The document discusses a conference presentation by Dr. Sophy Smith on transmedia performance and pervasive theatre. It notes the potential for transmedia tools to create immersive, multi-platform performances across multiple media channels. It also discusses how different social media platforms were crucial to different characters' narratives in several projects and how audience interaction ranged from passive to collaborative engagement online.
Nataly Rios explains her process of creating an interactive murder-mystery game.
She shares her experience and gives insights about breaking down the story, setting points of interaction and building the experience for the audience, starting from the end of the story rather than the beginning.
Alison Norrington gives a detailed examination of the creation and development of The Chatsfield, a persistent interactive living soap opera that integrates numerous characters, digital platforms, interactive games and user-generated content.
She discusses the evolution and operation of this project, explaining how to tell a story across multiple platforms collaborating with different teams and partners.
Screenwriter and transmedia creator Jill Golick talks about how to build interactive into a story.
Using her award-winning TV show Ruby Skye P.I as a case study, she discusses how to adapt traditional scripts and bibles to the creator's interactive needs; and how to get the film and video crew to collect the required assets when they are used to doing things the "old" way.
Simple one-sheet to help transmedia storytellers present their projects. The aim is to get some consistency of presentation so that those listening can "get it" more quickly.
The purpose of the book is to stimulate ideas and inspiration. It’s a small catalog of participatory transmedia storytelling experiences intended to remind, suggest, provoke and inspire creators.
Please help us by sending ideas and examples so that we might update it!
Active Story System - design methodology for transmedia storytellingRobert Pratten
Design methodology for creating participatory transmedia stories. For $1.25 you can buy an interactive PDF of the worksheets shown in this presentation. This allows you to complete the fields for your own projects and print. Here's the link:
http://an.cr/sa/jH0In
Nataly Rios explains her process of creating an interactive murder-mystery game.
She shares her experience and gives insights about breaking down the story, setting points of interaction and building the experience for the audience, starting from the end of the story rather than the beginning.
Alison Norrington gives a detailed examination of the creation and development of The Chatsfield, a persistent interactive living soap opera that integrates numerous characters, digital platforms, interactive games and user-generated content.
She discusses the evolution and operation of this project, explaining how to tell a story across multiple platforms collaborating with different teams and partners.
Screenwriter and transmedia creator Jill Golick talks about how to build interactive into a story.
Using her award-winning TV show Ruby Skye P.I as a case study, she discusses how to adapt traditional scripts and bibles to the creator's interactive needs; and how to get the film and video crew to collect the required assets when they are used to doing things the "old" way.
Simple one-sheet to help transmedia storytellers present their projects. The aim is to get some consistency of presentation so that those listening can "get it" more quickly.
The purpose of the book is to stimulate ideas and inspiration. It’s a small catalog of participatory transmedia storytelling experiences intended to remind, suggest, provoke and inspire creators.
Please help us by sending ideas and examples so that we might update it!
Active Story System - design methodology for transmedia storytellingRobert Pratten
Design methodology for creating participatory transmedia stories. For $1.25 you can buy an interactive PDF of the worksheets shown in this presentation. This allows you to complete the fields for your own projects and print. Here's the link:
http://an.cr/sa/jH0In
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Summary of PhD dissertation and link with the new media literacies skills
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Powerful Voices for Kids is a university-school partnerships that offers a comprehensive program to strengthen children's ability to think for themselves, communicate effectively using language and technology tools, and use their powerful voices to contribute to the quality of life in their families, their schools, their communities and the world.
Presentation a BGIedu (Bainbridge Graduate Institute) alumni workshop "Introduction to the Social Web". Topics included Shared Language, Definitions of Social Web, Social Networking, Social Media, Web 2.0, Blogs, etc.
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Transmedia Performance and Pervasive Theatre
1. The Conducttr Conference 2014
Dr Sophy Smith
Transmedia Performance and Pervasive Theatre
#cdttr2014
@assaultevents @sophysmith
ssmith05@dmu.ac.uk
2.
3.
4.
5. The potential of transmedia tools to
create a multi media cross-platform
environment for performance that will
be exciting, immersive and
participative
6.
7. Multiple media on single broadcast channel
Vs
Multiple media on multiple broadcast channels
14. The social media performance spaces were crucial to
the narrative development, particularly different
characters’ voices, and decisions about
how/where/when to reveal the narrative.
Dirty Evangelica: SEE (still photos) and HEAR (via song)
Neutrick Excess: READ (via HSH page)
Trainer Crew: SEE (video & photo) and HEAR (video)
Candy Wrap: SEE (still photo & video), READ and HEAR (video)
The way we ‘speak’ online is its own language, ie to
‘like’ a post on Facebook, is a form of character
dialogue.
35. Audience involvement
Passively reading posts on newsfeed
Actively clicking on Vines, photos, music, posts
Interactively commenting on each others’ posts,
‘favouriting’ & retweeting on Twitter
Collaboratively sharing posts on their pages,
inviting friends to like the HSH
Facebook page, using Twitter
handles in their posts (ie. #fallenangels)
36.
37. It’s not just about new environments,
it’s about new kinds of work.
38.
39. The Conducttr Conference 2014
Dr Sophy Smith
Transmedia Performance and Pervasive Theatre
#cdttr2014
@assaultevents @sophysmith
ssmith05@dmu.ac.uk