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Hello.
Obviously, this
is a somewhat
unorthodox
portfolio. . .
My name is Tony Moxham.
I spent fifteen years designing and writing
for magazines, then moved to Mexico City to
work as a designer, journalist, store-owner,
and most recently as a ceramic artist.
This portfolio shows some of my design work—
both two and three dimensional—from the last
twenty years in New York and Mexico City.
Interview magazine / I worked at Interview from 1992 thru 2005,
working my way up from graphic design intern to art director.
DFC / The brainchild of myself
and Mauricio Paniagua, DFC is a
high-end Mexican design brand
specializing in the conceptual mar-
riage of Mexican iconography with
pop culture, sex, surrealism, and
art. Over the last 10 years we have
designed over 300 objects. I was
also responsible for all collateral
design. On the following pages are
some selected DFC designs and
associated collateral graphics.
DFC / Porcelain platter designs. From top: Mexican Icons, “Royals,” famous Chinese Americans, and NYC nightlife icons.
DFC / Assorted DFC ceramic designs,
including an Indiana Jones inspired
Mayan cheese platter with crystal knife
(above), and giant scorpion figurine
featured in The Wall Street Journal.
DFC / Jackson Pollock inspired Giant Grasshopper Coffee table.
Below: DFC’s “Orange Crush” airbrushed fiberglass wall console.
DFC / Logo designs, 2008–2012.
This page / poster
design for DFC’s Mexico
City store opening in
2011, utilizing a combin-
ation of retro Mexican
pop culture and actual
pre-hispanic artifacts.
DFC / Promotional graphics, 2009 through 2012.
THE LOST PYRAMIDS OF DFC
DFC / Promotional graphics, 2011 through 2014.
DFC MEXICO CITY PRESENTS
POPULARA COLLECTION OF DESIGN OBJECTS
INSPIRED BY LOS ANGELES POP ART
OF THE 1960’S
FOR SPRING / SUMMER 2011
DFC / Promotional graphics, 2014 (top) and 2011 (below).
DFC / Invitation design for DFC’s solo show at Vice Gallery,
Mexico City, 2011. Below: DFC billboard design, 2012.
Cerámica La Mejor / I created Cerámica La Mejor in 2013 with Mexican part-
ners as one of the country’s only ceramic studios dedicated to high end production
for artists and designers. I was responsible for all branding and collateral graphics.
MT / My newest design venture with Mauricio Paniagua, MT is a conceptual investigation of pre-hispanic design through
unique ceramic vessels. The name MT is both Mauricio and my initials, and a pun on the phrase “empty vessels.”
MT / One of our hand-pieced
funeral urns. The spikes repre-
sent the spikes of the ceiba tree,
which represents a sacred link
for the Mayan people between
spiritual levels.
Some of the nice things people have written about my work over the last 10 years . . .

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TonyMoxhamPortfolioEditSmallest

  • 1.
  • 2. Hello. Obviously, this is a somewhat unorthodox portfolio. . . My name is Tony Moxham. I spent fifteen years designing and writing for magazines, then moved to Mexico City to work as a designer, journalist, store-owner, and most recently as a ceramic artist. This portfolio shows some of my design work— both two and three dimensional—from the last twenty years in New York and Mexico City.
  • 3. Interview magazine / I worked at Interview from 1992 thru 2005, working my way up from graphic design intern to art director.
  • 4.
  • 5.
  • 6. DFC / The brainchild of myself and Mauricio Paniagua, DFC is a high-end Mexican design brand specializing in the conceptual mar- riage of Mexican iconography with pop culture, sex, surrealism, and art. Over the last 10 years we have designed over 300 objects. I was also responsible for all collateral design. On the following pages are some selected DFC designs and associated collateral graphics.
  • 7. DFC / Porcelain platter designs. From top: Mexican Icons, “Royals,” famous Chinese Americans, and NYC nightlife icons.
  • 8. DFC / Assorted DFC ceramic designs, including an Indiana Jones inspired Mayan cheese platter with crystal knife (above), and giant scorpion figurine featured in The Wall Street Journal.
  • 9. DFC / Jackson Pollock inspired Giant Grasshopper Coffee table. Below: DFC’s “Orange Crush” airbrushed fiberglass wall console.
  • 10. DFC / Logo designs, 2008–2012.
  • 11. This page / poster design for DFC’s Mexico City store opening in 2011, utilizing a combin- ation of retro Mexican pop culture and actual pre-hispanic artifacts.
  • 12. DFC / Promotional graphics, 2009 through 2012.
  • 13. THE LOST PYRAMIDS OF DFC DFC / Promotional graphics, 2011 through 2014.
  • 14. DFC MEXICO CITY PRESENTS POPULARA COLLECTION OF DESIGN OBJECTS INSPIRED BY LOS ANGELES POP ART OF THE 1960’S FOR SPRING / SUMMER 2011 DFC / Promotional graphics, 2014 (top) and 2011 (below).
  • 15. DFC / Invitation design for DFC’s solo show at Vice Gallery, Mexico City, 2011. Below: DFC billboard design, 2012.
  • 16. Cerámica La Mejor / I created Cerámica La Mejor in 2013 with Mexican part- ners as one of the country’s only ceramic studios dedicated to high end production for artists and designers. I was responsible for all branding and collateral graphics.
  • 17. MT / My newest design venture with Mauricio Paniagua, MT is a conceptual investigation of pre-hispanic design through unique ceramic vessels. The name MT is both Mauricio and my initials, and a pun on the phrase “empty vessels.”
  • 18. MT / One of our hand-pieced funeral urns. The spikes repre- sent the spikes of the ceiba tree, which represents a sacred link for the Mayan people between spiritual levels.
  • 19. Some of the nice things people have written about my work over the last 10 years . . .