This document outlines a proposed 5-minute short film called "A Creation of My Own". It would follow a shy artist named Ika who has unwillingly created her own inner demon, Sab, to represent the negative traits she dislikes about herself. Though Sab is mean to Ika, they have an unusual relationship that reflects Ika's self-doubt. The story would show their daily interactions where Sab challenges and criticizes Ika's art and abilities, culminating in an argument where Ika's drawings come to life. In the end, Ika is able to overcome her doubt and trap the drawings, smiling at her newfound confidence. The film is targeted towards a 16+ audience and would utilize static cameras, 2D
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Read| The latest issue of The Challenger is here! We are thrilled to announce that our school paper has qualified for the NATIONAL SCHOOLS PRESS CONFERENCE (NSPC) 2024. Thank you for your unwavering support and trust. Dive into the stories that made us stand out!
Macroeconomics- Movie Location
This will be used as part of your Personal Professional Portfolio once graded.
Objective:
Prepare a presentation or a paper using research, basic comparative analysis, data organization and application of economic information. You will make an informed assessment of an economic climate outside of the United States to accomplish an entertainment industry objective.
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Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
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1. By Darcy Warwick Treatment1 & 2 16/09/19
Treatment1:
Name/Workingtitle–A CreationThatof My Own
Lengthof Film– 5 minutesorunder
Logline/tagline–
Artwork takinga life of itsown
Imaginationatitsfinest
KeyCharacters(&Possible CastMembers):
IKA – YoungArtist– Ikais a shy yettalentedartistwhostruggles withself-doubt/self-belief,she has
unwillinglycreatedSabinherownmind(hence whynoone can see her),Sabis the physical
representationof everythingIkahates/dislikesaboutherself.However,despite thisIkaandSabhave
an unusual relationshipwhichiscomedicyetreflective of whatIkaviewsherself.
SAB – IKA’sSaboteur/innerdemon –Sabisa listof things:
Cold
Mean
Calculating
Unsympathetic
Moody
Sarcastic
These are all the personalitytraitswhichIkadislikesaboutherself whichare thenphysicalisedin
Sab; Sab takesan interestingrole asbeing the negative/somewhatdamagingconscience of Ika.
Artisthave a general sayingthatyouare your worstcriticwhichin Ika’scase is verymuchreal as
not onlydoesSabjudge Ikaon herstudies& art but alsoherday-to-dayactivity(whichisquite
typical forartist whoare overlycritical of themselves).
KILE – CharacterDrawingwhichcomesto life –Kile hasno speakingrolesandisa drawing of a
cartoon snake whichcomestolife,hisexpressionsare comedicaswell asentertaining.He isthe
maindrawingoutof the variousotherdrawingsashe isthe firstthat we are introducedto.
Act 1: The Putdown:The date isThursday12th
October2019, we are firstintroducedtoSab (see
character description) walkingovertohercounterpartof the shortfilm(see characterdescriptionof
Ika).
Ika ispassedouton an oldpark bench due to her alcoholism&depressionwhichwasbroughtonby
a numberof differentfactorswhichleadtoherlosingconfidence inherself andherprofession.
She issurroundedbyemptybeerbottlesandothersources (tea,cigarettes&other) whichnumbs
hercripplinglackof self-confidence.
WhenSab sitsdownto joinIka,she takesa half-filledbeerbottlefromIka’shand,thenproceedsto
pour iton herface (whichpromptlywakesherup).
From thenon Sab& Ika exchange afewfrank/wittycomments(withIkastrugglingfroma
hangover),Ikathenproceedstowalktothe college whichshe isnow late for.
2. By Darcy Warwick Treatment1 & 2 16/09/19
Continuingonfromthe benchscene,we travel withIka&Sab as theywalkto the college;withSab
makingfunnycommentsandother remarksto Ikaand passers-by (showinghow Sabisjudgemental
to Ika andothers).
Sab & Ika arrive at the studyto continue withtheirdayscourseworkthatneedstobe done, we then
see a montage of scenesinwhich Sabchallenges Ikainherdaily routine.
An example of this:
Café shop – Sab challengingIkaonherdrinkchoices& foodchoices
Study – SabcommentingonIka’sabilitytowrite ascript
Art room– Sab remarkingonIka’sart, “I don’tget it”
Act 2: The Battle:Sab & Ika are now inthe art roomwhere we view Ikacontemplating overthe
compositionof herlatestcharacter/drawing,Sabpromptly lookingindisgustandcriticisingthe
drawing.
Ika has justhadenoughof the constantput downfromSab soan argumentbetweenthe twosoon
emerges.
The argumentfrom the twocounterpartsstarts to manipulatingtheirsurroundings(causingpapers
to flyoff the table andother objectstofall).
The argumentescalatestothe extentwhere Ikablacksoutand Sabstops yelling.
Ika wakesupwithSab passedouton the table,everythingisbackinplace, she standsupand looks
for herdrawingwhichisno longertobe seenon the paper.
Sab comesaroundto findIkastaring at her(PoV shot),Ikahas now notice the drawingwhichshe
drewhas nowcome to life andissittingonSab’sshoulders.
Ika explainstoSabthatthe drawingwhichshe hadcreatedison Sab’sshoulder,whensabturnsto
lookat the drawing,theybothscreamand the drawingisscared off.
Act 3: The Victory:Sab& Ikaspendtime tryingto catch and bringthe drawingundercontrol butfind
it’snot an isolatedinstance asall Ika’s drawingshascome tolife.
Sab evaluatesthe situationanddiscoversthatIkahasenoughonher plate sodecidestodepartand
watch fromafar (witha cup of tea andpopcorn).
Ika finds heremptysketchbook whichshe decidestotrapall herdrawingsin,she fightstokeep
theminand succeedinsecuringthemwithaleatherbelt.
The next/lastshotwe see isIkawalkinghome withthe bookwithalastingglintinhereye as she
smilesatthe camera.
Target audience:Frommyoriginal mindmapideasIsaidFamily/comedy/fantasy,Ibelievenow that
the typical genre will followthe route of Comedy/fantasyasthe mature jokesare notsuitedfora
familyfriendlyaudience.The newtargetaudience forthisshort filmwouldfollow amature audience
16+, as mature jokesandthemes mightbe seenasdistasteful toyoungerorparental,however16+
wouldrelate more tothe character, setand storyline (due tocollege/schoolatmosphere).Due to
thisfilmprimarilybeingavailable onthe YouTube platform,the likelytargetaudience thatwould
viewthisis,wouldbe fromthe social grade “E”, due to many students&youngpeople finding
3. By Darcy Warwick Treatment1 & 2 16/09/19
relevance inthe contentandtypical userof the platform.
Form andstyle:Due to Sab & Ika beingthe same actor (butplayingthe twodifferentcharacter’s),
staticcameras on tripodswouldhave tobe usedas to make the varietyof shotsequal toeach other
so whenblending(onAfterEffects)the scenesof the individual charactersthe effectisseamless.
Duringthe scenesinwhichthe drawingsare presentthe effectof either2DanimationorStop
Motionanimationwill be present.Whenresearchingoldtechniquesonanimation(Disney),a
technique whichtheyusedwasframe-by-framepainting/drawing,Due tothe availabilityof digital
art software/programs,we candrawdirectlyontothe shotstakenandproceedto do the same
technique ata fasterrate witha live actioncut/actorspresent.Ithinkthe presentof the tradition
style animationwill emphasise the childlike imaginationof the storyandwill lightenthe moodof a
complex topicof self-doubt/self-belief.
Marketplace:Asthe theme of the story ishighlightingartiststruggleswithself-doubt/self-belief,I
believethatthe mainmarketplace wouldbe more cateredtowardsthe artcommunity(onthe
YouTube platform) asthe lack of recognitionfortheirtalentscanleadtostrugglesof self-doubt/self-
belief intheirability.Thisshortfilmtouchesonthatsubjectandwoulddeliverarelatable subject.I
thinka prequel/sequelwouldbe possible butnotdesiredasIwouldlike toleave the storyopen,but
can revisitif wantingtodevelopthe storyfurther.