candice becomes aware of someone following her at weird times. This will be shown on her face. Shots Used: C.U, L.S, M.S
  • 7. Scene 11 & 12  Scene 11: Chris meets up with Candice again. Candice is a bit flustered and frantic but it becomes evident that she seeks comfort in Chris, something he is eager to give. Shots Used: C.U, M.S. No Speech  Scene 12: In a bedsit/hostel, Chris and Candice sit there, most likely post-sex. Candice becomes reluctant to Chris’ serious advances and starts resisting. Chris gets violent and appears as if he will rape her. Shots Used:  The trailer cuts to black and features the end titles.