The document discusses the play 'The Dumb Waiter' by Harold Pinter, highlighting the symbolism of the dumb waiter as a representation of disconnect in human communication between the characters Ben and Gus. It draws parallels between Pinter's work and the Theatre of the Absurd, particularly Samuel Beckett's 'Waiting for Godot', emphasizing themes of power dynamics and existential meaninglessness. Pinter's use of silence as a dramatic tool reveals the characters' true motivations, contrasting with Beckett's portrayal of alienation and boredom.