This documentary examines the murder of Anni Dewani in South Africa. It presents evidence from interviews, archival footage, and reconstructions to explore the crime and question whether Anni's husband arranged her murder. The film begins by introducing Anni and her husband, then shows footage of their wedding and honeymoon location. It interviews those suspected of involvement and presents CCTV footage and call records. Police statements read by actors add context. The documentary concludes by discussing the sentences handed down and lingering questions around the husband's role in Anni's death.

2. This is a mixed documentary as it has a range of
evidence for the exposition:
 Interviews
 Archive Footage
 Reconstruction
 Narration

3.  Crime
 Law and Order
 Justice
 Suspicion and Possible FalseAllegation
 Romance
 Tradition
 Culture
 Homosexuality
 Marriage

4.  Beginning: Introduction to Anni and her husband and
shows a computerized reconstruction of the murder.Then
shows footage of the couples wedding and scenery of the
honeymoon location/murder scene.
 Middle:This goes through all of the people supposedly
involved in the murder and provides evidence through
CCTV footage and text message/phone call records. Police
statements by those prosecuted are read out by actors.
Questions the involvement of the husband in Anni’s
murder.
 Ending: Concludes with explaining the sentences which
those involved with Anni’s murder got and the question
still of whether her husband arranged her murder or not
and explains that now he in a hospital for his psychological
state.

5.  High angles from CCTV footage
 Head and shoulder shots in the
rule of thirds of the people being
interviewed.
 Extreme close-ups of documents.
 Panning shots of the hotel
 Point of view shots from within
the car.
 Simple cuts.
 Close-up of murder weapon
 Handheld camera in
reconstruction
 Medium/long shot of recreation
using mannequins
 Long shot of all suspects lined up

6. The mise en scene is all relevant to the
documentary topic: the honeymoon location,
actors reading the police statements have prison
bars in the background, detectives/inspectors
interviewed in offices, scenes in court, the hotel,
UK and South Africa.

7.  Diegetic sound: this is evident in the interviews and
narration.
 Non-diegetic sound: there is Indian cultured music
playing at the wedding footage, phone sounds and
eerie music playing softly in the background every
now and again. Also eerie music plays in the
reconstruction and builds up as the danger increases.

8.  Spotlight on CCTV footage.
 Black and white when actors
read out the police statements.
 Fade in and fade out of CCTV
footage and nice scenery fades
out to black.
 Montage of photo’s of the
crime and the couple.
 Day to night
 SimpleCuts

9. The archive material is the CCTV footage and
wedding footage also all of the still images.
The documents and press involvement is all
part of the archive material too.

10.  Simple graphics were used since a serious topic was being
documented. Simple white writing to go against simple black
backgrounds. Prison bar backgrounds were used during the actors
reading out the statements. All of these have connotations of
prison and convicts. Also the BBC Panorama logo was placed on
there.These graphics were used to documents the time and place
during reconstruction and CCTV footage and the names and
professions of the people being interviewed –who they are and
why they are important.