The Provenance of Madame Bonnier: Museum Linked Data
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Presentation by Robert Sanderson to the October 3-5, 2016 partners meeting of the American Art Collaborative, at ISI in Marina Del Rey, CA.
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The Provenance of Madame Bonnier: Museum Linked Data
- 1. @azaroth42 rsanderson @getty.edu LODLessonsLearnt: Provenance Robert Sanderson rsanderson @getty.edu The Provenance of Madame Bonnier: Museum Linked Data With Thanks To: Ruth Cuadra Brenda Podemski David Newbury Kelly Davis Joan Cobb Vladimir Alexiev …
- 2. @azaroth42 rsanderson @getty.edu LODLessonsLearnt: Provenance • Case Study: Madame Bonnier • Data Models: Integration of Object and Provenance • Lessons Learnt • Data Ownership vs Stewardship • Data Quality • Model Alignment • Structure or Interaction? Overview
- 3. @azaroth42 rsanderson @getty.edu LODLessonsLearnt: Provenance Portrait of Madame Bonnier de la Mosson as Diana Painting Jean-Marc Nattier (1685 – 1766) France, 1742 Oil on Canvas 129.5 x 96.8 cm 77.PA.87 Getty Museum On View: South Pavilion, S202 Madame Bonnier
- 5. @azaroth42 rsanderson @getty.edu LODLessonsLearnt: Provenance Madame Bonnier: Provenance Museum Provenance Index
- 6. @azaroth42 rsanderson @getty.edu LODLessonsLearnt: Provenance Madame Bonnier: Provenance? Provenance Index Provenance Index
- 13. @azaroth42 rsanderson @getty.edu LODLessonsLearnt: Provenance Everyone As Diana At Some Point Ran out of red paint?
- 14. @azaroth42 rsanderson @getty.edu LODLessonsLearnt: Provenance Portrait of Madame Bonnier de la Mosson as Diana Painting Jean-Marc Nattier (1685 – 1766) France, 1742 Oil on Canvas 129.5 x 96.8 cm 77.PA.87 Getty Museum On View: South Pavilion, S202 Madame Bonnier
- 15. @azaroth42 rsanderson @getty.edu LODLessonsLearnt: Provenance Museum Data Model: Description
- 16. @azaroth42 rsanderson @getty.edu LODLessonsLearnt: Provenance Museum Data Model: Provenance
- 17. @azaroth42 rsanderson @getty.edu LODLessonsLearnt: Provenance Museum Data Model: Complete
- 18. @azaroth42 rsanderson @getty.edu LODLessonsLearnt: Provenance Object Data Model: Complete Start of Provenance Current Provenance
- 22. @azaroth42 rsanderson @getty.edu LODLessonsLearnt: Provenance Data Ownership vs Stewardship Provenance Index makes assertions about others’ objects (including Museum)
- 23. @azaroth42 rsanderson @getty.edu LODLessonsLearnt: Provenance Data Ownership vs Stewardship Provenance Index makes assertions about others’ objects (including Museum) Authoritative about the documents … … but not about the objects’ provenance
- 24. @azaroth42 rsanderson @getty.edu LODLessonsLearnt: Provenance Data Ownership vs Stewardship Provenance Index makes assertions about others’ objects (including Museum) Authoritative about the documents … … but not about the objects’ provenance => Acting as a steward for the provenance, not the owner of it
- 25. @azaroth42 rsanderson @getty.edu LODLessonsLearnt: Provenance Data Quality Linked Data makes errors easier to find … … but doesn’t correct them for you
- 26. @azaroth42 rsanderson @getty.edu LODLessonsLearnt: Provenance Data Quality Linked Data makes errors easier to find … … but doesn’t correct them for you Quality of LOD is limited by quality of non LOD input, for purpose of linking
- 27. @azaroth42 rsanderson @getty.edu LODLessonsLearnt: Provenance Data Quality Linked Data makes errors easier to find … … but doesn’t correct them for you Quality of LOD is limited by quality of non LOD input, for purpose of linking Beware false precision => Automatic inferencing is risky
- 28. @azaroth42 rsanderson @getty.edu LODLessonsLearnt: Provenance Model Alignment Aligning models is hard, while avoiding false precision!
- 29. @azaroth42 rsanderson @getty.edu LODLessonsLearnt: Provenance Model Alignment Aligning models is hard, while avoiding false precision! Need to get over “need” for 100% precision, 100% coverage, 100% completeness
- 30. @azaroth42 rsanderson @getty.edu LODLessonsLearnt: Provenance Model Alignment Aligning models is hard, while avoiding false precision! Need to get over “need” for 100% precision, 100% coverage, 100% completeness => Start somewhere, then implement, learn, correct, and iterate
- 31. @azaroth42 rsanderson @getty.edu LODLessonsLearnt: Provenance Structure or Interaction Linked Data as a Data Model … provides single structure to implement, query … acceptable if complete and accurate Linked Data as an API … provides data to integrate, use … acceptable if understandable and usable
- 32. @azaroth42 rsanderson @getty.edu LODLessonsLearnt: Provenance Structure or Interaction Linked Data as a Data Model … provides single structure to implement, query … acceptable if complete and accurate Linked Data as an API … provides data to integrate, use … acceptable if understandable and usable => As completeness increases, usability decreases
- 33. @azaroth42 rsanderson @getty.edu LODLessonsLearnt: Provenance If it’s not usable, why are we doing it?
- 34. @azaroth42 rsanderson @getty.edu LODLessonsLearnt: Provenance Final Thoughts Need to focus on our goals … not on religious wars around ontologies Need to find the balance between accuracy and usability Need to recognize this is HARD and we’re not going to get it right the first time. Or the second. Need to keep on keeping on :)
- 35. @azaroth42 rsanderson @getty.edu LODLessonsLearnt: Provenance Rob Sanderson / rsanderson@getty.edu Thank You!
Editor's Notes
- Madame Bonnier de la Mosson, a member of Parisian society whose literary salon was a popular meeting place for the most noted people of her day, appears as Diana, goddess of the moon, the forest, and the hunt.
- Madame Bonnier de la Mosson, a member of Parisian society whose literary salon was a popular meeting place for the most noted people of her day, appears as Diana, goddess of the moon, the forest, and the hunt.
- Madame Bonnier de la Mosson, a member of Parisian society whose literary salon was a popular meeting place for the most noted people of her day, appears as Diana, goddess of the moon, the forest, and the hunt.
- Madame Bonnier de la Mosson, a member of Parisian society whose literary salon was a popular meeting place for the most noted people of her day, appears as Diana, goddess of the moon, the forest, and the hunt.
- Madame Bonnier de la Mosson, a member of Parisian society whose literary salon was a popular meeting place for the most noted people of her day, appears as Diana, goddess of the moon, the forest, and the hunt.
- Madame Bonnier de la Mosson, a member of Parisian society whose literary salon was a popular meeting place for the most noted people of her day, appears as Diana, goddess of the moon, the forest, and the hunt.
- Madame Bonnier de la Mosson, a member of Parisian society whose literary salon was a popular meeting place for the most noted people of her day, appears as Diana, goddess of the moon, the forest, and the hunt.
- Madame Bonnier de la Mosson, a member of Parisian society whose literary salon was a popular meeting place for the most noted people of her day, appears as Diana, goddess of the moon, the forest, and the hunt.
- Madame Bonnier de la Mosson, a member of Parisian society whose literary salon was a popular meeting place for the most noted people of her day, appears as Diana, goddess of the moon, the forest, and the hunt.
- Madame Bonnier de la Mosson, a member of Parisian society whose literary salon was a popular meeting place for the most noted people of her day, appears as Diana, goddess of the moon, the forest, and the hunt.
- Madame Bonnier de la Mosson, a member of Parisian society whose literary salon was a popular meeting place for the most noted people of her day, appears as Diana, goddess of the moon, the forest, and the hunt.
- Madame Bonnier de la Mosson, a member of Parisian society whose literary salon was a popular meeting place for the most noted people of her day, appears as Diana, goddess of the moon, the forest, and the hunt.
- Madame Bonnier de la Mosson, a member of Parisian society whose literary salon was a popular meeting place for the most noted people of her day, appears as Diana, goddess of the moon, the forest, and the hunt.
- Madame Bonnier de la Mosson, a member of Parisian society whose literary salon was a popular meeting place for the most noted people of her day, appears as Diana, goddess of the moon, the forest, and the hunt.
- Madame Bonnier de la Mosson, a member of Parisian society whose literary salon was a popular meeting place for the most noted people of her day, appears as Diana, goddess of the moon, the forest, and the hunt.
- Madame Bonnier de la Mosson, a member of Parisian society whose literary salon was a popular meeting place for the most noted people of her day, appears as Diana, goddess of the moon, the forest, and the hunt.
- Madame Bonnier de la Mosson, a member of Parisian society whose literary salon was a popular meeting place for the most noted people of her day, appears as Diana, goddess of the moon, the forest, and the hunt.
- Madame Bonnier de la Mosson, a member of Parisian society whose literary salon was a popular meeting place for the most noted people of her day, appears as Diana, goddess of the moon, the forest, and the hunt.
- Madame Bonnier de la Mosson, a member of Parisian society whose literary salon was a popular meeting place for the most noted people of her day, appears as Diana, goddess of the moon, the forest, and the hunt.
- Madame Bonnier de la Mosson, a member of Parisian society whose literary salon was a popular meeting place for the most noted people of her day, appears as Diana, goddess of the moon, the forest, and the hunt.
- Madame Bonnier de la Mosson, a member of Parisian society whose literary salon was a popular meeting place for the most noted people of her day, appears as Diana, goddess of the moon, the forest, and the hunt.
- Madame Bonnier de la Mosson, a member of Parisian society whose literary salon was a popular meeting place for the most noted people of her day, appears as Diana, goddess of the moon, the forest, and the hunt.
- Madame Bonnier de la Mosson, a member of Parisian society whose literary salon was a popular meeting place for the most noted people of her day, appears as Diana, goddess of the moon, the forest, and the hunt.