Textual Analysis - Wizards Vs Aliens Title Sequence
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Here is a PowerPoint presentation of a Textual Analysis for my brief for G324 OCR A2 Media Studies, Brief 6 (Children's TV Drama). This analysis is for the CBBC drama, Wizards Vs Aliens.
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The martian trailer analysis script
The trailer for The Martian provides context about the film's plot, characters, and genre. It establishes that the main character, played by Matt Damon, is stranded alone on Mars after being presumed dead. Through humor and determination, he works to survive until the next NASA rescue mission in 4 years, though he only has enough food for 50 days. Shots of Mars and the characters in space suits signal that the film is a science fiction story. The trailer builds suspense around how the main character will survive until help arrives.
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This document analyzes the opening sequence of a student film created to be a thriller genre. It discusses how various shots, costumes, locations, sounds and other elements develop conventions of the thriller genre, such as using dark colors and lighting, dangerous props like knives, high angles to depict vulnerability, and revealing a violent climax early on. However, it also notes that revealing so much of the plot in the opening is unconventional. The purpose is to both develop and challenge conventions of real thriller film openings.
Trailer Analysis - Insidious
The trailer follows the narrative structure of having an initial equilibrium of a happy family in a new home, a disequilibrium when supernatural events disturb the son, and a new equilibrium when they learn the son is haunted rather than the house. It uses common household items and settings like stairs and rooms to add suspense. Sound, editing, and camera angles like jump cuts, quick fades, and close ups are used to create an alarming and tense atmosphere for the audience.
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For the Coronation Street trailer, the analysis notes that the song used creates a sense of familiarity but also dread. Facial expressions change from happy to shocked. Color, lighting, camera angles, and sound effects are used to create tension and disequilibrium for the audience.
For the Eastenders trailer, a cheesy western soundtrack is used for humor. Props and clothing are analyzed for their symbolic meanings. Settings, expressions, and lighting are used to build tension between characters. Western tropes through costumes, boots, and camera tilts are referenced. Cuts between shots also heighten tension.
Analysis of the skyfall title sequence
The Skyfall title sequence features Adele's dark and powerful soundtrack that reinforces the ominous tone set by the surreal dreamscape visuals of guns, blood, and danger shown underwater. These visuals manipulate weapons into objects like daggers turning into gravestones, establishing themes of action, mystery, and death through use of black and red colors. The camera follows Bond throughout different locations, creating tension by showing him dragged into uncertainty at the beginning. Through the visuals and music, the genre of an action-packed Skyfall is clear. The lengthy four-minute title sequence allows credit for all contributors but keeps text small so as not to distract from the compelling images and music.
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Trailer research - 28 Days Later
The document analyzes the trailer for the 2003 horror film "28 Days Later" in order to understand conventions of trailers for similar genres. The trailer opens with the Fox Searchlight Pictures logo to establish its credible producer. It uses unsettling sounds like sirens and screams to set an ominous tone. Fast editing with short clips builds tension through quick cuts between shots filmed from different angles and locations. These conventions, like using sound and editing to create an intense atmosphere without revealing too much of the plot, will inform the design of the author's own trailer.
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The document provides an analysis of key conventions and techniques used in the 1960 Alfred Hitchcock film Psycho. It discusses the film's establishment of conventions for the thriller/horror genre such as an isolated setting, blonde female victim, and knife as a weapon. It also analyzes the use of title sequences, mise-en-scene, sound, and camera work in pivotal scenes. Specifically, it notes how the jagged title design and unsettling music establish unease. Mise-en-scene depicts the vulnerability of the victim through clothing and positioning. Camera angles are used to reveal characters and build suspense.
Textual Analysis 2 – Insidious
The opening scene of Insidious establishes a horror tone with red titles against a black background. The boy's bedroom is shown to be dark and mysterious, with shadows that seem to move in sync with the camera. A woman holding a candle is revealed, appearing as a ghost or monster. This contrasts with the innocent sleeping boy and sets up common horror conventions. Later, establishing shots of a haunted house are shown in black and white, with supernatural occurrences happening as the names of actors appear. A slanted clock is zoomed into suddenly, hinting it may be possessed and important to the story.
Skyfall film opening sequence analysis report sheet
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Mise en scene Analysis
This scene analysis summarizes a shot from Jurassic Park featuring a Tyrannosaurus Rex. The T-Rex dominates the shot due to its large size, central focus, dark backdrop, and green coloration which casts it as threatening. The lighting is low-key, creating a dark and ominous atmosphere, with spots of high contrast from a flame and the T-Rex's skin. The camera uses a medium shot from an eye-level angle, placing the viewer behind the central character John Hammond. The composition features diagonal lines that increase tension between the man and dinosaur.
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Assignment 1 group research into our subgenre comedy horror
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The document analyzes elements of the Guardians of the Galaxy Trailer 3 including sound, movement, framing, mise en scene, lighting, and editing. It notes the trailer's use of diegetic and non-diegetic music. It describes the various shots used including jump cuts, crane shots, and angles. It analyzes how editing, music, and silence are used for comedy. It also examines the trailer's setting in space, use of lighting, and character movements to convey personality.
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The title sequence uses quick cuts and montages of extreme close-up insect images, distressed children's faces made from post-it notes, and newspaper clippings about a spreading pandemic to set an unsettling and ominous tone. Interspersed are title cards that rotate between their normal and negative colors. The sequence references the plot of a mysterious illness through the audio of radio broadcasts and builds a sense of disorientation through its fast pacing and lack of context for the disturbing images. It aims to make the viewer feel uncomfortable and uneasy in order to signal the style and themes of the horror film to come.
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This document analyzes and compares the opening title sequences of three sci-fi films directed by James Cameron: Aliens, Avatar, and Terminator 2: Judgment Day. It examines aspects like title speed and placement, camera shots, mise-en-scene elements, lighting, and music. Across the three films, Cameron establishes a signature style with establishing shots of spaceships, genre signifiers like hibernation beds, and dramatic music. However, he also adapts elements to each film based on factors like technology advances between 1986 and 2009.
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This trailer uses composed music and dialogue to introduce a villain threatening magical creatures. Wide shots establish the setting of old New York and introduce three main characters, one holding a suitcase that is important to the plot. Bird's eye views of a magical government building and two characters looking at a glowing sea creature through ice establish the fantasy elements and winter timeframe. Title cards and logos feature the same font and style to brand the film.
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The trailer for The Martian analyzes key genre elements and conventions. It begins on Mars during a storm that strands the main character, played by Matt Damon, who is then presumed dead. Through humor and perseverance, his character works to survive alone on Mars for over a year until the next rescue mission. The trailer leaves out some details of his initial survival to intrigue audiences. It establishes the science fiction genre through the Mars setting, NASA imagery, and spacesuits. Fast editing, tense music, and humor are used to create an entertaining tone depicting his urgent fight to stay alive on the red planet until help can arrive.
Analysing movie poster
The document provides an analysis of various movie posters, noting key elements that convey information about the movie's genre, plot, tone, and other qualities. Common techniques examined include prominent placement of the title and actors' names, use of vivid colors, depictions of characters and settings, images of weapons or conflict, and quotes or reviews from famous people. Examining these visual cues can give viewers insights into what type of movie it is and what to expect from the story.
Short film analysis
The three film openings compared - The Dark Knight, Star Wars, and Skyfall - all use action sequences and suspenseful music to engage audiences. They introduce heroes, villains, and high stakes situations through these set pieces. While different genres, each draws viewers in visually and establishes protagonists and antagonists. Similarities include gripping action openings and contrasting heroes from villains through costumes, while each film's style suits its genre.
Starwars trailer review jess, meida work (1)
The film review provides an overview of Star Wars: The Force Awakens including:
- It was directed by J.J. Abrams over 2-3 years with locations including UK and Iceland.
- The film aims to continue the sequel trilogy and make large profits by appealing to both new and old fans.
- It incorporates genres like science fiction, action and adventure through elements like robots, lightsabers and space scenes.
Textual analysis
The document analyzes two soap opera trailers from Eastenders and Hollyoaks. For the Eastenders trailer, the student likes how it uses a hurricane as a metaphor and plunges the familiar setting into chaos to hook viewers. They would repeat this simplicity but exploit the lack of dialogue. For the Hollyoaks trailer, they would repeat how it reinforces themes through editing but exploit this further. They would also simplify the storylines to not overwhelm new viewers.
Analysing post modern film trailers.
The trailer introduces the main protagonist of Kill Bill, known as The Bride, showing her in a black outfit representing mystery and danger. Through a fast-paced montage of shots, the trailer introduces the various scenes and antagonists The Bride faces, using fire patterns between shots to represent the fast-paced action. Symbolism of the color yellow is used to identify The Bride as she is shown fighting opponents wearing white. Director Quentin Tarantino aims to attract an active audience through fast editing, diegetic sound effects, and time remapping to create tension.
6 Film Analysis
The document provides an analysis of the openings of 6 horror and thriller films: 13 Ghosts, The Ring, Psycho, Inception, Misery. Key details analyzed include conventions, sounds, camera techniques, titles, and mise-en-scene. 13 Ghosts follows conventions with dark colors and isolated setting. The Ring establishes conflict between two women. Psycho uses dramatic music and colors while Inception has bright colors and natural sounds. Misery waits to introduce titles and uses the color red to foreshadow danger.
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Textual Analysis - Wizards Vs Aliens Title Sequence
- 1. Wizards Vs. Aliens (CBBC/Fremantle Media) by Scott Cartwright
- 2. To begin, the title sequence opens with the shows logo, this obviously clarifies to the audience what the show is called. Next we are presented with a graphics shot of the stars in a blue background, we also get a graphic of the School in which the two protagonist go to and where some of the series situations happen. Show runners are credited here, and put on an angle in order to fit in with the surroundings of the shot.
- 3. After, the shot zooms away from the school up towards a graphic of the moon and the saturation/colour changes to a more orange and black hue. The moon becomes grey to look more realistic. The association with the moon here is purely because the antagonist of the series (The Nekross) hide on the Dark Side of the Moon) Here the names of the actors playing the two protagonists are credited, their names are actually curved to make it The shot then zooms away to show a silhouetted graphic of the antagonist’s spaceship with an orange background which can reflect the colour of the Nekross’s skin. (Which is orange with segments of black) Here the names of the actor and actress playing the antagonists are credited, also credited is the famous actor Brian Blessed, who provides the voice for the main antagonist. seem as if they are moving across the moon.
- 4. We then go through a graphic of orange and black smoke (possibly flames, giving connotations that there’s war) It then reveals four silhouetted images of the four protagonist characters that feature in almost every episode (The two protagonist teen boys, Tom and Benny, Tom’s Dad (Michael) and Tom’s grandmother (Ursula) Here the names of the actors playing the remaining protagonist are credited. They are formatted to be almost italicised. Then special effects are used in the form of teleport beams, which are actually used in the series itself by the antagonists. So the audience will reckon this graphic after watching the series.
- 5. Finally, the teleporting effect moves the view quickly upwards to repeat the opening shot of the sequence, once again establishing what the show is called. I think the colour of the fonts of ‘Wizards’ and ‘Aliens’ are particularly interesting, the fiery orange of ‘Wizard’ connotes the magic they possess. Whilst the metallic green of ‘Aliens’ connotes the coldness and also green connotes a sly nature, referencing to the Antagonists perhaps?