Passia Y., Roupas P.

1. THE
CONTINGENT
CITY/
Η
ΕΝΔΕΧΟΜΕΝΙΚΗ
ΠΟΛΗ
C+D
PATTERNS
+A-SIGNS
001
THE CONTINGENT CITY _4 DIMENSIONS | 253 DEGREES OF FREEDOM
De-coding the possibilities of the city's sociospatial metabolism
YOTA PASSIA | PANAGIOTIS ROUPAS
N A T I O N A L T E C H N I C A L U N I V E R S I T Y O F A T H E N S
S C H O O L O F A R C H I T E C T U R E
STUDIOENTROPIA

2. THE
CONTINGENT
CITY/
Η
ΕΝΔΕΧΟΜΕΝΙΚΗ
ΠΟΛΗ
C+D
PATTERNS
+A-SIGNS
001
A DESIGN METHODOLOGY FOR ARCHITECTURE AND THE CITY
+
A CONCEPTUAL SCHEMA FOR ANALYZING + GENERATING URBAN AND SPATIALFORMS
A CONVERGENT PHASE OF SELECTION + A DIVERGENT PHASE OF DESIGN
D E S I G N P A T T E R N S + A - S I G N S

3. CONVERGENT
PHASE/
ΣΥΓΚΛΕΙΣΕΙΣ
C
PATTERNS
001
A CODE OF DESIGN PATTERNS
DESIGN PATTERNS AS ELEMENTARY UNITS
PROCESS OF REPRESENTATION
PROCESS OF SELF-ORGANIZATION

4. CONVERGENT
PHASE/
ΣΥΓΚΛΕΙΣΕΙΣ
C
PATTERNS
001
DESIGN PATTERN 31.PROMENADE

5. 1.PETER EISENMAN_GREAT COLOMBUS CONVENTION CENTER, COLOMBUS, OHIO_1990-1993
2.FRANK O. GEHRY_VITRA DESIGN MUSEUM, WEIL AM REIN, GERMANY_1989
3.SHOEI YOH_ODAWARA SPORTS COMPLEX_TOKYO,JAPAN_1999
4.SHIRRED, ZAGO_NATIONAL MUSEUM OF SCOTLAND_UK1995
253DESIGN
PATTERNS/
253ΠΕΔΙΑ
ΣΧΕΔΙΑΣΜΟΥ
C
FORM�STRUCRURE�SURFACE
DESIGN PATTERNS
TOTAL
ALL
204
253
253
PATTERNS
001

6. 1.PETER EISENMAN_GREAT COLOMBUS CONVENTION CENTER, COLOMBUS, OHIO_1990-1993
2.FRANK O. GEHRY_VITRA DESIGN MUSEUM, WEIL AM REIN, GERMANY_1989
3.SHOEI YOH_ODAWARA SPORTS COMPLEX_TOKYO,JAPAN_1999
4.SHIRRED, ZAGO_NATIONAL MUSEUM OF SCOTLAND_UK1995
66DESIGN
PATTERNS/
66ΠΕΔΙΑ
ΣΧΕΔΙΑΣΜΟΥ
C
FORM�STRUCRURE�SURFACE
DESIGN PATTERNS
TOTAL
ALL
66
253
253
PATTERNS
001

7. 4DIMENSIONS/
4ΔΙΑΣΤΑΣΕΙΣ
C
FORM�STRUCRURE�SURFACE
001

8. 4
DIMENSIONAL
DEGREES/
4ΒΑΘΜΟΙ
ΔΙΑΣΤΑΣΕΩΝ
C 001

9. 6MICRO-
SYSTEMS/
6ΜΙΚΡΟ-
ΣΥΣΤΗΜΑΤΑ
C
PATTERNS
001
3 6 . D E G R E E S O F P U B L I C N E S S 6 6 . H O L Y G R O U N D 9 8 . C I R C U L A T I O N R E A L M S
1 2 7 . I N T I M A C Y G R A D I E N T 1 4 2 . S E Q U E N C E O F S I T T I N G S P A C E S 1 9 3 . H A L F - O P E N W A L L

10. SEMANTIC
SCALES/
ΣΗΜΑΣΙΟΛΟΓΙΚΕΣ
ΚΛΙΜΑΚΕΣ
C
DESIGN PATTERNS
TOTAL
ALL
204
253
001

11. 4-CRITERIA
LIST/
4ΚΡΙΤΗΡΙΑ
ΟΜΟΙΩΣΗΣ
C
DESIGN PATTERNS
CRITERIA LIST
CRITERIA LIST
66
4
DISPERSION, HETEROGENEITY, PRIVACY, SPATIAL SEPARATION
PATTERNS
001

12. 1.PETER EISENMAN_GREAT COLOMBUS CONVENTION CENTER, COLOMBUS, OHIO_1990-1993
2.FRANK O. GEHRY_VITRA DESIGN MUSEUM, WEIL AM REIN, GERMANY_1989
3.SHOEI YOH_ODAWARA SPORTS COMPLEX_TOKYO,JAPAN_1999
4.SHIRRED, ZAGO_NATIONAL MUSEUM OF SCOTLAND_UK1995
12-CRITERIA
LIST/
12ΚΡΙΤΗΡΙΑ
ΟΜΟΙΩΣΗΣ
C
DESIGN PATTERNS
12-CRITERIA LIST
LIST
66
12
RECOGNZABILITY, DECENTRALIZATION, DISPERSION, EXTERNALITY, INTERNALITY
HETEROGENEITY, CLUSTERS, CENTRALITY, BOYNDARY, SPATIAL SEPARATION
PATTERNS
001

13. THECITY'S
4DIMENSIONS/
ΟΙ4ΔΙΑΣΤΑΣΕΙΣ
ΤΗΣΠΟΛΗΣ
C
DESIGN PATTERNS
TOTAL
ALL
204
253
253
001

14. DIMENSIONAL
"DEMES"/
ΟΙ"ΔΗΜΟΙ"ΤΩΝ
ΔΙΑΣΤΑΣΕΩΝ
C
DESIGN PATTERNS
TOTAL
ALL
204
253
253
001

15. DIMENSIONAL
DEGREES/
ΒΑΘΜΟΙ
ΔΙΑΣΤΑΣΕΩΝ
C
DESIGN PATTERNS
TOTAL
ALL
204
253
253
001

16. D 000
BART HESS
A-SIGNS/

17. D 000
[ D I V E R G E N T P H A S E ]
[ACTUAL DOMAIN]
[PROPERTIES OF FORM]
[GEOMETRIC PROPERTIES]
[MATERIAL PROPERTIES]
[QUALITATIVE PROPERTIES]
[TOWARDS]
[QUANTITY]
[MATTER]
[STRUCTURE]
[SPATIAL OBJECTS] [ASSEMBLAGES]
[relations of material and expressive components]
[processes of stabilization assemblage's identity]
[A-SIGNIFYING SIGNS] or [a-signs]
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
[ A F F E C T S ]
DIVERGENTPHASE/
INITIATION
_ _ _

18. D 001
LIST/
A-SIGNIFYINGSIGNS
[A]
[B]
[C]
[D]
[Ε]
[001]
[002]
[003]
[004]
[005]
[006]
[007]
[008]
[009]
[010]
[011]
[012]
[013]
[014]
[015]
[016]
[017]
[018]
[019]
[020]
[021]
[022]
[023]
[024]
[025]
[026]
[027]
[028]
[029]
[030]
[031]
[032]
[033]
[034]
[035]
AFFILIATIONS
AMBIGUITY
ANTIGRAVITY
APPLIED SIGN
AURAL CONTINUITY
AMORPHOUS
BLACK-STUFF
BLANKNESS
BLURINESS
BORROWED LANDSCAPES
BOX-WITHIN_BOX
CAMOUFLAGE
CARTESIAN GRID
CINEMATIC TECHNIQUES
CLEAR STRUCTURE
CONNOTATION
CONTINUITY
CRITICAL MASS
CROSS PROGRAMMING
DEFAMILIARIZATION
DEMATERIALISATION
DIAGRID
DIAGONALISATION
DISCONTINUOUS
DISESTABLISHING REDUCTION
DISORIENTATION
DISPOSITION
DIVERSITY
ECCENTRICITY
ELASTICITY
EMERGENT GRID
EMTPINESS
EPHEMERALITY
EXPERIMENTAL LAYERING
EXTERNAL TEXTS
[F]
[G]
[H]
[I]
[J]
[K]
[L]
[M]
[N]
[O]
[036]
[037]
[038]
[039]
[040]
[041]
[042]
[043]
[044]
[045]
[046]
[047]
[048]
[049]
[050]
[051]
[052]
[053]
[054]
[055]
[056]
[057]
[058]
[059]
[060]
[061]
FACIALITY
FIGURE/GROUND
FLUID DYNAMICS
FRAGMENT
FREE-SECTION
FOLDING
GAP
GRADATION OF DOMAIN
GRAPHIC PATTERNS TO GLASS
HOUSE WITHIN A HOUSE
IMPERMANENCE
INCONGRUENCE
INDISCERNIBILITY
INTENSIVE COHERENCE
ISOLATION
KINETIC
MASKING
MATERIALITY
MOIRRE
MUTUAL EVOCATIONS
NEUTRAL ZONES
NO AXIAL ORIENTATION
NOISE
OPEN ENFOLDNESS
OPENESS
ORNAMENT

19. D 002
LIST/
A-SIGNIFYINGSIGNS
[P]
[Q]
[R]
[S]
[T]
[U]
[V]
[062]
[063]
[064]
[065]
[066]
[067]
[068]
[069]
[070]
[071]
[072]
[073]
[074]
[075]
[076]
[077]
[078]
[079]
[080]
[081]
[082]
[083]
[084]
[085]
[086]
[087]
[088]
[089]
[090]
[091]
[092]
[093]
PERFORMATIVE FORM
PERFORMATIVE PATTERN
PLEATED
POINTING
POROSITY
RADICAL PASSIVITY
RANDOMNESS
RESILIENCE
RYTHM
SCALELESS
SECOND NATURE
SEMI-LATICCE
SEMI-PERMEABLE MEMBRANE
SEMI-SECLUSION
SEMI-TRANSPARENT
SINGLE-SURFACE TECHNIQUE
SINKING ROOM
SLIT WINDOWS
SPASM
STILLNESS
STRUCTURE VANISH
SUPERPOSITION
SUPERSATURATION
SUPERGRAPHIC
TRANSPARENCY
TRANSVERSALITY
USE OF SPACE vs FUNCTION
UTSUROI | FEEL TIME
CHANGING
VAGUENESS
VASTNESS
VARIATION [TEXTURE/COLOR]
VILLAGE WITHIN A HOUSE
[V]
[W]
[Z]
[093]
[094]
[095]
[096]
[097]
[097]
[099]
[100]
VILLAGE WITHIN A HOUSE
VISUAL DEPTH
VISUAL LIGHTNESS
VISUAL OBJECTS
VISUAL VIBRATION
WEAK FORM / DEGREE ZERO
WETGRID
ZERO DEGREE

20. A-SIGNS
AFFECTS
PROJECTS
4
21
4
1. SEDAI MEDIATHEQUE_TOYO
ITO_SENDAI, JAPAN_2000
2. OMA_EURALILLE:CENTRE
INTERNATIONAL D’AFFAIRES_-
LILLE, FRANCE_1996
3. MVRDV_VILLA PRO_HILVER-
SUM, THE NETHER-
LANDS_1997
4. NOX_SOFTOFFICE_UK_2005
DIAGONALIZATION/
ΔΙΑΓΩΝΟΠΟΙΗΣΗ
[AXIALITY]
[CONTINGENCY]
[DIAGONALITY]
[DIRECTIONALITY]
[OPENESS]
[SERIALITY]
[SYMMETRY]
FORM�SPACE�SURFACE
AFFECTS
D 023

21. A-SIGNS
AFFECTS
PROJECTS
4
21
4
3. MVRDV_VILLA PRO_HILVERSUM, THE NETHERLANDS_1997
1. SEDAI MEDIATHEQUE_TOYO
ITO_SENDAI, JAPAN_2000
2. OMA_EURALILLE:CENTRE
INTERNATIONAL D’AFFAIRES_-
LILLE, FRANCE_1996
3. MVRDV_VILLA PRO_HILVER-
SUM, THE NETHER-
LANDS_1997
4. NOX_SOFTOFFICE_UK_2005
DIAGONALIZATION/
ΔΙΑΓΩΝΟΠΟΙΗΣΗ
[AXIALITY]
[CONTINGENCY]
[DIAGONALITY]
[DIRECTIONALITY]
[OPENESS]
[SERIALITY]
[SYMMETRY]
FORM�SPACE�SURFACE
AFFECTS
D 023

22. A-SIGNS
AFFECTS
PROJECTS
4
21
4
3. MVRDV_VILLA PRO_HILVERSUM, THE NETHERLANDS_1997
1. SEDAI MEDIATHEQUE_TOYO
ITO_SENDAI, JAPAN_2000
2. OMA_EURALILLE:CENTRE
INTERNATIONAL D’AFFAIRES_-
LILLE, FRANCE_1996
3. MVRDV_VILLA PRO_HILVER-
SUM, THE NETHER-
LANDS_1997
4. NOX_SOFTOFFICE_UK_2005
DIAGONALIZATION/
ΔΙΑΓΩΝΟΠΟΙΗΣΗ
[AXIALITY]
[CONTINGENCY]
[DIAGONALITY]
[DIRECTIONALITY]
[OPENESS]
[SERIALITY]
[SYMMETRY]
FORM�SPACE�SURFACE
AFFECTS
D 023

23. A-SIGNS
AFFECTS
PROJECTS
4
21
4
3. MVRDV_VILLA PRO_HILVERSUM, THE NETHERLANDS_1997
DIAGONALIZATION/
ΔΙΑΓΩΝΟΠΟΙΗΣΗ
[AXIALITY]
[CONTINGENCY]
[DIAGONALITY]
[DIRECTIONALITY]
[OPENESS]
[SERIALITY]
[SYMMETRY]
FORM�SPACE�SURFACE
AFFECTS
D 023
1. SEDAI MEDIATHEQUE_TOYO
ITO_SENDAI, JAPAN_2000
2. OMA_EURALILLE:CENTRE
INTERNATIONAL D’AFFAIRES_-
LILLE, FRANCE_1996
3. MVRDV_VILLA PRO_HILVER-
SUM, THE NETHER-
LANDS_1997
4. NOX_SOFTOFFICE_UK_2005
3. MVRDV_VILLA PRO_HILVERSUM, THE NETHERLANDS_1997

24. A-SIGNS
AFFECTS
PROJECTS
4
21
4
3. MVRDV_VILLA PRO_HILVERSUM, THE NETHERLANDS_1997
1. SEDAI MEDIATHEQUE_TOYO
ITO_SENDAI, JAPAN_2000
2. OMA_EURALILLE:CENTRE
INTERNATIONAL D’AFFAIRES_-
LILLE, FRANCE_1996
3. MVRDV_VILLA PRO_HILVER-
SUM, THE NETHER-
LANDS_1997
4. NOX_SOFTOFFICE_UK_2005
DIAGONALIZATION/
ΔΙΑΓΩΝΟΠΟΙΗΣΗ
[AXIALITY]
[CONTINGENCY]
[DIAGONALITY]
[DIRECTIONALITY]
[OPENESS]
[SERIALITY]
[SYMMETRY]
FORM�SPACE�SURFACE
AFFECTS
D 023

25. A-SIGNS
AFFECTS
PROJECTS
4
21
4
3. MVRDV_VILLA PRO_HILVERSUM, THE NETHERLANDS_1997
1. SEDAI MEDIATHEQUE_TOYO
ITO_SENDAI, JAPAN_2000
2. OMA_EURALILLE:CENTRE
INTERNATIONAL D’AFFAIRES_-
LILLE, FRANCE_1996
3. MVRDV_VILLA PRO_HILVER-
SUM, THE NETHER-
LANDS_1997
4. NOX_SOFTOFFICE_UK_2005
DIAGONALIZATION/
ΔΙΑΓΩΝΟΠΟΙΗΣΗ
[AXIALITY]
[CONTINGENCY]
[DIAGONALITY]
[DIRECTIONALITY]
[OPENESS]
[SERIALITY]
[SYMMETRY]
FORM�SPACE�SURFACE
AFFECTS
D 023

26. D 001
LIST/
A-SIGNIFYINGSIGNS
[A]
[001]
[002]
[003]
[004]
[005]
[006]
AFFILIATIONS
[FO][ST][SC][SP]
AMBIGUITY
[FO][ST][SC][SU]
ANTIGRAVITY
[FO][ST][SC][SU]
APPLIED SIGN
[FO][ST][SC][SU]
AURAL CONTINUITY
[FO][ST][SC][SU]
AMORPHOUS
[FO][ST][SC][SU]
[AGGREGATED] [AMBIGUOUS] [AMORPHOUS]
[ASYMMETRY] [AXIALITY] [BLURINESS]
[COMPLEXITY] [CONTINGENCY]
[DIFFERENTIATED][DISCONTINUOUS]
[DISSIPATION][DISJUNCTION]
[DIVERSITY][INSTABILITY][PLEATED]
[OPENESS][OPEN-ENDNESS][RELIEF]
[ΤONALITY][VAGUENESS][VERTICALITY]
[AMBIGUITY][ASYMMETRY][BLURINESS]
[COMPLEXITY][CONTINGENCY]
[DEMATERIALISED][DISCONTINUOUS]
[DISJUNCTION][DISORIENTATION]
[DIVERSITY][FLEXIBILITY][FLUIDITY]
[INSTABILITY][VAGUENESS]
[DECONSTRUCTION] [DEMATERIALISED]
[DIFFERENTIATED] [DISCONTINUOUS]
[EFFORTLESS] [INSUBSTANTIALITY]
[SCALESS] [WEIGTHLESSNESS]
[AFFINITY] [AMBIGUOUS] [ASYMMETRY]
[BLURINESS][COMPLEXITY][CONTIGENCY]
[DIFFERENTIATION][DISCONTINOUS]
[DISCREPANCY][DISORIENTATION]
[DISSIPATION][DUPLICITY][MODULARITY]
[MUTATION][INTSBILITY][VAGUNESS]
[AFFINITY][GRADATION][FLUIDITY]
[INSUBSTANTIALITY][SERIALITY]
[TONALITY]
[A-CENTRICITY] [AMBIGUOUS] [ASYMME-
TRY] [BLURINESS] [COMPLEXITY] [DIF-
FERENTIATED] [DISCONTINOUS]
[DISORIENTED][DIVERSITY] [FLUIDITY]
[GRADATION] [MUTATION] [ΑΝΑΓΛΥΦΟΤΗΤΑ]
1.EASTREN DESIHM OFFICE_SLIT
HOUSE_SHIGA/JAPAN_2005
2.KENGO KUMA_Z58 OFFICES_SANGAI,
CHINA_2008
1.JUN AOKI_LOUIS VUITTON NAGOYA
STORE_2004_TOKYO, JAPAN
2.PETER EISENMAN_HOUSE II_1970_VER-
MONT, USA
1.ATELIER TEKUTO_MAGRITTE HOUSE_-
JAPAN_2007
1.TOYO ITO_TAMA ART LIBRARY_JAPAN_2007
1.TOYO ITO_WHITE U HOUSE_TOKYO,
JAPAN_1976
2.JUNYA ISHIGAMI_KAIT WORKSHOP_KANAGA-
WA, JAPAN
3.SANAA_ROLEX LEARNING CENTRE_EPFL
LAUSANNE_2010
4.SOU FUJIMOTO_HOUSE NA_TOKYO,-
JAPAN_2011
1.FUTURE SYSTEMS_SELFRIDGES DEPARTMENT
STORE_BIRMINGHAM, UK_2003
2.KENGO KUMA_SHIMONOSEKI-SHI KAWATANA
AFFECTSA-SIGNS PROJECTS

27. D 000
EXTROVERSION
[exteriority] < - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -> [interiority]
DELIMITATION
[demarcation] < - - - - - - - - - - - - - - - - - - - - - - - - - - -> [integration]
DECENTRALISATION
[concentration] < - - - - - - - - - - - - - - - - - - - - - - - - - -> [dispersion]
DIVERSIFICATION
[homogeneity] < - - - - - - - - - - - - - - - - - - - - - - - -> [heterogeneity]
DIMENSIONS/
A-SIGNIFYINGSIGNS

28. D 001
EXTROVERSION
[exteriority] < - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -> [interiority]
DIMENSIONS/
A-SIGNIFYINGSIGNS

29. 1.PETER EISENMAN_GREAT COLOMBUS CONVENTION CENTER, COLOMBUS, OHIO_1990-1993
1.PETER EISENMAN_GREAT
COLOMBUS CONVENTION
CENTER, COLOMBUS,
OHIO_1990-1993 [form]
2.FRANK O. GEHRY_VITRA
DESIGN MUSEUM, WEIL AM
REIN, GERMANY_1989 [form]
3.SHOEI YOH_ODAWARA
SPORTS COMPLEX [form]
4.SHIRRED, ZAGO_NATION-
AL MUSEUM OF SCOTLAND
AFFILIATIONS/
ΣΥΣΧΕΤΙΣΕΙΣ
A
[AGGREGATED]
[AMBIGUOUS]
[AMORPHOUS]
[ASYMMETRY]
[AXIALITY]
[BLURINESS]
[COMPLEXITY]
[CONTIGENCY]
[DIFFERENTIATED]
[DISCONTINUOUS]
[DISSIPATION]
[DISJUNCTION]
[DIVERSITY]
[PLEATED]
[OPENESS]
[OPEN-ENDNESS]
[RELIEF]
[ΤONALITY]
[INSTABILITY]
[VAGUENESS]
[VERTICALITY]
FORM�STRUCRURE�SURFACE
A-SIGNS
AFFECTS
PROJECTS
4
21
4
AFFECTS
001

30. 1. KAZUO SHINOHARA_TANIKA-
WA HOUSE_NAGANO,
JAPAN_1974 [L]
2. TOYO ITO & ASSOCIATES
_SENDAI MEDIATHEQUE_SENDAI,
JAPAN_1998
3. KAZUYO SEJIMA + RYUE
NISHIZAWA / SANAA ZOLLVEREIN
SCHOOL OF MANAGEMENT AND
DESIGN_Essen, Germany_2006
4. KENGO KUMA_Z58
OFFICES_SANGAI, CHINA_2008
ΔΑΝΕΙΚΑΤΟΠΙΑ
BORROWEDLANDSCAPES/
FORM�SPACE�SURFACE
3. KAZUYO SEJIMA + RYUE NISHIZAWA / SANAA ZOLLVEREIN SCHOOL OF MANAGEMENT AND DESIGN_ESSEN, GERMANY_2006
[AFFINITY]
[ALTERNATED]
[DIVERSITY]
[GRADATION]
[OPENESS]
[RELIEF]
[VAGUENESS]
[WEIGHTLESS]
AFFECTS
B010
A-SIGNS
AFFECTS
PROJECTS
9
8
4

31. 1. KAZUO SHONOHARA_HOUSE IN
UEHARA_SHIBUYA, TOKYO_1973
2. SHIN TAKAMATSU_SAPPORO_TOKYO,
JAPAN_1989
FACIALITY/
ΜΕΤΩΠΙΚΟΤΗΤΑ
FORM�SPACE�SURFACE
[AFFINITY]
[AGGREGATED]
[AMBIGUOUS]
[AMORPHOUS]
[ASYMMETRIC]
[BLURINESS]
[COMPLEXI]
[CONTIGENT]
[DECONSTRUCTED]
[DIFFERENTIATED]
[DISCONTINUOUS]
[DISCREPANCY]
[DISJUNCTION]
[DISSIPATION]
[DISORIENTATION]
[DIVERSITY]
[DUPLICITY]
[FLATNESS]
[FLUTED]
[GRADATION]
[PLEATED]
[POROSITY]
[RELIEF]
[SCALELESS]
[SERIALITY]
[SOFTNESS]
[SLENDERNESS]
[ΤONALITY]
[INSTABILITY]
[VERTICALITY]
[WEIGHTLESS]
1. KAZUO SHONOHARA_HOUSE IN UEHARA_SHIBUYA, TOKYO_1973
AFFECTS
F 036
A-SIGNS
AFFECTS
PROJECTS
9
31
2

32. 1. EASTREN DESIHM
OFFICE_SLIT HOUSE_SHIGA/-
JAPAN_2005
2.KENGO KUMA_Z58 OFFIC-
ES_SANGAI, CHINA_2008
ΠΑΡΑΘΥΡΑΣΧΙΣΜΕΣ
SLITOPENINGS/
FORM�STRUCRURE�SURFACE
1. EASTERN DESIGN OFFICE_SLIT HOUSE_SHIGA/JAPAN_2005
[AXIALITY]
[DEMATERIALISATION]
[DIVERSITY]
[FLUIDITY]
[GRADATION]
[INTER-CHANGEABILITY]
[POROSITY]
[SCALELESS]
[SERIALITY]
[SMOOTHNESS]
[TONALITY]
[TWO-DIMENSIONALITY]
[VERTICALITY]
AFFECTS
S079
A-SIGNIFYING SIGNS
AFFECTS
PROJECTS
5
13
2

33. D 002
DELIMITATION
[demarcation] < - - - - - - - - - - - - - - - - - - - - - - - - - - -> [integration]
DIMENSIONS/
A-SIGNIFYINGSIGNS

34. 4. SOU FUJIMOTO ARCHITECTS_HOUSE N_OITA, JAPAN_2008
1.HIROMI FUJI_MARUTAKE
BUILDING_TOKYO, JAPAN_1976
2. REM KOOLHAAS_ZENTUM
FUR KUNST UND MEDIETE-
CHOLOGIE_KARLSRUHE,
GERMANY_1989
3. BERNARD TSCHUMI_LE
FRESNOY_TOURSOING,
FRANCE_1991-1997
4. SOU FUJIMOTO ARCHI-
TECTS_HOUSE N_OITA,
JAPAN_2008
BOX_WITHIN_BOX/
ΧΩΡΟΣΜΕΣΑΣΕΧΩΡΟ
[AXIALITY]
[COMPLEXITY]
[DIFFERENTATIATED]
[DISJUNCTION]
[GRADATION]
[LATTICED]
[SCALELESS]
[SERIALITY]
FORM�STRUCRURE�SURFACE
A-SIGNS
AFFECTS
PROJECTS
AFFECTS
B 011
4
8
4

35. 1. TOYO ITO_WHITE U
HOUSE_TOKYO, JAPAN_1976
2. JUNYA ISHIGAMI +
ASSOCIATES_KANAGAWA
INSTITUTE OF TECHNOLOGY
KAIT WORKSHOP_KANAGAWA,
JAPAN
3. KAZUYO SEJIMA + RYUE
NISHIZAWA / SANAA_ROLEX
LEARNING CENTRE_EPFL
LAUSANNE_2010
4. SOU FUJIMOTO_HOUSE
NA_TOKYO, JAPAN_2011
ΑΚΟΥΣΤΙΚΗΣΥΝΕΧΕΙΑ
AURALCONTINUITY/
3. KAZUYO SEJIMA + RYUE NISHIZAWA / SANAA_ROLEX LEARNING CENTRE_EPFL LAUSANNE_2010
[AFFINITY]
[GRADATION]
[FLUIDITY]
[INSUBSTANTIALITY]
[SERIALITYΑ]
[TONALITY]]
FORM�SPACE�SURFACE
A-SIGNS
AFFECTS
PROJECTS
AFFECTS
A005
3
6
4

36. 1. TOYO ITO_TOWER OF WINDS_YOKOHAMA, JAPAN_1987
1. TOYO ITO_TOWER OF
WINDS_1987_YOKOHAMA, JAPAN
2. TOYO ITO & ASSOCIATES _SENDAI
MEDIATHEQUE_SENDAI,
JAPAN_1998
3. SANAA_GLASS CENTER FOR THE
TOLEDO MUSEUM OF ART_USA,
TOLEDO_2005
4. SANAA, STUDIO ADRIEN
GARDÈRE MUSÉE DU
LOUVRE-LENS. FRANCE _2012
DEMATERIALIZATION/
ΑΠΟ-ΥΛΟΠΟΙΗΣΗ
[AMBIGUITY]
[ASYMMETRY]
[BLURINESS]
[CONTINGENCY]
DECONSTRUCTION]
[DEMATERIALIZED]
[DISCONTINUOUS]
[DISJUNCTION]
[DISORIENTATION]
[DISSIPATION]
[GRADATION]
[LIGHTNESS]
[POROSITY]
[SCALELESS]
[SMOOTHNESS]
[TWO-DIMENSIONALITY]
[INSTABILITY]
FORM�SPACE�SURFACE
AFFECTS
D 022
A-SIGNS
AFFECTS
PROJECTS
7
21
4

37. AFFECTS
Z
1.HIROMI FUJII_TODOROKI RESIDENCE_ICHIKAWA_JAPAN_1976
1.HIROMI FUJII_TODOROKI
RESIDENCE_ICHIKAWA_-
JAPAN_1976
FORM�SPACE�SURFACE
ΒΑΘΜΟΣΜΗΔΕΝ
ZERODEGREE/
[AGGREGATION]
[AMBIGUOUS]
[AMORPHOUS]
[ASYMMETRY]
[BLURINESS]
[COMPLEXITY]
[CONTIGENCY]
[DECONSTRUCTION]
[DEMATERIALISED]
[DIFFERENTIATED]
[DISSIPATION]
[DISJUNCTION]
[DISCREPANCY]
[DISSOLUTION]
[DIVERSITY]
[FLEXIBILITY]
[MUTATION]
[RANDOMNESS]
[SCALELESS]
[TWO-DIMENSIONALITY]
[VAGUENESS]
A-SIGNS
AFFECTS
PROJECTS
8
21
2
024

38. D 003
DECENTRALISATION
[concentration] < - - - - - - - - - - - - - - - - - - - - - - - - - -> [dispersion]
DIMENSIONS/
A-SIGNIFYINGSIGNS

39. 1. TOYO ITO_TAMA ART LIBRARY_JAPAN_2007
1. TOYO ITO_TAMA ART
LIBRARY_JAPAN_2007
APPLIEDSIGΝ/
ΕΦΑΡΜΟΣΜΕΝΟΣΗΜΕΙΟ
[AFFINITY]
[AMBIGUOUS]
[ASYMMETRY]
[BLURINESS]
[COMPLEXITY]
[CONTIGENCY]
[DIFFERENTIATION]
[DISCONTINOUS]
[DISCREPANCY]
[DISORIENTATION]
[DISSIPATION]
[DUPLICITY]
[MODULARITY]
[MUTATION]
[PURPOSEFULNESS]
[INTSBILITY]
[VAGUNESS]
FORM�STRUCRURE�SURFACE
A-SIGNS
AFFECTS
PROJECTS
AFFECTS
004A
6
17
2

40. 1. HIROMI FUJII_MIYAJIMA HOUSE_TOKYO, JAPAN_1976
1. HIROMI FUJII_MIYAJIMA
HOUSE_TOKYO, JAPAN_1976
ΑΣΥΝΕΧΕΙΑ
DISCONTINUOITY/
[A-CENTRICITY]
[AMBIGUITY]
[AMORPHOUS]
[ASYMMETRY]
[ΑΡΑΙΩΣΗ]
[BLURINESS]
[COMPLEXITY]
[CONTIGENCY]
[DECONSTRUCTION]
[DEMATERIALISATION]
[DIFFERENTIATION]
[DISCONTINUITY]
[DISCREPANCY]
[DISJUNCTION]
[DISORIENTATION]
[DISSIPATION]
[INTER-CHANGEABILITY]
[POROUS]
[RANDOMNESS]
[TWO-DIMENIONALITY]
[VAGUNESS]
FORM�SPACE�SURFACE
AFFECTS
D
A-SIGNS
AFFECTS
PROJECTS
8
22
1
024

41. 3. SANAA_SANAA INSTALLATION AT THE MIES VAN DER ROHE PAVILION_BARCELONA, SPAIN_2008
1. DILLER + SCOFIDIO_BLUR
BUILDING_SWITZERLAND_2002
2. SANAA_SANAA INSTALLATION
AT THE MIES VAN DER ROHE
PAVILION_BARCELONA,
SPAIN_2008
3.SANAA_GLASS CENTER FOR
THE TOLEDO MUSEUM OF
ART_TOLEDO, USA_2005
DISORIENTATION/
ΑΠΟΠΡΟΣΑΝΑΤΟΛΙΣΜΟΣ
[A-CENTRICITY]
[AMBIGUOUS]
[AMORPHOUS]
[ASYMMETRY]
[BLURINESS]
[CONTIGENCY]
[DECONSTRUCTION]
[DEMATERIALISED]
[DISJUNCTION]
[DISSIPATION]
[DIVERSITY]
[FLUIDITY]
[OPENESS]
[OPEN-ENDNESS]
[RANDOMNESS]
[SCALELESS]
[INSTABILITY]
[VAGUENESS]
AFFECTS
D 026
A-SIGNS
AFFECTS
PROJECTS
7
21
3
FORM�SPACE�SURFACE

42. AFFECTS
T
1.SHIΝ TAKAMATSU_ARK CLINIC_KYOTO, JAPAN_1983
1.SHIΝ TAKAMATSU_ARK
CLINIC_KYOTO, JAPAN_1983
ΔΙΑΣΧΙΣΤΙΚΟΤΗΤΑ
TRANVERSALITY/
FORM�SPACE�SURFACE
[A-CENTRICITY]
[AFFINITY]
[AGGREGATED]
[AMBIGUOUS]
[AMORPHOUS]
[ASYMMETRY]
[CONCENTRATION]
[COMPLEXITY]
[DIFFERENTIATED]
[DISCONTINUOUS]
[DISJUNCTION]
[DISSIPATION]
[DIVERSITY]
[FLEXIBILITY]
[MUTATION]
[RANDOMNESS]
[SCALELESS]
[TWO-DIMENSIONALITY]
[VAGUNESS]
A-SIGNS
AFFECTS
PROJECTS
4
19
1
087

43. D 004
DIVERSIFICATION
[homogeneity] < - - - - - - - - - - - - - - - - - - - - - - - -> [heterogeneity ]
DIMENSIONS/
A-SIGNIFYINGSIGNS

44. 2. SOU FUJIMOTO_HOUSE NA_TOKYO, JAPAN_2011
1. PETER EISENMAN_-
HOUSE SERIES_1969-1989
2. SOU FUJIMOTO_-
HOUSE NA_TOKYO,
JAPAN_2011
CARTESIANGRID/
ΚΑΡΤΕΣΙΑΝΟΣΚΑΝΝΑΒΟΣ
[AXIALITY]
[CONTIGENCY]
[DIAGONALITY]
[DIVERSITY]
[FLATNESS]
[FLEXIBILITY]
[SCALELESS]
[SERIALITY]
[VERTICALITY]
FORM�STRUCRURE�SUR-
AFFECTS
C 013
A-SIGNS
AFFECTS
PROJECTS
5
9
2

45. 1. AKS RUNO_THE LIBRARY OF ALEXANDRIA_CAIRO, EGYPT_1989
[A-CENTRICITY]
[ALTERNATED]
[AMBIGUOUS]
[AMORPHOUS]
[SYMMETRY]
[BLURINESS]
[COMPLEXITY]
[CONTIGENCY]
[DECONSTRUCTION]
[DEMATERIALISED]
[DIFFERENTIATED]
DISCONTINUOUS]
[DISCREPANCY]
[DISSIPATION]
[FLUIDITY]
[FLUTED]
[MUTATION]
[INSUBSTANTIALITY]
[SMOOTHNESS]
[INSTABILITY]
[VAGUNESS]
[WEIGHTLESSNESS]
AFFECTS
B007
A-SIGNS
AFFECTS
PROJECTS
ΜΑΥΡΗΥΛΗ
BLACK-STUFF/
FORM�SPACE�SURFACE
1. AKS RUNO_THE LIBRARY
OF ALEXANDRIA_CAIRO,
EGYPT_1989
2. PETER EISENMAN_NAPOLI
STAZIONE ALTA VELOC-
ITÀ_NAPOLI, ITALY_2003
3
22
2

46. 1. TOYO ITO & ASSOCIATES _SENDAI MEDIATHEQUE_SENDAI, JAPAN_1998
1.TOYO ITO & ASSOCIATES
_SENDAI MEDIATHEQUE_SEND-
AI, JAPAN_1998
2. KAZUYO SEJIMA + RYUE
NISHIZAWA / SANAA ROLEX
LEARNING CENTRE_EPFL
LAUSANNE_2010
3. RYUE NISHIZAWA_TESHIMA
ART MUSEUM_TESHIMA
ISLAND, JAPAN_2011
CLEARSTRUCTURE/
ΔΙΑΚΡΙΤΗΔΟΜΗ
[AFFINITY]
[ARCHING]
[AXIALITY]
[DIAGONALITY]
[DISJUNCTION]
[EFFORTLESS]
[FLATNESS]
[LATTICED]
[OPEN-ENDNESS]
[PURPOSEFULNESS]
[SERIALITY]
[VERTICALITY]
FORM�STRUCRURE�
AFFECTS
C 015
A-SIGNS
AFFECTS
PROJECTS
7
12
3

47. 1. FOA_YOKOHAMA PORT
TERMINAL_YOKOHAMA,
JAPAN_1999
2. HERZOG AND DE
MEURON_PRADA AOYAMA
STORE_TOKYO, JAPAN_2003
3. OMA_SEATTLE LIBRARY,
SEATTLE, USA_2005
4. FOSTER AND
PARTNERS_HEARST HEADQUAR-
TERS_NEW YORK, USA_2006
5. FOSTER AND PARTNERS_30
ST.MARY AXE_LONDON, UK_2010
ΔΙΑΓΩΝΙΟΠΛΕΓΜΑ
DIAGRID/
AXIALITY]
[CONCENTRATION]
[DIAGONALITY]
[DIRECTIONALITY]
[DISSIPATION]
[INTER-CHANGEABILITY]
[FOLDING]
[GRADATION]
[KINETIC]
[REPETITIVITY]
[SERIALITY]
[SYMMETRY]
[TRIANGULARITY]
FORM�SPACE�SURFACE
AFFECTS
D
2. HERZOG AND DE MEURON_PRADA AOYAMA STORE_TOKYO, JAPAN_2003
A-SIGNS
AFFECTS
PROJECTS
8
13
5
022

48. D 001
DIMENSION/
A-SIGNIFYINGSIGNS
SORTING
[A]
[B]
[C]
[D]
[Ε]
AFFILIATIONS
AMBIGUITY
ANTIGRAVITY
APPLIED SIGN
AURAL CONTINUITY
AMORPHOUS
BLACK-STUFF
BLANKNESS
BLURINESS
BORROWED LANDSCAPES
BOX-WITHIN_BOX
CAMOUFLAGE
CARTESIAN GRID
CINEMATIC TECHNIQUES
CLEAR STRUCTURAL STRATEGY
CONNOTATION
CONTINUITY
CRITICAL MASS
CROSS PROGRAMMING
DEFAMILIARIZATION
DEMATERIALISATION
DIAGRID
DIAGONALISATION
DISCONTINUOUS
DISESTABLISHING REDUCTION
DISORIENTATION
DISPOSITION
DIVERSITY
ECCENTRICITY
ELASTICITY
EMERGENT GRID
EMTPINESS
EPHEMERALITY
EXPERIMENTAL LAYERING
EXTERNAL TEXTS
[001]
[002]
[003]
[004]
[005]
[006]
[007]
[008]
[009]
[010]
[011]
[012]
[013]
[014]
[015]
[016]
[017]
[018]
[019]
[020]
[021]
[022]
[023]
[024]
[025]
[026]
[027]
[028]
[029]
[030]
[031]
[032]
[033]
[034]
[035]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[EXTROVERSION]_[EXTERIORITY vs INTERIORITY]
[DIVERSIFICATION]_[HOMOGENEITY vs HETEROGENEITY]
[DECENTRALIZATION]_[CONCENTRATION vs DISPERSION]
[DECENTRALIZATION]_[CONCENTRATION vs DISPERSION]
[DELIMITATION]_[DEMARCATION vs INTEGRATION]
[DIVERSIFICATION]_[HOMOGENEITY vs HETEROGENEITY]
[DIVERSIFICATION]_[HOMOGENEITY vs HETEROGENEITY]
[DIVERSIFICATION]_[HOMOGENEITY vs HETEROGENEITY]
[DELIMITATION]_[DEMARCATION vs INTEGRATION]
[EXTROVERSION]_[EXTERIORITY vs INTERIORITY]
[DELIMITATION]_[DEMARCATION vs INTEGRATION]
[DIVERSIFICATION]_[HOMOGENEITY vs HETEROGENEITY]
[DIVERSIFICATION]_[HOMOGENEITY vs HETEROGENEITY]
[DIVERSIFICATION]_[HOMOGENEITY vs HETEROGENEITY]
[DIVERSIFICATION]_[HOMOGENEITY vs HETEROGENEITY]
[DIVERSIFICATION]_[HOMOGENEITY vs HETEROGENEITY]
[DELIMITATION]_[DEMARCATION vs INTEGRATION]
[DELIMITATION]_[DEMARCATION vs INTEGRATION]
[DECENTRALIZATION]_[CONCENTRATION vs DISPERSION]
[DIVERSIFICATION]_[HOMOGENEITY vs HETEROGENEITY]
[DELIMITATION]_[DEMARCATION vs INTEGRATION]
[DIVERSIFICATION]_[HOMOGENEITY vs HETEROGENEITY]
[DELIMITATION]_[DEMARCATION vs INTEGRATION]
[DECENTRALIZATION]_[CONCENTRATION vs DISPERSION]
[DELIMITATION]_[DEMARCATION vs INTEGRATION]
[DECENTRALIZATION]_[CONCENTRATION vs DISPERSION]
[DELIMITATION]_[DEMARCATION vs INTEGRATION]
[DIVERSIFICATION]_[HOMOGENEITY vs HETEROGENEITY]
[DECENTRALIZATION]_[CONCENTRATION vs DISPERSION]
[DELIMITATION]_[DEMARCATION vs INTEGRATION]
[DIVERSIFICATION]_[HOMOGENEITY vs HETEROGENEITY]
[DECENTRALIZATION]_[CONCENTRATION vs DISPERSION]
[DIVERSIFICATION]_[HOMOGENEITY vs HETEROGENEITY]
[DELIMITATION]_[DEMARCATION vs INTEGRATION]
[DELIMITATION]_[DEMARCATION vs INTEGRATION]
CATEGORYA-SIGNS DIMENSION

49. D 002
DIMENSION/
A-SIGNIFYINGSIGNS
SORTING
[F]
[G]
[H]
[I]
[J]
[K]
[L]
[M]
[N]
[O]
[P]
[Q]
[R]
FACIALITY
FIGURE/GROUND
FLUID DYNAMICS
FRAGMENT
FREE-SECTION
FOLDING
GAP
GRADATION OF DOMAIN
GRAPHIC PATTERNS TO GLASS
HOUSE WITHIN A HOUSE
IMPERMANENCE
INCONGRUENCE
INDISCERNIBILITY
INTENSIVE COHERENCE
ISOLATION
KINETIC
MASKING
MATERIALITY
MOIRRE
MUTUAL EVOCATIONS
NEUTRAL ZONES
NO AXIAL ORIENTATION
NOISE
OPEN ENFOLDNESS
OPENESS
ORNAMENT
PERFORMATIVE FORM
PERFORMATIVE PATTERN
PLEATED
POINTING
POROSITY
RADICAL PASSIVITY
[036]
[037]
[038]
[039]
[040]
[041]
[042]
[043]
[044]
[045]
[046]
[047]
[048]
[049]
[050]
[051]
[052]
[053]
[054]
[055]
[056]
[057]
[058]
[059]
[060]
[061]
[062]
[063]
[064]
[065]
[066]
[067]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[EXTROVERSION]_[EXTERIORITY vs INTERIORITY]
[DELIMITATION]_[DEMARCATION vs INTEGRATION]
[DELIMITATION]_[DEMARCATION vs INTEGRATION]
[DECENTRALIZATION]_[CONCENTRATION vs DISPERSION]
[DELIMITATION]_[DEMARCATION vs INTEGRATION]
[DELIMITATION]_[DEMARCATION vs INTEGRATION]
[DECENTRALIZATION]_[CONCENTRATION vs DISPERSION]
[DELIMITATION]_[DEMARCATION vs INTEGRATION]
[DIVERSIFICATION]_[HOMOGENEITY vs HETEROGENEITY]
[DIVERSIFICATION]_[HOMOGENEITY vs HETEROGENEITY]
[EXTROVERSION]_[EXTERIORITY vs INTERIORITY]
[DIVERSIFICATION]_[HOMOGENEITY vs HETEROGENEITY]
[EXTROVERSION]_[DEMARCATION vs INTEGRATION]
[DECENTRALIZATION]_[CONCENTRATION vs DISPERSION]
[EXTROVERSION]_[EXTERIORITY vs INTERIORITY]
[DELIMITATION]_[DEMARCATION vs INTEGRATION]
[DIVERSIFICATION]_[HOMOGENEITY vs HETEROGENEITY]
[EXTROVERSION]_[EXTERIORITY vs INTERIORITY]
[DELIMITATION]_[DEMARCATION vs INTEGRATION]
[DECENTRALIZATION]_[CONCENTRATION vs DISPERSION]
[DELIMITATION]_[DEMARCATION vs INTEGRATION]
[DECENTRALIZATION]_[CONCENTRATION vs DISPERSION]
[DIVERSIFICATION]_[HOMOGENEITY vs HETEROGENEITY]
[EXTROVERSION]_[EXTERIORITY vs INTERIORITY]
[EXTROVERSION]_[EXTERIORITY vs INTERIORITY]
[DIVERSIFICATION]_[HOMOGENEITY vs HETEROGENEITY]
[DELIMITATION]_[DEMARCATION vs INTEGRATION]
[EXTROVERSION]_[EXTERIORITY vs INTERIORITY]
[DIVERSIFICATION]_[DEMARCATION vs INTEGRATION]
[DECENTRALIZATION]_[CONCENTRATION vs DISPERSION]
[EXTROVERSION]_[EXTERIORITY vs INTERIORITY]
[DIVERSIFICATION]_[HOMOGENEITY vs HETEROGENEITY]
CATEGORYA-SIGNS DIMENSION

50. D 003
DIMENSION/
A-SIGNIFYINGSIGNS
SORTING
[R]
[S]
[T]
[U]
[V]
[W]
[Z]
RANDOMNESS
RESILIENCE
RYTHM
SCALELESS
SECOND NATURE
SEMI-LATICCE
SEMI-PERMEABLE MEMBRANE
SEMI-SECLUSION
SEMI-TRANSPARENT
SINGLE-SURFACE TECHNIQUE
SINKING ROOM
SLIT WINDOWS
SPASM
STILLNESS
STRUCTURE VANISH
SUPERPOSITION
SUPERSATURATION
SUPERGRAPHIC
TRANSPARENCY
TRANSVERSALITY
USE OF SPACE vs FUNCTION
UTSUROI | FEEL TIME
CHANGING
VAGUENESS
VASTNESS
VARIATION [TEXTURE/COLOR]
VILLAGE WITHIN A HOUSE
VISUAL DEPTH
VISUAL LIGHTNESS
VISUAL OBJECTS
VISUAL VIBRATION
WEAK FORM / DEGREE ZERO
WETGRID
ZERO DEGREE
[068]
[069]
[070]
[071]
[072]
[073]
[074]
[075]
[076]
[077]
[078]
[079]
[080]
[081]
[082]
[083]
[084]
[085]
[086]
[087]
[088]
[089]
[090]
[091]
[092]
[093]
[094]
[095]
[096]
[097]
[097]
[099]
[100]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[FO][ST][SC][SU]
[DELIMITATION]_[DEMARCATION vs INTEGRATION]
[DELIMITATION]_[DEMARCATION vs INTEGRATION]
[DIVERSIFICATION]_[HOMOGENEITY vs HETEROGENEITY]
[DIVERSIFICATION]_[HOMOGENEITY vs HETEROGENEITY]
[DELIMITATION]_[DEMARCATION vs INTEGRATION]
[DELIMITATION]_[DEMARCATION vs INTEGRATION]
[DELIMITATION]_[DEMARCATION vs INTEGRATION]
[EXTROVERSION]_[EXTERIORITY vs INTERIORITY]
[EXTROVERSION]_[EXTERIORITY vs INTERIORITY]
[DELIMITATION]_[DEMARCATION vs INTEGRATION]
[DELIMITATION]_[DEMARCATION vs INTEGRATION]
[EXTROVERSION]_[EXTERIORITY vs INTERIORITY]
[DIVERSIFICATION]_[HOMOGENEITY vs HETEROGENEITY]
[DIVERSIFICATION]_[HOMOGENEITY vs HETEROGENEITY]
[DIVERSIFICATION]_[HOMOGENEITY vs HETEROGENEITY]
[DIVERSIFICATION]_[HOMOGENEITY vs HETEROGENEITY]
[DIVERSIFICATION]_[HOMOGENEITY vs HETEROGENEITY]
[DIVERSIFICATION]_[HOMOGENEITY vs HETEROGENEITY]
[EXTROVERSION]_[EXTERIORITY vs INTERIORITY]
[DECENTRALIZATION]_[CONCENTRATION vs DISPERSION]
[DIVERSIFICATION]_[HOMOGENEITY vs HETEROGENEITY]
[DELIMITATION]_[DEMARCATION vs INTEGRATION]
[DELIMITATION]_[DEMARCATION vs INTEGRATION]
[DECENTRALIZATION]_[CONCENTRATION vs DISPERSION]
[DIVERSIFICATION]_[HOMOGENEITY vs HETEROGENEITY]
[DIVERSIFICATION]_[HOMOGENEITY vs HETEROGENEITY]
[DIVERSIFICATION]_[HOMOGENEITY vs HETEROGENEITY]
[DELIMITATION]_[DEMARCATION vs INTEGRATION]
[EXTROVERSION]_[EXTERIORITY vs INTERIORITY]
[EXTROVERSION]_[EXTERIORITY vs INTERIORITY]
[DECENTRALIZATION]_[CONCENTRATION vs DISPERSION]
[DELIMITATION]_[DEMARCATION vs INTEGRATION]
[DELIMITATION]_[DEMARCATION vs INTEGRATION]
CATEGORYA-SIGNS DIMENSION

51. D 003
CODE/
A-SIGNS
EXTERIORITY
DEGREE OF EXTROVERSION
COHESION
DEGREE OF DELIMITATION
INTEGRATION
DEGREE OF DECENTRALIZATION
DIFFERENTIATION
DEGREE OF DIVERSIFICATION

52. D 003
CODE/
A-SIGNS
EXTERIORITY
DEGREE OF EXTROVERSION
INTEGRATION
DEGREE OF DECENTRALIZATION
DIFFERENTIATION
DEGREE OF DIVERSIFICATION
COHESION
DEGREE OF DELIMITATION
.[021]
DEMATERI-
ALISATION
.[040]
FREE
SECTION
.[072]
SECOND
NATURE
.[100]
ZERO
DEGREE
.[017]
CONTINUITY
.[037]
FIGURE/
GROUND
.[068]
RANDOM-
NESS
.[095]
VISUAL
LIGHTNESS
.[018]
CRITICAL
MASS
.[038]
FLUIDITY
.[069]
RESILIENCE
.[099]
WETGRID
.[011]
BOX-
WITHIN-BOX
.[035]
EXTERNAL
TEXTS
.[062]
PERFORMA-
TIVE
FORM
.[090]
VAGUENESS
.[009]
BLURINESS
.[034]
EXPERIMEN-
TAL
LAYERING
.[056]
NEUTRAL
ZONES
.[089]
UTSUROI
.[005]
AURAL
CONTINUITY
.[030]
ELASTICITY
.[054]
MOIRRE
.[078]
SINKING
ROOM
.[023]
DIAGONALI-
SATION
.[025]
DISESTABLIS
REDUCTION
.[027]
DISPOSITION
.[041]
FOLDING
.[043]
GRADATION
OF DOMAIN
.[051]
KINETIC
.[073]
SEMI-LATTICE
.[074]
SEMI-
PERMEABLE
.[077]
SINGLE
SURFACE
.[013]
CARTESIAN
GRID
.[012]
CAMOU-
FLAGE
.[008]
BLANKNESS
.[020]
DEFAMILIAR-
IZATION
.[044]
GRAPHIC
PATTERNS
.[033]
EPHEMERALITY
[031]
EMERGENT
GRID
.[028]
DIVERSITY
.[022]
DIAGRID
.[061]
ORNAMENT
.[080]
SPASM
.[071]
SCALELESS
.[070]
RYTHM
.[067]
RADICAL
PASSIVITY
.[064]
PLEATED
.[084]
SUPER-
SATURATION
.[007]
BLACK-STUFF
.[016]
CONNOTA-
TION
.[058]
NOISE
.[083]
SUPERPOSI-
TION
.[006]
AMOR-
PHOUS
.[015]
CLEAR
STRUCTURAL
STRATEGY
.[052]
MASKING
.[082]
STRUCTURE
VANISH
.[002]
AMBIGUITY
.[014]
CINEMATIC
TECHNIQUES
.[047]
INCOGRU-
ENCE
.[081]
STILLNESS
.[094]
VISUAL
DEPTH
.[093]
VILLAGE
WITHIN
HOUSE
.[092]
VARIATION
.[088]
SPACE vs.
FUNTION
.[085]
SUPER-
GRAPHIC
.[024]
DIS-
CONTINU-
OUS
.[019]
CROSS
PROGRAM-
MING
.[004]
APPLIED
SIGN
.[003]
ANTIGRAVI-
TY
.[042]
GAP
.[039]
FRAGMENT
.[032]
EMPTINESS
.[029]
ECCENTRICI-
TY
.[026]
DIS-
ORIENTA-
TION
.[091]
VASTNESS
.[098]
WEAK FORM
.[087]
TRANS-
VERSALITY
.[065]
POINTING
.[057]
NO AXIAL
ORIENTA-
TION
.[055]
MUTUAL
EVOCA-
TIONS
.[049]
INTENSIVE
COHERENCE
.[060]
OPENESS
.[001]
AFFILIA-
TIONS
.[010]
BORROWED
LAND-
SCAPES
.[036]
FACIALITY
.[046]
IMPERMA-
NENCE
.[048]
INDISCERN-
IBILITY
.[050]
ISOLATION
.[053]
MATERIALITY
.[059]
OPEN
ENFOLD-
NESS
.[063]
PERFORMA-
TIVE
PATTERN
.[066]
POROSITY
.[075]
SEMI-
SECLUSION
.[076]
SEMI-
TRANSPAR-
ENT
.[079]
SLIT
OPENINGS
.[086]
TRANS-
PARENCY
.[096]
VISUAL
OBJECTS
.[097]
VISUAL
VIBRATION