> Resources: DepEd SHS curriculum guide and Vibal CPAR
> This helping material comes with a short activity. Hope this helps!
- National Commission for Culture and the Arts
- Cultural Center of the Philippines
- National Historical Commission of the Philippines
- National Museum of the Philippines
- National Library of the Philippines
- Kumisyon sa Wikang Filipino
- National Archives of the Philippines
Hereby, I have attached traditional folk art of Bangladesh. Bangladesh is enrich in folk art, there various types of folk art.
May be this slides will guide anyone for getting introduce with Bangladeshi culture, Hope it'll be helpful.
this is hamza, student of mass communication and journalism of Dhaka University. if any need, u can communicate with me through mail or Facebook.
e-mail id: hamzakm12@gmail.com
facebook id: hamza kamal mostafa
Arts NSW is the NSW Government's arts policy and funding body. It funds NSW artists and arts organizations, promotes arts and culture, provides advice to the sector and government, and works with cultural institutions. Arts NSW offers various types of funding including program funding, project funding, and fellowships/awards on a competitive application basis to support activities between January and December 2013. Eligible applicants include not-for-profit organizations, local governments, and auspiced individuals or groups. Assessment is based on merit, audience development, benefits, capacity, and budget.
This document provides information about folk music in Bangladesh. It defines folk music as traditional music created by a community that is transmitted orally and evolves over long periods of time. The document discusses different styles of folk music in Bangladesh, including Baul songs, Bhatiyali, and genres that vary by region. It also outlines characteristics of folk music, such as being composed by illiterate people in local dialects based on their environment and culture.
Keevin Kewis presents on the NMAI Artist Leadership Program for museums and cultural arts organizations. The program aims to rebuild cultural confidence in local indigenous artists and enable them to think more broadly about their art through community art projects. It also aims to give artists access to museum collections and present them as authorities on their own art. The program works to break down stereotypes, mentor young artists, and use art for community healing. The $25,000 contracts available through the program would support local artists in sharing their cultural knowledge and value through art in their own voice and languages. The program provides transformative opportunities for artists and helps ensure the survival of community cultural heritage.
> Resources: DepEd SHS curriculum guide and Vibal CPAR
> This helping material comes with a short activity. Hope this helps!
- National Commission for Culture and the Arts
- Cultural Center of the Philippines
- National Historical Commission of the Philippines
- National Museum of the Philippines
- National Library of the Philippines
- Kumisyon sa Wikang Filipino
- National Archives of the Philippines
Hereby, I have attached traditional folk art of Bangladesh. Bangladesh is enrich in folk art, there various types of folk art.
May be this slides will guide anyone for getting introduce with Bangladeshi culture, Hope it'll be helpful.
this is hamza, student of mass communication and journalism of Dhaka University. if any need, u can communicate with me through mail or Facebook.
e-mail id: hamzakm12@gmail.com
facebook id: hamza kamal mostafa
Arts NSW is the NSW Government's arts policy and funding body. It funds NSW artists and arts organizations, promotes arts and culture, provides advice to the sector and government, and works with cultural institutions. Arts NSW offers various types of funding including program funding, project funding, and fellowships/awards on a competitive application basis to support activities between January and December 2013. Eligible applicants include not-for-profit organizations, local governments, and auspiced individuals or groups. Assessment is based on merit, audience development, benefits, capacity, and budget.
This document provides information about folk music in Bangladesh. It defines folk music as traditional music created by a community that is transmitted orally and evolves over long periods of time. The document discusses different styles of folk music in Bangladesh, including Baul songs, Bhatiyali, and genres that vary by region. It also outlines characteristics of folk music, such as being composed by illiterate people in local dialects based on their environment and culture.
Keevin Kewis presents on the NMAI Artist Leadership Program for museums and cultural arts organizations. The program aims to rebuild cultural confidence in local indigenous artists and enable them to think more broadly about their art through community art projects. It also aims to give artists access to museum collections and present them as authorities on their own art. The program works to break down stereotypes, mentor young artists, and use art for community healing. The $25,000 contracts available through the program would support local artists in sharing their cultural knowledge and value through art in their own voice and languages. The program provides transformative opportunities for artists and helps ensure the survival of community cultural heritage.
The document summarizes a First Nations Colloquium and Creative Arts Lab taking place from October 10-14, 2016 in South Africa. The event brings together indigenous artists, managers and thinkers from South Africa, Australia, New Zealand, and the US to foster cross-cultural collaborations and explore themes in indigenous art. Over the five days, the program includes colloquium presentations, creative lab sessions, and visits to indigenous sites in South Africa. The goal is to inspire new indigenous works of art and increase international partnerships, audiences and support for indigenous arts.
A Scavenger Hunt for a Healthy Arts Community.
By
CHARLES CHIP MC NEAL
chip106@aol.com
October 2011
Lesley University
Creative Arts in Learning
EARTS 6101 Art and Culture in Community
This document provides an overview of Arts Queensland's priorities and programs. It discusses Arts Queensland's goals to grow quality arts, capitalize on technology, and partner with local governments and other sectors. It then summarizes Arts Queensland's strategic plans and initiatives to support various art forms, including Creative Communities projects, funding programs, and support for Indigenous arts. Details are provided on specific programs like Career Development Grants, Development and Presentation Grants, and the Artist in Residence program.
experience: Saskatchewan Arts Board Annual Report 2012-2013Saskatchewan Board
Saskatchewan has a thriving arts community. This magazine-style publication highlights our innovative artists, organizations and communities through feature stories and photos. It is also a celebration of the Saskatchewan Arts Board's 65th anniversary.
World Youth Choir. A story about ''THE WORLD UNITED IN SONG!''. World Youth Choir
The World Youth Choir is a genuine educational and social experience drawing on many vocal traditions, aiming for the highest artistic level. By music education, professional artistic approach, multicultural social interaction and exchange the World Youth Choir unites 40 to 80 young choral singers age 18 to 30 from all over the world at projects organized in different countries each or every other year. Artistically, singers develop their musical talents by interacting with internationally renowned conductors performing repertoires of various styles, time periods at a professional level. The choir performs both a cappella and with distinguished youth or national orchestras, further expanding its message of artistic unity. Socially, and regardless of political or cultural differences, singers share up to a month of their lives together. They work, play, converse, and debate. Such communal living creates a genuine spirit of understanding, lifelong friendships, and a cohesive group with a unique bond. This is why UNESCO has awarded the World Youth Choir with the “Artist for Peace” title in 1996, recognizing its success as a platform for intercultural dialogue through music.
The Newcastle Music and Culture Festival is a 3-day event featuring workshops, performances, and competitions focused on music and art. Workshops are open to those aged 12-20 and will cover performance, music industry skills, and technical areas like sound and lights. A final concert on the last night is free and open to all ages, featuring both local and national bands of varying genres. The festival aims to provide educational and cultural experiences for youth while bringing the community together through music.
Bangladesh has a rich, diverse, and has its own rooted culture. In this presentation, we briefly discussed culture and tradition, what differentiates between the two, and we also showed types of culture and tradition.
Kenyan literature is heavily influenced by oral tradition and focuses on themes of colonization, war, education, love, and family. Most authors write in Swahili, English, or Gikuyu. Famous Kenyan authors include Ngugi wa Thiong'o, Chinua Achebe, and Isak Dinesen. Kenyan art depicts ocean life, wildlife, cultural practices, and relationships between communities through a focus on adornment and beauty. Dance is an important part of rituals and celebrations, with unique styles varying between tribes but most incorporating drumming.
Music and Culture, Music Event Grant ProjectHampus Elinder
The document proposes a Newcastle Choir Day event to promote choral music. The event would include workshops, performances, and a concert. It would appeal to all ages and cultures by integrating different music genres. Practicing music and singing in a choir provides mental, physical, and social benefits by reducing stress, enhancing mood, and building community. The event aims to broaden Newcastle's small choir scene and have positive impacts on the whole community's health and culture. It would be hosted at the University of Newcastle's Conservatorium to utilize their facilities and student/staff involvement.
Presentation artscape, Artist in Residence ProgramWendy122561
The two artists, Wendy Wallace and Jacqueline Lemmon, are proposing a one-year artist residency program in downtown Oshawa. They are requesting donated studio space and a $10,000 stipend in exchange for creating public art installations for the city. The program aims to promote Oshawa's cultural identity, encourage other artists, and provide educational opportunities for students through mentorships.
Cultural planning is a community-wide process that involves assessing local cultural resources and needs, setting goals for cultural development, and implementing plans to address needs and opportunities. It is done through a structured, consensus-building process that brings together representatives from the arts community, political leaders, and citizens. Cultural planning aims to strengthen support for the arts, integrate arts into education, tap the economic potential of arts and culture, and enhance civic pride. Some benefits of cultural planning include increased funding, cooperation among arts groups, fuller integration of arts into the community, and improved access to cultural programs.
The culture of Pakistan is diverse and influenced by surrounding regions. It comprises ethnic groups like Punjabis, Kashmiris, Sindhis, Muhajirs, and others. Pakistani culture includes aspects like language, arts, spirituality, social activities, and interactions. It also incorporates literature, poetry, performing arts, visual arts, recreation, dress, media, and festivals. Overall, Pakistani culture is a blend of its various ethnic groups and has been shaped by influences from Persia, Central Asia, India, and the Middle East.
The Presidency - National Orders Booklet 2018Dr Lendy Spires
This document outlines the order of proceedings for the presentation of National Orders in South Africa on 28 April 2018. It lists 40 recipients who will receive various National Orders, including the Order of Ikhamanga, Order of the Baobab, Order of Luthuli, and Order of the Companions of OR Tambo, in categories of gold, silver and bronze. It provides background on the history and symbols of the National Orders of South Africa.
The Presidency - National Orders Booklet 2017Dr Lendy Spires
Mr Sizwe Lawrence Ndlovu received the Order of Ikhamanga in Silver for his excellent contribution to the field of sport. He was part of the South African men's lightweight rowing team that won gold at the 2012 London Olympics, shocking the world. This was a historic moment for South African rowing and sport. Ndlovu played a key role in this achievement.
The document discusses how the arts benefit communities both economically and through community building. It provides facts about the positive economic impact of arts and culture in the Kansas City region, including over $640 million in tax revenue generated by tourism in 2010. The arts attract visitors and creative workers to cities, helping to revitalize neighborhoods. Partnerships between business, civic, and arts organizations have helped transform Kansas City into a vibrant cultural destination through projects like the Crossroads Arts District. Continued public support is needed to ensure the long-term growth and sustainability of the arts in the region.
This grant application proposes hosting a music festival in Newcastle, Australia to celebrate local culture. The festival aims to bring music to people in various public settings rather than requiring people to travel to concerts. Performances would be held in shopping centers and universities to interact with diverse audiences. This allows people to define their musical identities and promotes local musicians. The advantages include creating a sense of community as people share musical tastes. Workshops and artist interviews would further educate people and foster connections between musicians. The goal is to explore Newcastle's musical genres and identities while bringing generations together through the universal language of music.
This document discusses cultural policy and social policy in remote Aboriginal communities in the Northern Territory. It argues that cultural strength and social resilience are interconnected, and that social policy is essentially arts policy. It presents several case studies of cultural programs in remote communities that used multi-media platforms like music, film, and arts to engage youth and address issues like binge drinking. The document advocates connecting cultural policy and the Indigenous Advancement Strategy through prioritizing investment in the arts to foster innovation, participation, and intercultural dialogue as a way to strengthen social cohesion and cultural heritage.
Wim Oscé (Africalia, Belgium) presented this presentation during the Global Youth Anti-Corruption Forum in the Culture & Development Session - Linkages and added value of cultural elements in maximizing the potentials of development projects with a focus on anti-corruption.
Jeunesses Musicales International is an organization that develops young people through music across borders. It has over 60 country members and provides over 36,000 annual activities for its over 5 million young members. The organization focuses on providing access to music, active participation, self-esteem, critical thinking, creativity, intercultural learning, and peace building. It faces challenges of perceived elitism of culture, lack of funding and support for music education. The organization runs programs like world youth orchestras and choirs, camps promoting intercultural learning, and festivals developing music skills and careers. It also supports community development programs using music.
The document summarizes the New York State Council on the Arts (NYSCA), including its history, funding programs, grantmaking process, budget, and current initiatives. NYSCA was established in 1960 and provides over $35 million annually in grants to over 2,100 nonprofit arts organizations and individual artists. It uses a four-step peer review process to evaluate grant applications according to artistic, managerial and public service criteria before final approval by the NYSCA Council.
HISTORY, ADMINISTRATION AND CHALLENGES OF THE DELTA STATE COUNCIL FOR ARTS AN...AJHSSR Journal
ABSTRACT : Delta State can comfortably stand in for the Nation as a State with Multi-ethnic nationality.
And the Delta State Council for Arts and Culture both in recruitment and execution of her day to day activities
has these factors considered as the different tribes are deliberately captured. Its role is to promote, propagate,
present and preserve the rich cultural heritage of the people of Delta State. The objective of this study is
therefore to investigate the basic edict/law setting up the Council as well as the mandate, vision, goals, aims and
challenges of the establishment as well as the contributions of the Directors of the Delta State Council for Arts
and Culture since inception. This study will be limited to the administration of the Delta Arts Council through
reviewing relevant literatures and interviews through the qualitative research methodology to arrive ast a robust
findings. The study brings to the fore the activities of the council, the organizational structure and the challenges
bedeviling the council to enrich the existing literature around the discourse.
KEYWORDS: Delta State, Arts Council, Historical Development, Directors, Challenges, Administration
The document summarizes a First Nations Colloquium and Creative Arts Lab taking place from October 10-14, 2016 in South Africa. The event brings together indigenous artists, managers and thinkers from South Africa, Australia, New Zealand, and the US to foster cross-cultural collaborations and explore themes in indigenous art. Over the five days, the program includes colloquium presentations, creative lab sessions, and visits to indigenous sites in South Africa. The goal is to inspire new indigenous works of art and increase international partnerships, audiences and support for indigenous arts.
A Scavenger Hunt for a Healthy Arts Community.
By
CHARLES CHIP MC NEAL
chip106@aol.com
October 2011
Lesley University
Creative Arts in Learning
EARTS 6101 Art and Culture in Community
This document provides an overview of Arts Queensland's priorities and programs. It discusses Arts Queensland's goals to grow quality arts, capitalize on technology, and partner with local governments and other sectors. It then summarizes Arts Queensland's strategic plans and initiatives to support various art forms, including Creative Communities projects, funding programs, and support for Indigenous arts. Details are provided on specific programs like Career Development Grants, Development and Presentation Grants, and the Artist in Residence program.
experience: Saskatchewan Arts Board Annual Report 2012-2013Saskatchewan Board
Saskatchewan has a thriving arts community. This magazine-style publication highlights our innovative artists, organizations and communities through feature stories and photos. It is also a celebration of the Saskatchewan Arts Board's 65th anniversary.
World Youth Choir. A story about ''THE WORLD UNITED IN SONG!''. World Youth Choir
The World Youth Choir is a genuine educational and social experience drawing on many vocal traditions, aiming for the highest artistic level. By music education, professional artistic approach, multicultural social interaction and exchange the World Youth Choir unites 40 to 80 young choral singers age 18 to 30 from all over the world at projects organized in different countries each or every other year. Artistically, singers develop their musical talents by interacting with internationally renowned conductors performing repertoires of various styles, time periods at a professional level. The choir performs both a cappella and with distinguished youth or national orchestras, further expanding its message of artistic unity. Socially, and regardless of political or cultural differences, singers share up to a month of their lives together. They work, play, converse, and debate. Such communal living creates a genuine spirit of understanding, lifelong friendships, and a cohesive group with a unique bond. This is why UNESCO has awarded the World Youth Choir with the “Artist for Peace” title in 1996, recognizing its success as a platform for intercultural dialogue through music.
The Newcastle Music and Culture Festival is a 3-day event featuring workshops, performances, and competitions focused on music and art. Workshops are open to those aged 12-20 and will cover performance, music industry skills, and technical areas like sound and lights. A final concert on the last night is free and open to all ages, featuring both local and national bands of varying genres. The festival aims to provide educational and cultural experiences for youth while bringing the community together through music.
Bangladesh has a rich, diverse, and has its own rooted culture. In this presentation, we briefly discussed culture and tradition, what differentiates between the two, and we also showed types of culture and tradition.
Kenyan literature is heavily influenced by oral tradition and focuses on themes of colonization, war, education, love, and family. Most authors write in Swahili, English, or Gikuyu. Famous Kenyan authors include Ngugi wa Thiong'o, Chinua Achebe, and Isak Dinesen. Kenyan art depicts ocean life, wildlife, cultural practices, and relationships between communities through a focus on adornment and beauty. Dance is an important part of rituals and celebrations, with unique styles varying between tribes but most incorporating drumming.
Music and Culture, Music Event Grant ProjectHampus Elinder
The document proposes a Newcastle Choir Day event to promote choral music. The event would include workshops, performances, and a concert. It would appeal to all ages and cultures by integrating different music genres. Practicing music and singing in a choir provides mental, physical, and social benefits by reducing stress, enhancing mood, and building community. The event aims to broaden Newcastle's small choir scene and have positive impacts on the whole community's health and culture. It would be hosted at the University of Newcastle's Conservatorium to utilize their facilities and student/staff involvement.
Presentation artscape, Artist in Residence ProgramWendy122561
The two artists, Wendy Wallace and Jacqueline Lemmon, are proposing a one-year artist residency program in downtown Oshawa. They are requesting donated studio space and a $10,000 stipend in exchange for creating public art installations for the city. The program aims to promote Oshawa's cultural identity, encourage other artists, and provide educational opportunities for students through mentorships.
Cultural planning is a community-wide process that involves assessing local cultural resources and needs, setting goals for cultural development, and implementing plans to address needs and opportunities. It is done through a structured, consensus-building process that brings together representatives from the arts community, political leaders, and citizens. Cultural planning aims to strengthen support for the arts, integrate arts into education, tap the economic potential of arts and culture, and enhance civic pride. Some benefits of cultural planning include increased funding, cooperation among arts groups, fuller integration of arts into the community, and improved access to cultural programs.
The culture of Pakistan is diverse and influenced by surrounding regions. It comprises ethnic groups like Punjabis, Kashmiris, Sindhis, Muhajirs, and others. Pakistani culture includes aspects like language, arts, spirituality, social activities, and interactions. It also incorporates literature, poetry, performing arts, visual arts, recreation, dress, media, and festivals. Overall, Pakistani culture is a blend of its various ethnic groups and has been shaped by influences from Persia, Central Asia, India, and the Middle East.
The Presidency - National Orders Booklet 2018Dr Lendy Spires
This document outlines the order of proceedings for the presentation of National Orders in South Africa on 28 April 2018. It lists 40 recipients who will receive various National Orders, including the Order of Ikhamanga, Order of the Baobab, Order of Luthuli, and Order of the Companions of OR Tambo, in categories of gold, silver and bronze. It provides background on the history and symbols of the National Orders of South Africa.
The Presidency - National Orders Booklet 2017Dr Lendy Spires
Mr Sizwe Lawrence Ndlovu received the Order of Ikhamanga in Silver for his excellent contribution to the field of sport. He was part of the South African men's lightweight rowing team that won gold at the 2012 London Olympics, shocking the world. This was a historic moment for South African rowing and sport. Ndlovu played a key role in this achievement.
The document discusses how the arts benefit communities both economically and through community building. It provides facts about the positive economic impact of arts and culture in the Kansas City region, including over $640 million in tax revenue generated by tourism in 2010. The arts attract visitors and creative workers to cities, helping to revitalize neighborhoods. Partnerships between business, civic, and arts organizations have helped transform Kansas City into a vibrant cultural destination through projects like the Crossroads Arts District. Continued public support is needed to ensure the long-term growth and sustainability of the arts in the region.
This grant application proposes hosting a music festival in Newcastle, Australia to celebrate local culture. The festival aims to bring music to people in various public settings rather than requiring people to travel to concerts. Performances would be held in shopping centers and universities to interact with diverse audiences. This allows people to define their musical identities and promotes local musicians. The advantages include creating a sense of community as people share musical tastes. Workshops and artist interviews would further educate people and foster connections between musicians. The goal is to explore Newcastle's musical genres and identities while bringing generations together through the universal language of music.
This document discusses cultural policy and social policy in remote Aboriginal communities in the Northern Territory. It argues that cultural strength and social resilience are interconnected, and that social policy is essentially arts policy. It presents several case studies of cultural programs in remote communities that used multi-media platforms like music, film, and arts to engage youth and address issues like binge drinking. The document advocates connecting cultural policy and the Indigenous Advancement Strategy through prioritizing investment in the arts to foster innovation, participation, and intercultural dialogue as a way to strengthen social cohesion and cultural heritage.
Wim Oscé (Africalia, Belgium) presented this presentation during the Global Youth Anti-Corruption Forum in the Culture & Development Session - Linkages and added value of cultural elements in maximizing the potentials of development projects with a focus on anti-corruption.
Jeunesses Musicales International is an organization that develops young people through music across borders. It has over 60 country members and provides over 36,000 annual activities for its over 5 million young members. The organization focuses on providing access to music, active participation, self-esteem, critical thinking, creativity, intercultural learning, and peace building. It faces challenges of perceived elitism of culture, lack of funding and support for music education. The organization runs programs like world youth orchestras and choirs, camps promoting intercultural learning, and festivals developing music skills and careers. It also supports community development programs using music.
The document summarizes the New York State Council on the Arts (NYSCA), including its history, funding programs, grantmaking process, budget, and current initiatives. NYSCA was established in 1960 and provides over $35 million annually in grants to over 2,100 nonprofit arts organizations and individual artists. It uses a four-step peer review process to evaluate grant applications according to artistic, managerial and public service criteria before final approval by the NYSCA Council.
HISTORY, ADMINISTRATION AND CHALLENGES OF THE DELTA STATE COUNCIL FOR ARTS AN...AJHSSR Journal
ABSTRACT : Delta State can comfortably stand in for the Nation as a State with Multi-ethnic nationality.
And the Delta State Council for Arts and Culture both in recruitment and execution of her day to day activities
has these factors considered as the different tribes are deliberately captured. Its role is to promote, propagate,
present and preserve the rich cultural heritage of the people of Delta State. The objective of this study is
therefore to investigate the basic edict/law setting up the Council as well as the mandate, vision, goals, aims and
challenges of the establishment as well as the contributions of the Directors of the Delta State Council for Arts
and Culture since inception. This study will be limited to the administration of the Delta Arts Council through
reviewing relevant literatures and interviews through the qualitative research methodology to arrive ast a robust
findings. The study brings to the fore the activities of the council, the organizational structure and the challenges
bedeviling the council to enrich the existing literature around the discourse.
KEYWORDS: Delta State, Arts Council, Historical Development, Directors, Challenges, Administration
The document discusses the promotion and preservation of arts in the Philippines by the government. It outlines six agencies that fall under the National Commission for Culture and the Arts (NCCA) which are responsible for promoting and preserving different aspects of Philippine culture and arts. These include the Cultural Center of the Philippines (CCP) which promotes arts from different regions, the National Historical Commission of the Philippines (NHCP) which preserves historical sites, and the National Museum which houses artifacts and specimens produced in the country. The document emphasizes how arts and culture are integral to nation-building and these government organizations work to propagate Philippine heritage.
This document discusses the EU's policy framework and commitments regarding culture and development. It outlines international agreements and EU-level documents that support culture as a tool for development. Culture can achieve inclusive and sustainable societies, support economic growth and jobs, and build social cohesion. The document presents examples of culture and development projects in Sri Lanka, Niger, and Ivory Coast. It also describes the UNESCO/EU Expert Facility and the ACPCultures+ program that supports cultural operators across ACP countries. Future EU initiatives will focus on culture as an enabler of intercultural dialogue and support for cultural and creative industries.
The document discusses cultural heritage and cultural appropriation in the context of Philippine cultural policies. It defines cultural heritage as property passed down through generations that is protected as cultural property, whether natural or man-made, tangible or intangible. Cultural appropriation is defined as the unacknowledged or inappropriate adoption of customs, practices, or ideas of one culture by members of another, dominant culture. The document outlines several Philippine laws and policies that aim to protect cultural heritage and property, foster cultural diversity, and prevent inappropriate cultural appropriation. It emphasizes the importance of cultural education and sensitivity in the use and sharing of cultural elements.
The Report of the Arts and Culture Strategic ReviewActionGood
This document presents the findings and recommendations of the Arts and Culture Strategic Review (ACSR) in Singapore. It discusses how Singapore has made progress in developing its cultural landscape over the past few decades but now aims to further strengthen arts and culture. The ACSR recommends strategic directions to bring arts and culture to all people in Singapore, build cultural capabilities and excellence, and achieve new heights through partnerships. Its vision is for Singapore to become a leading global arts and culture capital.
The Department of Cultural Affairs (DCA) funds over 660 cultural non-profit organizations across New York City's five boroughs through its Program Services Unit. It oversees capital projects and serves 34 Cultural Institutions Group organizations located in city-owned facilities. DCA also operates Materials for the Arts, which distributes donated materials to schools and cultural groups, and manages the Percent for Art program that commissions public art for municipal buildings. DCA has supported New York City's arts and culture sector since its founding in 1962 and oversees an annual budget of over $167 million.
The document discusses international archive awareness campaigns and strategies. It provides examples from the UK, Ireland, USA, Netherlands, and at the international level. The UK campaign aims to increase awareness and use of archives. It is coordinated by archive organizations and celebrates archive treasures. The USA campaign in 2011 focused on culture and diversity found in archives. International Archives Day aims to raise public awareness of the value of archives and records.
This document summarizes the results of a study on culture in Simcoe County, Ontario. It finds that culture is an important sector for the local and provincial economy. To better support culture, the County considered 4 options, ultimately choosing to enhance existing cultural events, partner with local organizations, and provide new programming like workshops and marketing. As a result, the County launched a new cultural grant and a marketing campaign called "North of 9" to promote the region's unique cultural festivals and attractions. The goal is to develop Simcoe County's cultural assets and tourism industry.
Bulgaria - “Implementation of the 2003 Convention of UNESCO in Bulgaria”UNESCO Venice Office
This document summarizes Bulgaria's implementation of the 2003 UNESCO Convention for the Safeguarding of Intangible Cultural Heritage. Key aspects include establishing a National Council and Center for Intangible Cultural Heritage, developing legislation and policies to protect ICH, maintaining an inventory of ICH elements and Living Human Treasures, inscribing elements on UNESCO's Representative List, and collaborating through regional networks to safeguard shared ICH in Southeast Europe.
Robert Hunter @ the Arts Consultants of Canada Seminar (Oct. 25/2010)Qasim Virjee
Robert Hunter's presentation will outline the findings from a recent review of the Department's programs, explore observed trends and discuss how programs at the Department have evolved to ensure their continued relevance.
Turkey has taken several efforts to safeguard its intangible cultural heritage according to the 2003 UNESCO Convention. It established a legal and administrative framework including ratifying the convention in 2006, creating an ICH Commission of Experts and 81 Local ICH Boards. These bodies work to raise awareness, inventory elements, and implement safeguarding measures like publications, workshops, and regional cooperation. Turkey also recognizes Living Human Treasures and has nominated several elements for UNESCO's Representative List.
This document discusses the National Artists of the Philippines award. It begins by explaining that the award recognizes Filipinos who have made significant contributions to developing Philippine arts in fields like music, dance, theater, visual arts, literature, film and architecture. It then provides details on the qualifications for the award and the categories works can fall under. The document lists the current National Artists and describes the insignia received with the honor. It concludes by assigning students a poster project to pay tribute to a National Artist of their choice.
Encinitas Arts Master Plan City Council Presentation 2002Cristina Chacon
The City of Encinitas Arts Master Plan was developed over three years with input from over 50 community members. It includes 7 goals and 21 objectives to guide arts development, such as increasing access to arts, supporting artists, and stimulating the economy. The Arts Commission developed the plan to preserve Encinitas' character as an artistic community and memorialize the community's vision for arts. The Commission recommends the City Council approve the plan to help implement programs that strengthen the arts.
Portland Regional Arts & Culture Council: Rpeort to CommunityDaniel X. O'Neil
The Regional Arts & Culture Council (RACC) presented its 2009 annual report to the City of Portland. The report summarized RACC's activities over the previous year, including serving over 80 arts organizations and hundreds of schoolchildren. It also discussed RACC's advocacy efforts to secure public funding for arts and culture, including maintaining funding levels from the City of Portland, Metro, and surrounding counties. RACC works to leverage the City's investment in arts and culture through other public and private partnerships to benefit the entire region.
Similar to The National Commission For Culture & The Arts (20)
Presentation during the 2008 PLAI National Conference on Multicultural Landscape of Philippine Librarianship by Dr. Andre San Agustin 20Nov2008 (Part 2)
Gearing Librarians Towards Total Quality Service (with Emphasis on Personal a...PLAI STRLC
1) The document discusses the changing roles of librarians in light of new technologies and an information-driven society. It emphasizes developing competencies and skills to provide quality service.
2) Key competencies for librarians include knowledge of information resources, technology, management, and research. Personal competencies like communication skills, continuous learning, and demonstrating value are also important.
3) To deliver total quality service, librarians must understand customers, package information to meet their needs, promote services effectively, and exceed customer expectations through high performance.
The document summarizes the creation and structure of the PLAI-STRLC Provincial Chapter. It discusses the history and founding dates of various provincial librarian associations in the Southern Tagalog Region that make up the Chapter. The Chapter aims to promote development at the provincial level and serve as a link between the Regional Council and individual Provincial Chapters. Each Chapter is represented by its provincial association president. Membership is open to librarians and other information professionals.
The Abc’S Of Librarian’S Success In A WorkplacePLAI STRLC
The document provides 26 tips for librarians' success in the workplace, labeled with letters from A to Z. Some of the key tips include accepting fellow librarians, being kind, creating a positive atmosphere, encouraging excellence, forgetting past wrongs, hanging out with positive people, insisting on smiling, knowing that work is only part of life, laughing often, moving around daily, reaching out to associates who are struggling, talking about goals, and zeroing in on accomplishments. The overall message is that adopting these behaviors and attitudes can help librarians enjoy their work and find success.
The document discusses the empowerment of librarians in the Philippines through various initiatives. It outlines how librarians and libraries are adapting to new technologies and the hybrid model of both electronic and traditional resources. The key initiatives discussed include amendments to laws and licensure exams that expand the scope of librarianship practice and increase the focus on information technology skills.
The document summarizes key demographic trends and media consumption patterns in the Philippines. It notes that the population is growing rapidly, particularly in urban areas like Metro Manila. Television, radio, print, and the internet are all widely consumed, though consumption patterns differ across age groups, locations, and socioeconomic classes. New media like digital platforms, social media, and mobile are on the rise and blurring boundaries between traditional media.
Meeting The Expectations Of Today’s UsersPLAI STRLC
This document discusses how libraries need to evolve beyond traditional models to meet modern user expectations. It outlines how the adoption of Web 2.0 technologies and a Library 2.0 model can help libraries provide information anywhere and anytime to users with a variety of needs and values. The document proposes an "Info Common" approach that focuses on equity of access, personalized service, and flexibility to meet individual user needs.
The Role of Librarians in the 21st CenturyPLAI STRLC
The document discusses the changing role of librarians in the 21st century due to the digital information environment. It outlines both traditional and new roles for librarians as information brokers, technology leaders, educators, and collaborators. Librarians need new professional competencies in areas like information resources, technology management, and research skills. They also require personal competencies like communication skills and a commitment to lifelong learning to adapt to the digital age.
Promoting research and scholarship through open access and epublishing PLAI STRLC
The document provides an overview of open access and the University of Technology Sydney (UTS) Library's initiatives to promote it. It discusses open access declarations, digital repositories, open journal publishing platforms like Open Journal Systems, and UTS's institutional repository and open access publishing platform UTSePress. It addresses the economic sustainability of online journals and roles of different stakeholders in supporting open access policies and implementation.
Fides Lawton discusses promoting open access and e-publishing through research and scholarship. She introduces major open access initiatives worldwide and the benefits to researchers, institutions, and society by opening up research outputs. Fides provides examples from developing digital repositories and e-publishing, highlighting implementation issues and policy considerations.
Email exchange granting permission to post the two power point presentation delivered during the Forum: Continuing Professional Education (CPE) for Librarians held at Lyceum of Batangas, Batangas City last April 18, 2007
Powerpoint presentation entitled "A Review of Existing Standards in Philippine Libraries" prepared by Ms. Elnora Conti and presented by BFL Chair Prof Corazon Nera during the Forum: CPE for Librarians last April 18, 2007 at Lyceum of Batangas, Batangas City
1. The National Committee on Libraries and Information Services NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA)
2. NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) Republic Act No. 7356 – An Act Creating the National Commission for Culture and the Arts, Establishing a National Endowment Fund for Culture and the Arts and For Other Purposes. (April 3, 1992)
3. Mandate NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) Development of Pluralistic Culture Promotion of Historical and Cultural Heritage Dissemination of Artistic and Cultural Works
4. NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) Preservation and Integration of Traditional Culture Ensure Standards of Excellence
5. Organizational Units of the NCCA NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) A. The Board of Commissioners (BOC) B. The National Advisory Board (NAB) C. The Sub Commissions (SC)
6. NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) D. The National Committees (NCs) E. Secretariat
7. The Board of Commissioners (BOC) NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) The National Commission for Culture and the Arts is governed by a Board of Commissioners.
8. NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) The Chairman of the Senate Committee on Culture The Chairman of the House Committee on Culture The Undersecretary of the Dept. of Educ. The Undersecretary of the Dept. of Tourism
9. NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) The President of the Cultural Center of the Philippines The Executive Director of the National Historical Institute The Director of the National Museum The Director of the National Library
10. NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) The Commissioner Chairman of the Komisyon ng Wikang Filipino The Director of the National Archives of the Philippines The Executive Director of the NCCA The Head of the Subcommission on Cultural Dissemination
11. NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) The Head of the Subcommission on the Arts The Head of the Subcommission for Cultural Heritage The Head of the Subcommission on Cultural Communities and Traditional Arts
12. National Advisory Board (NAB) NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) The BOC is also assisted by a NAB composed of four (4) subcommissions.
13. Subcommissions (SC) NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) Sub-Commission on the Arts Sub-Commission on Cultural Heritage (SCH) Sub-Commission on Cultural Communities and Traditional Arts Sub-Commission on Cultural Dissemination These are as follows:
14. Sub-commission on Cultural Heritage (SCH) NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) Committee on Monuments and Sites Committee on Historical Research Committee on Art Galleries Committee on Archives The SCH is composed of the ff National Committees (NC)
15. NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) Committee on Libraries and Information Services Committee on Museums
16. NATIONAL COMMITTEE ON LIBRARIES AND INFORMATION SERVICES (NCLIS) NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA)
17. NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) One of the 19 national committees under NCCA mandated to formulate policy guidelines as well as plan, develop, and implement programs or projects that will promote the advancement of library and information services in the country, with particular emphasis on the enrichment of the arts and culture collection of libraries nationwide.
18. Membership NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) A. Individual Members - individuals who join in their personal capacity
19. NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) B. Institutional Members - those who join as representatives of recognized culture and art groups who are officially nominated and designated by their respective Boards or Agency Heads
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21. NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) 2. Private Sector Members – those who join representing and / or affiliated with their own non-governmental organizations.
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27. NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) Antonio M. Santos - Head Marianita D. Dablio - Vice-Head Rebecca B. Napiere - Secretary Lourdes V. Soriano - Asst. Secretary Cynthia Y. Dagus - P.R.O. MEMBERS Claudette V. Albano Arabella M. Ananoria Rosemarie E. Ante Fr. Paul M. de Vera O.S. B. Susima L. Gonzales (PLAI) Thelma S. Kim Flora A. Valmonte (TNL) Illuminada W. Yap
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37. NCCA Competitive Grants Program NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) For the year 2008, the NCCA has created the theme of “Arts and Culture in Public Spaces” focused on Values Education (Good Governance and Good Citizenship) to provide direction to projects that will be supported by the Commission. Project proponents are required to develop projects around the said theme.
38. NCCA Competitive Grants Program NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) In relation to the said theme, NCLIS have identified the following available project grants for August to December 2008:
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40. NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) Requirements for Submission : 1. Regular requirements of NCCA (refer to proposal form); 2. Full project proposal and detailed line-item budget
41. NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) Criteria for evaluation of the proposals : 1. Relevance to the NCCA theme for 2008: (a) Libraries in Pluralistic Culture (b) Educating for Good Citizenship (c) Libraries and Values Reformation (d) Partnering Libraries for Good Governance, Citizenship and Values Ed.
42. NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) 2. Potential impact on target beneficiaries 3. Conference must have a workshop component and must not be less than 3 days; 4. Applicability of output production Budget per project: Php 300,000.00 Slots open for application: 1 each for Luzon, Visayas, Mindanao and NCR
43. NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) B. Research Qualification of the Proponent 1. Regular requirements of the NCCA (refer to proposal form); 2. Organizations, institutions or individuals with expertise or proven credentials in research.
44. NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) Requirements for Submission : 1. Regular requirements of NCCA (refer to proposal form); 2. Research Outline; 3. Research Methodology; 4. Research Framework 5. Full project proposal and detailed line-item budget
45. NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) Criteria for evaluation of the proposals : 1. The research must be conducted in the ff. key cities: Luzon (Baguio, Vigan, Dagupan, Legaspi, Calamba, Puerto Princesa), Visayas (Cebu, Tagbilaran, Iloilo, Tacloban, bacolod), Mindanao (Davao, Marawi, Zamboanga), NCR (Manila, Quezon City, Mandaluyong);
46. NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) 2. The survey shall include not only resources in libraries and information centers but also private collections and memorabilia; 3. Minimum number of bibliographical entries shall consist of 3,000 items; 4. Types of materials shall include all forms (print and non-print)
47. NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) 5. Proponents shall adopt one established citation format. Budget per project: Php 165,000.00 Slots open for application: 17 (1 each for key city identified.
48. NCCA Competitive Grants Program NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) For the year 2009, the National Commission for Culture and the Arts (NCCA) has created the theme of “Arts and Culture for Sustainable Development” (environmental sustainability, gender sensitivity, health ed., cultural diversity, creative industry, eco-tourism) will be required of proponents to develop.
49. NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) In observance of the said theme, NCLIS have identified the following available project grants for January to December 2009:
50. NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) Qualification of the Proponent 1. Regular requirements of the NCCA (refer to proposal form); 2. Library associations, schools and institutions A. Regional Conferences on Exploring the Role of Libraries in Arts and Culture for Sustainable Development
51. NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) Requirements for Submission : 1. Regular requirements of NCCA (refer to proposal form); 2. Full project proposal and detailed line-item budget; 3. Program of Activities; 4. List of Speakers and Topics 5. Profile of Speakers 6. Profile of Participants
52. NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) Criteria for evaluation of the proposals : 1. Relevance to the NCCA theme for 2009: (a) Environmental Sustainability (Luzon Conference) (b) Creative Industry (Luzon Conference) (c) Gender Sensitivity (Visayas Conf.) (d) Health Education (Visayas Conf.)
53. NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) (e) Eco-tourism (Mindanao Conference) (f) Cultural Diversity (Mindanao Conference) 2. Conference must be implemented within the 1 st quarter of 2009.
54. NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) Budget per project: Php 300,000.00 Slots open for application: 1 each for Luzon, Visayas, and Mindanao (Conference must be implemented within the 1 st quarter of 2009.)
55. NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) Qualification of the Proponent 1. Regular requirements of the NCCA (refer to proposal form); 2. Organizations, institutions or individuals with expertise or proven credentials in research. B. Research on Indigenous Materials on Sustainable Development
56. NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) Requirements for Submission : 1. Regular requirements of NCCA (refer to proposal form); 2. Abstract of Paper / Research; 3. Significance of the Study; 4. Review of Related Literature 5. Outline of Research 6. Two (2) recommendation letters from an established cultural / art organizations/institutions 7. Full project proposal and detailed line-item budget.
57. NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) Criteria for evaluation of the proposals : 1. Relevance with the NCCA theme for 2009: (a) Libraries in Pluralistic Culture; (b) Educating for Sustainable Development; (c) Libraries in Multicultural Appreciation; (d) Linking Libraries for Ethno- Linguistic and Cultural Development
58. NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) 2. The survey shall be conducted in Luzon, Visayas, and Mindanao or NCR; 3. The survey shall include only indigenous materials found in libraries and information centers, private collections and memorabilia; 4. Minimum number of bibliographical entries shall consist of 3,000 entries; 5. Types of materials shall include all forms (print and non- print) of indigenous materials
59. NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) Budget per project: Php 200,000.00 Slots open for application: 2 each for Luzon, Visayas, Mindanao and NCR
60. NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) Qualification of the Proponent 1. Regular requirements of the NCCA (refer to proposal form); 2. Library Associations, Organizations, Institutions or Individuals. C. Publication
61. NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) Requirements for Submission : 1. Regular requirements of NCCA (refer to proposal form); 2. Full project proposal and detailed line-item budget; 3. Manuscript; 4. 3 quotations from publishing houses 5. Recommendations from at least 2 experts from the cultural sector; 6. Distribution and Marketing Scheme
62. NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) Criteria for evaluation of the proposals : 1. Contributes to the scholarly advancement of the library sector and profession; 2. Pioneering study on the library sector and profession; 3. Provides new insights on the library sector and profession;
63. NATIONAL COMMISSION FOR CULTURE AND THE ARTS (NCCA) Budget per project: Php 250,000.00 Slots open for application: 2