The New Movie
 Development
  Revolution
All Rights Preserved

Todos los Derechos Preservados
                 by

The blUElIzArd OpEn rOUnd tAblE Group
The New Movie Development
            Revolution


“There is nothing wrong with a film company
 that a great movie cannot solve .”

                                David Cardona
   cInEmA phOtOgrAphy & cOntEnts dEvElOpmEnt
                  On a Carlos Ghosn, Nissan CEO, Paraphrase.
The New Movie Development
            Revolution
• From an Excellent Movie Development Process to
  the Succes in Mass Diffusion.

• The Cinema Competitive Frontier.

• Overcoming Old Paradigms.

• To Think, Learn, and Do It for an Effective
  Management of Cinema Content Development from
  Screenwriting to Global Diffusion.
From the Excellent Movie to the
      Succes in Mass Diffusion
Thomas Alba
  Edison was
  more than a
  pioneer; after
  Kinetoscope was
  unveiled in May
  1891, it was a
  penny arcade
  attraction for
  individual usage,
  not a tool that
  could show
  movies to a
  mass audience.
From the Excellent Movie to the
   Succes on Mass Diffusion




It was the
First
   Revolution.
From the Excellent Movie to the
   Succes in Mass Diffusion
The Pixar dream
  began in 1986, when
  Steve Jobs
  invested $20 million
  with the Computer
  Graphics team. The
  use of Mac and Final
  Cut for Editing from
  Home and the
  posibilities of the
  Iphone, Ipad and
  resources as Itunes
  for sharing
  contents were part
  of a vision of future.
From the Excellent Movie to the
   Succes in Mass Diffusion




It was the
Second
   Revolution.
From the Excellent Movie to the
    Succes in Mass Diffusion
To integrate the
 supply and
 value chain from
 screenwriting to
 a global but not
 less personal
 exhibition of
 films counting
 of a measured
 sense of
 economics is a
 preserved
 concept by now.
A Model of a Lean Movie
      Development System

• The Movie Development Process
  Subsystem.

• The Art and Technical People
  Subsystem.

• The Tools and Technology Subsystem.
The Cinema Competitive Frontier




                            The best
                       practices are
                      not enough.
The Levels on Integration Challenge
Screenwriting – Production – Distribution - Exhibition



                      MEDIA
  From Theatrical to Personal Tools &
          Social Networks.

• People & Movie Development Process.
• Technology.
• Culture & Public Policies.
The Cinema Competitive Frontier




                      To integrate the
                           Supply and
                          Value Chain
                                 is an
                          inescapable
                              task.
The Purpose

• Why a Lean Movie Development System is an Asset?

• How such a system can be created, implemented or
  improved in a Film Company?

• To do more of everything with less of everything.

• To focus on content and difference in order to
  conquer several and diverse markets and niches.
The Cinema Competitive Frontier




                        The Market:
                        Niche is the
                        gest star.
The Integration Challenge

• To migrate from traditional focus on
  Movies Production moving upstream
  and downstream through the process
  of movies development from
  Screenwriting to Distribution and
  Exhibition.
Overcoming Old Paradigms




                      The Market
                  System is like
                  a fluid but not
                  like a solid.
The Next Competitive Challenge

• How many time spent your people making the
  movie?

• How many time need your people to make a movie?

• A Lean Movie Development Process has become so
  effective that every Film Company such developed a
  lean production strategy for movie development will
  be quite succesful.

• Coordination before Solidarity.
Overcoming Old Paradigms




                                  The Audit and
                                Measurement are
                                 part of the daily
                                     practice.
    Forecasting   Measurement
To Think, Learn, and Do It for an Effective
    Management of Cinema Content

•   Better.
•   Faster.
•   Cheapper.
•   Less Time.
•   Less Inventory.
•   Fewer Editing Hours.
•   To do more of everything with less of everything.
•   Very profitable.
•   Others.
Overcoming Old Paradigms




                  To be different or
                             doing it
                   differently is the
                        only way for
                  increase value.
Focus and Perspective
• With the tremendous cost leverage to be gained in
  the screenwriting and production design stage, it is
  becoming clear that the new frontier is covering all
  the Movie Development Process, and its
  Management and related Research.

• The number of markets and niches, have increased
  dramatically. Conversely the qualified cinema
  content units have decreaced sustantially.
  Consecuently, to be succesful and remain
  competitive, Film Companies and filmmakers must
  now offer a much wider variety of movies while
  using the most platforms.
Focus and Perspective
• In connection with this trend many industries
  must move through their Line Production
  Process.

• Customers are selecting movies not only for
  the basis of cost and quality but other
  preferences and the original principles of
  Edison and Jobs` equations must be
  conseved by the Film Companies. Always.
Focus and Perspective

• Constant evolving to meet new challenges
  and technologies.

• Fight for learning to eliminate wastes and
  create flow of contents through a creative
  and technical process.

• To integrate appropriately people, process,
  tools, and technology to add value to the
  content, the customer and the society.
Thank You!

¡Muchas Gracias!
David Cardona
 cInEmA, phOtOgrAphy & cOntEnts dEvElOpmEnt
                      Civil Engineer
            Universidad Nacional de Colombia
                Representante Productores
   Consejo Departamental de Cinematografía de Antioquia
                         CDCA
          Curriculum Vitae y Otros Desarrollos en

      http://www.about.me/davidcardona
   http://www.linkedin.com/in/davidcardona
      http://davidcardona.photoblog.com/
  http://www.talenthouse.com/davidcardona
       http://davidcardona.blogspot.com/
    http://bluelizardgroup.photoblog.com/
http://catedraluisalbertoalvarez.blogspot.com/
      http://davidcardona.wordpress.com/
   http://www.slideshare.net/davidcardona/
http://www.facebook.com/davidcardonafilms/

            dcardox@hotmail.com

         Contact Us Now
antioquiacinemacluster@gmail.com
All Rights Preserved by
The blUElIzArd OpEn rOUnd tAblE Group

   Todos los Derechos Preservados

The New Movie Development Revolution

  • 1.
    The New Movie Development Revolution
  • 2.
    All Rights Preserved Todoslos Derechos Preservados by The blUElIzArd OpEn rOUnd tAblE Group
  • 3.
    The New MovieDevelopment Revolution “There is nothing wrong with a film company that a great movie cannot solve .” David Cardona cInEmA phOtOgrAphy & cOntEnts dEvElOpmEnt On a Carlos Ghosn, Nissan CEO, Paraphrase.
  • 4.
    The New MovieDevelopment Revolution • From an Excellent Movie Development Process to the Succes in Mass Diffusion. • The Cinema Competitive Frontier. • Overcoming Old Paradigms. • To Think, Learn, and Do It for an Effective Management of Cinema Content Development from Screenwriting to Global Diffusion.
  • 5.
    From the ExcellentMovie to the Succes in Mass Diffusion Thomas Alba Edison was more than a pioneer; after Kinetoscope was unveiled in May 1891, it was a penny arcade attraction for individual usage, not a tool that could show movies to a mass audience.
  • 6.
    From the ExcellentMovie to the Succes on Mass Diffusion It was the First Revolution.
  • 7.
    From the ExcellentMovie to the Succes in Mass Diffusion The Pixar dream began in 1986, when Steve Jobs invested $20 million with the Computer Graphics team. The use of Mac and Final Cut for Editing from Home and the posibilities of the Iphone, Ipad and resources as Itunes for sharing contents were part of a vision of future.
  • 8.
    From the ExcellentMovie to the Succes in Mass Diffusion It was the Second Revolution.
  • 9.
    From the ExcellentMovie to the Succes in Mass Diffusion To integrate the supply and value chain from screenwriting to a global but not less personal exhibition of films counting of a measured sense of economics is a preserved concept by now.
  • 10.
    A Model ofa Lean Movie Development System • The Movie Development Process Subsystem. • The Art and Technical People Subsystem. • The Tools and Technology Subsystem.
  • 11.
    The Cinema CompetitiveFrontier The best practices are not enough.
  • 12.
    The Levels onIntegration Challenge Screenwriting – Production – Distribution - Exhibition MEDIA From Theatrical to Personal Tools & Social Networks. • People & Movie Development Process. • Technology. • Culture & Public Policies.
  • 13.
    The Cinema CompetitiveFrontier To integrate the Supply and Value Chain is an inescapable task.
  • 14.
    The Purpose • Whya Lean Movie Development System is an Asset? • How such a system can be created, implemented or improved in a Film Company? • To do more of everything with less of everything. • To focus on content and difference in order to conquer several and diverse markets and niches.
  • 15.
    The Cinema CompetitiveFrontier The Market: Niche is the gest star.
  • 16.
    The Integration Challenge •To migrate from traditional focus on Movies Production moving upstream and downstream through the process of movies development from Screenwriting to Distribution and Exhibition.
  • 17.
    Overcoming Old Paradigms The Market System is like a fluid but not like a solid.
  • 18.
    The Next CompetitiveChallenge • How many time spent your people making the movie? • How many time need your people to make a movie? • A Lean Movie Development Process has become so effective that every Film Company such developed a lean production strategy for movie development will be quite succesful. • Coordination before Solidarity.
  • 19.
    Overcoming Old Paradigms The Audit and Measurement are part of the daily practice. Forecasting Measurement
  • 20.
    To Think, Learn,and Do It for an Effective Management of Cinema Content • Better. • Faster. • Cheapper. • Less Time. • Less Inventory. • Fewer Editing Hours. • To do more of everything with less of everything. • Very profitable. • Others.
  • 21.
    Overcoming Old Paradigms To be different or doing it differently is the only way for increase value.
  • 22.
    Focus and Perspective •With the tremendous cost leverage to be gained in the screenwriting and production design stage, it is becoming clear that the new frontier is covering all the Movie Development Process, and its Management and related Research. • The number of markets and niches, have increased dramatically. Conversely the qualified cinema content units have decreaced sustantially. Consecuently, to be succesful and remain competitive, Film Companies and filmmakers must now offer a much wider variety of movies while using the most platforms.
  • 23.
    Focus and Perspective •In connection with this trend many industries must move through their Line Production Process. • Customers are selecting movies not only for the basis of cost and quality but other preferences and the original principles of Edison and Jobs` equations must be conseved by the Film Companies. Always.
  • 24.
    Focus and Perspective •Constant evolving to meet new challenges and technologies. • Fight for learning to eliminate wastes and create flow of contents through a creative and technical process. • To integrate appropriately people, process, tools, and technology to add value to the content, the customer and the society.
  • 25.
  • 26.
    David Cardona cInEmA,phOtOgrAphy & cOntEnts dEvElOpmEnt Civil Engineer Universidad Nacional de Colombia Representante Productores Consejo Departamental de Cinematografía de Antioquia CDCA Curriculum Vitae y Otros Desarrollos en http://www.about.me/davidcardona http://www.linkedin.com/in/davidcardona http://davidcardona.photoblog.com/ http://www.talenthouse.com/davidcardona http://davidcardona.blogspot.com/ http://bluelizardgroup.photoblog.com/ http://catedraluisalbertoalvarez.blogspot.com/ http://davidcardona.wordpress.com/ http://www.slideshare.net/davidcardona/ http://www.facebook.com/davidcardonafilms/ dcardox@hotmail.com Contact Us Now antioquiacinemacluster@gmail.com
  • 27.
    All Rights Preservedby The blUElIzArd OpEn rOUnd tAblE Group Todos los Derechos Preservados