Trailer record sheet paranormal 2
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This document provides a record sheet for the teaser trailer for the film "Paranormal Activity 2". It includes categories for the type of film, questions raised by the teaser, and comments on genre and reactions. It then lists the shot sequence and technical elements for the teaser trailer. The summary analyzes how the teaser trailer uses techniques like static effects and surveillance camera footage to fit the motif of technological horror films and build intrigue around what happened to characters from the previous film.
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The document proposes a film opening in 3 parts:
1) Brief establishing shots of dark, lonely woods to set an ominous atmosphere. Sound of heavy breathing and hitting build tension.
2) A tracking shot follows a blood trail to a mysterious figure holding a hammer, breathing heavily. Close-ups establish his threatening appearance.
3) A news report reveals a 5-year serial killer case before cutting to the protagonist's home, showing their investigation into the killer through maps, articles and journals on the walls. Slow, dark music builds throughout.
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The document proposes a film opening involving establishing shots of dark, lonely woods not central to the film's narrative. Shots would create an ominous atmosphere and tension through heavy breathing, hitting sounds, and dark music. The sequence would then follow a trail of blood to a mysterious figure holding a hammer, with close-ups establishing his threatening appearance. A POV shot would look up from a body at the figure before zooming into his eye until the screen goes blank with text saying "48 hours earlier". The opening would then reveal a news report on a serial killer and include a credit montage of clues in the protagonist's home.
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The document proposes a film opening involving establishing shots of dark, lonely woods not central to the film's narrative. This is meant to set an ominous atmosphere and connote the protagonist's dark personality. The opening then shows a tracking shot of a blood trail leading to a figure holding a hammer, breathing heavily. Close-ups establish the mysterious character and create tension. A POV shot looks down at a body, then up at the figure's eyes. Text reads "48 hours earlier" before cutting to a news report on a serial killer active for 5 years. Shots of the protagonist's home play over credits, showing news articles, a journal, maps with pin locations, and possibly weapons. Sound and lighting aim to build mystery
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The document outlines the production schedule, locations, props, and costumes for a zombie horror media product. Filming will take place between October 1st-15th in and around the town of March, using conventional zombie horror locations like the town center, train station, and an abandoned building in Avenue Park. Props will include bats, fake guns, and backpacks to portray survivors. Costumes for survivors will be worn and bloody to suggest time spent in the apocalypse, while zombies will have very tattered and bloody outfits.
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The document discusses conventions of horror movie trailers and films. It notes that horror trailers typically use dark, low-light settings to create a spooky atmosphere. Common locations include abandoned urban areas, houses with dark histories, forests, and lakes shot at night. The camera work aims to involve viewers through techniques like dramatic angles, point-of-view shots, and handheld footage. Sound design adds tension through screams, footsteps, and other diegetic and non-diegetic sounds. Recognizable props help identify villains like Leatherface's chainsaw. The document analyzes themes including serial killers, gore, creatures, plot twists, and zombies to inspire fear in viewers.
Production schedule
The production schedule includes location scouting on September 29th, casting photos on October 1st, and test footage and shots during the first week of October. Filming will take place from October 6th to 15th. Equipment will include a camera and tripod.
Key filming locations will be the town center, train station when not in use, and Avenue Park, which contains an abandoned building. These locations are conventional for zombie horror films and will help establish isolation and a post-apocalyptic setting.
Props will include cricket/baseball bats, plastic assault rifles, and backpacks to indicate survivors. Costumes for survivors will be worn, tattered clothes, while zombies will wear very bloody and t
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The document proposes a film opening in 3 parts:
1) Brief establishing shots of dark, lonely woods to set an ominous atmosphere. Sound of heavy breathing and hitting build tension.
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3) A news report reveals a 5-year serial killer case before cutting to the protagonist's home, showing their investigation into the killer through maps, articles and journals on the walls. Slow, dark music builds throughout.
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The document proposes a film opening involving establishing shots of dark, lonely woods not central to the film's narrative. This is meant to set an ominous atmosphere and connote the protagonist's dark personality. The opening then shows a tracking shot of a blood trail leading to a figure holding a hammer, breathing heavily. Close-ups establish the mysterious character and create tension. A POV shot looks down at a body, then up at the figure's eyes. Text reads "48 hours earlier" before cutting to a news report on a serial killer active for 5 years. Shots of the protagonist's home play over credits, showing news articles, a journal, maps with pin locations, and possibly weapons. Sound and lighting aim to build mystery
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The document outlines the production schedule, locations, props, and costumes for a zombie horror media product. Filming will take place between October 1st-15th in and around the town of March, using conventional zombie horror locations like the town center, train station, and an abandoned building in Avenue Park. Props will include bats, fake guns, and backpacks to portray survivors. Costumes for survivors will be worn and bloody to suggest time spent in the apocalypse, while zombies will have very tattered and bloody outfits.
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The document discusses conventions of horror movie trailers and films. It notes that horror trailers typically use dark, low-light settings to create a spooky atmosphere. Common locations include abandoned urban areas, houses with dark histories, forests, and lakes shot at night. The camera work aims to involve viewers through techniques like dramatic angles, point-of-view shots, and handheld footage. Sound design adds tension through screams, footsteps, and other diegetic and non-diegetic sounds. Recognizable props help identify villains like Leatherface's chainsaw. The document analyzes themes including serial killers, gore, creatures, plot twists, and zombies to inspire fear in viewers.
Production schedule
The production schedule includes location scouting on September 29th, casting photos on October 1st, and test footage and shots during the first week of October. Filming will take place from October 6th to 15th. Equipment will include a camera and tripod.
Key filming locations will be the town center, train station when not in use, and Avenue Park, which contains an abandoned building. These locations are conventional for zombie horror films and will help establish isolation and a post-apocalyptic setting.
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This document provides information and instructions for a media studies lesson on opening title sequences (OTS). It defines an OTS as the method films and TV programs use to present titles, production details, and cast through visuals and sound. The purpose is to introduce the film or show. Students will analyze existing OTS examples and create their own two-minute horror film title sequence for a coursework assignment. They are instructed to research OTS styles on the website artofthetitle.com and complete an analysis worksheet in groups for homework.
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The document discusses genre conventions in film trailers and how they are used to convey a sense of genre to audiences. It specifically discusses how lighting, sound effects, fonts, and intertitles can establish genre tropes for horror and sci-fi. The document also talks about capturing audience reactions to test if a trailer conveys the intended genre. It provides examples from the film "Wired" of how the filmmaker employed genre conventions and crafted narrative elements like intertitles to set an experimental, dark tone for the sci-fi/horror film.
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The document summarizes the discussion points from a horror film focus group, including preferences for film posters, fonts, taglines, sound effects, magazine covers, camera shots, weapons, costumes, film titles, and elements of horror films. Participants discussed which slasher film posters most interested them, preferred fonts for titles, suitable taglines, types of sound for a trailer, imagery for a magazine cover, camera angles for the cover, weapons for trailers, appropriate costumes, potential film titles, and favorite aspects of horror films like narrative, villains, settings, music, jump scares, and costumes.
Focus group
The document summarizes the discussion points from a horror film focus group, including preferences for film posters, fonts, taglines, sound effects, magazine covers, camera shots, weapons, costumes, film titles, and elements of horror films. Participants discussed which slasher film posters most interested them, preferred fonts for titles, suitable taglines, types of sound for a trailer, imagery for a magazine cover, camera angles for the cover, weapons for a trailer, appropriate costumes, potential film titles, and favorite aspects of horror films like narrative, villains, settings, music, jump scares, and costumes.
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The audience feedback provided guidance to the filmmaker on how to structure their trailer. They advised revealing the cast and crew but not too many plot details to maintain secrecy. The feedback also suggested including information about the people involved in the production to help promote the film.
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This document provides guidance on preparing a proposal for a thriller film, including opening sequence conventions to consider like introducing characters, setting, and tone. It recommends including in the proposal a final opening sequence idea with supporting images, inspiration from other films, casting ideas, a tagline, treatment, storyboard, potential music, how it meets thriller genre conventions, and themes. It also provides examples of effective thriller tagslines.
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The document summarizes how the filmmaker attracted and addressed their audience in their thriller film. They used inter-textual references like the title font and an ending shot similar to Psycho. They left the opening on a dramatic cliffhanger to encourage viewers to watch the rest of the film and find out why the main character committed mysterious acts. Aspects of mise-en-scene like two shootings in the intro scene and upper-class costumes were used to appeal to audiences who enjoy action, period pieces, and classic noir thrillers filmed in black and white.
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The document describes a questionnaire given to 6 people aged 18-25 about their preferences in horror films. The questionnaire included open and closed-ended questions about preferred horror elements, enjoyment of tension and mystery, and favorite horror genres. It was conducted to help determine what to include in the opening scene of a horror film. The responses found that most enjoyed tension and mystery, half liked social realism aspects, and thriller aspects were the most popular recommended genre. The summarizer realized more participants and fewer closed-ended options would have yielded more useful responses.
Genre research
This document discusses the genre conventions of action/thriller films that the author researched in order to create an opening sequence for their film "Dead End." It describes conducting surveys that found action to be the most popular genre. It outlines the transitions, sounds, lighting, and mise-en-scene elements they chose based on conventions from films like The Dark Knight and Taken. While some elements oppose conventions to be unexpected, the sequence overall aims to match the fast-paced suspense typical of the action/thriller genre.
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The document discusses how a horror film targeted its audience. It conducted audience research through questionnaires to understand what the audience wanted from a horror movie. The film was made to revolve around what the research suggested. The target audience profile is described as a 16-year-old male who enjoys slasher movies, serial killers, and weapons. Two scenes in the opening sequence are highlighted as aiming to scare the audience - one where a character is dragged into bushes accompanied by a sudden sound, and another where the masked killer is revealed with camera work building tension.
2 Proposals
The document contains two film proposals from Elise and Beth. Proposal 1 is for a classic thriller with a modern twist, where a body is found in a field and a detective works to solve the mystery. Proposal 2 is for a documentary-style horror film where students encounter strange events while visiting an abandoned cotton mill. Both proposals include notes on how elements like editing, sound, cinematography, and mise-en-scene would be used to achieve their visions.
Horrorppt
This document discusses conventions of the horror genre that are commonly used in film openings. It lists conventional characters, settings, sounds, narratives, and camera work. It provides an example of analyzing the opening scene of "The Exorcism of Emily Rose" for conventions. Students are instructed to choose a horror film opening, analyze it for conventions used and challenged, discuss techniques to grab attention, and consider applying any conventions to their own work. Links to additional horror film opening scenes are provided.
Storyboards - Final Piece
This document contains 3 storyboard summaries for an opening scene:
1) The first storyboard shows a detective viewing found footage for the first 20-30 seconds. It will use single camera shots as the detective sits down and the footage is picked up.
2) The second storyboard features more of the creepy found footage, leaving the audience in suspicion. It ends with the detective learning his dog has been taken.
3) The third and final storyboard has the detective find a package at his door. Long shots show him discovering his dog in the box, in a state of shock. It then cuts to black or fades as the film title appears.
Goldeneye analysis
Goldeneye is a 1995 James Bond film directed by Albert J Broccoli. The film begins with iconic studio logos and Bond theme music. In the opening scene, Bond is seen jumping from the Hoover Dam while attached to a rope. He then meets with a Russian soldier in a bathroom. Bond later meets with Sean Bean's character and they sneak into an explosive storage facility occupied by armed Russian soldiers. A chase ensues where Bond pursues the enemies on a motorbike and manages to board their escaping plane before it explodes, allowing him to safely fly away as the title credits roll while listing the film's cast and crew.
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3) Symbolic Code - Finds deeper meanings on a larger scale than Semantic Code.
4) Hermeneutic/Enigma Code - Refers to unexplained elements that maintain audience interest.
5) Proairetic/Action Code - Creates tension by indicating something will occur, getting viewers to guess what happens next.
Film poster pres
This film poster features a dark, dimly lit image highlighting a lone character in an isolated, industrial setting to convey a sense of fear and unknown danger. The large, red title text uses a horror-associated font scratched into a wall to clearly identify the film's genre. The tagline "How far would you go to discover the truth?" is a rhetorical question meant to leave audiences questioning what decisions they would make if in the character's position.
Poster analysis 2
The poster depicts the face of the killer half in darkness with darkened eyes, representing his detached and inhumane split personality. A gleaming knife on the poster symbolizes his murder weapon and the reflection of his face hints that he uses it to kill. Though neatly dressed, his suit and tie hint at his sinister nature beneath his normal facade. The font and fading text connote danger and match the knife, flowing coherently into the poster's darkness.
Poster analysis
This document analyzes a film poster that targets London audiences aged 18-35. The poster features an ominous image of a London train carriage manipulated to seem dingy and dangerous. While centered, the image and text follow the rule of thirds to guide the eye in a C-shape from the press quote, across the image, and around to the film title. The hand grabbing the window with blood gives insight into the film's narrative, and the red lighting suggests danger to complement the horror genre.
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The document discusses how white and black colors are used to represent opposites, with white symbolizing death in some Asian cultures. It also lists various roles involved in film production such as location and set design, sound production and editing, film editing, directing, props and special effects, camera work, and stunts.
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This document provides guidance on MLA citation format, including how to cite different sources like books, articles, and web pages in both footnotes/endnotes and in a Works Cited list. It explains that citations must correspond to bibliographic entries so readers can find the source. Models are given for books, articles in anthologies, periodicals, and web pages, along with tips about punctuation, author names, titles, publication details, and dates.
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The document discusses elements that make for a successful movie poster design. It notes that posters should grab audience attention using techniques like mystery, tension, or iconic imagery related to the film without revealing too much of the plot. Successful posters also establish a recognizable "house style" and aesthetic that can be continued in later marketing. When designing a poster, the document recommends considering these techniques like mystery, tension, iconic imagery, and developing a consistent style to attract a wide audience and create lasting appeal for the film.
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A science fiction film convention is that it must be based on real or potential science. Common sci-fi elements include futuristic technology, space/time travel, genetic engineering, alien contact, and robots. Science fiction films are often set in the future or space. Elysium adheres to several sci-fi conventions through its inclusion of advanced healing technology accessible only to the wealthy, human augmentation through exoskeletons, independently thinking robots, and the depiction of space stations as places where people live, demonstrating how the film fits within the science fiction genre.
Genre presentation
The document provides an analysis of the opening scene of a science fiction film. It summarizes that the genre is established through iconography showing space and Earth from the perspective of space. Technical dialogue and tense music that builds drama further confirms the sci-fi thriller genre. Contextual details like a reference to Facebook also suggest the film is set in modern times rather than in the past.
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- 1. ADVANCED PRODUCTION-RESEARCH-TRAILER RECORD SHEET Film TE/TR (Teaser / Trailer) Question's raised Category (True story, novel, comic fictional, film,docu) Comments (on Genre, own reaction) Shot list (B/W, SFX etc) Paranormal activities 2 TE Why is the house under surveillance? Pretending this is not of importance, why is THIS particular house of interest? How does this relate to the previous film? Is that the same woman that got possessed in the first one? What happened to the woman in the beginning? Fictional documentary/ horror The teaser trailer plays upon the conventions of a horror. The static effect, which has been edited in, allows the trailer to fit the motif of amateur cameras/surveillance cams being the key feature of the film. The static also follows the cult classic horror films that involve technology such as Poltergeist and White Noise and The Ring. The static is a tool of ‘technological horror’ films that adds grittiness to the overall feel of the film. It suggests paranormal imposing on scientific media. Black screen --static --black continues --static -cut to Long shot – bedroom --camera falls – to – --Dutch tilt --static Zoom --“IN 2009” – fade --“YOU DEMANDED IT” -static to* Audience reaction – night vision -cut to Audience reaction shot -static to Bedroom – zoom continues -static to Black -Cut to Bedroom – Medium/close-up of demonic woman -cut to Audience reaction shot -static to black -cut to Establishing shot of child’s room -cut to Est shot of veranda -static to
- 2. Est shot of kitchen -cut to Est shot of child’s room – zoom -static to black “NOTHING CAN PREPARE YOU” -static cut to Est. Shot of room -static/cut to Establishing shot of toom -static to “FOR WHAT’S NEXT” -static cut to Establishing shot of living room -static cut to Establishing shot of bedroom --creepy girl standing at doorway now -static to Black screen --Flickering “2” --Flickering “PARANORMAL ACTRIVITIES” -fade to Black screen --fade in web address.