Tips for good filming
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Lighting is crucial to making a film look professional, as too much or too little lighting can ruin the entire film. Camera movements should be steady and a tripod used when possible to avoid a shaky, sloppy look; when handheld, the proper technique is needed. Camera angles are extremely important and using varied, creative angles along with quick cuts between them can help prevent a boring film by keeping the viewer engaged.
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Changes made
We made several changes to our film, primarily using a handheld camera instead of a tripod for its practicality in capturing movement in our many medium shots. We also changed the shooting location to the exterior of Kenton train station at night for its accessibility. Finally, we scrapped lighting designs and call sheets to make the film more realistic with street lights and due to an unreliable group member.
Preliminary task
The document discusses techniques used in filmmaking, including the 180 degree rule and shot reverse shot. It also discusses feedback received on a preliminary task involving these techniques. Specifically, the feedback noted poor lighting, uncomfortable camera angles, and poor camera quality. The document then explains how these issues were addressed in the final product, with improved lighting, wider camera angles, and a higher quality camera.
Camera shake
The document discusses various photographic techniques and qualities including camera shake, clutter, angles, lighting, zoom levels, and subject matter such as portraits, landscapes and action shots. It contrasts good and bad examples of these techniques and qualities in concise bullet points.
Equiptment
The document discusses the equipment that will be used for filming, including a Canon 550D DSLR camera with a 50mm prime lens or 35mm cine lens, a GoPro Hero 4 for action shots, LED lighting, various tripods for mounting cameras, shoulder rigs for smooth camera movement, and a jib crane for aerial shots.
Improvements
Miss Bell provided feedback on problems with the film's camera work, lighting, and editing. The lighting fluctuated between light and dark shots, and the ISO settings caused grain. To address these issues, the filmmakers re-shot scenes, used video editing software to darken scenes and apply filters, and compressed files to improve picture quality and reduce grain.
Camera Theory
This document summarizes tips and techniques for using a Canon 5D Mark III camera for video. It discusses settings like ISO, aperture, shutter speed, white balance, audio levels, and lenses. It recommends using a 35mm prime lens in manual mode at ISO 100, f1.4-3.2, and 1/50 shutter speed for studio videos. A 24-105mm f4 lens is suggested for run and gun culture videos. Focus, framing, and image stabilization techniques are covered. The document emphasizes keeping ISO low, using shallow depth of field for studio videos, and recommends sample settings for different shooting scenarios.
Evaluation Question 6
The document discusses various pieces of equipment used to film a thriller opening for a media project. It describes the camera, which was the main tool for capturing footage and how techniques like panning, the 180 degree rule, and match on action were advanced from a preliminary to final project. It also discusses the benefits of the tripod for steady shots and different angles, and how lighting was used effectively with gels to create tension through different colors and define features. A flip camera was used for interviews and gaining audience feedback due to its ease of use, though it had limitations for long shots.
Question 6
The document summarizes what was learned about using various technology during the construction of a film. It discusses using a digital SLR camera to control ISO and zoom, which helped make shots look more professional in dark locations and vary shot types. It also describes using a tripod to keep shots steady and allow tilting and height adjustment for different angles. A dolly was used to allow the camera to move in tracking or arc movements for a smooth professional look. Adobe Premiere software allowed editing shots, adding effects like filters to convey feelings, and transitions like dissolves for pacing and flow. Practical lights were adjusted for amount of light and brought in to expose actors in dark locations while maintaining the desired lighting look.
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Changes made
We made several changes to our film, primarily using a handheld camera instead of a tripod for its practicality in capturing movement in our many medium shots. We also changed the shooting location to the exterior of Kenton train station at night for its accessibility. Finally, we scrapped lighting designs and call sheets to make the film more realistic with street lights and due to an unreliable group member.
Preliminary task
The document discusses techniques used in filmmaking, including the 180 degree rule and shot reverse shot. It also discusses feedback received on a preliminary task involving these techniques. Specifically, the feedback noted poor lighting, uncomfortable camera angles, and poor camera quality. The document then explains how these issues were addressed in the final product, with improved lighting, wider camera angles, and a higher quality camera.
Camera shake
The document discusses various photographic techniques and qualities including camera shake, clutter, angles, lighting, zoom levels, and subject matter such as portraits, landscapes and action shots. It contrasts good and bad examples of these techniques and qualities in concise bullet points.
Equiptment
The document discusses the equipment that will be used for filming, including a Canon 550D DSLR camera with a 50mm prime lens or 35mm cine lens, a GoPro Hero 4 for action shots, LED lighting, various tripods for mounting cameras, shoulder rigs for smooth camera movement, and a jib crane for aerial shots.
Improvements
Miss Bell provided feedback on problems with the film's camera work, lighting, and editing. The lighting fluctuated between light and dark shots, and the ISO settings caused grain. To address these issues, the filmmakers re-shot scenes, used video editing software to darken scenes and apply filters, and compressed files to improve picture quality and reduce grain.
Camera Theory
This document summarizes tips and techniques for using a Canon 5D Mark III camera for video. It discusses settings like ISO, aperture, shutter speed, white balance, audio levels, and lenses. It recommends using a 35mm prime lens in manual mode at ISO 100, f1.4-3.2, and 1/50 shutter speed for studio videos. A 24-105mm f4 lens is suggested for run and gun culture videos. Focus, framing, and image stabilization techniques are covered. The document emphasizes keeping ISO low, using shallow depth of field for studio videos, and recommends sample settings for different shooting scenarios.
Evaluation Question 6
The document discusses various pieces of equipment used to film a thriller opening for a media project. It describes the camera, which was the main tool for capturing footage and how techniques like panning, the 180 degree rule, and match on action were advanced from a preliminary to final project. It also discusses the benefits of the tripod for steady shots and different angles, and how lighting was used effectively with gels to create tension through different colors and define features. A flip camera was used for interviews and gaining audience feedback due to its ease of use, though it had limitations for long shots.
Question 6
The document summarizes what was learned about using various technology during the construction of a film. It discusses using a digital SLR camera to control ISO and zoom, which helped make shots look more professional in dark locations and vary shot types. It also describes using a tripod to keep shots steady and allow tilting and height adjustment for different angles. A dolly was used to allow the camera to move in tracking or arc movements for a smooth professional look. Adobe Premiere software allowed editing shots, adding effects like filters to convey feelings, and transitions like dissolves for pacing and flow. Practical lights were adjusted for amount of light and brought in to expose actors in dark locations while maintaining the desired lighting look.
Filming in a small area
Filming in a confined space like a small lift poses challenges for camera placement, actor movement, sound, and lighting. A GoPro camera attached to the inside of the lift with a suction cup will allow filming from high angles without equipment blocking shots. Little actor movement is required, but space is limited, so movements will need to fit effectively. Sound effects can be added later, but actor audio quality needs monitoring due to the enclosed area. A single light faced into the lift from outside may be sufficient with the lift's internal lighting also helping.
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This document discusses the four main types of digital cameras: DSLR, point and shoot, prosumer, and cell phone cameras. It provides details on the key characteristics, advantages, disadvantages, and scenarios where each type would be best suited. DSLRs are highest quality but also bulky, while point and shoots are convenient but limited. Prosumer cameras provide more features than point and shoots in a smaller package than DSLRs. Cell phone cameras are most convenient but lowest quality.
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The document provides an inventory of lighting, camera, and location resources for a film shoot. It lists various studio lights like bright lights, small battery lights, and red lights that provide different lighting effects. Camera equipment includes prime lenses, wide angle lenses, and camera holders like tripods, slides, and a steady cam. Potential film locations mentioned are friends' gardens, London underground, landmarks, a drama studio, and a haunted house. Props and setting decorations are also listed to create various scenes.
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What kind of camera is needed to take beautiful picture. I'm not specialists but try to show my capturing.
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This document outlines elements of mise-en-scene that filmmakers can use to tell visual stories, including costume, lighting, actors, makeup, props, setting, and camera angles. It discusses these elements in categories like costume/makeup & hair, lighting and color, performance/action, props, and setting. The document also explains different camera angles and shots that can be used like long shots, high angles, pans, and lead angles.
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By constructing a film using various technologies, the author learned several things. They used a video camera to film, but found its lack of advanced features like zooming limited them. They also used a tripod for steady shots, but it was difficult on a boat. Additionally, they created a blog and YouTube account to share their work. For editing, they used Sony Vegas to add titles, adjust lighting and speed, cut clips, and layer audio from YouTube. Through this process, they gained skills and understanding of technologies for filmmaking.
Evaluation activity 7
The document discusses the improvements made in camera work and editing between an initial preliminary task and the final product. Specifically:
- Camera angles and shots were improved to better frame subjects and avoid missed elements or objects cut off. Low angles were better centered on main characters.
- A variety of shots including two-shots, mid shots and others were effectively used to focus attention on faces and locations while following continuity rules.
- Editing techniques like motion smoothing, audio adjustment and transitions were used more extensively. A wider range of skills and more advanced techniques created a better emotional connection with audiences.
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Preliminary task evaluation
This document outlines a preliminary filmmaking task that requires filming a character opening a door, crossing a room, sitting in a chair, and exchanging dialogue with another character. It must demonstrate match on action, shot/reverse shot editing, and compliance with the 180-degree rule. The task evaluation notes effective use of camera shots and editing software but identifies changing the filming location as an area for improvement.
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The document discusses equipment used in filming a project. A Sony CMOS HDV 1080i camera was used for its pull focus and zoom capabilities, making editing easier. A tripod was necessary for panning and establishing shots, providing cleaner footage than hand-held. A lamp was used to correct lighting and improve the effectiveness of a shot.
Equipmentrequired andrei
The document outlines the equipment needed to film a music video, including a Canon 600D DSLR for its retractable screen and manual settings, a prime 50mm lens for depth of field and aperture control, a slider and weighted Steadicam for smooth shots on location, and track slider and LED lights for specific indoor and outdoor lighting needs.
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This document provides information on planning and shooting DSLR video. It discusses selecting lenses, camera bodies, and necessary gear. Key topics include frame rates, full frame vs cropped sensors, lens focal lengths, aperture, ergonomics, powering the camera, and recommended accessories. Essential gear includes a fluid head tripod, viewfinder, audio recorder, batteries, and optional items like supports, lenses, monitors and lights. Proper planning of technical aspects and gear are emphasized for high quality DSLR video.
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The document summarizes what was learned from a preliminary filmmaking task. It discusses gaining basic camera and shot skills, learning organizational skills for filming, and how to work effectively as a group. Areas of success included applying various shots to the short film and editing it using Adobe Premier Pro. An area for improvement was that some shots were too dark to see clearly due to lighting issues. Overall, the brief of including specific shots, audio, and a sound effect was met successfully.
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The document summarizes what was learned from a preliminary filmmaking task. It discusses gaining basic camera and shot skills, learning organizational skills for filming, and how to work effectively as a group. Areas of success included applying various shots to the short film and editing it using Adobe Premier Pro. An area for improvement was that some shots were too dark to see clearly due to lighting issues. Overall, the brief of including specific shots, audio, and a sound effect was met successfully.
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Filming in a confined space like a small lift poses challenges for camera placement, actor movement, sound, and lighting. A GoPro camera attached to the inside of the lift with a suction cup will allow filming from high angles without equipment blocking shots. Little actor movement is required, but space is limited, so movements will need to fit effectively. Sound effects can be added later, but actor audio quality needs monitoring due to the enclosed area. A single light faced into the lift from outside may be sufficient with the lift's internal lighting also helping.
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This document discusses the four main types of digital cameras: DSLR, point and shoot, prosumer, and cell phone cameras. It provides details on the key characteristics, advantages, disadvantages, and scenarios where each type would be best suited. DSLRs are highest quality but also bulky, while point and shoots are convenient but limited. Prosumer cameras provide more features than point and shoots in a smaller package than DSLRs. Cell phone cameras are most convenient but lowest quality.
Resource audit
The document provides an inventory of lighting, camera, and location resources for a film shoot. It lists various studio lights like bright lights, small battery lights, and red lights that provide different lighting effects. Camera equipment includes prime lenses, wide angle lenses, and camera holders like tripods, slides, and a steady cam. Potential film locations mentioned are friends' gardens, London underground, landmarks, a drama studio, and a haunted house. Props and setting decorations are also listed to create various scenes.
Photography And Camera description
What kind of camera is needed to take beautiful picture. I'm not specialists but try to show my capturing.
Mise en scene
This document outlines elements of mise-en-scene that filmmakers can use to tell visual stories, including costume, lighting, actors, makeup, props, setting, and camera angles. It discusses these elements in categories like costume/makeup & hair, lighting and color, performance/action, props, and setting. The document also explains different camera angles and shots that can be used like long shots, high angles, pans, and lead angles.
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By constructing a film using various technologies, the author learned several things. They used a video camera to film, but found its lack of advanced features like zooming limited them. They also used a tripod for steady shots, but it was difficult on a boat. Additionally, they created a blog and YouTube account to share their work. For editing, they used Sony Vegas to add titles, adjust lighting and speed, cut clips, and layer audio from YouTube. Through this process, they gained skills and understanding of technologies for filmmaking.
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The document discusses the improvements made in camera work and editing between an initial preliminary task and the final product. Specifically:
- Camera angles and shots were improved to better frame subjects and avoid missed elements or objects cut off. Low angles were better centered on main characters.
- A variety of shots including two-shots, mid shots and others were effectively used to focus attention on faces and locations while following continuity rules.
- Editing techniques like motion smoothing, audio adjustment and transitions were used more extensively. A wider range of skills and more advanced techniques created a better emotional connection with audiences.
Panorama photography pdf
This document discusses panorama photography. It defines a panorama as a wide-angle representation of a physical space using various mediums like painting, photography, or video. It describes how to make panoramas by cropping a single image or stitching multiple images together. It also covers equipment options for single and multi-row panoramas, how to find the exit pupil, set up the camera, shoot overlapping images, and post-process stitched panoramas. The goal is to maintain consistency across images for optimal stitching.
Feedback on Silence (rough cut)
The document provides feedback on a rough cut video, noting strengths like good camera work, editing, and use of transformations, but also areas for improvement such as sound, clip length, confusing scenes, and lighting. It states that to improve the video, they will focus on enhancing the sound, shortening clips, removing a confusing cleaner scene, and experimenting with lighting effects.
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Equipment
The document discusses equipment used in filming a project. A Sony CMOS HDV 1080i camera was used for its pull focus and zoom capabilities, making editing easier. A tripod was necessary for panning and establishing shots, providing cleaner footage than hand-held. A lamp was used to correct lighting and improve the effectiveness of a shot.
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DSLR Video Planning and Shooting
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As Media Connor Lovatt Evaluation
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Tips for good filming
- 2. 1st Rule of Filming Lighting: Makes Film Look Professional Too much or too little ruins the entire film Change up your lighting
- 3. This is Good Lighting, but needs improvement.
- 4. This is bad lighting, and needs more lighting from the front and sides
- 5. Movement Shaky Camera Movements make a film look sloppy When possible use a tripod, if not use the proper handheld camera position.
- 8. Perfect
- 9. Angles Camera Angles are the most important things ever. A boring film is one that uses few angles. Try new angles Make quick cuts
- 10. Good Angles