The Lost Generation Europe between the Wars
Surrealism
The Persistence of Memory Dali
Pressenetment de la guerre civile Dali
Apparition of a Fruit Dish and Face on a Beach Dali
Temptation of St. Anthony Dali
Cannibalism in August Dali
This is not a pipe (translation) Magritte
The Lovers Magritte
La Condition Humaine Magritte
Love Song De Chirico
Montparnasse Station De Chirico
Cubism
Portrait of Gertrude Stein Picasso
Les Demoiselles D’Avignon Picasso
Three Dancers Picasso
Mother and Child Picasso
The City Leger
Two Women Holding Flowers Leger
Three Women Leger
Dada
The Fountain Duchamp
Bicycle Wheet Duchamp
Violin Man Ray
Literature
Enrique Remarque,  All Quiet on the Western Front Robert Graves,  Good-bye to All that,  1929

The Lost Generation

Editor's Notes

  • #2 Post-World War I modernism includes well-known surrealists such as Salvador Dalí, René Magritte (particularly the famous Ceçi n'est pas une pipe , 1926), the Dada movement, or cubists such as Pablo Picasso ( Three Dancers , 1925, or Artist and Subject , 1928,) The the rejection of pre-World War I values is found in the loss of form and composition in many modern works. Fernand Léger's The City (1919) and many of his other works, in which the human form is reduced to simple geometric shapes is reminiscent of replaceable machine parts, illustrating the mechanization and emptiness of the interwar decades. In the same way, the late nineteenth century's optimism and pessimism are instantly recognizable works such as George Seurat's Sunday Afternoon at Le Grande Jatte (1884-6) and Edvard Munch's The Scream (1905). These examples ground the art in a broader context of the changing social circumstances, such as industrialization, international tensions, and reinforces the impact of art, which reinforces the historical transformation.