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The
Medieval
Lyric
Ceara Lokay
What is a lyric?
 The term “lyric” comes from the middle French lyrique meaning a
“short poem expressing personal emotion” (etymonline.com) in
the 1580’s.
 Butterfield states “The modern lyric came into being when readers
decided they wanted to read poems as lyrics” (323).
 Lyrics are traditionally hand written and were meant to be heard
and not read.
A Brief History of the Medieval
Lyric
 The lyric tradition began with the Troubadours and Trouvères poetic practices in
France.
 The Troubadours were situated in southern France in the 11th century and the
Trouvères were situated in northern France in the 12th century
 Troubadours spoke in the Provencal language and the Trouvères spoke a
variation root of modern French
 The troubadour way of poetry disappeared around the beginning of the 13th
century with destruction of the Provencal civilization due to the crusades
History Continued:
 The Trouveres and the Troubadours lived a highly nomadic life, traveling from
kingdom to kingdom, performing for nobles that had either heard of their
prowess or were willing to offer them patronage for their ability to provide
musical entertainment.
Lyric Types
Religious
 developed as a way to appeal to
the large and common masses that
attended church
 Some religious lyrics were created
per request of the nobility, similar
to stained glass in cathedrals
Secular
 depicted the scenes of everyday life
as well as the themes of nature
 These themes were also copied by
the religious poets who “was aware
of his rival’s power over a part of the
psyche proper to that rival’s sphere
of operation, and therefore
borrowed his technique or
phraseology as seemed fit” (Stone
175).
Lyric Performance
 performed in front of nobles and their courts if they were of the secular theme
and also performed in church and the people assembled there if they were
religious
 There were a variety of instruments that may have accompanied a lyrical
performance including the harp, the lute, guitar, viol, rebec and a small
portative organ.
Rebec
Portative Organ
The Choir of the Cathedral and Abbey Church
of St Alban
From the Album Christmas at St Albans
September 25, 2007
"I Sing of a Maiden (Middle English Lyric)." I Sing of a
Maiden (Middle English Lyric). 2011. Web. 28 Mar. 2016.
Modern Lyrics
 Modern lyrics are not often thought of as poetry but rather a song.
 modern lyric is similar to its medieval counter parts in that the music that would
accompany the singing is not typically placed with the lyrics that are free for the
public to access
 music sheets which can be purchased and viewed to understand how different
instruments can be used to recreate the original song and song sheets for the
lyrics can also be purchased if a singer would be interested in learning how to
sing that song with the correct tones and inflections of their voice
Of Monsters
and Men:
Dirty Paws
 The sheet music here has
been written for the piano
and also for vocals and
chords.
 The first four measures are
representing the piano
notes on the top measures
and the ones below are for
chords.
 In the next three measures
is when the vocals are
added, being placed above
the piano notes.
Piano
Chords
Vocals
Piano
Chords
Jumping up and down the floor, my head is an animal
And once there was an animal, it had a son that mowed the lawn
The son was an ok guy
They had a pet dragonfly
The dragonfly, it ran away
But it came back with a story to say...
Her dirty paws and furry coat, she ran down the forest slopes
The forest of talking trees, they used to sing about the birds and the bees
The bees had declared a war - the sky wasn't big enough for them all
The birds, they got help from below
From dirty paws and the creatures of snow
(Nanna Bryndis Hilmarsdottir and Ragnar Thorhallsson)
Dirty Paws by Of Monsters and Men: Lyrics
Lyrics have only
increased in
popularity through
the ages.
 People still want to be able to sing their
favorite songs.
 There are even lyric music videos that are
now being created by the artist’s and the
different companies to compete with fan
made lyric videos.
 Our desire for understanding and
enjoying music has never stopped, but
rather it has grown and will continue to
grow.
Works Cited
Butterfield, Ardis. "Why Medieval Lyric?" ELH 82.2 (2015): 319-343. Project MUSE. Web. 21
Oct. 2015.
Duncan, Thomas G., ed. Companion to the Middle English Lyric. Suffolk, GBR: D. S. Brewer,
2005. ProQuest ebrary. Web. 26 Nov. 2015.
Dronke, Peter. The Medieval Lyric. London: Hutchinson, 1968. Print.
Fein, Susanna Greer. "The Complete Harley 2253 Manuscript, Volume 1: Introduction. Robbins Library Digital
Projects. Medieval Institute Publications, 2015. Web. 28 Nov. 2015.
Gray, Douglas. Themes and Images in the Medieval English Religious Lyric. London: Routledge
and K. Paul, 1972. Print.
Hilmarsdottir, Nanna Bryndis and Thorhallsson, Ragnar. Dirty Paws. n.d. United Kingdom:
Sony ATV Music Publishing, 2012. Web. 23 Nov. 2015.
"I Sing of a Maiden (Middle English Lyric)." I Sing of a Maiden (Middle English Lyric). 2011. Web. 28 Mar. 2016.
"Of Monsters and Men." - Dirty Paws Lyrics. LYRICS © SONY/ATV MUSIC PUBLISHING
LLC, n.d. Web. 27 Nov. 2015.
"Online Etymology Dictionary." Online Etymology Dictionary. N.p., n.d. Web. 24 Nov. 2015.
Palti, Kathleen. "Singing Women: Lullabies and Carols In Medieval England." The Journal of
English and Germanic Philology 3 (2011): 359. Literature Resource Center. Web. 28
Nov. 2015
Seay, Albert. Music in the Medieval World. Englewood Cliffs, NJ: Prentice-Hall, 1965. Print.
Stone, Brian. Medieval English Verse. (S.l.: Londres): Penguin, 1972. Print.
The Choir of the Cathedral and Abbey Church of St Alban. I Sing of a Maiden. Lammas, 2007. MP3.

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The Medieval Lyric

  • 2. What is a lyric?
  • 3.  The term “lyric” comes from the middle French lyrique meaning a “short poem expressing personal emotion” (etymonline.com) in the 1580’s.  Butterfield states “The modern lyric came into being when readers decided they wanted to read poems as lyrics” (323).  Lyrics are traditionally hand written and were meant to be heard and not read.
  • 4. A Brief History of the Medieval Lyric  The lyric tradition began with the Troubadours and Trouvères poetic practices in France.  The Troubadours were situated in southern France in the 11th century and the Trouvères were situated in northern France in the 12th century  Troubadours spoke in the Provencal language and the Trouvères spoke a variation root of modern French  The troubadour way of poetry disappeared around the beginning of the 13th century with destruction of the Provencal civilization due to the crusades
  • 5. History Continued:  The Trouveres and the Troubadours lived a highly nomadic life, traveling from kingdom to kingdom, performing for nobles that had either heard of their prowess or were willing to offer them patronage for their ability to provide musical entertainment.
  • 6. Lyric Types Religious  developed as a way to appeal to the large and common masses that attended church  Some religious lyrics were created per request of the nobility, similar to stained glass in cathedrals Secular  depicted the scenes of everyday life as well as the themes of nature  These themes were also copied by the religious poets who “was aware of his rival’s power over a part of the psyche proper to that rival’s sphere of operation, and therefore borrowed his technique or phraseology as seemed fit” (Stone 175).
  • 7. Lyric Performance  performed in front of nobles and their courts if they were of the secular theme and also performed in church and the people assembled there if they were religious  There were a variety of instruments that may have accompanied a lyrical performance including the harp, the lute, guitar, viol, rebec and a small portative organ. Rebec Portative Organ
  • 8. The Choir of the Cathedral and Abbey Church of St Alban From the Album Christmas at St Albans September 25, 2007 "I Sing of a Maiden (Middle English Lyric)." I Sing of a Maiden (Middle English Lyric). 2011. Web. 28 Mar. 2016.
  • 10.  Modern lyrics are not often thought of as poetry but rather a song.  modern lyric is similar to its medieval counter parts in that the music that would accompany the singing is not typically placed with the lyrics that are free for the public to access  music sheets which can be purchased and viewed to understand how different instruments can be used to recreate the original song and song sheets for the lyrics can also be purchased if a singer would be interested in learning how to sing that song with the correct tones and inflections of their voice
  • 11. Of Monsters and Men: Dirty Paws  The sheet music here has been written for the piano and also for vocals and chords.  The first four measures are representing the piano notes on the top measures and the ones below are for chords.  In the next three measures is when the vocals are added, being placed above the piano notes. Piano Chords Vocals Piano Chords
  • 12. Jumping up and down the floor, my head is an animal And once there was an animal, it had a son that mowed the lawn The son was an ok guy They had a pet dragonfly The dragonfly, it ran away But it came back with a story to say... Her dirty paws and furry coat, she ran down the forest slopes The forest of talking trees, they used to sing about the birds and the bees The bees had declared a war - the sky wasn't big enough for them all The birds, they got help from below From dirty paws and the creatures of snow (Nanna Bryndis Hilmarsdottir and Ragnar Thorhallsson) Dirty Paws by Of Monsters and Men: Lyrics
  • 13. Lyrics have only increased in popularity through the ages.  People still want to be able to sing their favorite songs.  There are even lyric music videos that are now being created by the artist’s and the different companies to compete with fan made lyric videos.  Our desire for understanding and enjoying music has never stopped, but rather it has grown and will continue to grow.
  • 14. Works Cited Butterfield, Ardis. "Why Medieval Lyric?" ELH 82.2 (2015): 319-343. Project MUSE. Web. 21 Oct. 2015. Duncan, Thomas G., ed. Companion to the Middle English Lyric. Suffolk, GBR: D. S. Brewer, 2005. ProQuest ebrary. Web. 26 Nov. 2015. Dronke, Peter. The Medieval Lyric. London: Hutchinson, 1968. Print. Fein, Susanna Greer. "The Complete Harley 2253 Manuscript, Volume 1: Introduction. Robbins Library Digital Projects. Medieval Institute Publications, 2015. Web. 28 Nov. 2015. Gray, Douglas. Themes and Images in the Medieval English Religious Lyric. London: Routledge and K. Paul, 1972. Print. Hilmarsdottir, Nanna Bryndis and Thorhallsson, Ragnar. Dirty Paws. n.d. United Kingdom: Sony ATV Music Publishing, 2012. Web. 23 Nov. 2015. "I Sing of a Maiden (Middle English Lyric)." I Sing of a Maiden (Middle English Lyric). 2011. Web. 28 Mar. 2016. "Of Monsters and Men." - Dirty Paws Lyrics. LYRICS © SONY/ATV MUSIC PUBLISHING LLC, n.d. Web. 27 Nov. 2015. "Online Etymology Dictionary." Online Etymology Dictionary. N.p., n.d. Web. 24 Nov. 2015. Palti, Kathleen. "Singing Women: Lullabies and Carols In Medieval England." The Journal of English and Germanic Philology 3 (2011): 359. Literature Resource Center. Web. 28 Nov. 2015 Seay, Albert. Music in the Medieval World. Englewood Cliffs, NJ: Prentice-Hall, 1965. Print. Stone, Brian. Medieval English Verse. (S.l.: Londres): Penguin, 1972. Print. The Choir of the Cathedral and Abbey Church of St Alban. I Sing of a Maiden. Lammas, 2007. MP3.