This document summarizes two commercial projects by Collaborative Architecture:
1) Topography, an award-winning cafe designed for an exhibition in Mumbai. It features strips that run across the space and fold to become seating, tables, and lighting. Custom fabric "light trees" give the space an ephemeral feel.
2) Wrap-4, a showroom for Hyundai in Calicut, Kerala. To allow 360 degree views of the cars from the road, the architects designed the showroom with the vehicles on display in the front and customer entrance in the back. A sinusoidal "wrap" merges the floor, walls and ceiling into a single surface and separates private and public areas.
Collaborative Architecture is an international design practice based in Mumbai with design centers in Beijing and Calicut. Led by Lalita Tharani and Mujib Ahmed, they are driven to create highly sensitive, poetic, and contemporary projects within budget limits through innovation and pursuit of quality design. They achieve satisfaction through challenging projects and happy clients, rather than through drudgery or incompetence that can be common in the profession. Tharani and Ahmed admire contemporaries who push boundaries, like Zumthor, Scarpa, Siza, Unstudio, Steven Holl, and Jurgen Mayer.
The Hyundai showroom in Kozhikode, India designed by Collaborative Architecture features a "wrap" that blurs boundaries between floors, walls, and ceilings. This wrap envelops the vehicular display area, serving as a visual link between the interior and exterior. The design orients customers who enter from the rear of the showroom towards the vehicular displays at the front through detailed accessory displays and lighting design. The overall design breaks from standard car showroom designs through its use of spatial manipulation to create a sense of movement.
Atelier P is a tool to facilitate Technocenter's teams in designing and delivering the NExT experience to customers. It provides three clusters of functionality: a lab for prototyping, an apartment for demonstrating concepts in context, and a meeting room for collaboration. Services include workshops, demos, evaluations of new devices and concepts, and hosting events like collection shows. The space aims to support innovation from ideation through product launch.
Prototype N(ON) is an experimental installation by Collaborative Architecture that explores new spatial strategies without a predefined functional purpose. It uses panels as building blocks that are woven rather than stacked to form the architectural space. The simple prototype served as a conceptual retail space and tested ideas that could be adapted for future, larger-scale projects. It investigated the potential of "construction tectonics" to give unique character to generated spaces.
The project involved designing a 12,000 square foot showroom for a car brand along a busy main street in Kerala, India. The unusual brief was to make the "parking lot" of vehicle displays the focal point, rather than a backdrop. This posed architectural challenges to create 360 degree viewing since the facade directly faced the street and customers entered from the rear. The design merged the floor, walls, ceiling and products into a single unified wrap that connected the showroom interior to the busy street outside. Hanging customer counters and a curved wall separated private and public areas within the innovative space.
The project involved designing a 12,000 square foot showroom for a car brand in Kerala, India. The showroom had an unusual brief to make the car displays the focal point rather than a backdrop. To address this, the design positioned the vehicle displays in the center of the space as the anchoring element. A wrap design merged the floor, walls, and ceiling into a single unified structure, creating a 360 degree viewing experience from both inside and outside as the facade abuts a busy street. Hanging customer counters can be repositioned to maneuver vehicles, and a curved element separates private and public areas. The end result established a vital visual link between the interior, exterior displays and passersby on the street.
PROTOTYPE N[ON] was an experimental installation designed by Collaborative Architecture for Index Media's 2008 trade expo in Mumbai. It served as a concept retail space for an Italian furniture brand. The installation explored the potentials of 'construction tectonics' by weaving panels instead of stacking them to form unique architectural spaces. The project examined the relationship between architecture and objects, with the boundaries between the two becoming increasingly blurred. PROTOTYPE N[ON] could be both architecture and a spatial object simultaneously. It featured a simple construction using prefabricated MDF and steel panels.
Collaborative Architecture designed Typography 1, a temporary cafe at a trade show in Mumbai, India. They used materials supplied by exhibitors like tiles, glass, wood, and fabric to build benches, tables, and other furnishings in geometric shapes. This created depth and visual interest in the 208 square meter space through surfaces, textures, and lighting effects like glowing floor pathways and red fabric-wrapped columns. The design provided a strong identity and sense of permanence for the cafe despite its temporary nature at the trade show.
Collaborative Architecture is an international design practice based in Mumbai with design centers in Beijing and Calicut. Led by Lalita Tharani and Mujib Ahmed, they are driven to create highly sensitive, poetic, and contemporary projects within budget limits through innovation and pursuit of quality design. They achieve satisfaction through challenging projects and happy clients, rather than through drudgery or incompetence that can be common in the profession. Tharani and Ahmed admire contemporaries who push boundaries, like Zumthor, Scarpa, Siza, Unstudio, Steven Holl, and Jurgen Mayer.
The Hyundai showroom in Kozhikode, India designed by Collaborative Architecture features a "wrap" that blurs boundaries between floors, walls, and ceilings. This wrap envelops the vehicular display area, serving as a visual link between the interior and exterior. The design orients customers who enter from the rear of the showroom towards the vehicular displays at the front through detailed accessory displays and lighting design. The overall design breaks from standard car showroom designs through its use of spatial manipulation to create a sense of movement.
Atelier P is a tool to facilitate Technocenter's teams in designing and delivering the NExT experience to customers. It provides three clusters of functionality: a lab for prototyping, an apartment for demonstrating concepts in context, and a meeting room for collaboration. Services include workshops, demos, evaluations of new devices and concepts, and hosting events like collection shows. The space aims to support innovation from ideation through product launch.
Prototype N(ON) is an experimental installation by Collaborative Architecture that explores new spatial strategies without a predefined functional purpose. It uses panels as building blocks that are woven rather than stacked to form the architectural space. The simple prototype served as a conceptual retail space and tested ideas that could be adapted for future, larger-scale projects. It investigated the potential of "construction tectonics" to give unique character to generated spaces.
The project involved designing a 12,000 square foot showroom for a car brand along a busy main street in Kerala, India. The unusual brief was to make the "parking lot" of vehicle displays the focal point, rather than a backdrop. This posed architectural challenges to create 360 degree viewing since the facade directly faced the street and customers entered from the rear. The design merged the floor, walls, ceiling and products into a single unified wrap that connected the showroom interior to the busy street outside. Hanging customer counters and a curved wall separated private and public areas within the innovative space.
The project involved designing a 12,000 square foot showroom for a car brand in Kerala, India. The showroom had an unusual brief to make the car displays the focal point rather than a backdrop. To address this, the design positioned the vehicle displays in the center of the space as the anchoring element. A wrap design merged the floor, walls, and ceiling into a single unified structure, creating a 360 degree viewing experience from both inside and outside as the facade abuts a busy street. Hanging customer counters can be repositioned to maneuver vehicles, and a curved element separates private and public areas. The end result established a vital visual link between the interior, exterior displays and passersby on the street.
PROTOTYPE N[ON] was an experimental installation designed by Collaborative Architecture for Index Media's 2008 trade expo in Mumbai. It served as a concept retail space for an Italian furniture brand. The installation explored the potentials of 'construction tectonics' by weaving panels instead of stacking them to form unique architectural spaces. The project examined the relationship between architecture and objects, with the boundaries between the two becoming increasingly blurred. PROTOTYPE N[ON] could be both architecture and a spatial object simultaneously. It featured a simple construction using prefabricated MDF and steel panels.
Collaborative Architecture designed Typography 1, a temporary cafe at a trade show in Mumbai, India. They used materials supplied by exhibitors like tiles, glass, wood, and fabric to build benches, tables, and other furnishings in geometric shapes. This created depth and visual interest in the 208 square meter space through surfaces, textures, and lighting effects like glowing floor pathways and red fabric-wrapped columns. The design provided a strong identity and sense of permanence for the cafe despite its temporary nature at the trade show.
The document discusses several projects by the architectural firm Collaborative Architecture, led by architects Lalita Tharani and Mujib Ahmed. It provides details on four of their projects - an IT park lobby design in Bengaluru emphasizing structural clarity and customized seating; a prototype school building in Calicut designed as interconnected classrooms to encourage interaction; a business hotel restaurant in Calicut redesigned through innovative lighting to create a new identity; and a gender-bending installation in New Delhi using reflective materials to represent fluid gender roles. The article emphasizes the firm's focus on innovation, longevity of design, and pushing boundaries beyond functional requirements.
The project involved redesigning the restaurant and bar area of a business hotel in Calicut, Kerala to create a new identity and boost business. The design team created a more flexible layout with smaller tables to accommodate more guests while maintaining efficiency. They carved out a vibrant waiting lounge from the existing space. The minimalist design is transformed through innovative architectural lighting that creates an undulating topography and magical lighting effects. Custom designed exterior wall lights called "Thousand Moons" give the facade a unique character.
This document summarizes an architectural project called WEDGE-1 located in Mumbai, India. It was designed by Lalita Tharani and Mujib Ahmed of Collaborative Architecture. The goal was to manipulate a simple "shoe box" shape in an economical way within a strict budget and schedule. The space is organized as a central gathering pinwheel form surrounded by different wedge-shaped volumes and an undulating roofline. The peripheral walls set the tone for interacting with exhibits through unique cut-outs that both reveal and mask displays to draw people in.
The architects designed a primary school in a north Kerala village based on the playful Lego concept. Due to the extremely narrow site between two existing structures, the school did not receive natural light during class hours. The asymmetrical Lego-inspired design acts as a wind barrier and allows ample natural light, addressing this challenge. Using semi-skilled local workers, the architects converted wasted spaces to increase student-faculty interaction. Designed as an "architectural catalyst," the project sets a tone for future developments and brings organization to campus planning.
The document discusses the design elements that make some restaurants memorable experiences. It provides examples of restaurants from around the world that create unique atmospheres through their designs. These restaurants engage all the senses and transport diners to different places through their thoughtful use of materials, lighting, textures, and spatial arrangements. Emerging trends in restaurant design include themes, entertainment spaces beyond dining, and technology integration that enhance operations while allowing for innovative concepts. Some restaurants also embrace sustainability and a closer interaction with their natural environments.
This installation explores the relationship between architecture, gender identity, and social norms. It uses colored panels and slanted prisms to metaphorically represent a gender-neutral space and generate different interpretations based on the viewer's perspective. The exterior mirrors society's fragmented views of alternative gender identities. Overall, the installation examines how space can reflect non-conforming attitudes and question established gender roles and social expectations.
The JDT primary school project in Calicut, India breaks from conventional symmetrical school designs. The building is formed from stacking three irregular floor plates clustered with classrooms at different angles, giving the building a disjointed footprint and dynamic three-dimensionality. Its origami-like folded facade creates dramatic views while interacting with the campus visually and physically. The design aims to explore new possibilities for educational spaces beyond traditional organizational dynamics.
Collaborative Architecture is an award-winning architecture firm led by Lalita Tharani and Mujib Ahmed that specializes in unconventional and innovative designs. Some of their notable projects include Furniture Boutique in New Delhi, JDT Primary School in Kerala, and Mezban restaurant. Their designs strive to go beyond functional requirements and create spaces that are sensitive to people, culture, and the environment.
Wedge-1 is an architectural project in Mumbai by Collaborative Architecture that aimed to refine the architectural form of a simple "shoe box" building within a tight budget and schedule. The building's spaces are organized around a central gathering area in a pinwheel layout. Cutouts on the exterior wall transform the building from a simple container to an architectural ensemble. Lighting plays an important role in the design.
This project rearranged dining seats in a linear layout to create a highly efficient interior design for a restaurant in Calicut, India. The lighting design is highlighted, with lights arranged in an undulating wave pattern that adds flowing movement and a magical quality to the space. The goal was to reposition an existing popular business hotel by creating a new identity for its restaurant through interior design, making it a new destination for dining in the city to increase hotel business.
This document provides summaries of various architecture and design projects. It includes summaries of the Mezban - Inverted Topography restaurant project in Mumbai, India which used innovative lighting design to transform the space and create an undulating topography effect. It also summarizes the Conversatorium Hotel project in Amsterdam which took inspiration from the Dutch Golden Age and contemporary Italian design. The document provides short summaries of other projects involving offices, exhibitions, restaurants and more.
The document summarizes the redesign of the Mezban restaurant in Calicut, Kerala, India. The architects created an innovative dining space that seamlessly transitions from fine dining to a lounge. They achieved this through an undulating ceiling design with custom fabric lights that resemble stalactites. This lighting scheme flows throughout the space. The design has brought 85% more customers, positioning the restaurant as a new destination and sparking discussion about how good design impacts business positively.
Collaborative Architecture was commissioned to renovate Mezban, a restaurant in Calicut, India. They were tasked with creating a new identity through dramatic interior design while meeting constraints of a tight budget, limited space, and environmental concerns. Their design solution included a flexible layout with a vibrant waiting lounge and innovative overhead lights that transform the minimalist interior into an undulating topography. The architects also designed an exterior wall of lights called "Thousand Moons" to greet patrons and set the stage for the contemporary dining experience.
The document summarizes an architectural project called "WEDGE-1" designed by Collaborative Architects in Mumbai, India. It was intended to manipulate the form of a simple "shoe box" container for retail in an economical way. Key features include trapezoidal interior spaces formed by "dissecting" the box, a central gathering space surrounded by wedges of undulating volumes and roofline, and cut-outs in the peripheral wall that reveal and mask displays to draw people in. The all-white interior and exterior aims to heighten the perception of the products on display.
The design of the Bajaj Electrical Corporate Office in Chenai, India aimed to create an efficient work environment beyond the typical functional brief, giving the space an architectural character. Sustainability was a key strategy, utilizing green products and design features like optimal orientation and daylighting to reduce energy consumption. Meeting and work areas were arranged to separate public and work realms while still allowing daylight penetration. The overall design cleverly masked the standard gridded floorplan approach while meeting strict guidelines, resulting in a highly efficient and energy conscious office space.
This award-winning restaurant in Calicut, India underwent a refurbishment led by architects Mujib Ahmed and Lalita Tharani of Collaborative Architecture. They employed a minimalist design with grey and white tones, custom lighting, and transparent glazing to divide spaces while maintaining visual connections. Their use of poetic minimalism and dramatic lighting transformed the space and enhanced the dining experience. This progressive design approach increased customer traffic by 85% and received several national and international design awards.
Collaborative Architecture takes a non-functional approach to projects, seeing them as opportunities to explore ideas and visions for the future rather than simply solving problems. The designs are intuitive rather than rational, layering logical, irrational, bizarre, poetic, clarified and impossible thoughts rather than being a forced result of the project brief. Mujib Ahmed and Lalita Tharani of Collaborative Architecture were named National Runner-Up for Design Practice of the Year in the IIID Anchor Awards.
The document discusses several projects by the architectural firm Collaborative Architecture, led by architects Lalita Tharani and Mujib Ahmed. It provides details on four of their projects - an IT park lobby design in Bengaluru emphasizing structural clarity and customized seating; a prototype school building in Calicut designed as interconnected classrooms to encourage interaction; a business hotel restaurant in Calicut redesigned through innovative lighting to create a new identity; and a gender-bending installation in New Delhi using reflective materials to represent fluid gender roles. The article emphasizes the firm's focus on innovation, longevity of design, and pushing boundaries beyond functional requirements.
The project involved redesigning the restaurant and bar area of a business hotel in Calicut, Kerala to create a new identity and boost business. The design team created a more flexible layout with smaller tables to accommodate more guests while maintaining efficiency. They carved out a vibrant waiting lounge from the existing space. The minimalist design is transformed through innovative architectural lighting that creates an undulating topography and magical lighting effects. Custom designed exterior wall lights called "Thousand Moons" give the facade a unique character.
This document summarizes an architectural project called WEDGE-1 located in Mumbai, India. It was designed by Lalita Tharani and Mujib Ahmed of Collaborative Architecture. The goal was to manipulate a simple "shoe box" shape in an economical way within a strict budget and schedule. The space is organized as a central gathering pinwheel form surrounded by different wedge-shaped volumes and an undulating roofline. The peripheral walls set the tone for interacting with exhibits through unique cut-outs that both reveal and mask displays to draw people in.
The architects designed a primary school in a north Kerala village based on the playful Lego concept. Due to the extremely narrow site between two existing structures, the school did not receive natural light during class hours. The asymmetrical Lego-inspired design acts as a wind barrier and allows ample natural light, addressing this challenge. Using semi-skilled local workers, the architects converted wasted spaces to increase student-faculty interaction. Designed as an "architectural catalyst," the project sets a tone for future developments and brings organization to campus planning.
The document discusses the design elements that make some restaurants memorable experiences. It provides examples of restaurants from around the world that create unique atmospheres through their designs. These restaurants engage all the senses and transport diners to different places through their thoughtful use of materials, lighting, textures, and spatial arrangements. Emerging trends in restaurant design include themes, entertainment spaces beyond dining, and technology integration that enhance operations while allowing for innovative concepts. Some restaurants also embrace sustainability and a closer interaction with their natural environments.
This installation explores the relationship between architecture, gender identity, and social norms. It uses colored panels and slanted prisms to metaphorically represent a gender-neutral space and generate different interpretations based on the viewer's perspective. The exterior mirrors society's fragmented views of alternative gender identities. Overall, the installation examines how space can reflect non-conforming attitudes and question established gender roles and social expectations.
The JDT primary school project in Calicut, India breaks from conventional symmetrical school designs. The building is formed from stacking three irregular floor plates clustered with classrooms at different angles, giving the building a disjointed footprint and dynamic three-dimensionality. Its origami-like folded facade creates dramatic views while interacting with the campus visually and physically. The design aims to explore new possibilities for educational spaces beyond traditional organizational dynamics.
Collaborative Architecture is an award-winning architecture firm led by Lalita Tharani and Mujib Ahmed that specializes in unconventional and innovative designs. Some of their notable projects include Furniture Boutique in New Delhi, JDT Primary School in Kerala, and Mezban restaurant. Their designs strive to go beyond functional requirements and create spaces that are sensitive to people, culture, and the environment.
Wedge-1 is an architectural project in Mumbai by Collaborative Architecture that aimed to refine the architectural form of a simple "shoe box" building within a tight budget and schedule. The building's spaces are organized around a central gathering area in a pinwheel layout. Cutouts on the exterior wall transform the building from a simple container to an architectural ensemble. Lighting plays an important role in the design.
This project rearranged dining seats in a linear layout to create a highly efficient interior design for a restaurant in Calicut, India. The lighting design is highlighted, with lights arranged in an undulating wave pattern that adds flowing movement and a magical quality to the space. The goal was to reposition an existing popular business hotel by creating a new identity for its restaurant through interior design, making it a new destination for dining in the city to increase hotel business.
This document provides summaries of various architecture and design projects. It includes summaries of the Mezban - Inverted Topography restaurant project in Mumbai, India which used innovative lighting design to transform the space and create an undulating topography effect. It also summarizes the Conversatorium Hotel project in Amsterdam which took inspiration from the Dutch Golden Age and contemporary Italian design. The document provides short summaries of other projects involving offices, exhibitions, restaurants and more.
The document summarizes the redesign of the Mezban restaurant in Calicut, Kerala, India. The architects created an innovative dining space that seamlessly transitions from fine dining to a lounge. They achieved this through an undulating ceiling design with custom fabric lights that resemble stalactites. This lighting scheme flows throughout the space. The design has brought 85% more customers, positioning the restaurant as a new destination and sparking discussion about how good design impacts business positively.
Collaborative Architecture was commissioned to renovate Mezban, a restaurant in Calicut, India. They were tasked with creating a new identity through dramatic interior design while meeting constraints of a tight budget, limited space, and environmental concerns. Their design solution included a flexible layout with a vibrant waiting lounge and innovative overhead lights that transform the minimalist interior into an undulating topography. The architects also designed an exterior wall of lights called "Thousand Moons" to greet patrons and set the stage for the contemporary dining experience.
The document summarizes an architectural project called "WEDGE-1" designed by Collaborative Architects in Mumbai, India. It was intended to manipulate the form of a simple "shoe box" container for retail in an economical way. Key features include trapezoidal interior spaces formed by "dissecting" the box, a central gathering space surrounded by wedges of undulating volumes and roofline, and cut-outs in the peripheral wall that reveal and mask displays to draw people in. The all-white interior and exterior aims to heighten the perception of the products on display.
The design of the Bajaj Electrical Corporate Office in Chenai, India aimed to create an efficient work environment beyond the typical functional brief, giving the space an architectural character. Sustainability was a key strategy, utilizing green products and design features like optimal orientation and daylighting to reduce energy consumption. Meeting and work areas were arranged to separate public and work realms while still allowing daylight penetration. The overall design cleverly masked the standard gridded floorplan approach while meeting strict guidelines, resulting in a highly efficient and energy conscious office space.
This award-winning restaurant in Calicut, India underwent a refurbishment led by architects Mujib Ahmed and Lalita Tharani of Collaborative Architecture. They employed a minimalist design with grey and white tones, custom lighting, and transparent glazing to divide spaces while maintaining visual connections. Their use of poetic minimalism and dramatic lighting transformed the space and enhanced the dining experience. This progressive design approach increased customer traffic by 85% and received several national and international design awards.
Collaborative Architecture takes a non-functional approach to projects, seeing them as opportunities to explore ideas and visions for the future rather than simply solving problems. The designs are intuitive rather than rational, layering logical, irrational, bizarre, poetic, clarified and impossible thoughts rather than being a forced result of the project brief. Mujib Ahmed and Lalita Tharani of Collaborative Architecture were named National Runner-Up for Design Practice of the Year in the IIID Anchor Awards.
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ARENA - Young adults in the workplace (Knight Moves).pdfKnight Moves
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Architectural and constructions management experience since 2003 including 18 years located in UAE.
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1. COMMERCIAL
TOPOGRAPHY
T
opography is a collaborative
effort by the practice and the
Institute of Indian Interior
Designers (IIID) who wanted
the firm to design a chill-out
space of 16 m x 13 m, where
the public could relax and stop over
for snacks during the exhibition.
The programme guidelines were
flexible enough to allow a fair degree
of spatial innovation, say the archi-
tects. The brief they got was for a truly
experimental space, which would chal-
lenge conventional design norms to
generate new ideas.
The architects came up with a sim-
ple, straightforward layout with ‘strips’
running across the space. These strips
turn and fold to become the seating,
table and lighting, all in one stretch,
while ‘light trees’, custom-fabricated
out of Ferrari fabric give an ephemeral
and magical aura to the stunning cafe-
teria and also complement the ‘hori-
zontality’ of topography with its verti-
cal vector.
Showstopper
Lalitha and Mujib Ahmed of Collaborative
Architecture create public spaces which
are highly innovative and interactive. We
feature two of their projects, Topography,
an award winning café, which they
designed for the Inside Outside Mega
Show, Mumbai, and Wrap-4, a showroom
for Hyundai in Calicut, which with its sleek
curves, shares the spotlight with the luxury
cars on display.
PHOTOGRAPHS: MANISH GALA & LALITHA THARANI, COURTESY THE ARCHITECTS
168 • inside outside january 2010 169 • inside outside january 2010
2. W R A P-4
The showroom is housed in a
12,000 sq ft warehouse with a
60 m long, uninterrupted façade,
and no set back. ‘Our architec-
tural response did exactly the
opposite of the brief – we posi-
tioned the “parking-lot” (vehicu-
lar display) as the “raison d’être”
and the anchoring element of the
showroom,’ adds Mujib.
The layout of the showroom
posed a unique challenge to the
architects. They wanted to cre-
ate a 360o view of the cars from
Unlike most stores, the main road and thus, cus-
which are designed tomers would have to enter
from the rear of the showroom.
for front viewing, Unlike most stores, which are
here the design had to designed for front viewing, here
address the changing the design had to address the
changing experiential views of
experiential views the spectator.
of the spectator. The ‘wrap’, which merges the
floor, wall, ceiling and the prod-
ucts into a single, unified entity
The ‘wrap’ merges the floor,
wall, ceiling
and the products into a
single, unified entity.
A sinusoidal curve
separates the private domains
and lounges from the
public area.
170 • inside outside january 2010 171 • inside outside january 2010
3. COMMERCIAL
establishes the vital link
between the showroom, the
display and the people in the
showroom on one hand and
the speeding traffic and the
passers-by on the street on
the other, with a 60 m ‘bill-
board’ mimicking the flux of
the movement on the street.
Selling cars is like selling a
dream of a better lifestyle
and thus the process of deci-
sion-making goes through
various stages. The show-
room has different areas for
customer interaction, a
lounge, discussion area, back
office, coffee shop and an
accessory shop. A sinusoidal
curve separates the private
domains and lounges from
the public area.
The ‘hanging counters’, as
their name indicates, are
hung from the ceiling and
are the customer interfaces
in the showroom. These can
be slid and rotated to new
positions to manoeuver the
vehicles in the space.
Metallic colours sinuously
flow through the interior,
which look as attractive as
the cars.
Certainly no parking
lot this!
Selling cars is like selling a
dream of a better lifestyle
and thus the process of deci-
sion-making goes through
various stages. Metallic
colours flow sinuously
through the interior, which
look as attractive as the cars.
172 • inside outside january 2010 173 • inside outside january 2010