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The Bridegroom
by Alexander Pushkin
For three days Natasha
The merchant’s daughter,
Was missing. The third night,
She ran in, distraught.
Her father and mother
Plied her with questions.
She did not hear them,
She could hardly breathe.
Stricken with foreboding
They pleaded, got angry,
But still she was silent;
At last they gave up.
Natasha’s cheeks regained
Their rosy colour,
And cheerfully again
She sat with her sisters.
Once at the shingle-gate
She sat with her friends
-And a swift troika
Flashed by before them;
A handsome young man
Stood driving the horses;
Snow and mud went flying,
Splashing the girls.
He gazed as he flew past,
And Natasha gazed.
He flew on. Natasha froze.
Headlong she ran home.
‘It was he! It was he!’
She cried. ‘I know it!’
I recognized him! Papa,
Mama, save me from him!’
Full of grief and fear,
They shake their heads,
sighing.
Her father says: ‘My child,
Tell me everything.
If someone has harmed you,
Tell us … even a hint.’
She weeps again and
Her lips remain sealed.
The next morning, the old
Matchmaking woman
Unexpectedly calls and
Sings the girl’s praises;
Says to the father; ‘You
Have the goods and I
A buyer for them:
A handsome young man.
‘He bows to no one,
He lives like a lord
With no debts nor worries;
He’s rich and he’s generous,
Says he will give his bride,
On their wedding-day,
A fox-fur coat, a pearl,
Gold rings, brocaded
dresses.
‘Yesterday, out driving,
He saw your Natasha;
Shall we shake hands
And get her to church?’
The woman starts to eat
A [pie, and talks in riddles,
While the poor girl
Does not know where to look.
‘Agreed,’ says her father;
‘Go in happiness
To the altar, Natasha;
It’s dull for you here;
A swallow should not spend
All its time singing,
It’s time for you to build
A nest for your children.’
Natasha leaned against
The wall and tried
To speak – but found herself
Sobbing; she was shuddering
And laughing. The
matchmaker
Poured out a cup of water,
Gave her some to drink,
Splashed some in her face.
Her parents are distressed.
Then Natasha recovered,
And calmly she said:
‘Your will be done. Call
My bridegroom to the feast,
Bake loaves for the whole
world,
Brew sweet mead and call
The law to the feast.’
‘Of course, Natasha, angel!
You know we’d give our lives
To make you happy!’
They bake and they brew;
The worthy guests come,
The bride is led to the feasat,
Her maids sing and weep;
Then horses and a sledge
With the groom – and all sit.
The glasses ring and clatter,
The toasting-cup is passed
From hand to hand in tumult,
The guests are drunk.
Bridegroom:
‘Friends, why is my fair bride
Sad, why is she not
Feasting and serving?’
The bride answers the
groom:
‘I will tell you why
As best I can. My soul
Knows no rest, day and night
I weep; an evil dream
Oppresses me.’ Her father
Says: ‘My dear child, tell us
What your dream is.’
‘I dreamed,’ she says, ‘that I
Went into a forest,
It was late and dark;
The moon was faintly
Shining behind a cloud;
I strayed from the path;
Nothing stirred except
The tops of the pine-trees.
‘And suddenly, as if
I was awake, I saw
A hut. I approach the hut
And knock at the door
-Silence. A prayer on my lips
I open the door and enter.
A candle burns. All
Is silver and gold.’
Bridegroom:
‘What is bad about that?
It promises wealth.’
Bride:
‘Wait, sir, I’ve not finished.
Silently I gazed
On the silver and gold,
The cloths, the rugs, the silks
From Novgorod, and I
Was lost in wonder.
‘Then I heard a shout
And a clatter of hoofs …
Someone has driven up
To the porch. Quickly
I slammed the door and hid
Behind the stove. Now
I hear many voices …
Twelve young men come in,
‘And with them is a girl,
Pure and beautiful.
They’ve taken no notice
Of the ikons, they sit
To the table without
Praying or taking off
Their hats. At the head,
The eldest brother,
At his right, the youngest;
At his left, the girl.
Shouts, laughs, drunken
clamour …’
Bridegroom:
‘That betokens merriment.’
Bride:
‘Wait, sir, I’ve not finished.
The drunken din goes on
And grows louder still.
Only the girl is sad.
‘She sits silent; neither
Eating nor drinking;
But sheds tears in plenty;
The eldest brother
Takes his knife and,
whistling,
Sharpens it; seizing her by
The hair he kills her
And cuts off her right hand.’
‘Why,’ says the groom, ‘this
Is nonsense! Believe me,
My love, your dream is not
evil.’
She looks him in the eyes.
‘And from whose hand
Does this ring come?’
The bride said. The whole
throng
Rose in the silence.
With a clatter the ring
Falls, and rolls along
The floor. The groom
blanches,
Trembles. Confusion …
‘Seize him!’ the law
commands.
He’s bound, judged, put to
death.
Natasha is famous!
Our song is at an end.
Popular Music in Iran
Iran – Persian culture, Farsi
poli4cal/religious policies
Ershad – government’s ministry of Islamic
Guidance
Since the 1979 Revolu4on, the government has
wanted to prevent Western influence on
culture
Censorship
Solo female performance is forbidden in public
(except in front of all‐female audiences) – to
protect the “sexuality” of women
Dancing is forbidden on stage
Lyrics – gramma4cal errors are forbidden,
unsuitable words, lyrics that declare love for
anyone but Allah
Musical Style –
too much electric guitar is forbidden
Appearance – shaved heads, unsuitable clothes
Rap
Rap music – deemed “illegal” 2007 (same year,
there was a crackdown on fashion)
Many recording studios have been shut down
Rap‐e‐Fahrs (rap in Farsi) – lyrics are poli4cal,
sexual – influenced by Iranian rap scene in Los
Angeles – circulated back to Tehran via
underground networks
Music Distribu4on
No nightclubs – musicians have no place to
perform
Internet – government censorship, but they find
ways around it ‐ tehran360.com
2009 – a rock concert was raided by police –
109
audience members arrested for being devil
worshippers and drinking alcohol (alcohol is
banned in the Islamic republic)
Iran – tradi4onal instruments
Tar (le) Setar (middle)
Kamenchech – spiked fiddle

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The Bridegroom by Alexander PushkinFor three days Nata.docx

  • 1. The Bridegroom by Alexander Pushkin For three days Natasha The merchant’s daughter, Was missing. The third night, She ran in, distraught. Her father and mother Plied her with questions. She did not hear them, She could hardly breathe. Stricken with foreboding They pleaded, got angry, But still she was silent; At last they gave up. Natasha’s cheeks regained Their rosy colour, And cheerfully again She sat with her sisters. Once at the shingle-gate She sat with her friends -And a swift troika Flashed by before them; A handsome young man Stood driving the horses; Snow and mud went flying, Splashing the girls. He gazed as he flew past,
  • 2. And Natasha gazed. He flew on. Natasha froze. Headlong she ran home. ‘It was he! It was he!’ She cried. ‘I know it!’ I recognized him! Papa, Mama, save me from him!’ Full of grief and fear, They shake their heads, sighing. Her father says: ‘My child, Tell me everything. If someone has harmed you, Tell us … even a hint.’ She weeps again and Her lips remain sealed. The next morning, the old Matchmaking woman Unexpectedly calls and Sings the girl’s praises; Says to the father; ‘You Have the goods and I A buyer for them: A handsome young man. ‘He bows to no one, He lives like a lord With no debts nor worries; He’s rich and he’s generous, Says he will give his bride, On their wedding-day, A fox-fur coat, a pearl, Gold rings, brocaded dresses.
  • 3. ‘Yesterday, out driving, He saw your Natasha; Shall we shake hands And get her to church?’ The woman starts to eat A [pie, and talks in riddles, While the poor girl Does not know where to look. ‘Agreed,’ says her father; ‘Go in happiness To the altar, Natasha; It’s dull for you here; A swallow should not spend All its time singing, It’s time for you to build A nest for your children.’ Natasha leaned against The wall and tried To speak – but found herself Sobbing; she was shuddering And laughing. The matchmaker Poured out a cup of water, Gave her some to drink, Splashed some in her face. Her parents are distressed. Then Natasha recovered, And calmly she said: ‘Your will be done. Call My bridegroom to the feast, Bake loaves for the whole
  • 4. world, Brew sweet mead and call The law to the feast.’ ‘Of course, Natasha, angel! You know we’d give our lives To make you happy!’ They bake and they brew; The worthy guests come, The bride is led to the feasat, Her maids sing and weep; Then horses and a sledge With the groom – and all sit. The glasses ring and clatter, The toasting-cup is passed From hand to hand in tumult, The guests are drunk. Bridegroom: ‘Friends, why is my fair bride Sad, why is she not Feasting and serving?’ The bride answers the groom: ‘I will tell you why As best I can. My soul Knows no rest, day and night I weep; an evil dream Oppresses me.’ Her father Says: ‘My dear child, tell us What your dream is.’ ‘I dreamed,’ she says, ‘that I Went into a forest,
  • 5. It was late and dark; The moon was faintly Shining behind a cloud; I strayed from the path; Nothing stirred except The tops of the pine-trees. ‘And suddenly, as if I was awake, I saw A hut. I approach the hut And knock at the door -Silence. A prayer on my lips I open the door and enter. A candle burns. All Is silver and gold.’ Bridegroom: ‘What is bad about that? It promises wealth.’ Bride: ‘Wait, sir, I’ve not finished. Silently I gazed On the silver and gold, The cloths, the rugs, the silks From Novgorod, and I Was lost in wonder. ‘Then I heard a shout And a clatter of hoofs … Someone has driven up To the porch. Quickly I slammed the door and hid
  • 6. Behind the stove. Now I hear many voices … Twelve young men come in, ‘And with them is a girl, Pure and beautiful. They’ve taken no notice Of the ikons, they sit To the table without Praying or taking off Their hats. At the head, The eldest brother, At his right, the youngest; At his left, the girl. Shouts, laughs, drunken clamour …’ Bridegroom: ‘That betokens merriment.’ Bride: ‘Wait, sir, I’ve not finished. The drunken din goes on And grows louder still. Only the girl is sad. ‘She sits silent; neither Eating nor drinking; But sheds tears in plenty; The eldest brother Takes his knife and, whistling, Sharpens it; seizing her by The hair he kills her
  • 7. And cuts off her right hand.’ ‘Why,’ says the groom, ‘this Is nonsense! Believe me, My love, your dream is not evil.’ She looks him in the eyes. ‘And from whose hand Does this ring come?’ The bride said. The whole throng Rose in the silence. With a clatter the ring Falls, and rolls along The floor. The groom blanches, Trembles. Confusion … ‘Seize him!’ the law commands. He’s bound, judged, put to death. Natasha is famous! Our song is at an end. Popular Music in Iran Iran – Persian culture, Farsi
  • 8. poli4cal/religious policies Ershad – government’s ministry of Islamic Guidance Since the 1979 Revolu4on, the government has wanted to prevent Western influence on culture Censorship Solo female performance is forbidden in public (except in front of all‐female audiences) – to protect the “sexuality” of women Dancing is forbidden on stage Lyrics – gramma4cal errors are forbidden, unsuitable words, lyrics that declare love for anyone but Allah Musical Style – too much electric guitar is forbidden Appearance – shaved heads, unsuitable clothes Rap Rap music – deemed “illegal” 2007 (same year, there was a crackdown on fashion) Many recording studios have been shut down Rap‐e‐Fahrs (rap in Farsi) – lyrics are poli4cal,
  • 9. sexual – influenced by Iranian rap scene in Los Angeles – circulated back to Tehran via underground networks Music Distribu4on No nightclubs – musicians have no place to perform Internet – government censorship, but they find ways around it ‐ tehran360.com 2009 – a rock concert was raided by police – 109 audience members arrested for being devil worshippers and drinking alcohol (alcohol is banned in the Islamic republic) Iran – tradi4onal instruments Tar (le) Setar (middle) Kamenchech – spiked fiddle