The dark night analysis
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The Dark Night Analysis discusses the genre, representation, audience, narrative, institutions involved, and some of the technology and granite used in the film. The document states that The Dark Night is an action film featuring fast-paced fighting, shooting, and driving scenes. It represents Batman as a heroic symbol and the Joker as a villain who will go to any lengths to prove society is as crazy as he is. The film was aimed at audiences ages 12 and older. The narrative depicts Batman becoming an outcast when people start dying and blaming him, though he continues trying to do what's right.
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Evaluation question 1
This document provides a repertoire of common elements found in thriller films, including stock characters, narratives, settings, and iconography. Some key stock characters mentioned are the victim, hit man, hero, villain, and henchmen. Common stock narratives include revenge, serial murder/crime, kidnapping, and hero saving his true love. Typical stock settings listed are parking lots, apartments, empty fields, busy cities, and abandoned warehouses. Iconography often featured includes guns, suits, masks, gadgets, sunglasses, money, weapons, and fast cars.
Evaluation question 1
The document describes common stock elements used in thriller films, including characters, narratives, settings, and iconography. Some key stock characters mentioned are the victim, hit man, hero, and villain. Common stock narratives include revenge, serial murder/crime, kidnapping, and hero saving his true love. Typical stock settings listed are parking lots, apartments, fields, cities, and warehouses. Iconography elements often seen include guns, suits, masks, gadgets, money, weapons, and fast cars.
Evaluation 1
The document discusses the conventions of action thriller genre films. It describes key elements such as fighting scenes, car chases, violence and stunts in the action genre, and mysteries, cases and search missions in the thriller genre. When combined in an action thriller, the story involves a hero pursuing a villain. The summary discusses props, costumes, locations, lighting, editing, music and titles that are common in action thriller films. It also describes character archetypes of the hero and villain. The challenge presented is about a drug addict with hidden boxing talents who is given a chance to prove himself in a fight.
Planning our thriller film
The document outlines plans for a student thriller film called "Flashpoint" to be produced by Rear Window Productions. It will tell the story of Grace, who witnesses a murder while taking photos in the marshes. She sees Fred and Lizzie fighting through her camera lens, with Lizzie emerging as the killer. The document discusses the characters, location, storyboard, and costume designs to establish the thriller genre and challenge stereotypes through references to classic films.
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The group Rear Window Productions plans a thriller film called "Flashpoint" about a woman named Grace who witnesses a murder while taking photos in the marshes. The synopsis and storyboard describe the scene where Grace unintentionally photographs Lizzie killing her partner Fred during a fight. Lizzie then spots Grace and her red scarf, leaving her safety in question. The characters, locations, and costumes are designed to reference classic thriller films and subvert gender stereotypes with a female killer and witness overpowering male victims.
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The document analyzes the openings of three Christopher Nolan Batman films: Batman Begins, The Dark Knight, and The Dark Knight Rises. All three openings begin with an "enigma code" and feature intense background music to build suspense. They also use fast-paced editing to keep the audience engaged without becoming bored. The camerawork in each follows characters as they move to keep them in frame.
Critical Response Brief 2 : Superhero Movies
The document discusses the evolution of superhero movies from 1966 to 2013. It analyzes and compares the trailers for the 1966 Batman movie starring Adam West and the 2008 Dark Knight movie starring Christian Bale. While the 1966 Batman trailer has a campy, comic book style aimed at children, the Dark Knight trailer has a darker, realistic tone inspired by changes in comics from the 1970s onward. The document examines how the trailers use different conventions, themes, and styles to appeal to different audiences based on the era. It also discusses how the Dark Knight trailer set a new standard that influenced many later superhero films to adopt a similar realistic, character-driven approach.
The Dark Knight - Genre, Narrative and Representation (Student Project)
Here are a few key points about representation in The Dark Knight:
- Male characters like Batman and Harvey Dent are portrayed as strong, powerful, intelligent and in positions of authority. Their masculinity is exaggerated.
- Female characters like Rachel are often sexualized and objectified. Rachel is depicted as needing to be rescued and is tempted by multiple men.
- Elderly characters take on wise but less dominant roles. Youth are more easily manipulated. Children are shown as helpless victims.
- Villains like the Joker and Two-Face have physical disabilities/deformities and are depicted as insane and unaccepted by society.
- Ethnic groups like Russians, Italians and Black people are associated more with crimin
English
The document provides details about the 2008 film The Dark Knight, directed by Christopher Nolan. It summarizes the plotline, which centers around Batman confronting the villain the Joker in Gotham City. Key details include the lead actors Christian Bale as Batman and the late Heath Ledger's outstanding performance as the Joker. The document also quotes some of the Joker's memorable lines from the film and praises Nolan's dark, complex direction of the thriller.
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