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The Conducttr Conference 2014
Dr Sophy Smith
Transmedia Performance and Pervasive Theatre
#cdttr2014
@assaultevents @sophysmith
ssmith05@dmu.ac.uk
The potential of transmedia tools to
create a multi media cross-platform
environment for performance that will
be exciting, immersive and
participative
Multiple media on single broadcast channel
Vs
Multiple media on multiple broadcast channels
Artistic infrastructure must work
effectively with the technology
infrastructure.
The social media performance spaces were crucial to
the narrative development, particularly different
characters’ voices, and decisions about
how/where/when to reveal the narrative.
Dirty Evangelica: SEE (still photos) and HEAR (via song)
Neutrick Excess: READ (via HSH page)
Trainer Crew: SEE (video & photo) and HEAR (video)
Candy Wrap: SEE (still photo & video), READ and HEAR (video)
The way we ‘speak’ online is its own language, ie to
‘like’ a post on Facebook, is a form of character
dialogue.
Artistic infrastructure must work
effectively with the technology
infrastructure.
Audience involvement
Passively reading posts on newsfeed
Actively clicking on Vines, photos, music, posts
Interactively commenting on each others’ posts,
‘favouriting’ & retweeting on Twitter
Collaboratively sharing posts on their pages,
inviting friends to like the HSH
Facebook page, using Twitter
handles in their posts (ie. #fallenangels)
It’s not just about new environments,
it’s about new kinds of work.
The Conducttr Conference 2014
Dr Sophy Smith
Transmedia Performance and Pervasive Theatre
#cdttr2014
@assaultevents @sophysmith
ssmith05@dmu.ac.uk

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Transmedia Performance and Pervasive Theatre

  • 1. The Conducttr Conference 2014 Dr Sophy Smith Transmedia Performance and Pervasive Theatre #cdttr2014 @assaultevents @sophysmith ssmith05@dmu.ac.uk
  • 2.
  • 3.
  • 4.
  • 5. The potential of transmedia tools to create a multi media cross-platform environment for performance that will be exciting, immersive and participative
  • 6.
  • 7. Multiple media on single broadcast channel Vs Multiple media on multiple broadcast channels
  • 8.
  • 9.
  • 10.
  • 11.
  • 12.
  • 13. Artistic infrastructure must work effectively with the technology infrastructure.
  • 14. The social media performance spaces were crucial to the narrative development, particularly different characters’ voices, and decisions about how/where/when to reveal the narrative. Dirty Evangelica: SEE (still photos) and HEAR (via song) Neutrick Excess: READ (via HSH page) Trainer Crew: SEE (video & photo) and HEAR (video) Candy Wrap: SEE (still photo & video), READ and HEAR (video) The way we ‘speak’ online is its own language, ie to ‘like’ a post on Facebook, is a form of character dialogue.
  • 15.
  • 16.
  • 17.
  • 18. Artistic infrastructure must work effectively with the technology infrastructure.
  • 19.
  • 20.
  • 21.
  • 22.
  • 23.
  • 24.
  • 25.
  • 26.
  • 27.
  • 28.
  • 29.
  • 30.
  • 31.
  • 32.
  • 33.
  • 34.
  • 35. Audience involvement Passively reading posts on newsfeed Actively clicking on Vines, photos, music, posts Interactively commenting on each others’ posts, ‘favouriting’ & retweeting on Twitter Collaboratively sharing posts on their pages, inviting friends to like the HSH Facebook page, using Twitter handles in their posts (ie. #fallenangels)
  • 36.
  • 37. It’s not just about new environments, it’s about new kinds of work.
  • 38.
  • 39. The Conducttr Conference 2014 Dr Sophy Smith Transmedia Performance and Pervasive Theatre #cdttr2014 @assaultevents @sophysmith ssmith05@dmu.ac.uk