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The Story behind Storytelling
Sierre, #TpM2014
Prof. Dr. Martin Zimper

Head of CAST / Audiovisual Media

Zurich University of the Arts
Empathy with the Hero/ Heroine

„That might be me!“

Identification

!
The protagonist is down because of unfortunate circumstances. 

BUT – and it is important that it is not his fault that he is in an unhappy situation. 

!
The hero is innocent in bad luck. 

What does the hero/heroine want? What does he/she need?

Equilibrium - he looses it and wants it back.

!
!
Brandcenter Richmond
Old Craft for New Media

Writing is a technique/ a craft

Hollywood has european roots

Aristoteles, Poetics („catharsis“)

Konstantin Sergejwetisch Stanislawski
Jurij M. Lotman, Semantic Spaces

Syd Field, Robert McKee, Christopher Vogler

Joseph Campbell, Der Heros in tausend Gestalten
Dramatic function of

the Hero/ Heroine: 

Identification 

!
To give the audience a window into the story.

To identify and merge with him/her and 

see the world of the story through his eyes.

Heroes have qualities that we all can identify with and recognize in ourselves.

Stories invite us to invest part of our personal identity in the Hero for the

duration of the experience. We project ourselves into the Hero’s psyche.

!
Dramatic function of

the Hero/ Heroine II: 

Learn, grow, sacrifice

The Hero is the one who learns or grows the most in the course of a story.

Learning that goes on between Hero/ mentor OR Hero/ lover OR Hero/villain.

The true mark of a hero is sacrifice - his willingness to give up something of value, perhaps
even his own life on behalf of an ideal or a group.

At the heart of every story is the confrontation with death.

With the threat of death or symbolic death. 

True heroism is shown in stories when Heroes offer themselves on the altar of chance, 

willing to take the risk that their quest for adventure may lead to danger, loss or death. 

Heroes accept the possibility of sacrifice.
Breath of Death ?
The 7 Key Steps of 

Story Structure (John Truby, The anatomy of Story, 2007)
1. Weakness and Need

2. Desire

3. Opponent

4. Plan

!
5. Battle

6. Self-Revelation

7. New Equilibrium
Die Reise des Helden
Why is so much of our life 

spent inside stories?

!
„Stories are equipment for living.“ (Kenneth Burke)

!
„How should a human being lead his life?“ Aristotle, Ethics

!
„Story Arts have become humanity’s prime source of inspiration, as it seeks to order chaos
and gain insight into life. Our appetite for story is a reflection of the profound human need to
grasp the patterns of living within a very personal, emotional experience.“ (Robert McKee)

!
„Fiction gives life its form.“ (Jean Anouilh)
Story

A Journey which the audience takes with the characters.

A process of conflict and resolution. Of change and revelation.

A marriage between Plot and Character. 

A good story is always governed by some basic human truth and it will have some
qualities that are universal.

A good story is not about a good hero and a bad villain, a good story is about
dilemma.
Diplomarbeit Christina Gwercher 2014
Why are we telling stories?
Diplomarbeit Gina Pigagnelli 2014
Audience watches a film

Paying attention to the screen

Identify what things are

Reading the signs and characters

Make connections: what does this mean?
They guess what will happen next

Worry about the characters and their outcome

End: Emotional closure of surprise and vindication
Catharsis:  the purification or
purgation of the emotions (especially
pity and fear) primarily through art. In
criticism, catharsis is a metaphor used
by Aristotle in the Poetics to describe
the effects of true tragedy on the
spectator (Encyclopaedia Brittanica)
Aristoteles, Poetics

Agnorisis: the insight happens at the same moment
like the transition from harm to happiness
Peripeteia: a turning point, a change from

luck to bad luck, from joy to disaster, with

high emotional impact
Pathos: the acute threat of a disaster - with the
utmost probability that it happens
Semantic Zone1: The Village
Semantic Zone 2: The City
Seraina Mandra 2014
Overstepping a treshold

The hero/ protagonist oversteps a 

threshold between two semantic zones and
enters a new world.

He/She changes - and her/his appearance

changes the characters in the new 

semantic zones. 

This is a key element of Story.
The inciting incident

For better or worse, an event throws a
characters life out of balance, arousing in him
the conscious and/or unconscious desire for

that which he feels will restore balance,
launching him on a Quest for his object of
desire against forces of antagonism (inner,
personal, extra-personal). He may or may not
achieve it. This is story in a nutshell. 

(Robert McKee, Story)
iPad App „Humanity“

!
A travel app that puts storytelling and cultural immersion above all else.
In each issue, you’ll see:

A dozen or more short documentaries on fascinating locals, from a scuba diver in Iceland to a political guide in
Palestine.

More than two-dozen photo essays on some of the most breathtaking locations on the planet, each accompanied 

by local narration and natural soundscapes.

Multiple travel experience videos that showcase some of the most beautiful, awesome and epic things to do in
each country, from snowmobiling on a glacier to discovering Jerusalem's ancient streets.

Humanity is an iPad app for explorers, travelers, and adventurers. It’s a travel app that puts storytelling and
cultural immersion above all else. Each Humanity issue is created through more than two months of production
with the aim of telling unique stories and highlighting fascinating individuals from countries around the world. This
isn't a where-to-eat app. We won't show you hotel reviews from your mom.
Merci!
Prof. Dr. Martin Zimper

Head CAST / Audiovisual Media

Zurich University of the Arts

cast.zhdk.ch

martin.zimper@zhdk.ch

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TpM2014: Martin Zimper, ZHAW: The Story behind the Storytelling.

  • 1. The Story behind Storytelling Sierre, #TpM2014 Prof. Dr. Martin Zimper Head of CAST / Audiovisual Media Zurich University of the Arts
  • 2.
  • 3. Empathy with the Hero/ Heroine „That might be me!“ Identification ! The protagonist is down because of unfortunate circumstances. BUT – and it is important that it is not his fault that he is in an unhappy situation. ! The hero is innocent in bad luck. What does the hero/heroine want? What does he/she need? Equilibrium - he looses it and wants it back. ! !
  • 5. Old Craft for New Media Writing is a technique/ a craft Hollywood has european roots Aristoteles, Poetics („catharsis“) Konstantin Sergejwetisch Stanislawski Jurij M. Lotman, Semantic Spaces Syd Field, Robert McKee, Christopher Vogler Joseph Campbell, Der Heros in tausend Gestalten
  • 6. Dramatic function of the Hero/ Heroine: Identification ! To give the audience a window into the story. To identify and merge with him/her and see the world of the story through his eyes. Heroes have qualities that we all can identify with and recognize in ourselves. Stories invite us to invest part of our personal identity in the Hero for the duration of the experience. We project ourselves into the Hero’s psyche. !
  • 7. Dramatic function of the Hero/ Heroine II: Learn, grow, sacrifice The Hero is the one who learns or grows the most in the course of a story. Learning that goes on between Hero/ mentor OR Hero/ lover OR Hero/villain. The true mark of a hero is sacrifice - his willingness to give up something of value, perhaps even his own life on behalf of an ideal or a group. At the heart of every story is the confrontation with death. With the threat of death or symbolic death. True heroism is shown in stories when Heroes offer themselves on the altar of chance, willing to take the risk that their quest for adventure may lead to danger, loss or death. Heroes accept the possibility of sacrifice.
  • 9. The 7 Key Steps of Story Structure (John Truby, The anatomy of Story, 2007) 1. Weakness and Need 2. Desire 3. Opponent 4. Plan ! 5. Battle 6. Self-Revelation 7. New Equilibrium
  • 10.
  • 11. Die Reise des Helden
  • 12. Why is so much of our life spent inside stories? ! „Stories are equipment for living.“ (Kenneth Burke) ! „How should a human being lead his life?“ Aristotle, Ethics ! „Story Arts have become humanity’s prime source of inspiration, as it seeks to order chaos and gain insight into life. Our appetite for story is a reflection of the profound human need to grasp the patterns of living within a very personal, emotional experience.“ (Robert McKee) ! „Fiction gives life its form.“ (Jean Anouilh)
  • 13. Story A Journey which the audience takes with the characters. A process of conflict and resolution. Of change and revelation. A marriage between Plot and Character. A good story is always governed by some basic human truth and it will have some qualities that are universal. A good story is not about a good hero and a bad villain, a good story is about dilemma.
  • 15. Why are we telling stories?
  • 17. Audience watches a film Paying attention to the screen Identify what things are Reading the signs and characters Make connections: what does this mean? They guess what will happen next Worry about the characters and their outcome End: Emotional closure of surprise and vindication
  • 18. Catharsis:  the purification or purgation of the emotions (especially pity and fear) primarily through art. In criticism, catharsis is a metaphor used by Aristotle in the Poetics to describe the effects of true tragedy on the spectator (Encyclopaedia Brittanica) Aristoteles, Poetics Agnorisis: the insight happens at the same moment like the transition from harm to happiness Peripeteia: a turning point, a change from luck to bad luck, from joy to disaster, with high emotional impact Pathos: the acute threat of a disaster - with the utmost probability that it happens
  • 19.
  • 21. Semantic Zone 2: The City
  • 23. Overstepping a treshold The hero/ protagonist oversteps a threshold between two semantic zones and enters a new world. He/She changes - and her/his appearance changes the characters in the new semantic zones. This is a key element of Story.
  • 24. The inciting incident For better or worse, an event throws a characters life out of balance, arousing in him the conscious and/or unconscious desire for that which he feels will restore balance, launching him on a Quest for his object of desire against forces of antagonism (inner, personal, extra-personal). He may or may not achieve it. This is story in a nutshell. (Robert McKee, Story)
  • 25. iPad App „Humanity“ ! A travel app that puts storytelling and cultural immersion above all else. In each issue, you’ll see: A dozen or more short documentaries on fascinating locals, from a scuba diver in Iceland to a political guide in Palestine. More than two-dozen photo essays on some of the most breathtaking locations on the planet, each accompanied by local narration and natural soundscapes. Multiple travel experience videos that showcase some of the most beautiful, awesome and epic things to do in each country, from snowmobiling on a glacier to discovering Jerusalem's ancient streets. Humanity is an iPad app for explorers, travelers, and adventurers. It’s a travel app that puts storytelling and cultural immersion above all else. Each Humanity issue is created through more than two months of production with the aim of telling unique stories and highlighting fascinating individuals from countries around the world. This isn't a where-to-eat app. We won't show you hotel reviews from your mom.
  • 26.
  • 27. Merci! Prof. Dr. Martin Zimper Head CAST / Audiovisual Media Zurich University of the Arts cast.zhdk.ch martin.zimper@zhdk.ch